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The Odd Couple of Art Theft | National Geographic


in the rarefied world of Antiquities

in the rarefied world of Antiquities sales pretty is as pretty done as a deal

sales pretty is as pretty done as a deal

sales pretty is as pretty done as a deal a we are all prostitutes you have street

a we are all prostitutes you have street

a we are all prostitutes you have street walkers and high class hookers but

walkers and high class hookers but

walkers and high class hookers but basically we are selling our three

basically we are selling our three

basically we are selling our three Michel van Rijn should know by his own

Michel van Rijn should know by his own

Michel van Rijn should know by his own admission he’s had a very colorful past

admission he’s had a very colorful past

admission he’s had a very colorful past I smuggled from Libya

I smuggled from Libya

I smuggled from Libya I stole at the time from Qaddafi

I stole at the time from Qaddafi

I stole at the time from Qaddafi smuggling is a very lucrative business

smuggling is a very lucrative business

smuggling is a very lucrative business for those who do it well Richard Ellis

for those who do it well Richard Ellis

for those who do it well Richard Ellis is the former head of Scotland Yard’s

is the former head of Scotland Yard’s

is the former head of Scotland Yard’s art an antiquity squad it’s estimated

art an antiquity squad it’s estimated

art an antiquity squad it’s estimated somewhere between three and six billion

somewhere between three and six billion

somewhere between three and six billion pounds a year his what is represented in

pounds a year his what is represented in

pounds a year his what is represented in stolen art antiques and cultural

stolen art antiques and cultural

stolen art antiques and cultural property and when van Ryan went straight

property and when van Ryan went straight

property and when van Ryan went straight he looked Ellis up we met because he was

he looked Ellis up we met because he was

he looked Ellis up we met because he was chasing me for ten years all over the

chasing me for ten years all over the

chasing me for ten years all over the world so one day I was in the Dorchester

world so one day I was in the Dorchester

world so one day I was in the Dorchester hotel and I called him

hotel and I called him

hotel and I called him we had never spoken and I said well

we had never spoken and I said well

we had never spoken and I said well you’re very welcome for a drink you know

you’re very welcome for a drink you know

you’re very welcome for a drink you know handcuffs are optional what do you think

handcuffs are optional what do you think

handcuffs are optional what do you think he said well that might be difficult if

he said well that might be difficult if

he said well that might be difficult if we have a drink together so let’s so we

we have a drink together so let’s so we

we have a drink together so let’s so we met in the bar and so they started

met in the bar and so they started

met in the bar and so they started collaborating today Michel van Rijn

collaborating today Michel van Rijn

collaborating today Michel van Rijn works to expose the art world’s dirty

works to expose the art world’s dirty

works to expose the art world’s dirty deeds

deeds

deeds recently he teamed up with Scotland Yard

recently he teamed up with Scotland Yard

recently he teamed up with Scotland Yard on the recovery of a priceless Mya

on the recovery of a priceless Mya

on the recovery of a priceless Mya headdress

headdress

headdress but despite the high-profile recoveries

but despite the high-profile recoveries

but despite the high-profile recoveries there is much that slips through

there is much that slips through

there is much that slips through transnational borders undetected

transnational borders undetected

transnational borders undetected you find whole container loads of

you find whole container loads of

you find whole container loads of Antiquities the hazard should we say of

Antiquities the hazard should we say of

Antiquities the hazard should we say of trafficking and antiquities of a pretty

trafficking and antiquities of a pretty

trafficking and antiquities of a pretty low you know since it’s venture stolen

low you know since it’s venture stolen

low you know since it’s venture stolen found fresh in the ground in Iraq Iran

found fresh in the ground in Iraq Iran

found fresh in the ground in Iraq Iran in Pakistan Afghanistan nowadays they

in Pakistan Afghanistan nowadays they

in Pakistan Afghanistan nowadays they are shipped via Dubai where they get a

are shipped via Dubai where they get a

are shipped via Dubai where they get a different passport I mean they say you

different passport I mean they say you

different passport I mean they say you know a respectable Dubai firm who will

know a respectable Dubai firm who will

know a respectable Dubai firm who will trends will re export the artwork to

trends will re export the artwork to

trends will re export the artwork to London to Paris etcetera so there are no

London to Paris etcetera so there are no

London to Paris etcetera so there are no question once in transit antiquities can

