Press "Enter" to skip to content

Man Fights Nazi Plunder | National Geographic


in a museum filled with treasures a

in a museum filled with treasures a masterpiece stands out a prized work by

masterpiece stands out a prized work by

masterpiece stands out a prized work by the French impressionist Camille

the French impressionist Camille

the French impressionist Camille Pissarro a rainy afternoon in Paris

Pissarro a rainy afternoon in Paris

Pissarro a rainy afternoon in Paris years ago it hung in a family living

years ago it hung in a family living

years ago it hung in a family living room until the Nazis sent an envoy and

room until the Nazis sent an envoy and

room until the Nazis sent an envoy and removed it it’s my painting there’s no

removed it it’s my painting there’s no

removed it it’s my painting there’s no question about it

question about it

question about it Claude kassir was born in 1921 into a

Claude kassir was born in 1921 into a

Claude kassir was born in 1921 into a prominent Jewish family in Germany the

prominent Jewish family in Germany the

prominent Jewish family in Germany the painting once belonged to his

painting once belonged to his

painting once belonged to his grandmother my mother had died and my

grandmother my mother had died and my

grandmother my mother had died and my grandmother was like a substitute mother

grandmother was like a substitute mother

grandmother was like a substitute mother for me and she lived in an apartment on

for me and she lived in an apartment on

for me and she lived in an apartment on the corner from where we were living him

the corner from where we were living him

the corner from where we were living him in above the couch was this painting

in above the couch was this painting

in above the couch was this painting this Pissarro painting and that is part

this Pissarro painting and that is part

this Pissarro painting and that is part of my life that’s how I was brought up

of my life that’s how I was brought up

of my life that’s how I was brought up the cáceres lived a life of privilege

the cáceres lived a life of privilege

the cáceres lived a life of privilege until the Nazis came to power and

until the Nazis came to power and

until the Nazis came to power and persecution of Jews in Germany

persecution of Jews in Germany

persecution of Jews in Germany intensified fearing for their safety

intensified fearing for their safety

intensified fearing for their safety Claude’s grandmother and her husband

Claude’s grandmother and her husband

Claude’s grandmother and her husband Otto noid Bauer petitioned the German

Otto noid Bauer petitioned the German

Otto noid Bauer petitioned the German government for an exit visa in response

government for an exit visa in response

government for an exit visa in response the Nazis sent an appraiser to evaluate

the Nazis sent an appraiser to evaluate

the Nazis sent an appraiser to evaluate their property he came to my

their property he came to my

their property he came to my grandmother’s apartment in Munich and he

grandmother’s apartment in Munich and he

grandmother’s apartment in Munich and he said my grandparents could leave Germany

said my grandparents could leave Germany

said my grandparents could leave Germany but they would not allow to take the

but they would not allow to take the

but they would not allow to take the Pissarro painting with him they made it

Pissarro painting with him they made it

Pissarro painting with him they made it very very clear you mean this was a lot

very very clear you mean this was a lot

very very clear you mean this was a lot not a matter of choice that if my

not a matter of choice that if my

not a matter of choice that if my grandparents wouldn’t agree to this

grandparents wouldn’t agree to this

grandparents wouldn’t agree to this transaction he would end up in daha one

transaction he would end up in daha one

transaction he would end up in daha one of the worst concentration camps near

of the worst concentration camps near

of the worst concentration camps near Munich when World War two ended the

Munich when World War two ended the

Munich when World War two ended the grotesque realities of Nazi war crimes

grotesque realities of Nazi war crimes

grotesque realities of Nazi war crimes were exposed

were exposed

were exposed and proof of systematic plunder and

and proof of systematic plunder and

and proof of systematic plunder and cultural artifacts was revealed hundreds

cultural artifacts was revealed hundreds

cultural artifacts was revealed hundreds of thousands of paintings sculptures and

of thousands of paintings sculptures and

of thousands of paintings sculptures and jewels had been taken from churches

jewels had been taken from churches

jewels had been taken from churches museums and private homes across the

museums and private homes across the

museums and private homes across the continent

continent

continent Claude kassir and his grandmother both

Claude kassir and his grandmother both

Claude kassir and his grandmother both escaped but their family heirloom remain

escaped but their family heirloom remain

escaped but their family heirloom remain missing until more than 60 years later

missing until more than 60 years later

missing until more than 60 years later Claude saw a photo of the painting

Claude saw a photo of the painting

Claude saw a photo of the painting hanging in a museum in Spain I could

hanging in a museum in Spain I could

hanging in a museum in Spain I could hardly believe it I could hardly believe

hardly believe it I could hardly believe

hardly believe it I could hardly believe it there was such a coincidence in such

it there was such a coincidence in such

it there was such a coincidence in such America the painting had changed hands

America the painting had changed hands

America the painting had changed hands at least five times in three countries

at least five times in three countries

at least five times in three countries over a 50-year period before it was

over a 50-year period before it was

over a 50-year period before it was purchased by one of the world’s

purchased by one of the world’s

purchased by one of the world’s wealthiest art collectors Baron Heinrich

wealthiest art collectors Baron Heinrich

wealthiest art collectors Baron Heinrich von thyssen-bornemisza in 1993 the Baron

