Hello my
call Ilya I dress
writer
literary
translator and reader
certainly passionate
reader
I read from three years and
over the years for
of course there was
a certain circle
favorite authors and that
interesting to follow and
these authors well
literally 20 %
those who wrote and
write in the same language
on which I speak with
childhood, that is,
in Russian
and all the other 80
percent write on
all world languages
Tolkien and Salinger cable
both
and Murakami’s Kafka
all these people
wrote on some
their own languages and we
we read in translation
read and often not even
think about
what a titanic
work for all this
often does not even
look under
cover on the
page on which
there is a weekend
book data for
to see him
an interpreter
but it is from this
depends on
the world that we
keep in hand it
our
perception from that or
other books here
therefore
literary
I want to translate
you today
talk and I remember
as in my childhood I
first realized that
My favorite books
written well on some
other languages and me
terribly wanted
to look here at
that side to the other
side of the moon to know
what did I start there
dig and and soon
found out that for example
Peppy has a long stocking
in fact, not at all
baby a peppy about epi and
done
carriers for
Russian to
it’s somehow more
sounded sweet
or for example
kids fairy tales kid and
carlson
in the original sounds
as lily brough it on
Swedish means
little brother or
brother in our
if accurately translated
title of this book
then you get a brother
and carlson
such discoveries
there were many and each
Such a discovery made
my world
well a little more
complex a little more
integral it is like
know when all
life goes and
You speak a tie and
then suddenly some
moment of life
find out what’s wrong with
German hals
the neck is translated and here
scarf and tie it
not just some kind of
a set of letters and this
neck shawl words
It makes sense and this
very cool and
especially did not like
in childhood when u
works was
next presented
the original ie I
I remember tearing out of
looking through the mirror
Carroll reached
creations of barmaglot
translation into sound
how the crooked cooked
the doormen were
nave
and they grunted and
how outgrabe and
next was the original from
you are in this light it up
DJ Inge Blend
wipe full of two vases
brohams enzyme let out waxy
Of course this is a play on words
and wanted me a lot
claims to this
translation but not
less in childhood for
it was me well
unusually cool
to have a possibility
see
their number translation
original and therefore
here is the first tip
who want to give you
if you have such a
possibility always
compare
work from
original let you
do not even understand
tongue let you do not even
understand the meaning but
in any case
you can read
see how they look
feel the letters
feel the rhythm
phonetics melodic
language that
invested in it
work itself
author then passed
I grew up for a while
I began to study well
what is already his
literature
began to write books
go to festivals
receive some
and continued
study foreign
languages and to some extent
the moment i
I thought why not
combine the two
classes and do not start
translate to do
literary
translations
I myself decided to start
from poetry because
it seemed to me that with
one side
poems such
small form
convenient for work in
the other side of the elements
also not just text in
this is
Well this is very
Capacitance is a massive attack
structure in which
there is rhyme and rhythm and
size and metaphors and
some cultural
illusions and play of words and
so on and so on
and so on, that is
at its capacity there
there is a very
great interesting
amount of work I own
time led me
translated there from
English robert
frost kipling break with
Spanish translated
Orc said skoke and on
wives of jumabaev and
bryant he is king
anaconda kashin guide
him from Swedish
for example, there gong
Irak lech and so on
and each time coming to
this or that author
familiarize yourself with
existing
translations
poems of this
author
I suddenly found out
that very often these
translations are pretty
free ones already available
rather inaccurate
but to me this freedom
always wanted to
avoid because
It turned down from well
who am I
translator a to i
I take the transmitter for
from one language I
transfer to another
what right do I have in
intervening in the fact that
thought the author let
even I do not like
some reception
which he uses
let him be some kind of
quite accurate to my
not exactly look
relevant but I have
right
try to make it
better to do it
better in my opinion
it seems to me that there is no me
tried to do
translations as possible
more precise as
more capacious
transmitting exactly that
that they pawned
the author of this
there were many
here’s a look
for example if
talk about the meaning
I’ll show you a few
examples of inaccuracy
semantic translation
is the creation of
robert frost one of
the known scale
poems
stop fighting
value new
eugenia is
poem
the person who is traveling
on horseback he rode out
long ago from somewhere and
his house is still somewhere
far ahead and with
one side of the lake with
the other side of the forest
already dark evening
almost a night of great
The sky above him and he
only stops
his horse and
I feel so
small
among this huge
huge
snow-capped dark
world and its this
here is your horse
satellite author
calls the prayer horse
my little horse
my horse is essentially a
in half of the transfers
and I saw the drives 10
this poem in
half of the transfers
translators write my
horse will agree that
we call one and the other
but the same animal
difference in perception
very big horse
it’s like in here in
Poltava at Petra
the first
he is driven to a horse
retif and humble faithful
horse why fatal
the fire snores
skew enter and race in
battle plan proud
mighty rider here
it’s a horse
but here we saw
speed I’m loud
The world around is not
and that is the difference
the greatest or
such as Abay and
wonderful
poem I also
was engaged in
translations
first two lines
it sounds so cool
for son kick top all is
joint from the gent of the heart
and how these
two lines in this
classical
Soviet translation
which appeared in
many published
books in textbooks
when all the shadows
lengthening merge into
one not only what
rhythm is broken here
so also look
here it’s not about the shadows
about one shadow before
glinka
and no one there is
merges into one
there is talk about
that the shadow when doyani
lengthens it hides
that’s all far from
eye and if
look at
context of this
poems
it becomes clear
what is this poem
about old age
and at the age of this
