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Leonardo’s Universe | National Geographic


Leonardo is really a bundle of

Leonardo is really a bundle of contradictions

contradictions

contradictions he was an illegitimate child born in

he was an illegitimate child born in

he was an illegitimate child born in 1452 although we know him for being so

1452 although we know him for being so

1452 although we know him for being so prolific producing so much

he thought that he produced so little

he thought that he produced so little that in his deathbed he turned to an

that in his deathbed he turned to an

that in his deathbed he turned to an assistant and he asked did anything get

assistant and he asked did anything get

assistant and he asked did anything get done

he was good in virtually everything he

he was good in virtually everything he took up and he’s known as a universal

took up and he’s known as a universal

took up and he’s known as a universal genius I started learning about Leonardo

genius I started learning about Leonardo

genius I started learning about Leonardo when I was in high school school called

when I was in high school school called

when I was in high school school called st. Andrews in Middletown Delaware well

st. Andrews in Middletown Delaware well

st. Andrews in Middletown Delaware well when I was in the fifth former 11th

when I was in the fifth former 11th

when I was in the fifth former 11th grade the father of a student an

grade the father of a student an

grade the father of a student an engineer gave a talk about the divine

engineer gave a talk about the divine

engineer gave a talk about the divine proportion and the golden ratio and for

proportion and the golden ratio and for

proportion and the golden ratio and for the first time I saw how mathematics in

the first time I saw how mathematics in

the first time I saw how mathematics in art could in fact be cobbled together I

art could in fact be cobbled together I

art could in fact be cobbled together I had always had a passion for mathematics

had always had a passion for mathematics

had always had a passion for mathematics and I did art in my youth when my father

and I did art in my youth when my father

and I did art in my youth when my father was assigned as a military attache to

was assigned as a military attache to

was assigned as a military attache to London from Turkey

London from Turkey

London from Turkey I remember we lived in the house of Lord

I remember we lived in the house of Lord

I remember we lived in the house of Lord Curzon and I went around beautifying

Curzon and I went around beautifying

Curzon and I went around beautifying these paintings I remember that the one

these paintings I remember that the one

these paintings I remember that the one thing that Leonardo used to say was that

thing that Leonardo used to say was that

thing that Leonardo used to say was that the eyes were this the windows to the

the eyes were this the windows to the

the eyes were this the windows to the soul

soul

soul these paintings had no soul they were

these paintings had no soul they were

these paintings had no soul they were produced in the 18th and 19th centuries

produced in the 18th and 19th centuries

produced in the 18th and 19th centuries but the pupils were all closed I went

but the pupils were all closed I went

but the pupils were all closed I went around opening the pupils with a cork

around opening the pupils with a cork

around opening the pupils with a cork opener and no one really noticed my

opener and no one really noticed my

opener and no one really noticed my improvement until a few months later

improvement until a few months later

improvement until a few months later when the devil came to visit my father

when the devil came to visit my father

when the devil came to visit my father dressed as a diplomat he put out his

dressed as a diplomat he put out his

dressed as a diplomat he put out his hand and without stopping he raised his

hand and without stopping he raised his

hand and without stopping he raised his hand and he said there are holes in

hand and he said there are holes in

hand and he said there are holes in those eyes do you have a son

those eyes do you have a son

those eyes do you have a son so he had gotten to the culprit right

so he had gotten to the culprit right

so he had gotten to the culprit right from the beginning anyway over the years

from the beginning anyway over the years

from the beginning anyway over the years I did produce art and I gave lectures on

I did produce art and I gave lectures on

I did produce art and I gave lectures on cruises frequently and in the late 80s a

cruises frequently and in the late 80s a

cruises frequently and in the late 80s a passenger on the silver seas started

passenger on the silver seas started

passenger on the silver seas started applying steady but gentle pressure to

applying steady but gentle pressure to

applying steady but gentle pressure to publish how we in order to this art how

publish how we in order to this art how

publish how we in order to this art how mathematics and science came in handy

mathematics and science came in handy

mathematics and science came in handy I can speak about 1% of Leonardo and it

I can speak about 1% of Leonardo and it

I can speak about 1% of Leonardo and it will be interesting and it could be any

will be interesting and it could be any

will be interesting and it could be any 1% if Keith wants Lee my co-author

1% if Keith wants Lee my co-author

1% if Keith wants Lee my co-author speaks fast Leonardo I’m sure it’d be

speaks fast Leonardo I’m sure it’d be

speaks fast Leonardo I’m sure it’d be another 1% so this is 1% from the point

another 1% so this is 1% from the point

another 1% so this is 1% from the point of view of the scientists rather than in

of view of the scientists rather than in

of view of the scientists rather than in the artist now let me tell you about the

the artist now let me tell you about the

the artist now let me tell you about the other Leonardo the other Leonardo lived

other Leonardo the other Leonardo lived

other Leonardo the other Leonardo lived 300 years before Leonardo da Vinci his

300 years before Leonardo da Vinci his

300 years before Leonardo da Vinci his name was Leonardo Fibonacci de Pisa

Nardo Fibonacci de Pisa he was probably

Nardo Fibonacci de Pisa he was probably born around 1162 1170 at the same time

born around 1162 1170 at the same time

born around 1162 1170 at the same time as in Pisa when the Leaning Tower was

as in Pisa when the Leaning Tower was

as in Pisa when the Leaning Tower was first being erected

first being erected

first being erected well let’s Leonardo Fibonacci de Pisa in

well let’s Leonardo Fibonacci de Pisa in

well let’s Leonardo Fibonacci de Pisa in 1202 came back to us to a city of Pisa

1202 came back to us to a city of Pisa

1202 came back to us to a city of Pisa and wrote a book called the liberal a

and wrote a book called the liberal a

and wrote a book called the liberal a bocce the book of the abacus the year

bocce the book of the abacus the year

bocce the book of the abacus the year was 1202 it sounds very much like the

was 1202 it sounds very much like the

was 1202 it sounds very much like the name of a late pianist libera bocce

name of a late pianist libera bocce

name of a late pianist libera bocce in the book he starts out by proposing a

in the book he starts out by proposing a

in the book he starts out by proposing a couple of numbers

couple of numbers

couple of numbers he says read this number and then anyone

he says read this number and then anyone

he says read this number and then anyone read that number

read that number

read that number IDH how about this number will suffer

IDH how about this number will suffer

IDH how about this number will suffer also 98 L is 50 so 10 less than the next

also 98 L is 50 so 10 less than the next

also 98 L is 50 so 10 less than the next 50 and you can write the same number in

50 and you can write the same number in

50 and you can write the same number in different ways 1999 you can write 4 or 5

different ways 1999 you can write 4 or 5

different ways 1999 you can write 4 or 5 different ways he proposed using the

different ways he proposed using the

different ways he proposed using the Arabic system making 98 with two symbols

Arabic system making 98 with two symbols

Arabic system making 98 with two symbols and he introduced in his book in the

and he introduced in his book in the

and he introduced in his book in the first chapter the symbols some borrowed

first chapter the symbols some borrowed

first chapter the symbols some borrowed from the Arabs and some that he made up

from the Arabs and some that he made up

from the Arabs and some that he made up one to two horizontal lines I sort of

one to two horizontal lines I sort of

one to two horizontal lines I sort of lightly connected three horizontal lines

lightly connected three horizontal lines

lightly connected three horizontal lines slightly connected one two three four

slightly connected one two three four

slightly connected one two three four one two three four five one two three

one two three four five one two three

one two three four five one two three four five six number of straight lines

four five six number of straight lines

four five six number of straight lines reveal the value of the symbol seven

reveal the value of the symbol seven

reveal the value of the symbol seven takes some imagination but seven in

takes some imagination but seven in

takes some imagination but seven in medieval Europe when he wrote his book

medieval Europe when he wrote his book

medieval Europe when he wrote his book was like this one two three four five

was like this one two three four five

was like this one two three four five six seven and of course Europeans still

six seven and of course Europeans still

six seven and of course Europeans still across there seven eight one two three

across there seven eight one two three

across there seven eight one two three four five six seven eight nine she

four five six seven eight nine she

four five six seven eight nine she borrowed from the Arabs and the zero

borrowed from the Arabs and the zero

borrowed from the Arabs and the zero which he bought from the Hindus it was

which he bought from the Hindus it was

which he bought from the Hindus it was the Hindus who had originally come up

the Hindus who had originally come up

the Hindus who had originally come up with a decimal system and then the zero

with a decimal system and then the zero

with a decimal system and then the zero invented by the Hindus by a

invented by the Hindus by a

invented by the Hindus by a mathematician named Arya pata around 500

mathematician named Arya pata around 500

mathematician named Arya pata around 500 BC it turns out to be an all important

BC it turns out to be an all important

BC it turns out to be an all important component for modern mathematics you

component for modern mathematics you

component for modern mathematics you couldn’t we couldn’t have done calculus

couldn’t we couldn’t have done calculus

couldn’t we couldn’t have done calculus Newton could not have invented calculus

Newton could not have invented calculus

Newton could not have invented calculus without the zero you wouldn’t have had

without the zero you wouldn’t have had

without the zero you wouldn’t have had limits

limits

limits then he does in the book of 13 chapters

then he does in the book of 13 chapters

then he does in the book of 13 chapters algebra problems and finally in the last

algebra problems and finally in the last

algebra problems and finally in the last chapter he proposes a problem of rabbits

