imagine you’re in a large concert hall you’re sitting in your comfy chair and
you’re sitting in your comfy chair and
you’re sitting in your comfy chair and you can feel the suspense and energy in
you can feel the suspense and energy in
you can feel the suspense and energy in the room it’s really quiet
the room it’s really quiet
the room it’s really quiet the conductor lifts his hands and more
the conductor lifts his hands and more
the conductor lifts his hands and more than 100 musicians begin to play this
than 100 musicians begin to play this
than 100 musicians begin to play this wonderful Symphony suddenly the lights
wonderful Symphony suddenly the lights
wonderful Symphony suddenly the lights go off guess what will happen well I
go off guess what will happen well I
go off guess what will happen well I assume the music will stop maybe some
assume the music will stop maybe some
assume the music will stop maybe some musicians try playing without any eye
musicians try playing without any eye
musicians try playing without any eye contact to the conductor but more than
contact to the conductor but more than
contact to the conductor but more than likely there won’t be any Symphony until
likely there won’t be any Symphony until
likely there won’t be any Symphony until the environment is perfect and clean and
the environment is perfect and clean and
the environment is perfect and clean and without changes anymore now let’s switch
without changes anymore now let’s switch
without changes anymore now let’s switch the scenery let’s enter a club a jazz
the scenery let’s enter a club a jazz
the scenery let’s enter a club a jazz club I’m sure you can smell the sticky
club I’m sure you can smell the sticky
club I’m sure you can smell the sticky warm stale air and five or six musicians
warm stale air and five or six musicians
warm stale air and five or six musicians are on stage they play some – it sounds
are on stage they play some – it sounds
are on stage they play some – it sounds familiar but ah you can’t remember the
familiar but ah you can’t remember the
familiar but ah you can’t remember the title and suddenly the lights go off
guess what will happen well I assume the
guess what will happen well I assume the musicians will just keep on playing
musicians will just keep on playing
musicians will just keep on playing there used to react containers Leon what
there used to react containers Leon what
there used to react containers Leon what is going on and keep on grooving no
is going on and keep on grooving no
is going on and keep on grooving no matter what they’re used to improvise
matter what they’re used to improvise
matter what they’re used to improvise I’ve been playing the saxophone for
I’ve been playing the saxophone for
I’ve been playing the saxophone for nearly twenty years now and
nearly twenty years now and
nearly twenty years now and improvisation like in the jazz club is
improvisation like in the jazz club is
improvisation like in the jazz club is what fascinates me people who’ve might
what fascinates me people who’ve might
what fascinates me people who’ve might never play together agree on some tombs
never play together agree on some tombs
never play together agree on some tombs and they are on stage and nevertheless
and they are on stage and nevertheless
and they are on stage and nevertheless are possibly due to this fact they are
are possibly due to this fact they are
are possibly due to this fact they are able to create a special space in which
able to create a special space in which
able to create a special space in which they let a little idea develop to
they let a little idea develop to
they let a little idea develop to something awesome something new creative
something awesome something new creative
something awesome something new creative deep impressive and lasting and the
deep impressive and lasting and the
deep impressive and lasting and the setting where all this can happen is
setting where all this can happen is
setting where all this can happen is called the jazz session well I’m a
called the jazz session well I’m a
called the jazz session well I’m a psychologist and I’m working as a
psychologist and I’m working as a
psychologist and I’m working as a personal business coach coaching means
personal business coach coaching means
personal business coach coaching means to partner with men and women in and
to partner with men and women in and
to partner with men and women in and one-on-one thought provoking process and
one-on-one thought provoking process and
one-on-one thought provoking process and my task as a coach is it to create this
my task as a coach is it to create this
my task as a coach is it to create this special space in which the client gets
special space in which the client gets
special space in which the client gets empowered to develop something awesome
empowered to develop something awesome
empowered to develop something awesome something new creative deep impressive
something new creative deep impressive
something new creative deep impressive and lasting and guess what the setting
and lasting and guess what the setting
and lasting and guess what the setting where all this can happen is called the
where all this can happen is called the
where all this can happen is called the coaching session what I notice is both a
coaching session what I notice is both a
coaching session what I notice is both a good jazz session and a good coaching
