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A poem that migrates through tongues | Femi Nylander | TEDxSkoll


Translator: Rhonda Jacobs Reviewer: Peter van de Ven

I write from the safety of a nation built on slavery

and this poem will migrate through tongues

The wrongs of our forefathers

place us in a world our fathers would escape

The movement of my father through [the sea]

set me here with the children of fathers who believed they were best

My father was allowed through their barriers

because he was educated and did medicine

so came from the dark continent to the West,

so a boy was born

Many are not so lucky, they cannot speak to you,

they don’t grow up surrounded by words you’d understand

My tongue is like a weapon in my hand, I manipulate it, I make noise,

I try to make you understand

The world extends beyond your borders, the mind extends beyond your words,

your lives, your sons, your daughters, are one in a billion it’s true

but the remaining 999 million are just as beautiful

I speak to you (Arabic) but not only to you

Yes, the children of Syria, also one in a million

Barred from your land, blocked from your language

I want to talk to you through your language, yes, your language

Maybe my words appear on the beaches, and drowned

Maybe they appear on the sun

After all, (English) the sun deals in words and in fear

(Arabic) Easy visa for us

(English) We do not (Arabic: wait) to enter there

But you flee from war or the (Arabic: crisis) we created

and you cannot enter here

(Spanish) A language that is in the fault line of colonizer and colonized

Spanish, today the language of immigrants the gardener,

but once the language of the conqueror

Apparently all of South America is Mexican

There is no internal immigration to the continent

Knowledge lost

When in English you Google migration in South America

the first result, it’s South American immigration in … United States

Really, it’s almost a joke.

(English) Guatemala? Is that a type of cheese?

Bro man?

(Spanish) Assimilate, learn the language But the name of your country?

(English) Too much to know man, you’re a Mexican

Show us some respect again because we’re American!

We’ll build a wall to keep you out and then deport the rest of them

(Spanish) Do you think we care if you run away from cartels and war?

Or that it’s natural to move across the earth?

No, we do not care; (English) We do not care

The world ends in Texas (English) and we are the best

(Spanish) And although I went to Brazil for the Olympics,

and did not think of those displaced so I could

(English) Through this the Englishman is chilling, the American is grinning

(French) The Parisian is that, strong are their passports

And the weak are their consciences Men who demonize the other,

who give their support to Theresa May and Marine le Pen

Messengers of hate

We are here because you were there You never had a visa

The Arab, the Asian, the Black

We who represent the damned of the earth in the words of Fanon

The (Arabic: blood) of the earth, (Arabic: blood) in Arabic

It represents the blood of the earth, the blood on the earth

(English) And blood on the water

And it was written young men detained and sent to Jamaica

When you spent your whole life in Britain

Defaced by the state, allegations of sexual assault, no media debate

Campsfield is minutes away from the Sheldonian,

migration, detention, disgrace

The waves cannot be ruled

The waves they wash away and start anew

The graves remain, one cannot wash a tomb

The ways we whitewash history cannot stop the waves from breaking

The waves of colour grew The floodgates of Calais cannot remain

We pave another route to you

You paved railroad so you can take our loot and use them as excuse

We watch you act unwise in little England setting ground for your demise

You doing an economic block then act as though you’re colonised

Your fear betrays you We cannot now allay your fears

You set the table of your fate and now the plate is almost here

You fed and feed upon our states until our plates were empty

yet we were and are always here

Like the language in this song our news is skewed

We only hear of refugees we fear may break our borders soon

26% of refugees in Africa Sub-Sahara

(Swahili) They don’t speak Swahili in Cameroon, Africa is not a country

(Laughs)

Those in Lagos look down on the villager

Those in the land of the white man lose their language

(Yoruba) If I try to speak Yoruba my mum teaches me small small

but (English) English rolls of my tongue

(French) French rolls across the Sahara

Uranium from Niger power for the Eiffel Tower

(Hausa) For the Hausa people no water or electricity, (French) it’s not Regal

(English) Of African refugees 3% in Europe

Maybe a man just wants to find a way to safety

Europe is a cultural creation,

separated from the other peninsula of the Asian continent we know

Nothing geographical to separate, not large outside Mercator

No plate like the subcontinent of India though

Africa is a geographical entity, meant to be huge,

mostly water on each side with 3,000 languages,

more linguistic diversity than 30 Europes

Languages die or are they murdered?

Displaced words like bodies displaced,

migrate, immigrate, immigrant, dirty, negro native,

‘Go back to the colonies’, the princess says.

So there we go.

Where to start and where to end?

(Arabic, Chinese) Lebanon to Bejing, all night they are tired

(Chinese) No Rohinga, No Kachin

This side, that side, (English) Partition, partition the stage

(Hindi) Who’s Raj? Who’s rage? Hindu Muslim move to today

A different time, today’s issues

The word loot was stolen from Hindi

The word ‘aryan’ came from Sanskrit, Brahmin and white

(English) Foundation of fear and

(Hindi) both built on lies and

(English) Kashmir tears

and Bangladesh boundary taut (Hindi) line of fire,

Felani Khatun’s (Hindi) death

Alan Kurdi’s (Arabic) death

(English) Peter Sallaby, dead

Others can live if the boundaries will die

Let’s start again

(Poem ends)

The British passport gets you into 157 countries in this world.

The American passport gets you into 157 countries in this world.

The French passport gets you into 157 countries in this world.

The Somali passport gets you into 31 countries in this world.

And the Afghan passport gets you into 25.

This is the legacy of colonialism.

Now, when I was composing this poem, it was actually very difficult.

You see, I have actually got

a fairly decent level of comprehension in a lot of these languages.

But the distinction between passive and active vocabulary –

a passive vocabulary is where you understand when it comes,

but you don’t really have the ability to bring it to your head yourself.

Active is when you can write, and you can do everything like that.

Now, why do I say that?

Because obviously it made a difference in writing the poem.

But also because for me, words like ‘visa’ and ‘migration’, etc.,

when you have countries in the world which can go and cause refugees

through their aggressive, war-like policies,

or have economic migration

because of a history of economic exploitation,

where people from poor parts of the world come to places in rich parts of the world,

and the national dialogue around visas and migration is so skewed,

I don’t believe these words even lie in the passive vocabularies

of some people in the so-called developed world.

And so what we find

is that people don’t even know the true meaning of a word like ‘visa’,

queuing up for hours, just to be rejected,

or a word like ‘migrant’ in their own language,

as they traverse the world,

carefree, famously, at least in the British case,

refusing, despite their golden ticket, their passport, to learn any other,

and so I hope this poem at least makes you think about some of that today.

Thank you.

(Cheers) (Applause)

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