chapter he proposes a problem of rabbits

chapter he proposes a problem of rabbits rabbits left in an enclosure a room like

rabbits left in an enclosure a room like

rabbits left in an enclosure a room like this where they’re left to multiply

this where they’re left to multiply

this where they’re left to multiply except there are some definite rules for

except there are some definite rules for

except there are some definite rules for example they must one pair of rabbits

example they must one pair of rabbits

example they must one pair of rabbits start the entire cycle then the rabbits

start the entire cycle then the rabbits

start the entire cycle then the rabbits have to mature for two months before

have to mature for two months before

have to mature for two months before they can give rise to new rabbits and

they can give rise to new rabbits and

they can give rise to new rabbits and the new rabbits have to mature for two

the new rabbits have to mature for two

the new rabbits have to mature for two months before they can give rise new

months before they can give rise new

months before they can give rise new curette to new rabbits so now we start

curette to new rabbits so now we start

curette to new rabbits so now we start out the cycle in January with one pair

out the cycle in January with one pair

out the cycle in January with one pair of rabbits in the second month February

will give them an ear which means there

will give them an ear which means there are one month mature now but they can’t

are one month mature now but they can’t

are one month mature now but they can’t have offspring yet by March they have a

have offspring yet by March they have a

have offspring yet by March they have a second ear and they reproduce by April

second ear and they reproduce by April

second ear and they reproduce by April the fourth month here’s the original

the fourth month here’s the original

the fourth month here’s the original pair one new pair this para gains an ear

pair one new pair this para gains an ear

pair one new pair this para gains an ear in May here’s the original pair one new

in May here’s the original pair one new

in May here’s the original pair one new pair this pair gains an ear this pair

pair this pair gains an ear this pair

pair this pair gains an ear this pair gains a second ear and reproduce this

gains a second ear and reproduce this

gains a second ear and reproduce this see how it works it’s all in the ears in

see how it works it’s all in the ears in

see how it works it’s all in the ears in June there’s the original pair one new

June there’s the original pair one new

June there’s the original pair one new pair this pair of gains an ear this para

pair this pair of gains an ear this para

pair this pair of gains an ear this para gains a second ear and immediately

gains a second ear and immediately

gains a second ear and immediately reproduces this pair is already mature

reproduces this pair is already mature

reproduces this pair is already mature they reproduce this pair gains an ear

they reproduce this pair gains an ear

they reproduce this pair gains an ear now as he looked at this cycle and these

now as he looked at this cycle and these

now as he looked at this cycle and these numbers he wondered whether there was a

numbers he wondered whether there was a

numbers he wondered whether there was a general way to ascertain how many

general way to ascertain how many

general way to ascertain how many rabbits there would be at the end of the

rabbits there would be at the end of the

rabbits there would be at the end of the year without drawing all these ears and

year without drawing all these ears and

year without drawing all these ears and he noticed squiggly that the first month

he noticed squiggly that the first month

he noticed squiggly that the first month was one the second month was one next

was one the second month was one next

was one the second month was one next month it was two next month it was three

month it was two next month it was three

month it was two next month it was three then five and then a

then five and then a

then five and then a anyone want to guess the next one

anyone want to guess the next one

anyone want to guess the next one thirteen next one twenty-one next

thirteen next one twenty-one next

thirteen next one twenty-one next thirty-four next fifty five I told you

thirty-four next fifty five I told you

thirty-four next fifty five I told you this was the smartest room in the entire

this was the smartest room in the entire

this was the smartest room in the entire city five then eighty nine then 144 233

city five then eighty nine then 144 233

city five then eighty nine then 144 233 377 what’s the algorithm how am I doing

377 what’s the algorithm how am I doing

377 what’s the algorithm how am I doing this

this

this add the last two terms to get the next

add the last two terms to get the next

add the last two terms to get the next six ten nine eighty seven three fifteen

six ten nine eighty seven three fifteen

six ten nine eighty seven three fifteen ninety seven and so forth I’ll do one

ninety seven and so forth I’ll do one

ninety seven and so forth I’ll do one more 2584 so first months January

more 2584 so first months January

more 2584 so first months January February March April May June July

February March April May June July

February March April May June July August September October November

August September October November

August September October November December 144 pairs by the end of the

December 144 pairs by the end of the

December 144 pairs by the end of the year January February March April May

year January February March April May

year January February March April May June 18 months into the cycle there

June 18 months into the cycle there

June 18 months into the cycle there should be twenty-five hundred and eighty

should be twenty-five hundred and eighty

should be twenty-five hundred and eighty four pairs of rabbits this is called the

four pairs of rabbits this is called the

four pairs of rabbits this is called the Fibonacci series as you add these

Fibonacci series as you add these

Fibonacci series as you add these numbers it’s an infinite sequence goes

numbers it’s an infinite sequence goes

numbers it’s an infinite sequence goes on like this what he didn’t realize it

on like this what he didn’t realize it

on like this what he didn’t realize it was discovered only the 19th century was

was discovered only the 19th century was

was discovered only the 19th century was that these are nature’s numbers if you

that these are nature’s numbers if you

that these are nature’s numbers if you look at at a flower if you look at let

look at at a flower if you look at let

look at at a flower if you look at let me look at a pinecone first here’s a

me look at a pinecone first here’s a

me look at a pinecone first here’s a pine cone pine cone has helical a

pine cone pine cone has helical a

pine cone pine cone has helical a pattern of scales that go up this way

pattern of scales that go up this way

pattern of scales that go up this way then there’ll be a pattern that goes

then there’ll be a pattern that goes

then there’ll be a pattern that goes this way you look at the bottom and the

this way you look at the bottom and the

this way you look at the bottom and the scales will radiate clockwise like this

scales will radiate clockwise like this

scales will radiate clockwise like this but then as you look at the sunflower

but then as you look at the sunflower

but then as you look at the sunflower the pine cone you’ll find that there are

the pine cone you’ll find that there are

the pine cone you’ll find that there are spirals in the other direction and in

spirals in the other direction and in

spirals in the other direction and in all pine cones

all pine cones

all pine cones it’ll be 13 in one direction 8 in the

it’ll be 13 in one direction 8 in the

it’ll be 13 in one direction 8 in the other it can’t be anything else this is

other it can’t be anything else this is

other it can’t be anything else this is the Filat axis of the pine cone if it

the Filat axis of the pine cone if it

the Filat axis of the pine cone if it were a daisy it would be 21 and 30 also

were a daisy it would be 21 and 30 also

were a daisy it would be 21 and 30 also true for the chrysanthemum in the case

true for the chrysanthemum in the case

true for the chrysanthemum in the case of the sunflower sunflower looks like

of the sunflower sunflower looks like

of the sunflower sunflower looks like this

there are radial patterns that go this

there are radial patterns that go this way and radial patterns that go in the

way and radial patterns that go in the

way and radial patterns that go in the other direction this way you count them

other direction this way you count them

other direction this way you count them and there they have to be 89 in one

and there they have to be 89 in one

and there they have to be 89 in one direction 55 in the other in some some

direction 55 in the other in some some

direction 55 in the other in some some some some flowers to actually find 144

some some flowers to actually find 144

some some flowers to actually find 144 and 89 in every instance is a pair a

and 89 in every instance is a pair a

and 89 in every instance is a pair a sequential pair of Fibonacci’s numbers

sequential pair of Fibonacci’s numbers

sequential pair of Fibonacci’s numbers leonardo knew this Leonardo knew about

leonardo knew this Leonardo knew about

leonardo knew this Leonardo knew about the spiral he used it in drawing embryo

the spiral he used it in drawing embryo

the spiral he used it in drawing embryo he used it in drawing hurricanes and and

he used it in drawing hurricanes and and

he used it in drawing hurricanes and and locks of the hair he always made this is