good jazz session and a good coaching
good jazz session and a good coaching session do not happen by chance and for
session do not happen by chance and for
session do not happen by chance and for the past few years I spent time
the past few years I spent time
the past few years I spent time exploring what this is all about and
exploring what this is all about and
exploring what this is all about and today I would like to reveal what I
today I would like to reveal what I
today I would like to reveal what I found out I’d like to suggest four
found out I’d like to suggest four
found out I’d like to suggest four different perspectives which support
different perspectives which support
different perspectives which support personal development in a desi way and
personal development in a desi way and
personal development in a desi way and this jazzy mindset might as well help
this jazzy mindset might as well help
this jazzy mindset might as well help you to create this special space for
you to create this special space for
you to create this special space for developing something awesome something
developing something awesome something
developing something awesome something well you know what I mean don’t you okay
well you know what I mean don’t you okay
well you know what I mean don’t you okay so it’s time for your session I’d like
so it’s time for your session I’d like
so it’s time for your session I’d like to invite you to think about a situation
to invite you to think about a situation
to invite you to think about a situation your personal or business life in which
your personal or business life in which
your personal or business life in which you would like to create space for
you would like to create space for
you would like to create space for development and I’m going to show you
development and I’m going to show you
development and I’m going to show you the four different perspective of this
the four different perspective of this
the four different perspective of this jazzy approach and at the end of this
jazzy approach and at the end of this
jazzy approach and at the end of this talk we come back to your situation and
talk we come back to your situation and
talk we come back to your situation and I give you some thought-provoking
I give you some thought-provoking
I give you some thought-provoking questions which might help you bring
questions which might help you bring
questions which might help you bring those perspectives to life so let’s get
those perspectives to life so let’s get
those perspectives to life so let’s get started have you ever heard of John
started have you ever heard of John
started have you ever heard of John Coltrane when I was a teenager my
Coltrane when I was a teenager my
Coltrane when I was a teenager my saxophone teacher gave me disc with an
saxophone teacher gave me disc with an
saxophone teacher gave me disc with an album of Coltrane he’s an awesome jazz
album of Coltrane he’s an awesome jazz
album of Coltrane he’s an awesome jazz musician he said but for me it didn’t
musician he said but for me it didn’t
musician he said but for me it didn’t sound exactly awesome it just was so
sound exactly awesome it just was so
sound exactly awesome it just was so exhausting listening to him it was for
exhausting listening to him it was for
exhausting listening to him it was for me there was no structure just an
me there was no structure just an
me there was no structure just an unorganized sequence of sounds it was
unorganized sequence of sounds it was
unorganized sequence of sounds it was chaotic and stressful
chaotic and stressful
chaotic and stressful over the years my perspective changed
over the years my perspective changed
over the years my perspective changed however as I got to know dad as a style
however as I got to know dad as a style
however as I got to know dad as a style of music but nevertheless one thing
of music but nevertheless one thing
of music but nevertheless one thing stayed all along whenever listening to
stayed all along whenever listening to
stayed all along whenever listening to such jazz musician after a short while
such jazz musician after a short while
such jazz musician after a short while you recognized their personal style
you recognized their personal style
you recognized their personal style perhaps even their personality why is
perhaps even their personality why is
perhaps even their personality why is that they took out the great deal of
that they took out the great deal of
that they took out the great deal of time to practice of course but more
time to practice of course but more
time to practice of course but more importantly this gave them the
importantly this gave them the
importantly this gave them the opportunity to explore their inner
opportunity to explore their inner
opportunity to explore their inner existence and their own idea of sound
existence and their own idea of sound
existence and their own idea of sound and musical expression needless to say
and musical expression needless to say
and musical expression needless to say as a coach it is essential to know
as a coach it is essential to know
as a coach it is essential to know myself too I need to be aware of my own
myself too I need to be aware of my own
myself too I need to be aware of my own feelings my attitudes the recurring
feelings my attitudes the recurring
feelings my attitudes the recurring issues my life and to work that through
