professional experience on top of a
stage
I had to play a piano piece
in front of a lot of people to remember
what was called the dance of the rain or
the dakota dance finally brings me
very much of that day in a room
huge like this one is very similar
large varnished wood soundproof
olea new there was a grand piano
huge also with the one who had
dreamed of touching my whole short life because
I had an acoustic wall piano
rows and rows of older people very well
dressed my teacher looking at me and
Then I was at the door
all dwarf about to leave
obviously freaking out with that people
I was there to see myself and not
wanting to defraud that world that is
was in front of me or memorize the
song a lot came running out of the
school I was going home I sat in the
piano
the one played in a loop over and over again
my friends came to my house to call me
to the bell to go down to play
park with them but I told them that
I was not looking for any time
moment to practice and repeat the
piece memorize so much that the day of
concert then I was stuck in a
part of the score and at that time
I said good, nothing’s fine, it’s okay
I turned to the public and with all the
naturalness of a five-year-old girl
I told them I was going to start over
this time I was going to get it right people were
River
It was funny the first time because I
happened three times three times I stayed
stagnant in the exact same place of the
score at the end I did not know how to continue
I blocked and I ran out of there
imagine I started crying with my father
I took out my fears and my insecurities
with him because he was a musician he had me
what to understand is what happened to me
yes but I really was not like that when
I was two years old experimenting with my
I love to play on the piano
show me to the world what I was capable of
when I went down to the bar to drink beers
with his friends he went down with her
I went up to the bar to the bar
singing to repertoires so that
people chose
his favorite subjects he also told
my parents who would nail me with the
camera that we had and I did
I used to make my music programs
of dance entertainment and each
person who came to my house forced him
to see that video to finally it was free
spontaneous there was no shame no
there was pressure was quite heavy
also that yes but suddenly because
not because all that freedom had been
vanished that I could have done in my
five year old girl’s head the day
of the concert part of running away and
to cry because I was not
conscious still there but the rules and
the convictions of society already
they had installed in me
in a certain way the fear of failure the
search for perfection without giving
place to error
you never have to improvise and you have to
know everything at your fingertips because of course
we can be in evidence
obviously if I’m going to follow that path
I would not be here now in front of
you would not even dedicate myself to what I
I dedicate
but what can we do not to get out of
that loop in which we have gotten without
give us an account then give us what
visceral intuition of the
improvisation and why you will think not
they have always told us what to do
ready to think things consciously
be rational and it’s normal that we think
well considering that up to
relatively few years the majority of
social psychology is founded
where we have to be guided by the
logic for the reason
in fact theories like this have been
awarded with notorious awards such as
the one that received psychologist and economist
daniel kahneman a Nobel Prize in 2002
for refuting theories like this one but
studies like those of the dunbar professor of
Yale University in the United States
they have made us realize that the
part related to the unconscious
preceded in the evolutionary time to the
part of the brain associated with
conscious therefore we survive
for hundreds of thousands of years
with that unconscious and not necessarily
useful and adaptive mechanisms
unconscious that guided our
conduct during those hundreds thousands of
years of survival but that is the
unconscious
the unconscious is capable of processing
about 11 million bits of information
per second about 11 million
stimuli not facing 40 or 50 of the
conscious part of us without giving us
account we make everyday decisions and
important every day of our
life with that unconscious part like the
clothes that we are going to wear to go to
work or if you turn left or
right decide if we’re going to live with
that person with whom we are having
a relationship or even when someone
we like it, we do not like it at first sight
here we are using using what
it’s called the heuristic cognition that
is based on intuition and
simple principles that is to say it’s like
a screen that ignores certain information
to make the speed up the taking of
almost automatic decisions because
really if we take that
decision is with with our part
consciously it would take years and years in
reach the end of that decision
but this is screening this filter is of
influence by tools
obviously that we have
acquired over time as our
training
our studies the external factors
the culture the tribe the opinions and for
course our personality and our
feelings therefore despite what
who have told us all this time
our unconscious is a being
sophisticated
so why not pay attention to that
part of us that has
provided survival all
these hundreds of thousands of years
well I see you I am not
neuroscientist I am an artist and we
the artists to those millions of bits and
of information stimuli by
second
we call them triggers triggers
that accompany me when I compose a
song or like without realizing spoken
from a story about someone else’s own
