killing Kennedy doesn’t just show JFK as an American Hero but it also shows it
an American Hero but it also shows it
an American Hero but it also shows it very much as a man senator Kennedy
very much as a man senator Kennedy
very much as a man senator Kennedy how did you get to become a war hero and
how did you get to become a war hero and
how did you get to become a war hero and I told her that it was completely
I told her that it was completely
I told her that it was completely involuntary they suck my vote to be able
involuntary they suck my vote to be able
involuntary they suck my vote to be able to embody his story on the 50th
to embody his story on the 50th
to embody his story on the 50th anniversary of his death was exciting
anniversary of his death was exciting
anniversary of his death was exciting once-in-a-lifetime opportunity we want
once-in-a-lifetime opportunity we want
once-in-a-lifetime opportunity we want to do two things in killing Kennedy I’m
to do two things in killing Kennedy I’m
to do two things in killing Kennedy I’m looking for authenticity we wanted to
looking for authenticity we wanted to
looking for authenticity we wanted to show you what was going on in the
show you what was going on in the
show you what was going on in the Kennedy administration and then we
Kennedy administration and then we
Kennedy administration and then we wanted to do the second track on this
wanted to do the second track on this
wanted to do the second track on this guy Oswald because people don’t know
guy Oswald because people don’t know
guy Oswald because people don’t know what he did why he did it we know the
what he did why he did it we know the
what he did why he did it we know the history but we don’t necessarily do the
history but we don’t necessarily do the
history but we don’t necessarily do the humanity of the story it delves into the
humanity of the story it delves into the
humanity of the story it delves into the personal lives of JFK and Oswald
personal lives of JFK and Oswald
personal lives of JFK and Oswald especially with Oswald’s character is
especially with Oswald’s character is
especially with Oswald’s character is something that you don’t get to see a
something that you don’t get to see a
something that you don’t get to see a lot of it has to be a three-dimensional
lot of it has to be a three-dimensional
lot of it has to be a three-dimensional human being you have to make it real and
human being you have to make it real and
human being you have to make it real and ultimately you feel an enormous
ultimately you feel an enormous
ultimately you feel an enormous responsibility to get it right there’s
responsibility to get it right there’s
responsibility to get it right there’s something about the building of the
something about the building of the
something about the building of the tension mixed with these really
tension mixed with these really
tension mixed with these really beautiful quiet human moments that do
beautiful quiet human moments that do
beautiful quiet human moments that do make you almost think that something
make you almost think that something
make you almost think that something else could happen maybe tonight’s the
else could happen maybe tonight’s the
else could happen maybe tonight’s the night I should go to the theater
I don’t know what this is all about did
I don’t know what this is all about did you kill the president no so people keep
you kill the president no so people keep
you kill the president no so people keep asking me that
asking me that
asking me that this is a history story but it’s really
this is a history story but it’s really
this is a history story but it’s really a thrilling challenge for me was really
a thrilling challenge for me was really
a thrilling challenge for me was really try to get into the minds of Jackie Lee
try to get into the minds of Jackie Lee
try to get into the minds of Jackie Lee Harvey and Marina for Jack president the
Harvey and Marina for Jack president the
Harvey and Marina for Jack president the idea was to really try to build that
idea was to really try to build that
idea was to really try to build that private one we got a major situation in
private one we got a major situation in
private one we got a major situation in Cuba I think for known figures the key
Cuba I think for known figures the key
Cuba I think for known figures the key is in habitation not imitation what I’m
is in habitation not imitation what I’m
is in habitation not imitation what I’m struck with most is his spirit
struck with most is his spirit
struck with most is his spirit Nelson McCormick our director describes
Nelson McCormick our director describes
Nelson McCormick our director describes this film to me is two trains on a
this film to me is two trains on a
this film to me is two trains on a collision course I mean they’re coming
collision course I mean they’re coming
collision course I mean they’re coming from different ends of the earth that’s
from different ends of the earth that’s
from different ends of the earth that’s good good how do you make Lee a man
good good how do you make Lee a man
good good how do you make Lee a man instead of a monster we’ve always seen
instead of a monster we’ve always seen
instead of a monster we’ve always seen Lee is like a two-dimensional villain
Lee is like a two-dimensional villain
Lee is like a two-dimensional villain but he was the human being he wanted
but he was the human being he wanted
but he was the human being he wanted somebody to take notice of him
somebody to take notice of him
somebody to take notice of him budding beautiful russian girl to have
budding beautiful russian girl to have
budding beautiful russian girl to have so much about Oswald and marina is
so much about Oswald and marina is
so much about Oswald and marina is refreshing no one’s really touched it
refreshing no one’s really touched it
refreshing no one’s really touched it before as the years go by bees gonna
before as the years go by bees gonna
before as the years go by bees gonna fall into this madman Marina was this
fall into this madman Marina was this
fall into this madman Marina was this unknown victim she was just a girl who
unknown victim she was just a girl who
unknown victim she was just a girl who loved a man and the man did something
loved a man and the man did something
loved a man and the man did something terrible
terrible
terrible there’s this parallel between the two
there’s this parallel between the two
there’s this parallel between the two women at the end of the day you’re still
women at the end of the day you’re still
women at the end of the day you’re still a heartbroken woman I was so excited
a heartbroken woman I was so excited
a heartbroken woman I was so excited when Jenny Goodwin was cast truly she
when Jenny Goodwin was cast truly she
when Jenny Goodwin was cast truly she became her I really loved learning about
became her I really loved learning about
became her I really loved learning about Jackie as a woman tell me in the morning
Jackie as a woman tell me in the morning
Jackie as a woman tell me in the morning who wins mr. president
working on a Ridley Scott project it’s
working on a Ridley Scott project it’s like the stamp of platinum – fascinating
like the stamp of platinum – fascinating
like the stamp of platinum – fascinating look a fresh look about his
look a fresh look about his
look a fresh look about his assassination that rocked the country of
assassination that rocked the country of
assassination that rocked the country of the world to its core the story is
the world to its core the story is
the world to its core the story is riveting and personal and idyllic at the
riveting and personal and idyllic at the
riveting and personal and idyllic at the same time it actually is the stuff of
same time it actually is the stuff of
same time it actually is the stuff of Shakespeare
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