issues my life and to work that through
issues my life and to work that through and the way to achieve this is through
and the way to achieve this is through
and the way to achieve this is through in a reflection supervision and creative
in a reflection supervision and creative
in a reflection supervision and creative breaks like jazz musicians do and in
breaks like jazz musicians do and in
breaks like jazz musicians do and in both cases it’s not about getting
both cases it’s not about getting
both cases it’s not about getting perfect it’s about becoming yourself
perfect it’s about becoming yourself
perfect it’s about becoming yourself because it’s never the coaching method
because it’s never the coaching method
because it’s never the coaching method that matters it’s never how clean and
that matters it’s never how clean and
that matters it’s never how clean and skillful you play it
skillful you play it
skillful you play it about being truly you and having an
about being truly you and having an
about being truly you and having an upright personality so the first
upright personality so the first
upright personality so the first perspective of this jazzy approach is
perspective of this jazzy approach is
perspective of this jazzy approach is about your inner world explore your
about your inner world explore your
about your inner world explore your inner existence your values your
inner existence your values your
inner existence your values your personal vision so you can be full of
personal vision so you can be full of
personal vision so you can be full of integrity in your situation now let’s
integrity in your situation now let’s
integrity in your situation now let’s continue with the second perspective a
few years ago I was part of a band and
few years ago I was part of a band and we had that special gig we were all
we had that special gig we were all
we had that special gig we were all looking forward to this night because we
looking forward to this night because we
looking forward to this night because we had a special guest playing the
had a special guest playing the
had a special guest playing the vibraphone David Friedman his name and
vibraphone David Friedman his name and
vibraphone David Friedman his name and it was my honor to get featured with him
it was my honor to get featured with him
it was my honor to get featured with him for his solo path such as you would
for his solo path such as you would
for his solo path such as you would expect it on a jazz session but we had
expect it on a jazz session but we had
expect it on a jazz session but we had only one thing an opportunity to
only one thing an opportunity to
only one thing an opportunity to rehearse together the night before so we
rehearse together the night before so we
rehearse together the night before so we gave our solo part a chance to check the
gave our solo part a chance to check the
gave our solo part a chance to check the whole thing out and after the first
whole thing out and after the first
whole thing out and after the first round I was looking forward to another
round I was looking forward to another
round I was looking forward to another chance but Friedman said we leave it
chance but Friedman said we leave it
chance but Friedman said we leave it like that so we stay fresh for
like that so we stay fresh for
like that so we stay fresh for tomorrow’s gig will we and they said yes
tomorrow’s gig will we and they said yes
tomorrow’s gig will we and they said yes well in jazz a tune is defined by just
well in jazz a tune is defined by just
well in jazz a tune is defined by just two things the melody and the harmonies
two things the melody and the harmonies
two things the melody and the harmonies the sounds that’s it no further sheet
the sounds that’s it no further sheet
the sounds that’s it no further sheet music or other memorized things so for a
music or other memorized things so for a
music or other memorized things so for a jazz musician to improvise means to say
jazz musician to improvise means to say
jazz musician to improvise means to say yes yes to the uncertainty yes to what
yes yes to the uncertainty yes to what
yes yes to the uncertainty yes to what the others do and play yes to a complex
the others do and play yes to a complex
the others do and play yes to a complex and unpredictable situation
and unpredictable situation
and unpredictable situation okay well let’s assume you are going to
okay well let’s assume you are going to
okay well let’s assume you are going to take the risk like I did so how do you
take the risk like I did so how do you
take the risk like I did so how do you know what to play the key is to know
know what to play the key is to know
know what to play the key is to know your set of tools your personal
your set of tools your personal
your set of tools your personal repertoire this might include some
repertoire this might include some
repertoire this might include some scales rhythms your very own idea or
scales rhythms your very own idea or
scales rhythms your very own idea or sound and you’ve trained for all this a
sound and you’ve trained for all this a
sound and you’ve trained for all this a lot you’re an expert on that and you
lot you’re an expert on that and you
lot you’re an expert on that and you have what it takes and then you forget
have what it takes and then you forget