how like those
those external factors that training
my personality have given me a point of
creation and an artistic path in the
that I am now writing a
story when in the subway because seen
an old lady who evoked me
nostalgia
I have sung the same song
in totally different ways
depending on my mood of
my feelings of how I was
that day has influenced me too
a lot when it comes to getting on a
scenario and I behaved in a way
different although obviously we do not want
for the stimuli and for what to me
surrounded
at that time you can say that they are
triggers help me get my
more immediate goals to survive
on top of a stage when I do
music when he improvised
but what happens in the brain of a
musician when he’s improvising
Doctor Charles Line
researching for more than ten years
to learn about it
and the truth is that I with things
fascinating for example when I
I improvise the top of my
brain where are the
activities related to
self – censorship planned activities
descends its activity that is when
improvised a stage I am much more
free than in my real life when
also improvised the areas that
activate in my brain are very similar
which are activated when we are
dreaming
specifically those of the state of dream rem
therefore really yes there is a
connection between dreams and
improvisation
everything is fine when you improvise and when
improvises in the center of milo bulo
front where are the
activities that are related to
the personality the subjectivity and the
self-expression increases its activity is
say I’m much more myself when I get on
a stage and let that feedback
between the public and myself could be
to say that he undressed my soul not and you
also improvise even if you do not
create improvise and right now it’s
improvising in this moment in which
there has been a failure with him with the piano
and we laughed at the gestures that I was
exposing each each pose that to
listen to me talk every conversation that
you have with each different person is
different is totally different when
long jce a beer a coffee because
you are having fun but up to date
next you have to get up early
you think, my mother, but what a pleasure
I am when you go to your house
when you leave here you will continue
improvising in the subway dodging the
people driving up to you
homes because it really scares us
admit that we improvise but we’re
constantly doing constantly
I’m sorting through adversities enjoying
of every moment that gives life but
there’s something that I’m really passionate about
and that has a lot to do with what is
improvisation and that the ephemeral
first the value of the ephemeral what
a second is created and what
goes to what what turns us on not like
when I get on a stage and I have
an improvisation with the conversation
of my mind how he created a song in
a fraction of a second with people with
musicians that I do not know
absolutely nothing and that surely
do not see again in my life does not matter in
what part of the world will find me what
language is the one we were talking about
if we were on the street in a
scenario in a studio or like when
he came down from a stage and someone
give a smile a hug I did what
wonderful that is that he has returned to
make feel without fear
you have stopped to think the amount
of moments experiences experiences that
they pass in front of us and that
we do not value if we are capable
to discern with our five senses
which is what makes us smile that
I remember tennis engraved on fire in the
soul that is what produces us nostalgia
which is the largest mountain that
you had to climb that raffle and
which is what makes us continue in the
path is aware of us but you know
what it takes the brain to take
quality decisions 0,200 40
milliseconds and we spent the
life controlling us looking for the way
perfect and believing that the more
laps we give our part
the world will be better aware
while our unconscious with their
triggers with their stimuli us
is giving away time and creativity
that many times we do not know how to take advantage
I would really like to give us
we make a valuable ephemeral moment
here now all not with the value
that deserves that ephemeral moment of the
improvisation
here now intense and never again
so if you allow me I’m going to put
at the controls
I’m going to create a base and then I’m going to
ask for words and feelings
sensations does not have to be of
today you can say absolutely
what you want and we are going to make a
song among all
after
[Music]
[Music]
well now this is our time to
that you tell me words and 12 been
your triggers need the
stimuli so please can you
say me words
[Music]
in fact in come boys is what they want
anything goes really have energy summers
Made in energy another madrid scholarship
summer energy sausage
Madrid
[Music]
we are here today and in madrid and and
and who was going to tell us that in
spring and vega
geli winter but it does not make me
lack home because I have color energy
it does not matter if they feed us sausage
or ham will not matter to me because we have
paid a high and in the end everything is free
Do not be fooled I know I do not remember
of the word date I’m going to think that
or that being and I summer energy
salchichón and madrid and I remember well
I said goodbye I hope you have a
next weekend because it has
opined that it mattered to improvise
[Music]
check out
because I want to be an alarmist
[Music]
sausage and what else
[Music]
eleven
Taurus
tie
do not
thank you very much thank you very much thank you
thanks for your words
that’s what makes you believe here
magic thank you very much for your
triggers and for our smiles and
respect thanks
”
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