locks of the hair he always made this is

locks of the hair he always made this is signature Leonardo if you see

signature Leonardo if you see

signature Leonardo if you see logarithmic spirals and the curls it’s

logarithmic spirals and the curls it’s

logarithmic spirals and the curls it’s Leonardo okay I’ll go to my slides now

Leonardo okay I’ll go to my slides now

Leonardo okay I’ll go to my slides now this is Java nachi we have no idea what

this is Java nachi we have no idea what

this is Java nachi we have no idea what he really looked like but this was

he really looked like but this was

he really looked like but this was carved in 1978 it’s a statue on the

carved in 1978 it’s a statue on the

carved in 1978 it’s a statue on the banks of the Arno and Pisa there you can

banks of the Arno and Pisa there you can

banks of the Arno and Pisa there you can see the spirals in the Daisy and in the

see the spirals in the Daisy and in the

see the spirals in the Daisy and in the pine cone if I draw or paint a tree I

pine cone if I draw or paint a tree I

pine cone if I draw or paint a tree I start from the bottom at one point I

start from the bottom at one point I

start from the bottom at one point I divided up into two large branches after

divided up into two large branches after

divided up into two large branches after a while one of these divides up again

a while one of these divides up again

a while one of these divides up again but the other doesn’t but then after a

but the other doesn’t but then after a

but the other doesn’t but then after a while this divides up and one of these

while this divides up and one of these

while this divides up and one of these two branch but this one does not after a

two branch but this one does not after a

two branch but this one does not after a while this will branch this will not

while this will branch this will not

while this will branch this will not this will branch and one of these two

this will branch and one of these two

this will branch and one of these two will branch if the light is falling from

will branch if the light is falling from

will branch if the light is falling from this side as a right-hander I would

this side as a right-hander I would

this side as a right-hander I would shade this way if I were left-handed

shade this way if I were left-handed

shade this way if I were left-handed like Leonardo I would shade this way if

like Leonardo I would shade this way if

like Leonardo I would shade this way if the light is coming from this side then

the light is coming from this side then

the light is coming from this side then obviously it will be darker on the left

obviously it will be darker on the left

obviously it will be darker on the left side you can make the bark darker like

side you can make the bark darker like

side you can make the bark darker like this but what does this have to do with

this but what does this have to do with

this but what does this have to do with to Bonacci or do you see at any given

to Bonacci or do you see at any given

to Bonacci or do you see at any given height 1 2 3 1 2 3 4 5 1 2 3 4 5 6 7 8

height 1 2 3 1 2 3 4 5 1 2 3 4 5 6 7 8

height 1 2 3 1 2 3 4 5 1 2 3 4 5 6 7 8 if your Leonardo you do that if your any

if your Leonardo you do that if your any

if your Leonardo you do that if your any other artist you don’t count if a tree

other artist you don’t count if a tree

other artist you don’t count if a tree looks right it’s right it’s fine okay

looks right it’s right it’s fine okay

looks right it’s right it’s fine okay I’ll go ahead and turn this off

I’ll go ahead and turn this off

I’ll go ahead and turn this off there’s the cork tree this was the first

there’s the cork tree this was the first

there’s the cork tree this was the first x-ray picture taken by Wilhelm Rankin

x-ray picture taken by Wilhelm Rankin

x-ray picture taken by Wilhelm Rankin who invented of course the x-ray machine

who invented of course the x-ray machine

who invented of course the x-ray machine he discovered x-rays and in this case

he discovered x-rays and in this case

he discovered x-rays and in this case it’s a hapless hunter who’s been wounded

it’s a hapless hunter who’s been wounded

it’s a hapless hunter who’s been wounded by birdshot in this case the

by birdshot in this case the

by birdshot in this case the significance is if you measure the

significance is if you measure the

significance is if you measure the various joints this length divided by

various joints this length divided by

various joints this length divided by this length is 1.618

this length is 1.618

this length is 1.618 this length divided by this is one point

this length divided by this is one point

this length divided by this is one point six point eight this divided by this is

six point eight this divided by this is

six point eight this divided by this is one point six one eight nature knows how

one point six one eight nature knows how

one point six one eight nature knows how to divide how cells replicate and in the

to divide how cells replicate and in the

to divide how cells replicate and in the 19th century Gustav Fechner cut

19th century Gustav Fechner cut

19th century Gustav Fechner cut rectangles in different proportions and

rectangles in different proportions and

rectangles in different proportions and handed them out to people to select

handed them out to people to select

handed them out to people to select their favorites this would be a square

their favorites this would be a square

their favorites this would be a square this would be a rectangle 20 percent

this would be a rectangle 20 percent

this would be a rectangle 20 percent longer than it is wide the one that one

longer than it is wide the one that one

longer than it is wide the one that one with 35% is one point six two and here’s

with 35% is one point six two and here’s

with 35% is one point six two and here’s the histogram representing that

the histogram representing that

the histogram representing that so it’s clear that we do have this

so it’s clear that we do have this

so it’s clear that we do have this propensity for this ratio a three by

propensity for this ratio a three by

propensity for this ratio a three by five card looks better than a three by

five card looks better than a three by

five card looks better than a three by four for example here’s the Parthenon

four for example here’s the Parthenon

four for example here’s the Parthenon this is how the distortion would have

this is how the distortion would have

this is how the distortion would have looked it would it look like it’s

looked it would it look like it’s

looked it would it look like it’s sagging so they built it with a convex

sagging so they built it with a convex

sagging so they built it with a convex curvature like this I took this picture

curvature like this I took this picture

curvature like this I took this picture very long time ago

very long time ago

very long time ago there used to be a Dean my friend Roy

there used to be a Dean my friend Roy

there used to be a Dean my friend Roy Weinstock would know this thing but he

Weinstock would know this thing but he

Weinstock would know this thing but he was there with two other colleagues and

was there with two other colleagues and

was there with two other colleagues and he wanted to pick up a piece of the

he wanted to pick up a piece of the

he wanted to pick up a piece of the Parthenon he bent over to tie his

Parthenon he bent over to tie his

Parthenon he bent over to tie his shoelaces and when he stood up he was

shoelaces and when he stood up he was

shoelaces and when he stood up he was ashen white as friends asked him what

ashen white as friends asked him what

ashen white as friends asked him what was wrong was he sick and he said no I

was wrong was he sick and he said no I

was wrong was he sick and he said no I stole a piece of the Parthenon I could

stole a piece of the Parthenon I could

stole a piece of the Parthenon I could wind up in prison just as that they were

wind up in prison just as that they were

wind up in prison just as that they were leaving the Acropolis they saw a truck

leaving the Acropolis they saw a truck

leaving the Acropolis they saw a truck appear and to dump tons of stones for

appear and to dump tons of stones for

appear and to dump tons of stones for the next day now this is a sketch that I

the next day now this is a sketch that I

the next day now this is a sketch that I did at the National Cathedral and I used