have what it takes and then you forget all this stuff you trust your intuition
all this stuff you trust your intuition
all this stuff you trust your intuition and put them together in a new not
and put them together in a new not
and put them together in a new not prepared not even conscious manner and
prepared not even conscious manner and
prepared not even conscious manner and for that to happen you’re fully aware
for that to happen you’re fully aware
for that to happen you’re fully aware and present you sense what is and accept
and present you sense what is and accept
and present you sense what is and accept what is so in the past I thought okay
what is so in the past I thought okay
what is so in the past I thought okay music music is a creative thing you have
music music is a creative thing you have
music music is a creative thing you have to listen to your heart and follow your
to listen to your heart and follow your
to listen to your heart and follow your intuition but in coaching seriously as a
intuition but in coaching seriously as a
intuition but in coaching seriously as a coach you rooted in psychological theory
coach you rooted in psychological theory
coach you rooted in psychological theory and science and data and tools but I was
and science and data and tools but I was
and science and data and tools but I was wrong well partly wrong I’m happy right
wrong well partly wrong I’m happy right
wrong well partly wrong I’m happy right so I was right because as a coach I have
so I was right because as a coach I have
so I was right because as a coach I have my personal repertoire my concepts about
my personal repertoire my concepts about
my personal repertoire my concepts about emotions cognitions physiological
emotions cognitions physiological
emotions cognitions physiological functions my theories about stress or
functions my theories about stress or
functions my theories about stress or leadership specific interventions or
leadership specific interventions or
leadership specific interventions or methods to achieve goals and then I go
methods to achieve goals and then I go
methods to achieve goals and then I go to jazzy way and forget all this stuff
to jazzy way and forget all this stuff
to jazzy way and forget all this stuff sometimes I find myself in a coaching
sometimes I find myself in a coaching
sometimes I find myself in a coaching session and I somehow get the impulse to
session and I somehow get the impulse to
session and I somehow get the impulse to behave in a certain way which I can’t
behave in a certain way which I can’t
behave in a certain way which I can’t explain rationally firsthand I follow my
explain rationally firsthand I follow my
explain rationally firsthand I follow my intuition and for that to happen I have
intuition and for that to happen I have
intuition and for that to happen I have to be fully present in advance of any of
to be fully present in advance of any of
to be fully present in advance of any of my coaching sessions I hear my mind and
my coaching sessions I hear my mind and
my coaching sessions I hear my mind and let go of any thoughts which could
let go of any thoughts which could
let go of any thoughts which could possibly distract me so the person with
possibly distract me so the person with
possibly distract me so the person with me will become the most important human
me will become the most important human
me will become the most important human being on earth for that moment so now
being on earth for that moment so now
being on earth for that moment so now you know the second perspective of the
you know the second perspective of the
you know the second perspective of the jazz approach it is how you behave in
jazz approach it is how you behave in
jazz approach it is how you behave in the outer world you improvise follow
the outer world you improvise follow
the outer world you improvise follow your intuition and the fully aware okay
your intuition and the fully aware okay
your intuition and the fully aware okay so maybe you’re sitting there
so maybe you’re sitting there
so maybe you’re sitting there I can’t improvise I won’t in particular
I can’t improvise I won’t in particular
I can’t improvise I won’t in particular in my situation well perhaps you’re
in my situation well perhaps you’re
in my situation well perhaps you’re right but it’s possible for you to try
right but it’s possible for you to try
right but it’s possible for you to try it’s not a discipline which you learn at
it’s not a discipline which you learn at
it’s not a discipline which you learn at home and when you’re done you go onstage
home and when you’re done you go onstage
home and when you’re done you go onstage and everything’s going to be perfect if
and everything’s going to be perfect if
and everything’s going to be perfect if you want to learn to improvise there’s
you want to learn to improvise there’s
you want to learn to improvise there’s just one thing you can do go on and
just one thing you can do go on and
just one thing you can do go on and improvise and you will make mistakes but
improvise and you will make mistakes but
improvise and you will make mistakes but a mistake is not a mistake a mistake is
a mistake is not a mistake a mistake is
a mistake is not a mistake a mistake is an impulse and information an idea which
an impulse and information an idea which
an impulse and information an idea which leads to something new and therefore you
