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Comment fait-on des choix dans la vie ? | Léopoldine Hummel | TEDxBelfort


how do you make choices in life

it is this question that concerns me in

this moment then I try to give some

responses

the simplest answer to who me

comes right now this is the

transmission my legacy here I have

make choices

my parents are musicians i’m doing

music

super we say in Alsace the apple does not fall

never far from the tree

good I’m in the rails but what

I’m that’s what I’m that

from my heritage is what I

have no other way of doing

choices

I think and I say to myself if the

pleasure pleasure guides the choices that

I do in life my pleasure but

it’s not easy every day

happiness is not there at the rendezvous

every day but little by little

I have with this guide there the

pleasure anyway I come to

build things ok ok and then at

a few months I’m going to see my parents

in nordheim in alsace he dines in

leekens friends of old friends and I

join the end of a meal and the worst that

she this I sit next to him and

and then he takes me on a hush he

told me you know you’ve done meetings

that we do in life at 80% and I

say but here I do not know why

he tells me it’s at that moment but I

take it as I take it

I’m storing something like

precious as a sage who gives me a

sentence that maybe will make his way

in my mind and have done yes that’s

exactly that’s exactly that I

realize here today

that it was the meetings that took me

done and who continues to do to me it’s

like that so yes there are the meetings

with my parents but hey I do not have

really chosen but it’s still

they who transmitted to me the love of the

literature the love of music

that’s why I make music

but when I was little I wanted

make the choice to make the harp

my father told me not there bah foot

in the houses because of the piano so

I really could not make the choice of

my instrument at the base but at 18

I left and decided to do

theater

I did not want to be

look I did not know at all

on a tray gt like that I had

I do not know what to do with my arms and

first meeting a speaker

director gildas milin who him

either did not know how to stand

on stage and he invented his own

method desynchronizes into speech

and the gesture has gone a few few

hours with him in this internship allowed me

to tell me ok I will be able to invent

something that leaves me for myself

feel

to take advantage of that moment on

stage in front of people to enjoy

say improvised words or not

literature or not but in any case I

am I going to be able to experience some

thing starting from me inventing whatever

thing

a path and like began at this

moment there and then I met

someone after a literary festival

I was doing it was to nevers I

did a tandem with carole martinez

who is an author that I really like

I accompanied him to the piano I sang

she was saying texts and the organizer

arnaud cathrine who is also a writer

we

we meet after and we

recognize somewhere we say we’re

it’s funny we have the same way of

function we need to live all the

time intense moments and live

really at 100 an hour of always

say yes to being in the organization

both in the literature at the

time in the show we need to

a lot a lot doing all the time

meet people and we stop

never and then I go home and then

there I put myself a record of barbara and

barbaric she tells him in the islet

mimosas there is so little time between

live and die that we would need

yet stop running

so I tell myself that too I take it

it’s contradictory with the meeting

that I just did but I take it

also with me and then another

meet again the meeting with

gwenaëlle aubry

an author I understood nothing at the

philo when I was in high school

pontooners in strasbourg

and there I live in besançon it was he

a few years ago and I stumble upon this

book person of gwenaëlle aubry I the

read and I keep page 81

in chapter i as illuminated these

a few sentences the crowd that everyone

closed and receiving

the inability to seize the crowd that

each chloe conceal these moments where

delighted with oneself one has the feeling of

finally belong to a presence

full mute and thoughtless to

others and to be flat I take

I keep it with me

advise this reading

these are the encounters

mine that’s what does what I

am today that’s what makes that

I’m doing theater I’m doing the

music that I go forward little by little

it’s meetings sometimes it’s a

book sometimes it’s a person sometimes

it’s suddenly an old friend who tells me

said they give me a sentence and then

here I know I’m rich in everything

that I know I’m going to a hundred to

time is coming to other people

still I have to meet good there is

the loved one but that I keep it for

me

and then to that person there I go

soon happen I’m going to meet

and there are also his texts

this text of gwenaëlle aubry ce

text there lucas

if you want to show who is a

contemporary theater text from

gildas milin the person who does not

synchronizes who says it’s more of a state

to be it’s not something it’s

really a state of being more than a

state of mind of two of his look

I do not know what

I do not know why I feel website

immediately site a site as total I do not

do not know why I feel so total

separate from us and you fc be held

beings chu seique nique nique be

unique and separate is not less

wonderful to be infinite I see I

here I see that from here can not not

us or where I am you time I

ring I’m losing perpetrate throwing I’m ringing

90 years old no one hears me you do not

do not hear me where I am

do not hear me you do not hear me

puts in May sends in May in wise

sends a message is nothing I am and

nothing passes do Christmas pass she does not

weigh does not call me a republic

do not happen I’m laughing

I can not say my name

to finish to suspend time

little barbara song

Oh

Oh

we

or

we

you are going

oh no, you’re going

or

your it

that’s why you want to know

take me to your city

e

take me to your home away from the streets

hand

from the city

I never said I love you waneux

enter

that myself

Eumeu

I want to go to your island where I know

that far from cities

under murderous ferrets turn some

children’s rounds under the sky and by

sutter

I saw growing misery I can not

nothing I sing shameless and

powerless

would you spare souls would drop you

the weapons if I sang on your island

for you that is far from the lives there

take me

in your island far from the rumors of the

city

you had to dig my way and

listen to me that my neck or us

especially in time thanks

”

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