did at the National Cathedral and I used

did at the National Cathedral and I used the inverse of that that golden

the inverse of that that golden

the inverse of that that golden rectangle with a hot spot the golden

rectangle with a hot spot the golden

rectangle with a hot spot the golden spot is right right down there with my

spot is right right down there with my

spot is right right down there with my Macintosh I was able to draw these

Macintosh I was able to draw these

Macintosh I was able to draw these polyhedra it’s called graph theory where

polyhedra it’s called graph theory where

polyhedra it’s called graph theory where you do this you write equations for

you do this you write equations for

you do this you write equations for different polyhedra and there are

different polyhedra and there are

different polyhedra and there are exactly these five regular polyhedra in

exactly these five regular polyhedra in

exactly these five regular polyhedra in this case these are irregular polyhedra

this case these are irregular polyhedra

this case these are irregular polyhedra the truncated icosahedron is here the

the truncated icosahedron is here the

the truncated icosahedron is here the truncated dodecahedron the stellated

truncated dodecahedron the stellated

truncated dodecahedron the stellated icosahedron right there is is the

icosahedron right there is is the

icosahedron right there is is the dodecahedron so you probably recognize

dodecahedron so you probably recognize

dodecahedron so you probably recognize this painting from the National Gallery

this painting from the National Gallery

this painting from the National Gallery it’s Salvador Dali’s Last Supper to the

it’s Salvador Dali’s Last Supper to the

it’s Salvador Dali’s Last Supper to the ancient Greeks

ancient Greeks

ancient Greeks this fifth polyhedron this one was the

this fifth polyhedron this one was the

this fifth polyhedron this one was the shape of the universe the dodecahedron

shape of the universe the dodecahedron

shape of the universe the dodecahedron the other four with

the other four with

the other four with shapes of atoms they believe there were

shapes of atoms they believe there were

shapes of atoms they believe there were four atoms earth fire water and air so

four atoms earth fire water and air so

four atoms earth fire water and air so this is all done with a Macintosh

this is all done with a Macintosh

this is all done with a Macintosh this is Leonardo without a Macintosh he

this is Leonardo without a Macintosh he

this is Leonardo without a Macintosh he Illustrated a book the Divina purports

Illustrated a book the Divina purports

Illustrated a book the Divina purports he owned it with for his good friend

he owned it with for his good friend

he owned it with for his good friend Luca Pacioli in the years that he lived

Luca Pacioli in the years that he lived

Luca Pacioli in the years that he lived in Milan

in Milan

in Milan there is Leonardo in a self-portrait but

there is Leonardo in a self-portrait but

there is Leonardo in a self-portrait but we’re not exactly certain we know it’s

we’re not exactly certain we know it’s

we’re not exactly certain we know it’s by Leonardo’s hand but we’re not certain

by Leonardo’s hand but we’re not certain

by Leonardo’s hand but we’re not certain it’s him

it’s him

it’s him most Leonardo’s scholars agree that it

most Leonardo’s scholars agree that it

most Leonardo’s scholars agree that it is him but David Allen Brown at the

is him but David Allen Brown at the

is him but David Allen Brown at the National Gallery who’s a renaissance

National Gallery who’s a renaissance

National Gallery who’s a renaissance scholar I thinks it’s from the wrong

scholar I thinks it’s from the wrong

scholar I thinks it’s from the wrong period Leonardo in his deathbed in

period Leonardo in his deathbed in

period Leonardo in his deathbed in Amboise France in the Loire Valley

Amboise France in the Loire Valley

Amboise France in the Loire Valley attended to by Francis the first his

attended to by Francis the first his

attended to by Francis the first his royal patron of the last three years he

royal patron of the last three years he

royal patron of the last three years he lived in France the last three years of

lived in France the last three years of

lived in France the last three years of his life as one reason the French the

his life as one reason the French the

his life as one reason the French the Louvre owns more than half Leonardo’s

Louvre owns more than half Leonardo’s

Louvre owns more than half Leonardo’s output this is Amboise the Chateau dump

output this is Amboise the Chateau dump

output this is Amboise the Chateau dump was there’s a church in the back where

was there’s a church in the back where

was there’s a church in the back where he’s buried is thought this is the

he’s buried is thought this is the

he’s buried is thought this is the church st. soother and his beloved Arno

church st. soother and his beloved Arno

church st. soother and his beloved Arno Valley and of course Florence where he

Valley and of course Florence where he

Valley and of course Florence where he lived from the time he was about 15 to

lived from the time he was about 15 to

lived from the time he was about 15 to the time he was close to 30 about 27

the time he was close to 30 about 27

the time he was close to 30 about 27 when Leonardo was 19

when Leonardo was 19

when Leonardo was 19 working for Andrea del Verrocchio he

working for Andrea del Verrocchio he

working for Andrea del Verrocchio he helped put this 8-foot copper sphere on

helped put this 8-foot copper sphere on

helped put this 8-foot copper sphere on top using the same voice that

top using the same voice that

top using the same voice that Brunelleschi had used the generation

Brunelleschi had used the generation

Brunelleschi had used the generation earlier this is the drawing the cartoon

earlier this is the drawing the cartoon

earlier this is the drawing the cartoon for school of athens this great painting

for school of athens this great painting

for school of athens this great painting by Raphael Raphael’s masterpiece since

by Raphael Raphael’s masterpiece since

by Raphael Raphael’s masterpiece since in the Vatican in the foreground is

in the Vatican in the foreground is

in the Vatican in the foreground is Michelangelo sitting in for Heraclitus a

Michelangelo sitting in for Heraclitus a

Michelangelo sitting in for Heraclitus a very difficult philosopher from the

very difficult philosopher from the

very difficult philosopher from the ancient days

ancient days

ancient days it was a good choice in this case

it was a good choice in this case

it was a good choice in this case because Michelangelo was a very

because Michelangelo was a very

because Michelangelo was a very difficult man

difficult man

difficult man but Michelangelo had seen the painting

but Michelangelo had seen the painting

but Michelangelo had seen the painting and he wasn’t in it and when he admired

and he wasn’t in it and when he admired

and he wasn’t in it and when he admired it so much

it so much

it so much Raphael decided to put him in there you

Raphael decided to put him in there you

Raphael decided to put him in there you see in the earlier cartoon he’s not

see in the earlier cartoon he’s not

see in the earlier cartoon he’s not there others in the painting this is

there others in the painting this is

there others in the painting this is Pythagoras over here is Euclid although

Pythagoras over here is Euclid although

Pythagoras over here is Euclid although it could be Archimedes Leonardo as Plato

it could be Archimedes Leonardo as Plato

it could be Archimedes Leonardo as Plato and this is Aristotle we don’t know who

and this is Aristotle we don’t know who

and this is Aristotle we don’t know who the model is the model for this is

the model is the model for this is

the model is the model for this is Bramante and Raphael himself is standing

Bramante and Raphael himself is standing

Bramante and Raphael himself is standing right there is sort of a Alfred

right there is sort of a Alfred

right there is sort of a Alfred Hitchcock moment this statue visited

Hitchcock moment this statue visited

Hitchcock moment this statue visited Washington I guess about four years ago

Washington I guess about four years ago

Washington I guess about four years ago anyone see it

anyone see it

anyone see it yes it’s under it

yes it’s under it

yes it’s under it rocio’s depiction of David just thought

rocio’s depiction of David just thought

rocio’s depiction of David just thought that the model for this is Leonardo

that the model for this is Leonardo

that the model for this is Leonardo himself as a teenager Verrocchio’s

himself as a teenager Verrocchio’s

himself as a teenager Verrocchio’s painting the baptism of Christ in which

painting the baptism of Christ in which

painting the baptism of Christ in which he asked his assistants to paint the

he asked his assistants to paint the

he asked his assistants to paint the angels Botticelli or de kratie painted

angels Botticelli or de kratie painted

angels Botticelli or de kratie painted this angel and Leonardo painted this

this angel and Leonardo painted this

this angel and Leonardo painted this angel if you go to the aficio from the

angel if you go to the aficio from the

angel if you go to the aficio from the Botticelli room to the Leonardo room and

Botticelli room to the Leonardo room and

Botticelli room to the Leonardo room and this is the painting facing you

this is the painting facing you

this is the painting facing you well when baroque you saw the angel he

well when baroque you saw the angel he

well when baroque you saw the angel he gave up the brush for good and didn’t do

gave up the brush for good and didn’t do

gave up the brush for good and didn’t do any more painting after that but it’s a

any more painting after that but it’s a

any more painting after that but it’s a genius meeting a trend a transformative

genius meeting a trend a transformative

genius meeting a trend a transformative genius happened when Isaac Newton I came

genius happened when Isaac Newton I came

genius happened when Isaac Newton I came back from 16 months in his village with

back from 16 months in his village with

back from 16 months in his village with a list of his mental inventions his

a list of his mental inventions his

a list of his mental inventions his theories and his professor Isaac Barrow

theories and his professor Isaac Barrow

theories and his professor Isaac Barrow immediately he had discovered calculus

immediately he had discovered calculus

immediately he had discovered calculus formulated calculus he had discovered

formulated calculus he had discovered

formulated calculus he had discovered the three laws of motion the universal

the three laws of motion the universal

the three laws of motion the universal law of gravitation is endless yet

law of gravitation is endless yet

law of gravitation is endless yet explained how a telescope works his

explained how a telescope works his

explained how a telescope works his professor Isaac Barrow also retired

professor Isaac Barrow also retired

professor Isaac Barrow also retired immediately and became a vicar a priest

immediately and became a vicar a priest

immediately and became a vicar a priest and Newton became the location professor

and Newton became the location professor

and Newton became the location professor Leonardo had a penchant for as I

Leonardo had a penchant for as I

Leonardo had a penchant for as I mentioned for the grotesques along with

mentioned for the grotesques along with

mentioned for the grotesques along with the sublimely beautiful in this case is

the sublimely beautiful in this case is

the sublimely beautiful in this case is called a man being teased by gypsies and

called a man being teased by gypsies and

called a man being teased by gypsies and the facial features with the golden

the facial features with the golden

the facial features with the golden rectangle for 17 years or so he was in

rectangle for 17 years or so he was in

rectangle for 17 years or so he was in the in the higher of the sports that

the in the higher of the sports that

the in the higher of the sports that Duke Sforza in Milan it was one of his

Duke Sforza in Milan it was one of his

Duke Sforza in Milan it was one of his most productive periods that’s what he

most productive periods that’s what he

most productive periods that’s what he was doing engineering military

was doing engineering military

was doing engineering military engineering and producing a few pieces

engineering and producing a few pieces

engineering and producing a few pieces of art including the Last Supper which

of art including the Last Supper which

of art including the Last Supper which was finished in 1498 now in here you can

was finished in 1498 now in here you can

was finished in 1498 now in here you can see his drawings at the top for the side

see his drawings at the top for the side

see his drawings at the top for the side wheeler and I bought a couple of ties

wheeler and I bought a couple of ties

wheeler and I bought a couple of ties along I don’t know if you can make these

along I don’t know if you can make these

along I don’t know if you can make these out but one has a positive slope the

out but one has a positive slope the

out but one has a positive slope the other has a negative slope this one has

other has a negative slope this one has

other has a negative slope this one has the positive slope that’s the way a

the positive slope that’s the way a

the positive slope that’s the way a right-hander would sketch would shade

right-hander would sketch would shade

right-hander would sketch would shade this is the way the left-hander was

this is the way the left-hander was

this is the way the left-hander was would sketch all English and European

would sketch all English and European

would sketch all English and European ties have positive slope

ties have positive slope

ties have positive slope all-american striped eyes have negative

all-american striped eyes have negative

all-american striped eyes have negative slope I don’t know where the convention

slope I don’t know where the convention

slope I don’t know where the convention comes from but it’s there’s never a

comes from but it’s there’s never a

comes from but it’s there’s never a violation of this rule but the negative

violation of this rule but the negative

violation of this rule but the negative slope the American tie this is the way

slope the American tie this is the way

slope the American tie this is the way the left-hander Leonardo would have

the left-hander Leonardo would have

the left-hander Leonardo would have shaded so that proves he really was

shaded so that proves he really was

shaded so that proves he really was American after all

American after all

American after all to me his drawings his mechanical

to me his drawings his mechanical

to me his drawings his mechanical drawings uh this particular exploded

drawings uh this particular exploded

drawings uh this particular exploded gear diagram is incredible it’s three or

gear diagram is incredible it’s three or

gear diagram is incredible it’s three or four hundred years before anyone else

four hundred years before anyone else

four hundred years before anyone else came up with exploded views of machine

came up with exploded views of machine

came up with exploded views of machine parts heat transmission this turns out

parts heat transmission this turns out

parts heat transmission this turns out to be it was always called Leonardo’s

to be it was always called Leonardo’s

to be it was always called Leonardo’s cart the powered cart but it turns out

cart the powered cart but it turns out

cart the powered cart but it turns out to be robotics he had invented he had

to be robotics he had invented he had

to be robotics he had invented he had started the field of robotics

started the field of robotics

started the field of robotics that’s an odometer this is a robotic

that’s an odometer this is a robotic

that’s an odometer this is a robotic Knight this is a mercedes-benz

Knight this is a mercedes-benz

Knight this is a mercedes-benz 3000 dollar bike these are Leonardo’s

3000 dollar bike these are Leonardo’s

3000 dollar bike these are Leonardo’s drawings left-handed shading for chain

drawings left-handed shading for chain

drawings left-handed shading for chain and sprockets and is designed for a

and sprockets and is designed for a

and sprockets and is designed for a bicycle and there is a model a replica

bicycle and there is a model a replica

bicycle and there is a model a replica of the bicycle more than anything else

of the bicycle more than anything else

of the bicycle more than anything else he wanted to master flight he wanted

he wanted to master flight he wanted

he wanted to master flight he wanted humans to achieve flight he said

humans to achieve flight he said

humans to achieve flight he said whatever the birds can do man should

whatever the birds can do man should

whatever the birds can do man should also be able to do so he designed

also be able to do so he designed

also be able to do so he designed various ornithopters these flapping wing

various ornithopters these flapping wing

various ornithopters these flapping wing devices you can imagine his assistants

devices you can imagine his assistants

devices you can imagine his assistants coming to work and being told they were

coming to work and being told they were

coming to work and being told they were going to test fly then he decided maybe

going to test fly then he decided maybe

going to test fly then he decided maybe a helicopter would work better and

Sikorsky early in the 20th century

Sikorsky early in the 20th century invented the helicopter inspired he said

invented the helicopter inspired he said

invented the helicopter inspired he said by having seen Leonardo’s drawing of the