leads to something new and therefore you
leads to something new and therefore you need to co.design a culture
need to co.design a culture
need to co.design a culture and your relationships in a way that
and your relationships in a way that
and your relationships in a way that it’s possible for you to make mistakes
it’s possible for you to make mistakes
it’s possible for you to make mistakes so let’s go in for the third perspective
so let’s go in for the third perspective
so let’s go in for the third perspective I remember the first time when I was
I remember the first time when I was
I remember the first time when I was part of the band who kicked off the
part of the band who kicked off the
part of the band who kicked off the session right after the soundcheck the
session right after the soundcheck the
session right after the soundcheck the drama approached me and said Kristine
drama approached me and said Kristine
drama approached me and said Kristine listen this is your first time as a main
listen this is your first time as a main
listen this is your first time as a main act so you’ll be thrown in at the deep
act so you’ll be thrown in at the deep
act so you’ll be thrown in at the deep end little did I know about what was to
end little did I know about what was to
end little did I know about what was to happen that night right in the middle of
happen that night right in the middle of
happen that night right in the middle of the tune the band just stopped playing
the tune the band just stopped playing
the tune the band just stopped playing so me on stage and suddenly there was
so me on stage and suddenly there was
so me on stage and suddenly there was just silence quick enough I stayed in
just silence quick enough I stayed in
just silence quick enough I stayed in the rhythm and went on until they
the rhythm and went on until they
the rhythm and went on until they started to play with me again but I can
started to play with me again but I can
started to play with me again but I can tell you this was really scary and it
tell you this was really scary and it
tell you this was really scary and it also helped me unlock my potential I was
also helped me unlock my potential I was
also helped me unlock my potential I was challenged and provoked in a good sense
challenged and provoked in a good sense
challenged and provoked in a good sense while at the same time real responsive
while at the same time real responsive
while at the same time real responsive to one another and for that of course
to one another and for that of course
to one another and for that of course listening is key
listening is key
listening is key and speaking of listening you might
and speaking of listening you might
and speaking of listening you might wonder why I didn’t mention the audience
wonder why I didn’t mention the audience
wonder why I didn’t mention the audience so far people in the audience usually
so far people in the audience usually
so far people in the audience usually don’t mind whether you’ve shown
don’t mind whether you’ve shown
don’t mind whether you’ve shown exceptional talent or your beginner what
exceptional talent or your beginner what
exceptional talent or your beginner what matters is that you’re able to open your
matters is that you’re able to open your
matters is that you’re able to open your heart express your feelings and just
heart express your feelings and just
heart express your feelings and just play personal integrity remember so
play personal integrity remember so
play personal integrity remember so besides the groove of the music itself
besides the groove of the music itself
besides the groove of the music itself this leads to what I call then in a
this leads to what I call then in a
this leads to what I call then in a common groove an energizing unique
common groove an energizing unique
common groove an energizing unique relationship and the same goes for
relationship and the same goes for
relationship and the same goes for coaching according to a number of
coaching according to a number of
coaching according to a number of scientific studies the relationship
scientific studies the relationship
scientific studies the relationship between the coach and his or her client
between the coach and his or her client
between the coach and his or her client is one of the key success factors for
is one of the key success factors for
is one of the key success factors for coaching the client will feel that I do
coaching the client will feel that I do
coaching the client will feel that I do not judge him or his behavior so I told
not judge him or his behavior so I told
not judge him or his behavior so I told you about the audience in jazz what
you about the audience in jazz what
you about the audience in jazz what about the audience in coaching
one-on-one coaching of course it’s
one-on-one coaching of course it’s one-on-one
one-on-one
one-on-one so no audience no listeners at least
so no audience no listeners at least
so no audience no listeners at least however there is an audience in coaching
however there is an audience in coaching
however there is an audience in coaching family members colleagues managers team
family members colleagues managers team
family members colleagues managers team members they are always part of the
members they are always part of the
members they are always part of the session not in person obviously but at
session not in person obviously but at
