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La culture comme rempart contre l’extrémisme | Mahi Binebine | TEDxElJadida


[Applause]

everyone then I will talk to you

today of one of a great adventure

an adventure first an adventure

first literary then

cinematographic and finally social

so the story started in 2003 1

May 16, 2003 fourteen young people came out

of a slum sidi moumen and have done

a carnage

in Casablanca kamikazes 14 young

aged between 18 and 25 and then

So we woke up one day

and it exploded at home

was not used to it we thought we

was immune to terrorism and

Well no we woke up one morning and

and here at home too it can

explode

with us too that can be

thought that terrorism was far

it was in chechnya palestine

we were far away because the Moroccan

is not someone is not someone

of violent Morocco is nice to us

do not have the culture of violence

in the water freezes the Moroccans really

I see him as someone nice

stops in the raab still in the

street to ask for a way there are ten

people who are here for for

indicate the path

obviously he gives you ten answers

different but but good morocco

is not so I wanted to understand a

little what happened to us and I was told

that the young people all came from sidi

moumen I said to myself I’m going to do the

move to sidi moumen and see a

little what this slum looked like

because slums

there are some everywhere in this country

in around cities and its agents

see everywhere and there I did the

moving to those ten words but

it was not easy after

attacks of de sidi moumen it was not

not easy to get into

those ten moments because there was

a lot of police a lot of

journalists and people the people of

slum was were wary

but I had a journalist friend who

was from sidi moumen and this

boyfriend made me come inside

some barracks inside I

wanted to see a little bit about what looks and

7.7 this incredible cesspool where lived in

the time

three hundred thousand inhabitants this is a

city ​​is a slum

it’s a city where there are sewers

disemboweled the delays of the sheet

wavy of it looked like anything except

in Morocco

by the way in Morocco we did not know

I personally was born at the end

bottom of the medina of marrakech

I have never seen such a thing and

besides, there is a wall when one

pass between casa and flap we do not see

this Sunday the toutou paris pretty tits

that is, the yen is not attacked

by not set by set this horror and

so I told myself the first picture

I had when entering Sidi Moumen

it was kids playing at

football on a south dump holds

this they will become the heroes of my

new novel so I write I have

started by writing a novel that

is called the stars of sidi moumen

one swims writing this novel is obviously

I started writing it

I started writing it in 2004 and

in 2006 I stopped writing the

text because I was not doing it I

did not go out gt gt game in the process of

to understand too much that when one is in

dirt when you do not have a horizon

well we want to explode we have

want to 2

we do not want to live anymore we want to

to break the shack

and that I could not write it to myself

I could not justify

unjustifiable

I could not apologize for

terrorism so I stopped the

writing the text in 2006 and then I

took a vacation I wrote a little

book on marrakech called the

griot of marrakech

it was legends about the city and

it’s an order from a publisher

Spanish and and after a year and a half

obviously the text pursue and he

I had to finish it and

I found a solution to finish this

text I found a solution for

finish these texts that is to say I made

love those kids to readers because

it’s very often when we talk about

kamikazes we see them very often

like the kind of monster in all the

American cinema in cinemas

in the litterature

we are always presented with the kamikaze

as a monstrous type and month the

the people I met sidi

moumen the families of suicide bombers

I was ordinary children and so

I did not see them as monsters

obviously they made an axis

monstrous you do not see them when

same years I did not see them as

monsters I saw him as like

victims

the real monsters in this

case it’s obviously the state that

let three hundred thousand people live

in the cresse an area of ​​no right to

a zone

terrifying by letting people live

in the grime obviously there is not that

the state is this religious Mafia who

settled in this cloaca

in this in these slums and who have

does a job to condition the

kids so this religious matter

which has nothing to do with religion

it’s 1 1

organized political organizations

rich with money coming from here

or there some friends

so this religious matter

these are they are monsters the

casa bourgeois too who pays the

1500 people dirhams a good or at

guardian he participates a little in this

deal so that’s everybody’s

responsible but so gamal to his scales

at the they are not they are not

monstrous

these are the victims that should be

defend and protect when I wrote

the book the book has had some

success we’re already 15 and translation

there is a Moroccan director who

is called ayouch nabil who decided

to adapt the novel to the cinema on

agreed

dudu did we agree on

on the fact that these kids there

are victims

we did business with him there he

does a great movie called the

god’s horses and during filming

during the filming I had time in

time to slums see a little

how is it going and I wanted to see

a little bit how it went and he

had hired children from sidi

moumen had hired children from

slum as an actor there was one