by having seen Leonardo’s drawing of the

by having seen Leonardo’s drawing of the aerial screw in case something there was

aerial screw in case something there was

aerial screw in case something there was a mishap he invented the parachute

a mishap he invented the parachute

a mishap he invented the parachute there’s the drawing and the specs were

there’s the drawing and the specs were

there’s the drawing and the specs were given below all through the 20th century

given below all through the 20th century

given below all through the 20th century that people have seen this drawing they

that people have seen this drawing they

that people have seen this drawing they would say it’s amazing

would say it’s amazing

would say it’s amazing such prescience except they said it

such prescience except they said it

such prescience except they said it probably would not work in that design

probably would not work in that design

probably would not work in that design in 2000 here’s someone in South Africa

in 2000 here’s someone in South Africa

in 2000 here’s someone in South Africa coming down with whee

coming down with whee

coming down with whee whose parachute it works his great

whose parachute it works his great

whose parachute it works his great patron Lorenzo the Magnificent and his

patron Lorenzo the Magnificent and his

patron Lorenzo the Magnificent and his brother Giuliano de Medici Giuliano was

brother Giuliano de Medici Giuliano was

brother Giuliano de Medici Giuliano was assassinated in the cathedral and

assassinated in the cathedral and

assassinated in the cathedral and Lorenzo barely escaped but within a few

Lorenzo barely escaped but within a few

Lorenzo barely escaped but within a few weeks all the assassins were rounded up

weeks all the assassins were rounded up

weeks all the assassins were rounded up the ringleader of the assassins had fled

the ringleader of the assassins had fled

the ringleader of the assassins had fled all the way to to Constantinople

all the way to to Constantinople

all the way to to Constantinople actually it was already Istanbul by then

actually it was already Istanbul by then

actually it was already Istanbul by then this was 1478 Leonardo would have been

this was 1478 Leonardo would have been

this was 1478 Leonardo would have been 26 he saw the man hanging and

26 he saw the man hanging and

26 he saw the man hanging and immediately did the sketch and even like

immediately did the sketch and even like

immediately did the sketch and even like a photojournalist explain what the man

a photojournalist explain what the man

a photojournalist explain what the man was wearing he said he’s wearing Turkish

was wearing he said he’s wearing Turkish

was wearing he said he’s wearing Turkish clothes by 1498 when he was in Milan the

clothes by 1498 when he was in Milan the

clothes by 1498 when he was in Milan the notorious southerner Ola of course had

notorious southerner Ola of course had

notorious southerner Ola of course had upended the Medici in Florence Leonardo

upended the Medici in Florence Leonardo

upended the Medici in Florence Leonardo was living in Milan after two or three

was living in Milan after two or three

was living in Milan after two or three years of truly a cool rule the Pope

years of truly a cool rule the Pope

years of truly a cool rule the Pope realized it wasn’t that there was he’s

realized it wasn’t that there was he’s

realized it wasn’t that there was he’s seen as an early Protestant revolution

seen as an early Protestant revolution

seen as an early Protestant revolution and he was denounced by the Pope he was

and he was denounced by the Pope he was

and he was denounced by the Pope he was burned at the stake and in Ferrara where

burned at the stake and in Ferrara where

burned at the stake and in Ferrara where he was born there’s a statue of him now

he was born there’s a statue of him now

he was born there’s a statue of him now and certainly if Leonardo had been

and certainly if Leonardo had been

and certainly if Leonardo had been influenced then he would have sketched

influenced then he would have sketched

influenced then he would have sketched this a student of mine sent this to me

this a student of mine sent this to me

this a student of mine sent this to me once it says I saved some money on the

once it says I saved some money on the

once it says I saved some money on the footings but don’t worry no one will

footings but don’t worry no one will

footings but don’t worry no one will ever notice well two people who noticed

ever notice well two people who noticed

ever notice well two people who noticed were Leonardo and gal Leo Leonardo did

were Leonardo and gal Leo Leonardo did

were Leonardo and gal Leo Leonardo did some experiments dropping objects from

some experiments dropping objects from

some experiments dropping objects from the side and there’s no evidence that he

the side and there’s no evidence that he

the side and there’s no evidence that he did this experiment in Pisa I’m not sure

did this experiment in Pisa I’m not sure

did this experiment in Pisa I’m not sure you ever went to Pisa but this is a good

you ever went to Pisa but this is a good

you ever went to Pisa but this is a good model to to explain the phenomena he

model to to explain the phenomena he

model to to explain the phenomena he found that an equal second periods of

found that an equal second periods of

found that an equal second periods of time second units that an object would

time second units that an object would

time second units that an object would descend one

descend one

descend one two three four five units of distance

two three four five units of distance

two three four five units of distance sequential seconds

sequential seconds

sequential seconds Galileo 110 years later found the

Galileo 110 years later found the

Galileo 110 years later found the distances to be one three five seven

distances to be one three five seven

distances to be one three five seven these are both arithmetic series when

these are both arithmetic series when

these are both arithmetic series when you add these arithmetic series the sum

you add these arithmetic series the sum

you add these arithmetic series the sum is a quadratic what this means is the

is a quadratic what this means is the

is a quadratic what this means is the acceleration is constant and that’s what

acceleration is constant and that’s what

acceleration is constant and that’s what Galileo is giving credit for having

Galileo is giving credit for having

Galileo is giving credit for having discovered the law of freefall that

discovered the law of freefall that

discovered the law of freefall that objects fall with constant acceleration

objects fall with constant acceleration

objects fall with constant acceleration independent of their weights Leonardo

independent of their weights Leonardo

independent of their weights Leonardo had discovered that but he hadn’t

had discovered that but he hadn’t

had discovered that but he hadn’t written it here is Galileo also

written it here is Galileo also

written it here is Galileo also Aristotelian physics physics being

Aristotelian physics physics being

Aristotelian physics physics being taught all through the 17th century had

taught all through the 17th century had

taught all through the 17th century had the trajectory of projectiles to be like

the trajectory of projectiles to be like

the trajectory of projectiles to be like this

this

this Galileo discovered in 1609 with his

Galileo discovered in 1609 with his

Galileo discovered in 1609 with his experiments that there were parts of

experiments that there were parts of

experiments that there were parts of parabolas that the trajectories were

parabolas that the trajectories were

parabolas that the trajectories were parabolic Leonardo 120 years earlier had

parabolic Leonardo 120 years earlier had

parabolic Leonardo 120 years earlier had already drawn this picture of parabolic

already drawn this picture of parabolic

already drawn this picture of parabolic trajectories the trouble with Leonardo

trajectories the trouble with Leonardo

trajectories the trouble with Leonardo is he didn’t publish then in the hands

is he didn’t publish then in the hands

is he didn’t publish then in the hands of Isaac Newton another 160 years later

of Isaac Newton another 160 years later

of Isaac Newton another 160 years later the parabolic trajectories became

the parabolic trajectories became

the parabolic trajectories became elliptical trajectories this is the

elliptical trajectories this is the

elliptical trajectories this is the frontispiece of Isaac Newton’s great

frontispiece of Isaac Newton’s great

frontispiece of Isaac Newton’s great book the most important book in the

book the most important book in the

book the most important book in the sciences here is Galileo’s telescope

sciences here is Galileo’s telescope

sciences here is Galileo’s telescope 1609 here is Isaac Newton’s reflector

1609 here is Isaac Newton’s reflector

1609 here is Isaac Newton’s reflector 1668

1668

1668 here is the hubble reflector 1986 and

here is the hubble reflector 1986 and

here is the hubble reflector 1986 and here is Leonardo’s reflector 1500 this

here is Leonardo’s reflector 1500 this

here is Leonardo’s reflector 1500 this is the level of anatomical drawings that

is the level of anatomical drawings that

is the level of anatomical drawings that existed in Leonardo’s day Bernardo did

existed in Leonardo’s day Bernardo did

existed in Leonardo’s day Bernardo did his own anatomical drawings and in this

his own anatomical drawings and in this

his own anatomical drawings and in this case his writing was always from right

case his writing was always from right

case his writing was always from right to left he always wrote backwards it was

to left he always wrote backwards it was

to left he always wrote backwards it was more practical he was left-handed and if