session not in person obviously but at times I will ask the client to take the
times I will ask the client to take the
times I will ask the client to take the role of let’s say the team members and
role of let’s say the team members and
role of let’s say the team members and imagine what they would do and feel and
imagine what they would do and feel and
imagine what they would do and feel and that way the client can resolve an issue
that way the client can resolve an issue
that way the client can resolve an issue with them because every change in the
with them because every change in the
with them because every change in the world of the client begins within the
world of the client begins within the
world of the client begins within the client so now you know the third
client so now you know the third
client so now you know the third perspective of this jazzy approach it is
perspective of this jazzy approach it is
perspective of this jazzy approach it is how you are related to others through
how you are related to others through
how you are related to others through appreciation getting in resonance with
appreciation getting in resonance with
appreciation getting in resonance with each other and going with your common in
each other and going with your common in
each other and going with your common in a groove now let’s move on to the fourth
a groove now let’s move on to the fourth
a groove now let’s move on to the fourth and last perspective many years ago one
and last perspective many years ago one
and last perspective many years ago one of the greatest bass players day of
of the greatest bass players day of
of the greatest bass players day of Holland came to play at the Jazz
Holland came to play at the Jazz
Holland came to play at the Jazz Festival in Gertz in my hometown
Festival in Gertz in my hometown
Festival in Gertz in my hometown soon after the corn said he disappeared
soon after the corn said he disappeared
soon after the corn said he disappeared from the scene I heard he was just tired
from the scene I heard he was just tired
from the scene I heard he was just tired and went to bed early anyway his band
and went to bed early anyway his band
and went to bed early anyway his band members were up for some fun and started
members were up for some fun and started
members were up for some fun and started an unplanned jazz session it may sound
an unplanned jazz session it may sound
an unplanned jazz session it may sound crazy and it probably was I was eager to
crazy and it probably was I was eager to
crazy and it probably was I was eager to see what would happen and decided to
see what would happen and decided to
see what would happen and decided to join in it just illustrates how a jazz
join in it just illustrates how a jazz
join in it just illustrates how a jazz session work so let me tell you what
session work so let me tell you what
session work so let me tell you what happened that night first of all we
happened that night first of all we
happened that night first of all we agreed on a tune and a jazz tune follows
agreed on a tune and a jazz tune follows
agreed on a tune and a jazz tune follows a defined process first the melody then
a defined process first the melody then
a defined process first the melody then some solo parts and finally the melody
some solo parts and finally the melody
some solo parts and finally the melody again and within this process everyone
again and within this process everyone
again and within this process everyone was free to play what came to mind and
was free to play what came to mind and
was free to play what came to mind and so did I I played what I felt would fit
so did I I played what I felt would fit
so did I I played what I felt would fit in the whole sound experience and you
in the whole sound experience and you
in the whole sound experience and you see that those two sides a clear
see that those two sides a clear
see that those two sides a clear structure on the one hand and freedom on
structure on the one hand and freedom on
structure on the one hand and freedom on the other hand it’s kind of swinging
the other hand it’s kind of swinging
the other hand it’s kind of swinging between stabilizing and changing and
between stabilizing and changing and
between stabilizing and changing and this polarity kind of thing is typical
this polarity kind of thing is typical
this polarity kind of thing is typical for a jazz session so what do you see
for a jazz session so what do you see
for a jazz session so what do you see when attending a coaching session you
when attending a coaching session you
when attending a coaching session you can see two people having a good
can see two people having a good
can see two people having a good conversation
conversation
conversation likewise watching a jazz session for the
likewise watching a jazz session for the
likewise watching a jazz session for the first time you could possibly think
first time you could possibly think
first time you could possibly think there’s no structure in order at all
there’s no structure in order at all
there’s no structure in order at all that’s right there is no script but the
that’s right there is no script but the
that’s right there is no script but the secret is a jazzy one there is a proven
secret is a jazzy one there is a proven
secret is a jazzy one there is a proven process which gives a structure
process which gives a structure