von thyssen-bornemisza in 1993 the Baron

von thyssen-bornemisza in 1993 the Baron sold his collection in a joint

sold his collection in a joint

sold his collection in a joint arrangement with the kingdom of Spain

arrangement with the kingdom of Spain

arrangement with the kingdom of Spain and a foundation museum that now bears

and a foundation museum that now bears

and a foundation museum that now bears his name for Claude Kassir

his name for Claude Kassir

his name for Claude Kassir seeing the painting that day was a

seeing the painting that day was a

seeing the painting that day was a glimpse into a boyhood long past where

glimpse into a boyhood long past where

glimpse into a boyhood long past where the painting was my grandmother’s love

the painting was my grandmother’s love

the painting was my grandmother’s love how she sported me how she fed me how

how she sported me how she fed me how

how she sported me how she fed me how she went on excursions with me how she

she went on excursions with me how she

she went on excursions with me how she helped educate me all these interrelated

helped educate me all these interrelated

helped educate me all these interrelated kassir petitioned the museum to return

kassir petitioned the museum to return

kassir petitioned the museum to return the painting and when that didn’t work

the painting and when that didn’t work

the painting and when that didn’t work he decided to sue the museum and its

he decided to sue the museum and its

he decided to sue the museum and its host country the kingdom of Spain for

host country the kingdom of Spain for

host country the kingdom of Spain for the return of what he believes is stolen

the return of what he believes is stolen

the return of what he believes is stolen property representatives of the Spanish

property representatives of the Spanish

property representatives of the Spanish government and officials at the

government and officials at the

government and officials at the thyssen-bornemisza museum declined

thyssen-bornemisza museum declined

thyssen-bornemisza museum declined interview requests for this story in a

interview requests for this story in a

interview requests for this story in a written statement the museum asserts

written statement the museum asserts

written statement the museum asserts that it’s the legitimate owner of the

that it’s the legitimate owner of the

that it’s the legitimate owner of the work and that

work and that

work and that mr. casseras request has no legal

mr. casseras request has no legal

mr. casseras request has no legal foundation under Spanish law further the

foundation under Spanish law further the

foundation under Spanish law further the museum contends that the casera family

museum contends that the casera family

museum contends that the casera family was duly compensated for their loss by

was duly compensated for their loss by

was duly compensated for their loss by the German government in 1958 Claude

the German government in 1958 Claude

the German government in 1958 Claude accepts that his family received $13,000

accepts that his family received $13,000

accepts that his family received $13,000 but even that he had to split with

but even that he had to split with

but even that he had to split with another claimant for some crazy reason

another claimant for some crazy reason

another claimant for some crazy reason which I never understood we had to give

which I never understood we had to give

which I never understood we had to give part of the money to the guy who stole

part of the money to the guy who stole

part of the money to the guy who stole the painting why I don’t understand it

the painting why I don’t understand it

the painting why I don’t understand it today the paintings value is estimated

today the paintings value is estimated

today the paintings value is estimated at 20 million dollars but Claude insists

at 20 million dollars but Claude insists

at 20 million dollars but Claude insists there’s much more to this case than

there’s much more to this case than

there’s much more to this case than money I would be a fool to say that

money I would be a fool to say that

money I would be a fool to say that money is of no concern but why should

money is of no concern but why should

money is of no concern but why should they have something this for a 5 or 10

they have something this for a 5 or 10

they have something this for a 5 or 10 or 15 20 40 50 or 60 million when it

or 15 20 40 50 or 60 million when it

or 15 20 40 50 or 60 million when it doesn’t belong to them and it’s a simple

doesn’t belong to them and it’s a simple

doesn’t belong to them and it’s a simple event any legal experts expect kassir

event any legal experts expect kassir

event any legal experts expect kassir will face considerable challenges in

will face considerable challenges in

will face considerable challenges in court generally the more an object

court generally the more an object

court generally the more an object changes hands the more difficult the

changes hands the more difficult the

changes hands the more difficult the case would be you can keep stolen goods

case would be you can keep stolen goods

case would be you can keep stolen goods the defendant museum puts the plaintiffs

the defendant museum puts the plaintiffs

the defendant museum puts the plaintiffs or the prove prove to me that you own

or the prove prove to me that you own

or the prove prove to me that you own the object proved to me that of the

the object proved to me that of the

the object proved to me that of the stolen case has been tied up on

stolen case has been tied up on

stolen case has been tied up on jurisdictional issues that means prove

jurisdictional issues that means prove

jurisdictional issues that means prove that you have the right to call me from

that you have the right to call me from

that you have the right to call me from Spain into court in the United States

Spain into court in the United States

Spain into court in the United States that that’s just and fair and equitable

that that’s just and fair and equitable

that that’s just and fair and equitable you know what I would say to them if

you know what I would say to them if

you know what I would say to them if there’s any question of in there minding

there’s any question of in there minding

there’s any question of in there minding illegally there should be no question in

illegally there should be no question in

illegally there should be no question in their mind morally the point at which

their mind morally the point at which

their mind morally the point at which law ends and morality begins is often

law ends and morality begins is often

law ends and morality begins is often very hard to find the museum has to make

very hard to find the museum has to make

very hard to find the museum has to make a legal moral and ethical judgment about

a legal moral and ethical judgment about

a legal moral and ethical judgment about what it should do I never give up and we

what it should do I never give up and we

what it should do I never give up and we never gonna give up above the pizarra

never gonna give up above the pizarra

never gonna give up above the pizarra cases like the ownership of this

cases like the ownership of this

cases like the ownership of this impressionist masterpiece of forcing the

impressionist masterpiece of forcing the

impressionist masterpiece of forcing the legal community to reevaluate the

legal community to reevaluate the

legal community to reevaluate the intersection of property law and

intersection of property law and

intersection of property law and morality a single artwork has traveled

morality a single artwork has traveled

morality a single artwork has traveled through the years from a living room in

through the years from a living room in

through the years from a living room in Nazi Germany over oceans and back it’s a

Nazi Germany over oceans and back it’s a

Nazi Germany over oceans and back it’s a journey that represents both the best

journey that represents both the best

journey that represents both the best and worst of our humanity as society

and worst of our humanity as society

and worst of our humanity as society wrestles with the aftermath of war

”

Be First to Comment

Leave a Reply

Your email address will not be published. Required fields are marked *