more practical he was left-handed and if

more practical he was left-handed and if he wrote to the right the the quill

he wrote to the right the the quill

he wrote to the right the the quill would get stuck in the

would get stuck in the

would get stuck in the / so he wrote a mirror script and you

/ so he wrote a mirror script and you

/ so he wrote a mirror script and you need to put a mirror right next to it to

need to put a mirror right next to it to

need to put a mirror right next to it to make out the text but these the detail

make out the text but these the detail

make out the text but these the detail of these vital organs in the human here

of these vital organs in the human here

of these vital organs in the human here is the heart and lungs

is the heart and lungs

is the heart and lungs the cardiovascular system as detailed

the cardiovascular system as detailed

the cardiovascular system as detailed drawing notes all written beautifully

drawing notes all written beautifully

drawing notes all written beautifully from right to left his master Verrocchio

from right to left his master Verrocchio

from right to left his master Verrocchio had told the pupils his apprentices to

had told the pupils his apprentices to

had told the pupils his apprentices to learn the body from the inside out he

learn the body from the inside out he

learn the body from the inside out he would have had no idea to what level

would have had no idea to what level

would have had no idea to what level Leonardo would go to learn the body from

Leonardo would go to learn the body from

Leonardo would go to learn the body from the inside out in this case the old man

the inside out in this case the old man

the inside out in this case the old man here is thought to be one fellow he met

here is thought to be one fellow he met

here is thought to be one fellow he met when he visited a hospital in in

when he visited a hospital in in

when he visited a hospital in in Florence man was very old and Leonardo

Florence man was very old and Leonardo

Florence man was very old and Leonardo asked him he sat with him and held his

asked him he sat with him and held his

asked him he sat with him and held his hand and asked how old he was and the

hand and asked how old he was and the

hand and asked how old he was and the man said I don’t know but I’m very old

man said I don’t know but I’m very old

man said I don’t know but I’m very old Leonardo said what is very old and he

Leonardo said what is very old and he

Leonardo said what is very old and he said I don’t know what my grandson is 58

said I don’t know what my grandson is 58

said I don’t know what my grandson is 58 in order estimated man must been over a

in order estimated man must been over a

in order estimated man must been over a hundred and with a smile on his face man

hundred and with a smile on his face man

hundred and with a smile on his face man passed away leonardo wrote I quickly did

passed away leonardo wrote I quickly did

passed away leonardo wrote I quickly did a anatomy of him well he wanted to find

a anatomy of him well he wanted to find

a anatomy of him well he wanted to find out how anyone could die such a happy

out how anyone could die such a happy

out how anyone could die such a happy death then a few weeks later he did an

death then a few weeks later he did an

death then a few weeks later he did an Anatomy or post-mortem on a child and he

Anatomy or post-mortem on a child and he

Anatomy or post-mortem on a child and he wrote the difference he said in the case

wrote the difference he said in the case

wrote the difference he said in the case of the child the blood vessels leading

of the child the blood vessels leading

of the child the blood vessels leading to the heart were supple and clear in

to the heart were supple and clear in

to the heart were supple and clear in the case of the old man they were

the case of the old man they were

the case of the old man they were occluded or clogged and brittle he’s

occluded or clogged and brittle he’s

occluded or clogged and brittle he’s describing atherosclerosis 500 years ago

describing atherosclerosis 500 years ago

describing atherosclerosis 500 years ago was first identified in modern times by

was first identified in modern times by

was first identified in modern times by at the university of vienna around the

at the university of vienna around the

at the university of vienna around the 1890s and the person who revolutionized

1890s and the person who revolutionized

1890s and the person who revolutionized medicine Berzelius of course in 1543 24

medicine Berzelius of course in 1543 24

medicine Berzelius of course in 1543 24 years after Leonardo’s passing hired a

years after Leonardo’s passing hired a

years after Leonardo’s passing hired a Flemish artist to draw a human body

Flemish artist to draw a human body

Flemish artist to draw a human body during dissections

during dissections

during dissections this is Vesalius at 29

this is Vesalius at 29

this is Vesalius at 29 that’s when the scientific revolution

that’s when the scientific revolution

that’s when the scientific revolution starts with Copernicus’s book in 1543

starts with Copernicus’s book in 1543

starts with Copernicus’s book in 1543 and with Vesalius his book Leonardo’s

and with Vesalius his book Leonardo’s

and with Vesalius his book Leonardo’s drawings of the heart the human heart

drawings of the heart the human heart

drawings of the heart the human heart recently it was it came to the news a

recently it was it came to the news a

recently it was it came to the news a couple of years ago that a well-known

couple of years ago that a well-known

couple of years ago that a well-known surgeon cardiac surgeon in Cambridge at

surgeon cardiac surgeon in Cambridge at

surgeon cardiac surgeon in Cambridge at Cambridge University was doing mitral

Cambridge University was doing mitral

Cambridge University was doing mitral valve repairs looking at Leonardo’s

valve repairs looking at Leonardo’s

valve repairs looking at Leonardo’s drawings and his descriptions and this

drawings and his descriptions and this

drawings and his descriptions and this turns out to be revolutionary medicine

turns out to be revolutionary medicine

turns out to be revolutionary medicine mitral valve repair using these five

mitral valve repair using these five

mitral valve repair using these five hundred year old descriptions that

hundred year old descriptions that

hundred year old descriptions that Leonardo gave or maybe the modus

Leonardo gave or maybe the modus

Leonardo gave or maybe the modus operandi that he taught us my son who’s

operandi that he taught us my son who’s

operandi that he taught us my son who’s a Cardiacs

a Cardiacs

a Cardiacs radiologists gave me that drawing I

radiologists gave me that drawing I

radiologists gave me that drawing I could rotate the heart and get just the

could rotate the heart and get just the

could rotate the heart and get just the right angle as a counterpoint to

right angle as a counterpoint to

right angle as a counterpoint to Leonardo’s drawings of the human heart

Leonardo’s drawings of the human heart

Leonardo’s drawings of the human heart this is the way you would have seen his

this is the way you would have seen his

this is the way you would have seen his handwriting pretty hard to read this is

handwriting pretty hard to read this is

handwriting pretty hard to read this is called the da vinci font you can flip it

called the da vinci font you can flip it

called the da vinci font you can flip it back and forth like this fact in the new