shadows of trees in no mountains
and this is the shadow of the
the author of the old man is already
essence and this shadow
extending simply than
older it becomes
hides from him but
some old
memories of forgotten
whose people he
met it can
be in childhood when
then he no longer remembers
all this too
long shadow and that is
as a matter of fact changing here
these two lines
the very beginning
completely changing
basic metaphor
full poem
completely changing
meaning
and we are in fact these sweet
arena and read these
transfers to them
are brought up
believe that this is all
here are the author’s and so
conceived and that’s why
here is my next you
advice not to bring down all
blame on the author when
read translations
it can very well be that
you just fell for it
bad translation
look for others on
compare and when
find a good one
hold on to good
interpreter because
what good
translators and small
when they meet
keep a close eye on
them and remember them
names and look well
what and what do they lead
nola so it was
this is for you
guiding star
Well this is the meaning but there is
still for example the form
there is a rhythm of size here
for example, also
Canadian Poetry
often
there is a
accepted
traditional
the structure of the stanza when
first and second
the fourth line they
identical in length and
has the same
general rhyme and the third
the line is knocked out yes
and by length and by
some last
word
but but for example
marzhan chapter iv of their
verses very often
that’s right with this
habitual
standard
traditional form
experimenting
there are some
their absolutely new
non-standard shapes
unconventional
templates are trying to
introduce destroying
the old
already templates and here’s one
from these creations I want
bring you too
example of disc shahar
disk and shahar than breeze
solar balls on other in chicken
the son of the chicken maidan say
oh mother in mazar sayan
I sing a solo tap
Turgan gasoline is not
smoking chicken son we
heat tab legends
months insan wave
people ipt Turan and for
him some rice chicken
need a market in
looks and Richard
ay above screen kazanin
do not smoke a chicken son then
in that and all our nazar in
and here’s how
translate it I
trying to
reproduce the same
the rhythm that does not
simple complex
hear yes that he does not
traditional old
city morning world on
if you leave him
look what you see
you will see the graves on
areas on graves
hundreds of saints
endless prayers
keep saying you’ll see
you will see mosques
become calm and in
everyone aspires a mule
azan louder than all
scream
you see you ‘ll see
a purring bazaar and
bubbles on every corner
red hot boiling water
cauldron
what you see will see
wait until you look
tired
do you hear what
unusual rhythm here
how can such a rhythm
change what they do
some
translators as possible
and change what is on
essentially underlies but
some kind of creation
works this
a very important aspect
on which
it’s worth it
pay attention to
of course not
single up to the point
before the form
but there is also
some aspects of
poetry which, too
require careful
and often
such a severe and
solid solution
translator here
for example I’ll cite
example from the modern
poetry example
Related to
cultural
allusions
aygerim is also our
modern ballet
one of the most
known for
our
at least because
that her elements
translated into whole
a number of foreign
he speaks English
I’m translating ex
president of the association
literary
translators for america
john cage and there you need to
several awards you
played with these
verses and translations
and one day I know how
case in one of
poems
Aigerim had been
phrase in
word combinations kosche
his life and jim
ran into
misunderstanding but how
kristin english
can say kosche with
life yes but I do not understand
to do in the dish what else
in English you can
give a link to the example
as though on that is here
a footnote and some
Explain that the Koshchei
this is
mythological
creature on even
middle
poems
present everywhere
stop watch
something for footnotes then
return
already all have forgotten well that
there is a result after
long reflection
the decision was made
from finding some
analogue in mythology
English-speaking
population that was
would be most approximate
mythological
being the most
close-knit
In this case, there was
made the choice on
hum bulls life that is
such a creature
similar in appearance to
when the Koshchei
but every time
such are the things every
once forced
an interpreter
take some
very important decision
because well,
it is impossible to translate
this is exactly what you need to find
some way out or
such as phonetics in
In many
poems of the poet
use well
some special
phonetic techniques
here I am, for example
was engaged in translation
from Swedish Czech
so in the market of the bodice
and in his poems
often occurs
that’s it, here’s the accent
to sounds up to 1 to
12 12 ddd is everything
or maybe it was
the phrase is so lego
trout xd death
separated from themselves
heard as it
It sounds and if
take a closer look
more attentively it is possible
see that there are three
times repeated in
headlight liegt das world
forte peat antidote
target
and translating this into
русский язык I
tried to keep
keep the rhythm size
meaning
Well, play well with
play with
sounds as it is
does the author because
that I owe this
do as a translator
I must follow that
what do I do
brought it so live
dangerous degeneration
this deserve me
gave the letter f the letter f
and I lost three times
just as he played
with phonetics
the most gunnara of Kiev
such examples
which I quote
it’s actually hundreds and
thousands and of course
anyway, no matter how
was good and translation
do it well
absolutely the same
as the original
It is impossible but possible
try very hard
can be very
try to do
translation maximally
transparent so that
Well, for example, if we
read the poem
the said said
words in Russian
so that we here in this
in Russian
heard phonetics
Kazakh language
so that we hear
sounding
Kazakh language
melody of this language
well, let alone
sense and form of everything
this so that we through
one language
heard another here
it seems to me that here’s to
this is necessary
strive always this
it is certainly difficult and
because such
of translations
a little but I really
I want to believe that
importance of value
literary
translation in our
the country will
consciously and who knows
there may be someone from
sitting in this room
impressed
inspired by my
performance is also
decides to devote himself
this profession
Thanks you
[applause]
[music]
”
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