question once in transit antiquities can

question once in transit antiquities can be sold anywhere but Ellis says the

be sold anywhere but Ellis says the

be sold anywhere but Ellis says the primary destinations are New York and

primary destinations are New York and

primary destinations are New York and London but moving stolen artifacts is

London but moving stolen artifacts is

London but moving stolen artifacts is only part of the operation to get top

only part of the operation to get top

only part of the operation to get top dollar the object needs to be given an

dollar the object needs to be given an

dollar the object needs to be given an aura of legitimacy it has to be

aura of legitimacy it has to be

aura of legitimacy it has to be laundered one way is to create fake

laundered one way is to create fake

laundered one way is to create fake paper trails documenting its history or

paper trails documenting its history or

paper trails documenting its history or provenance provenance of an object is

provenance provenance of an object is

provenance provenance of an object is literally its history who made it when

literally its history who made it when

literally its history who made it when it was made where it was made who owned

it was made where it was made who owned

it was made where it was made who owned it another way is to misuse legitimate

it another way is to misuse legitimate

it another way is to misuse legitimate tools the Art Loss Register is a

tools the Art Loss Register is a

tools the Art Loss Register is a database of known stolen art however if

database of known stolen art however if

database of known stolen art however if the smuggler is the only one who knows

the smuggler is the only one who knows

the smuggler is the only one who knows the object even exists the database can

the object even exists the database can

the object even exists the database can help cover his tracks the gallery owner

help cover his tracks the gallery owner

help cover his tracks the gallery owner he can send a photograph of the object

he can send a photograph of the object

he can send a photograph of the object to the Art Loss Register and he will get

to the Art Loss Register and he will get

to the Art Loss Register and he will get a letter back saying it doesn’t match

a letter back saying it doesn’t match

a letter back saying it doesn’t match our archives meaning you have done your

our archives meaning you have done your

our archives meaning you have done your due diligence from that moment on you

due diligence from that moment on you

due diligence from that moment on you can turn around

can turn around

can turn around as a dealer knowingly having a stolen

as a dealer knowingly having a stolen

as a dealer knowingly having a stolen object you have laundered it and you can

object you have laundered it and you can

object you have laundered it and you can sell it to any museum in the world or

sell it to any museum in the world or

sell it to any museum in the world or you can sell it to any collector or via

you can sell it to any collector or via

you can sell it to any collector or via any option in the world furthermore

any option in the world furthermore

any option in the world furthermore while some collectors believe that their

while some collectors believe that their

while some collectors believe that their purchases are saving endangered

purchases are saving endangered

purchases are saving endangered antiquities frequently the opposite is

antiquities frequently the opposite is

antiquities frequently the opposite is true these pictures are taken from one

true these pictures are taken from one

true these pictures are taken from one of Richard Ellis’s investigations in

of Richard Ellis’s investigations in

of Richard Ellis’s investigations in each

each

each at the tomb of hetepka but once luminous

at the tomb of hetepka but once luminous

at the tomb of hetepka but once luminous hieroglyphs were sold on the foreign

hieroglyphs were sold on the foreign

hieroglyphs were sold on the foreign market tomb walls have been stripped to

market tomb walls have been stripped to

market tomb walls have been stripped to bare stone the value of the object

bare stone the value of the object

bare stone the value of the object placed on it by the marketplace can be

placed on it by the marketplace can be

placed on it by the marketplace can be vastly different to that placed on it by

vastly different to that placed on it by

vastly different to that placed on it by the archaeologists and science and when

the archaeologists and science and when

the archaeologists and science and when an object is illegally excavated it

an object is illegally excavated it

an object is illegally excavated it loses its context the cards may be

loses its context the cards may be

loses its context the cards may be stacked against the authorities but

stacked against the authorities but

stacked against the authorities but justice can prevail in 2006 Italian

justice can prevail in 2006 Italian

justice can prevail in 2006 Italian authorities were able to claim a set of

authorities were able to claim a set of

authorities were able to claim a set of Hellenistic vessels that had been looted

Hellenistic vessels that had been looted

Hellenistic vessels that had been looted decades earlier on display at New York’s

decades earlier on display at New York’s

decades earlier on display at New York’s Metropolitan Museum since 1972 the

Metropolitan Museum since 1972 the

Metropolitan Museum since 1972 the museum has agreed to return the

museum has agreed to return the

museum has agreed to return the artifacts to Italy after investigations

artifacts to Italy after investigations

artifacts to Italy after investigations into the dealings of a convicted

into the dealings of a convicted

into the dealings of a convicted trafficker revealed a faked provenance

trafficker revealed a faked provenance

trafficker revealed a faked provenance for the set examples like this one give

for the set examples like this one give

for the set examples like this one give hope that something can be done to stem

hope that something can be done to stem

hope that something can be done to stem the trade however it may only be a drop

the trade however it may only be a drop

the trade however it may only be a drop in the bucket there isn’t a country in

in the bucket there isn’t a country in

in the bucket there isn’t a country in the world that doesn’t suffer from

the world that doesn’t suffer from

the world that doesn’t suffer from cultural property theft not one

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