back and forth like this fact in the new

back and forth like this fact in the new book Leonardo’s universe all the

book Leonardo’s universe all the

book Leonardo’s universe all the quotations are with Leonardo’s font he’s

quotations are with Leonardo’s font he’s

quotations are with Leonardo’s font he’s talking about evolution

talking about evolution

talking about evolution this is 350 years before Darwin there is

this is 350 years before Darwin there is

this is 350 years before Darwin there is a legend that around 1480 the the

a legend that around 1480 the the

a legend that around 1480 the the conqueror of constantinople mammoths ii

conqueror of constantinople mammoths ii

conqueror of constantinople mammoths ii invited Leonardo to Turkey to

invited Leonardo to Turkey to

invited Leonardo to Turkey to Constantinople Leonardo had just taken a

Constantinople Leonardo had just taken a

Constantinople Leonardo had just taken a job in Milan and he was very happy with

job in Milan and he was very happy with

job in Milan and he was very happy with the job in Milan he didn’t go but

the job in Milan he didn’t go but

the job in Milan he didn’t go but there’s no real proof of this 20 years

there’s no real proof of this 20 years

there’s no real proof of this 20 years later

later

later Leonardo was out of a job this forces

Leonardo was out of a job this forces

Leonardo was out of a job this forces were ran out run out by a French

were ran out run out by a French

were ran out run out by a French and Leonardo applied to the Sultan of

and Leonardo applied to the Sultan of

and Leonardo applied to the Sultan of Turkey

Turkey

Turkey this letter ironic it’s written from

this letter ironic it’s written from

this letter ironic it’s written from right to left

right to left

right to left in the way that old Turkish used to be

in the way that old Turkish used to be

in the way that old Turkish used to be written but following Convention

written but following Convention

written but following Convention correctly he talks about building a

correctly he talks about building a

correctly he talks about building a bridge over the Golden Horn Golden Horn

bridge over the Golden Horn Golden Horn

bridge over the Golden Horn Golden Horn is an Istanbul it said unless about 7

is an Istanbul it said unless about 7

is an Istanbul it said unless about 7 miles or 10 kilometers long from the

miles or 10 kilometers long from the

miles or 10 kilometers long from the Bosphorus and he says I understand

Bosphorus and he says I understand

Bosphorus and he says I understand you’re looking for an architect or

you’re looking for an architect or

you’re looking for an architect or engineer to build this bridge and I

engineer to build this bridge and I

engineer to build this bridge and I happen to be the architect who can do

happen to be the architect who can do

happen to be the architect who can do this unhappily the Sultan the son of the

this unhappily the Sultan the son of the

this unhappily the Sultan the son of the conqueror was not a visionary and he

conqueror was not a visionary and he

conqueror was not a visionary and he didn’t hire Leonardo a couple of hundred

didn’t hire Leonardo a couple of hundred

didn’t hire Leonardo a couple of hundred years later a bridge was built it

years later a bridge was built it

years later a bridge was built it probably survived for ten or fifteen

probably survived for ten or fifteen

probably survived for ten or fifteen years here’s the bridge over the Golden

years here’s the bridge over the Golden

years here’s the bridge over the Golden Horn

Horn

Horn there is a fire tower in the back and

there is a fire tower in the back and

there is a fire tower in the back and this is the famous mosque the selamanya

this is the famous mosque the selamanya

this is the famous mosque the selamanya but this is the Golden Horn it’s about

but this is the Golden Horn it’s about

but this is the Golden Horn it’s about two hundred forty meters or seven

two hundred forty meters or seven

two hundred forty meters or seven hundred and ninety feet across I sat at

hundred and ninety feet across I sat at

hundred and ninety feet across I sat at the top of the tower and looking at this

the top of the tower and looking at this

the top of the tower and looking at this mosque I sketched it here is two point

mosque I sketched it here is two point

mosque I sketched it here is two point perspective Leonardo had invented two

perspective Leonardo had invented two

perspective Leonardo had invented two point perspective one point perspective

point perspective one point perspective

point perspective one point perspective was known by Brunelleschi but this is

was known by Brunelleschi but this is

was known by Brunelleschi but this is two point perspective where these

two point perspective where these

two point perspective where these parallel lines converge at two vanishing

parallel lines converge at two vanishing

parallel lines converge at two vanishing points and in this sketch the Golden

points and in this sketch the Golden

points and in this sketch the Golden Horn or hullick would be right here for

Horn or hullick would be right here for

Horn or hullick would be right here for 500 years

500 years

500 years Leonardo’s plans lay they were wasted

Leonardo’s plans lay they were wasted

Leonardo’s plans lay they were wasted these are Leonardo’s designs for the

these are Leonardo’s designs for the

these are Leonardo’s designs for the bridge and finally in Norway just

bridge and finally in Norway just

bridge and finally in Norway just outside Oslo the bridge was built this

outside Oslo the bridge was built this

outside Oslo the bridge was built this is Leonardo’s design and the Norwegian

is Leonardo’s design and the Norwegian

is Leonardo’s design and the Norwegian artist who spearheaded this project

artist who spearheaded this project

artist who spearheaded this project Beveren son would like to do it

Beveren son would like to do it

Beveren son would like to do it in Istanbul me this is in the Golden

in Istanbul me this is in the Golden

in Istanbul me this is in the Golden Horn and this is what the bridge would

Horn and this is what the bridge would

Horn and this is what the bridge would look like now I should have shown you I

look like now I should have shown you I

look like now I should have shown you I should have talked about this when I was

should have talked about this when I was

should have talked about this when I was first sketching but in 1998 Christopher

first sketching but in 1998 Christopher

first sketching but in 1998 Christopher Tyler an Englishman a psychologist

Tyler an Englishman a psychologist

Tyler an Englishman a psychologist living in San Francisco discovered the

living in San Francisco discovered the

living in San Francisco discovered the centerline principle in all great

centerline principle in all great

centerline principle in all great portraits a line that divides the

portraits a line that divides the

portraits a line that divides the painting into a vertical line passes

painting into a vertical line passes

painting into a vertical line passes through an eye here is of course Mona

through an eye here is of course Mona

through an eye here is of course Mona Lisa here’s a Rembrandt self-portrait

Lisa here’s a Rembrandt self-portrait

Lisa here’s a Rembrandt self-portrait it’s in the National Gallery and here’s

it’s in the National Gallery and here’s

it’s in the National Gallery and here’s the Picasso the portrait of Dora Maar if

the Picasso the portrait of Dora Maar if

the Picasso the portrait of Dora Maar if Picasso had known this principle he

Picasso had known this principle he

Picasso had known this principle he would have put the eye somewhere around

would have put the eye somewhere around

would have put the eye somewhere around here this is in in Leningrad at Saint

here this is in in Leningrad at Saint

here this is in in Leningrad at Saint Patsy Armitage there is a the portrait

Patsy Armitage there is a the portrait

Patsy Armitage there is a the portrait of the old rabbi by Rembrandt who seems

of the old rabbi by Rembrandt who seems

of the old rabbi by Rembrandt who seems to have more life than four haggard

to have more life than four haggard

to have more life than four haggard tourists in the front right through the

tourists in the front right through the

tourists in the front right through the eye right through the eye as my son

eye right through the eye as my son

eye right through the eye as my son right through the eye go home and look

right through the eye go home and look

right through the eye go home and look at your pictures photographs that you’ve

at your pictures photographs that you’ve

at your pictures photographs that you’ve taken and see if you haven’t focused

taken and see if you haven’t focused

taken and see if you haven’t focused that way in this picture in this

that way in this picture in this

that way in this picture in this painting by

painting by

painting by a Jamie Wyeth line doesn’t go through

a Jamie Wyeth line doesn’t go through

a Jamie Wyeth line doesn’t go through the center of the portrait central would

the center of the portrait central would

the center of the portrait central would be somewhere around here but it turns

be somewhere around here but it turns

be somewhere around here but it turns out this is one part two 0.618 the

out this is one part two 0.618 the

out this is one part two 0.618 the golden ratio

golden ratio

golden ratio Jamie Wyeth wrote a little blurb for the

Jamie Wyeth wrote a little blurb for the

Jamie Wyeth wrote a little blurb for the back of math and the Mona Lisa

back of math and the Mona Lisa

back of math and the Mona Lisa it was fascinated he said by chapter 8

it was fascinated he said by chapter 8

it was fascinated he said by chapter 8 where I talked about this principle now

where I talked about this principle now

where I talked about this principle now one other principle it turns out we have

one other principle it turns out we have

one other principle it turns out we have a propensity for left cheeks over right

a propensity for left cheeks over right

a propensity for left cheeks over right cheeks when we pose for portraits there

cheeks when we pose for portraits there

cheeks when we pose for portraits there are more left cheeks than right cheeks a

are more left cheeks than right cheeks a

are more left cheeks than right cheeks a young Australian psychologist decided to

young Australian psychologist decided to

young Australian psychologist decided to put this to the test to find out whether

