[Applause]
I arrived at this house
pray for 9
I looked at the four corners of the
miserable nobles to whom a devotee lives
of the divine holy spirit
now and for now
poor when I got home in this hour
and by noble three things I came to do
misery is noble
I came to greet and also
thank hour and porn
This is one of many
songs that rocked my life I
I’m the daughter of artists.
I grew up in the culture
My childhood was to grow up.
study with art in a backyard full of
art and this place that I affectionately
He calls the yard he’s here in the
maranhão he’s here are months
He is the Laborar group and Laborarte.
Who does not know this year?
45 years old and there has theater
dance music has popular culture
has a capoeira school has a theater
pocket is already culture point
movieclub
I say it all for us to feel
We see the vast expanse of yard
how vast is he?
and in that yard had actors had
Koreans had drum masters zeros
artists and before
all
of culture they are people are
people in their difficulties in their
emissions in their realities in their
contexts and these people were in my
Backyard and I played with them.
I learned from them and I admired them.
In that yard they also had two
very important people who stand out
of the others who are my mother and father
sometimes as the daughter of artists, right?
there was no one to stay with us
home and we sent it to our
yard per laboratory and leaves the farm
study art and my mother is
a person of fantastic empathy
My mother connects with people.
there people feel especially if they
these people are humble if the
people are suffering if they
are in pain
My mother can connect with
they
My father died already.
My father was a person who
the most important thing was to believe
in people
he believed in each of you in
each of us that we can be
and he brought it up
regardless of its difficulty
he worked it to come out and
these people all the two masters
people who were in my yard and the
my backyard taught me that culture
can turn people can
transforming lives can transform
world and has several stories
but it has an emblematic asset that
It’s mine with maggi and my comad.
We got there and she was with 23 days
had had her fourth child and when
She got there in the group.
she had no perspective beyond
get drunk and party
So every day was a baby’s day and a party.
is to drink fall and get up again
drink fall and rise and then she went
to audition with the show
her friend took her to make a
hearing she stayed
she went to the hearing and stayed in that
show got to know the house and
that experience with art and the
nelson nelson my father was shaping her
It was transforming her and then she started
several younger children and then went to
getting a show was getting
for others he attacked
and then he left to take a technical course
started working with art gave class
of the craft class is
teacher today is a right one in cade
centers on the periphery and
also bought her house
This is not who I tell is
reproduction of what she tells me all this
was the art she provided for her and
also provided for her children.
she says that of the 4 the three youngest
that she took to experience the art
They all have no problem.
none works with art but if
forwarded and the oldest who
lived very little space or
almost anything
he is chemically dependent and one of the
things she reproduces is that he
lived because this space
he had little access to it and then he
She lives in the suburb and
he made some friends and headed for
the chemical dependency
but why do I bring this context I
this context reinforce this thesis
that art can change people and I
I also want to bring a perspective of the
culture but the perspective of culture
beyond artistic doing
culture in the wider admission to it
culture in the daily culture that
people live people experience culture
that permeates these relationships that we
we have our contacts with others
and when I can see the culture
in this range
in this dimension I can see the whole
role of culture
it transforms because it is lived
It allows you to express feelings
real or imaginary experiences this
imaginary’s consent
Imaginary is you know that
picture the scream
so what does this painting do for you?
This picture goes to you. I
I want to hear you, what ‘s the picture?
It happens to you
dread fear dread desperation when he looks
the frame scene that you can feel the
culture that allows you to feel a sense of
imaginary but when you reach that
feeling can not get into the
place of the other and can feel the other
and when I felt the other starts to see
from the palace to see that person in full
in her difficulty in the joy in
Happiness swam and when I see the
another and I understand it I start one
transformation begins to be more
impact
I start to want to show him
all that he has and that in that
moment of agony and despair he
can not see
I start to transform that mine.
relationship because that transformation
to understand
He already transformed me and I start
transform that relationship and from
The moment I start transforming it
this relationship I get to me
transform my surroundings
to transform the people who are in my
around
I started a transformation in the world.
in all this is what culture does
she turns the world through my
We have people who come there to shuttle your
cacuriá, man, who does he have?
there even convinced patury my people
who comes in the water even with your
14 my people who are coming there there
until convincing 14a
the dike of the crown that woman we
We wake up until morning when she sings
your voice to sing great magic like this
wave through the air
my people who is well told in the
shuttle industry to listen to people
who is first
the owner with or without battery or good
We have people there, there’s a shuttlecock
your category comes to us who is who
the technical note your silly cacuriá
this one who knows how to sing along with
The young people who know how to read and
can write and pre-pay windows of
dc and he lippi jabuti knows to read does not know
writing in Pakistan knows about the
be
he reads
he reads I’m leaving
[Music]
[Applause]
”
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