about ten kids and during

while during the break at the moment

of the lunch break I saw these

kids fill their plates like the

buffet wines he was afraid it would be

finish the buys

the filming lasted a month a month and

half and so they fill up and their

plate and and eat there I have

watched with nabil I said do not look

he tells me where he was doing that

made it six months that I took them a

apartment game to train them and its

around

Training to become an actor for

to play in the match it’s been six months

that they are there they are clean they

eat well they have fattened lie

now that they actually follow me

said but what do you want me to do

do it 10 + 4 14

what do you want people press I

am not a social worker said

here we have to do something

for these kids and there one evening when the

movie is out and that is the movie has

worked very well we went to

cannes we went to the united states on

was present all over the world

sometimes when he could not go

I went there instead of

has become we have done we know indeed

the marriage they have a wedding of a

marriage of convenience

and one evening one night we said hey he

we must have made a lot of money

with this case I have won sold

many books you are you

a lot of people have seen your movie there

should we make it anyway and

we decided we were going to open a

cultural center in the slum at

sidi moumen

we decided we were going to open a

cultural center and we did not have a

round

if we had made money but he

needed a lot of money for a center

cultural and I solicited all the

friends as I’m a painter I have a lot

friends of artists

so I solicited a hundred

of artists in the world of friends of

friends of friends and I gathered

a hundred works and we made a

auction in casablanca and on

picked up a good bunch of money and

then we went to see the mayor of sidi

moumen

it says here they have local Christmas

ah we will make you a cultural center I

think we’re going to see him a little

fed up there it was not the center

cultural is too good to be the

cultural center we have the mayor we

trusted gave us a local

of 2000 m covered and in this room

we made a theater theater

a music hall a dance hall

a media library had fifteen thousand

books and and that’s the adventured part

we hired a director a

assistant of the speakers the artists

from the country all the friends come to give

courses we made partnerships

with the cultural centers

foreigners french spanish german

and so we give ourselves classes of

languages ​​in in this space in the

tale obviously called the stars

of sidi moumen like how the book is

there today we have about 500

enrolled kids and 500 others

lets in even if they are not

registered because they do not have to

even the 100 dirhams for for

register

so we pretty much turn around

of 1000 people in sidi moumen and

these are people who can who

can relatively

[Applause]

and then of course once the

center was launched now it is

autonomous it no longer depends on us

since we have to find funding

for so he continues to live but

without us and there we arona

partnerships we have come to the senses

Sidi Moumen gets to live without us

what happened one day ago there is a

guy who came and who left a rich

hour in the center

he had a good head the guys and

then he told us here I am you

finance two centers like this one

choose and I give you two 2 years

of autonomy and after you get by

for the and so he gave us

there are people like that your exists

that is to say there is the human is still

humanity in this world there are people

like that coming one day I ‘m going

not name him because he does not want

that I name but it’s a fair guy

terrific here ten months ago I you

offers two senses so we opened a

center in fez and a center in tangier

tanger mini makada it started ago

a few days or 20 days a month ago

pretty much and this is where it is

left

we are opening a center

in Marrakech an attack in ouarzazate

and one in essaouira has not done yet

so here are several centers that

are being born but now

I canton come to ask to open

a center in a city I ask for

funding to the city I ask for

financing ie ie

fighting terrorism is not going to

bomb people at home and make

millions of refugees in europe who

come begging that rejects

mobile is not how we go

fight terrorism is to go the

wii or louise born the ruhr where

where he will be born where he will grow

where it will push ie

go to places like sidi

moumen and tell the kids here we go

you learn the culture of life you

will love life because others

there sluts go next door eh ben

they show you a culture of death

and we fight them

fight we are at war because

that no we work in the same

sector

when there was nabil film ayouch

match love

they did a sitting in front of the center

to say it takes cayouche so because

that he to the various scolds and your daughters

so here we are in a

fighting species and and we are we

are in the process of succeeding

something that is fantastic

since the day when there was a

bearded sitting in front of the center of

sidi moumen

it’s women with their children

who forced the passage and it was

our first victory

young people chased Islamists

said here I am my child I want him

go to take the music I want

that they were going to learn languages

that is to say we can arrange this

country this is this is our little

revenge

this our little revenge against

the inhuman with aesthetic means

I thank you for listening to me

thank you very much

[Applause]

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