put this to the test to find out whether

put this to the test to find out whether it was the subject deciding or whether

it was the subject deciding or whether

it was the subject deciding or whether it was the artists eye

it was the artists eye

it was the artists eye which way to have the subject turn so he

which way to have the subject turn so he

which way to have the subject turn so he said he took a group of 400 which would

said he took a group of 400 which would

said he took a group of 400 which would be just about the size of this audience

be just about the size of this audience

be just about the size of this audience and he he said we’re going to do a

and he he said we’re going to do a

and he he said we’re going to do a portrait of you with a camera

portrait of you with a camera

portrait of you with a camera photographic portrait then he escorted

photographic portrait then he escorted

photographic portrait then he escorted how to half of them out of the room and

how to half of them out of the room and

how to half of them out of the room and he told the half that remained that the

he told the half that remained that the

he told the half that remained that the portrait was going to hang in the house

portrait was going to hang in the house

portrait was going to hang in the house of their mothers their boyfriends their

of their mothers their boyfriends their

of their mothers their boyfriends their girlfriends but a loved one and

girlfriends but a loved one and

girlfriends but a loved one and immediately it would be the left cheek

immediately it would be the left cheek

immediately it would be the left cheek that became prominent the person would

that became prominent the person would

that became prominent the person would face this way then the second group was

face this way then the second group was

face this way then the second group was brought into the room and the first

brought into the room and the first

brought into the room and the first group left they were told that the

group left they were told that the

group left they were told that the painting was going to hang next to

painting was going to hang next to

painting was going to hang next to Albert Einstein a certified genius

Albert Einstein a certified genius

Albert Einstein a certified genius immediately was the right cheek in

immediately was the right cheek in

immediately was the right cheek in something like 78 percent of the time

something like 78 percent of the time

something like 78 percent of the time and the question is why do we behave

and the question is why do we behave

and the question is why do we behave like this and it was exactly the same

like this and it was exactly the same

like this and it was exactly the same number for men and women and the

number for men and women and the

number for men and women and the psychologists had a very interesting

psychologists had a very interesting

psychologists had a very interesting interpretation we we do art we are

interpretation we we do art we are

interpretation we we do art we are emotional we emote on the right bright

emotional we emote on the right bright

emotional we emote on the right bright on the right brain which controls the

on the right brain which controls the

on the right brain which controls the left cheek we do mathematics right here

left cheek we do mathematics right here

left cheek we do mathematics right here above the left ear and that of course

above the left ear and that of course

above the left ear and that of course controls the right cheek so if we want

controls the right cheek so if we want

controls the right cheek so if we want to hang next to Albert Einstein we start

to hang next to Albert Einstein we start

to hang next to Albert Einstein we start putting out our intelligent cheek

putting out our intelligent cheek

putting out our intelligent cheek controlled by the left left brain in

controlled by the left left brain in

controlled by the left left brain in this case though these are all

this case though these are all

this case though these are all Rembrandt’s now Leonardo painted all of

Rembrandt’s now Leonardo painted all of

Rembrandt’s now Leonardo painted all of a dozen paintings

a dozen paintings

a dozen paintings Rembrandt painted himself ninety seven

Rembrandt painted himself ninety seven

Rembrandt painted himself ninety seven times this is a sampling of of six

times this is a sampling of of six

times this is a sampling of of six paintings and they’re all six to one

paintings and they’re all six to one

paintings and they’re all six to one here is five to one but six to one with

here is five to one but six to one with

here is five to one but six to one with right cheeks why does he want to be

right cheeks why does he want to be

right cheeks why does he want to be intelligent looking rather than

intelligent looking rather than

intelligent looking rather than emotional or cute looking endearing

emotional or cute looking endearing

emotional or cute looking endearing looking any ideas any portrait artists

looking any ideas any portrait artists

looking any ideas any portrait artists here we’re looking at a mirror it’s

here we’re looking at a mirror it’s

here we’re looking at a mirror it’s reversed

reversed

reversed this is his endearing sight these were

this is his endearing sight these were

this is his endearing sight these were all not his right cheek but his left

all not his right cheek but his left

all not his right cheek but his left cheek in the portraits

okay Leonardo’s virgin of the rocks– he

okay Leonardo’s virgin of the rocks– he painted two of these is his partners the

painted two of these is his partners the

painted two of these is his partners the pretty brothers helped him and probably

pretty brothers helped him and probably

pretty brothers helped him and probably painted most of the second version the

painted most of the second version the

painted most of the second version the one in England but this one is in the

one in England but this one is in the

one in England but this one is in the Louvre it’s one of the most beautiful

Louvre it’s one of the most beautiful

Louvre it’s one of the most beautiful paintings in the world certainly they

paintings in the world certainly they

paintings in the world certainly they are organized by the pyramid

are organized by the pyramid

are organized by the pyramid Leonardo invented this pyramid form for

Leonardo invented this pyramid form for

Leonardo invented this pyramid form for for organizing his quartet and then it

for organizing his quartet and then it

for organizing his quartet and then it was a plot this is the English version

was a plot this is the English version

was a plot this is the English version of the virgin of the rocks– it’s

of the virgin of the rocks– it’s

of the virgin of the rocks– it’s slightly different but just a couple of

slightly different but just a couple of

slightly different but just a couple of years ago I think it was in 2006 that an

years ago I think it was in 2006 that an

years ago I think it was in 2006 that an infrared refract ography revealed that

infrared refract ography revealed that

infrared refract ography revealed that Leonardo had another design in mind I

Leonardo had another design in mind I

Leonardo had another design in mind I presumably his patrons you can see the

presumably his patrons you can see the

presumably his patrons you can see the red here it’s been reproduced over here

red here it’s been reproduced over here

red here it’s been reproduced over here he had an entirely different design of

he had an entirely different design of

he had an entirely different design of mine rather than using the same form

mine rather than using the same form

mine rather than using the same form that he had used for virgin of the

that he had used for virgin of the

that he had used for virgin of the rocks– in the Louvre version there are

rocks– in the Louvre version there are

rocks– in the Louvre version there are the golden rectangles organizing each of

the golden rectangles organizing each of

the golden rectangles organizing each of the three women that he painted 15 years

the three women that he painted 15 years

the three women that he painted 15 years apart this is the one in Washington now

apart this is the one in Washington now

apart this is the one in Washington now in the one in Washington this part of

in the one in Washington this part of

in the one in Washington this part of the painting is missing David Allen

the painting is missing David Allen

the painting is missing David Allen Brown the curator of Renaissance art I

Brown the curator of Renaissance art I

Brown the curator of Renaissance art I melded brought together the hands that

melded brought together the hands that

melded brought together the hands that Leonardo had drawn there in Windsor

Leonardo had drawn there in Windsor

Leonardo had drawn there in Windsor Castle and with computers they married

Castle and with computers they married

Castle and with computers they married together the hands and the rest of the

together the hands and the rest of the

together the hands and the rest of the painting in each case the central line

painting in each case the central line

painting in each case the central line goes through one eye the Mona Lisa is

goes through one eye the Mona Lisa is

goes through one eye the Mona Lisa is organized further in the Golden Triangle

organized further in the Golden Triangle

organized further in the Golden Triangle and right there is Leonardo’s

and right there is Leonardo’s

and right there is Leonardo’s fingerprints he was touching the

fingerprints he was touching the

fingerprints he was touching the painting and fixing it with his fingers

painting and fixing it with his fingers

painting and fixing it with his fingers called the process called Villa Tora

called the process called Villa Tora

called the process called Villa Tora where the paint is not mixed on the

where the paint is not mixed on the

where the paint is not mixed on the palate but applied directly onto the

palate but applied directly onto the

palate but applied directly onto the board rarely a canvas they used wooden

board rarely a canvas they used wooden

board rarely a canvas they used wooden boards then

boards then

boards then and then he would use his fingers he was

and then he would use his fingers he was

and then he would use his fingers he was finger-painting there is the Mona Lisa

finger-painting there is the Mona Lisa

finger-painting there is the Mona Lisa and the next time you see a portrait of

and the next time you see a portrait of

and the next time you see a portrait of the Mona Lisa close-up look at the mouth

the Mona Lisa close-up look at the mouth

the Mona Lisa close-up look at the mouth look away can’t come back go back and

look away can’t come back go back and

look away can’t come back go back and forth and see if that phenomena doesn’t

forth and see if that phenomena doesn’t

forth and see if that phenomena doesn’t occur to you the smile disappears when

occur to you the smile disappears when

occur to you the smile disappears when you look right at the mouth now in this

you look right at the mouth now in this

you look right at the mouth now in this painting these are the rocks they were

painting these are the rocks they were

painting these are the rocks they were always thought to be a figment of the

always thought to be a figment of the

always thought to be a figment of the inaros imagination is very rich

inaros imagination is very rich

inaros imagination is very rich imagination has experienced seeing

imagination has experienced seeing

imagination has experienced seeing nature and right there is a bridge with

nature and right there is a bridge with

nature and right there is a bridge with seven arches there are the rocks there

seven arches there are the rocks there

seven arches there are the rocks there are the valdarno

are the valdarno

are the valdarno there in the county of Valdano they’re

there in the county of Valdano they’re

there in the county of Valdano they’re called the balsa rocks and this is the

called the balsa rocks and this is the

called the balsa rocks and this is the bridge the Ponte Ponte Briana very close

bridge the Ponte Ponte Briana very close

bridge the Ponte Ponte Briana very close to arezzo not far from Florence finally

to arezzo not far from Florence finally

to arezzo not far from Florence finally The Last Supper

The Last Supper

The Last Supper how many of you believe this is Mary

how many of you believe this is Mary

how many of you believe this is Mary Magdalene oh he did make st. John rather

Magdalene oh he did make st. John rather

Magdalene oh he did make st. John rather a feminine feminist he had he was like a

a feminine feminist he had he was like a

a feminine feminist he had he was like a Hollywood casting director

Hollywood casting director

Hollywood casting director he knew the faces he wanted for his

he knew the faces he wanted for his

he knew the faces he wanted for his painting he had a fairly easy time

painting he had a fairly easy time

painting he had a fairly easy time finding various apostles or disciples

finding various apostles or disciples

finding various apostles or disciples here this is Bartholomew this is Andrew

here this is Bartholomew this is Andrew

here this is Bartholomew this is Andrew this is a Vettius this is doubting

this is a Vettius this is doubting

this is a Vettius this is doubting Thomas as Saint Peter right there Saint

Thomas as Saint Peter right there Saint

Thomas as Saint Peter right there Saint John and Matthew well he had a very hard

John and Matthew well he had a very hard

John and Matthew well he had a very hard time finding his model for Christ and

time finding his model for Christ and

time finding his model for Christ and his model for Judas Iscariot

his model for Judas Iscariot

his model for Judas Iscariot he painted Christ in sort of a nebulous

he painted Christ in sort of a nebulous

he painted Christ in sort of a nebulous way it’s never quite clear but in the

way it’s never quite clear but in the

way it’s never quite clear but in the case of Judas a friend came to him and

case of Judas a friend came to him and

case of Judas a friend came to him and told him of having seen a perfect Judas

told him of having seen a perfect Judas

told him of having seen a perfect Judas for him he was in a prison in order went

for him he was in a prison in order went

for him he was in a prison in order went to the prison in Milan and found the man

to the prison in Milan and found the man

to the prison in Milan and found the man and agreed that this would indeed be a

and agreed that this would indeed be a

and agreed that this would indeed be a perfect model for his Judas

perfect model for his Judas

perfect model for his Judas is the man in all earlier paintings of

is the man in all earlier paintings of

is the man in all earlier paintings of the Last Supper

the Last Supper

the Last Supper you see Judas from the back but Leonardo

you see Judas from the back but Leonardo

you see Judas from the back but Leonardo use the more Democratic lineup all

use the more Democratic lineup all

use the more Democratic lineup all looking this direction except Judas’s

looking this direction except Judas’s

looking this direction except Judas’s faces in the shadow

faces in the shadow

faces in the shadow he’s spilled the cellar of salt he has

he’s spilled the cellar of salt he has

he’s spilled the cellar of salt he has in front of them and he’s holding a

in front of them and he’s holding a

in front of them and he’s holding a small purse in his hand anyway when he

small purse in his hand anyway when he

small purse in his hand anyway when he started painting Judas the man agreed

started painting Judas the man agreed

started painting Judas the man agreed and he started drawing and painting him

and he started drawing and painting him

and he started drawing and painting him man said you don’t recognize me do and

man said you don’t recognize me do and

man said you don’t recognize me do and Nardo suddenly started trembling you

Nardo suddenly started trembling you

Nardo suddenly started trembling you realized this was as Jesus three years

realized this was as Jesus three years

realized this was as Jesus three years earlier this was a picture I saw coming

earlier this was a picture I saw coming

earlier this was a picture I saw coming out of Johns Hopkins once the iconic

out of Johns Hopkins once the iconic

out of Johns Hopkins once the iconic figure these are various languages that

figure these are various languages that

figure these are various languages that not the Mona Lisa’s appeared in and here

not the Mona Lisa’s appeared in and here

not the Mona Lisa’s appeared in and here is the new book anyway thank you very

is the new book anyway thank you very

is the new book anyway thank you very much

”

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