process which gives a structure you begin the session with a little
you begin the session with a little
you begin the session with a little check in reflection of the results and
check in reflection of the results and
check in reflection of the results and so on and the more familiar you with
so on and the more familiar you with
so on and the more familiar you with this standard process the better you can
this standard process the better you can
this standard process the better you can guess what improvise and the whole
guess what improvise and the whole
guess what improvise and the whole setting is dominated by those polarities
setting is dominated by those polarities
setting is dominated by those polarities and the tension which results from that
and the tension which results from that
and the tension which results from that so the fourth and last perspective is
so the fourth and last perspective is
so the fourth and last perspective is about your whole setting and this
about your whole setting and this
about your whole setting and this includes the process and the polarities
includes the process and the polarities
includes the process and the polarities within the system now think back to the
within the system now think back to the
within the system now think back to the situation in which you would like to
situation in which you would like to
situation in which you would like to create space for development death might
create space for development death might
create space for development death might help you with that neither do you need
help you with that neither do you need
help you with that neither do you need to become a jazz musician nor do you
to become a jazz musician nor do you
to become a jazz musician nor do you need to go to your local desk lab what
need to go to your local desk lab what
need to go to your local desk lab what you might want to join a session anyway
you might want to join a session anyway
you might want to join a session anyway because it’s good fun however what I
because it’s good fun however what I
because it’s good fun however what I want you to do is to embrace a more
want you to do is to embrace a more
want you to do is to embrace a more jazzy mindset using all four
jazzy mindset using all four
jazzy mindset using all four perspectives to look at your situation
perspectives to look at your situation
perspectives to look at your situation and the following questions might pave
and the following questions might pave
and the following questions might pave the way ask yourself how can I make sure
the way ask yourself how can I make sure
the way ask yourself how can I make sure to have enough space for reflecting on
to have enough space for reflecting on
to have enough space for reflecting on my inner world to become fully aware of
my inner world to become fully aware of
my inner world to become fully aware of my inner existence to get to be
my inner existence to get to be
my inner existence to get to be authentic in my situation ask yourself
authentic in my situation ask yourself
authentic in my situation ask yourself in my situation what is my personal
in my situation what is my personal
in my situation what is my personal repertoire my tools and how can I use
repertoire my tools and how can I use
repertoire my tools and how can I use the art of improvisation and intuition
the art of improvisation and intuition
the art of improvisation and intuition ask yourself how can I create a culture
ask yourself how can I create a culture
ask yourself how can I create a culture in which relationships are meaningful
in which relationships are meaningful
in which relationships are meaningful and mistakes are not only tolerated but
and mistakes are not only tolerated but
and mistakes are not only tolerated but desired and how can I create this
desired and how can I create this
desired and how can I create this meaningful relationships to the people
meaningful relationships to the people
meaningful relationships to the people involved to my audience so that we’re in
involved to my audience so that we’re in
involved to my audience so that we’re in resonance with each other and going with
resonance with each other and going with
resonance with each other and going with our common in a groove ask yourself how
our common in a groove ask yourself how
our common in a groove ask yourself how can I design the whole process
can I design the whole process
can I design the whole process structures in the system in which both
structures in the system in which both
structures in the system in which both sides of the story are represented find
sides of the story are represented find
sides of the story are represented find your answers and forget them
your answers and forget them
your answers and forget them and the next time the lights go off
and the next time the lights go off
and the next time the lights go off shift your perspective bringing all four
shift your perspective bringing all four
shift your perspective bringing all four perspectives together will facilitate
perspectives together will facilitate
perspectives together will facilitate development in your life now jazz up
development in your life now jazz up
development in your life now jazz up your life and go the jazzy way thank you
your life and go the jazzy way thank you
your life and go the jazzy way thank you [Applause]
”
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