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Interview: Michael Melford | National Geographic


well photography really has become my

well photography really has become my primary language it’s hard for me to

primary language it’s hard for me to

primary language it’s hard for me to speak and write English was never my

speak and write English was never my

speak and write English was never my forte so it became my new means of

forte so it became my new means of

forte so it became my new means of communication and so I am just sharing

communication and so I am just sharing

communication and so I am just sharing what it is that I see

I don’t consider myself really a

I don’t consider myself really a creative person I am recording what’s

creative person I am recording what’s

creative person I am recording what’s there and that’s beauty of it you know

there and that’s beauty of it you know

there and that’s beauty of it you know mother nature is the creator and the

mother nature is the creator and the

mother nature is the creator and the artist I’m just seeing it going oh wow

artist I’m just seeing it going oh wow

artist I’m just seeing it going oh wow look at that okay and then I’m just

look at that okay and then I’m just

look at that okay and then I’m just grabbing that little snippet that

grabbing that little snippet that

grabbing that little snippet that already exists I’m recording it and then

already exists I’m recording it and then

already exists I’m recording it and then I’m sharing it

I was in Syracuse University I was an

I was in Syracuse University I was an engineering student and I realized have

engineering student and I realized have

engineering student and I realized have to get out of that in a hurry and I took

to get out of that in a hurry and I took

to get out of that in a hurry and I took other courses at being a liberal arts

other courses at being a liberal arts

other courses at being a liberal arts school and I really fell in love in our

school and I really fell in love in our

school and I really fell in love in our history course I took and it’s

history course I took and it’s

history course I took and it’s specifically Impressionists and then one

specifically Impressionists and then one

specifically Impressionists and then one day I took a well I I took a photography

day I took a well I I took a photography

day I took a well I I took a photography course and it was the combination of the

course and it was the combination of the

course and it was the combination of the chemical at that time and the mechanical

chemical at that time and the mechanical

chemical at that time and the mechanical which is the you know cameras and the

which is the you know cameras and the

which is the you know cameras and the instant art is in art history and as

instant art is in art history and as

instant art is in art history and as just from that moment on I knew that’s

just from that moment on I knew that’s

just from that moment on I knew that’s what I wanted to do I loved the film and

what I wanted to do I loved the film and

what I wanted to do I loved the film and I used specifically one film almost

I used specifically one film almost

I used specifically one film almost exclusively and I knew exactly how the

exclusively and I knew exactly how the

exclusively and I knew exactly how the image was going to look when I took the

image was going to look when I took the

image was going to look when I took the picture by knowing that film however you

picture by knowing that film however you

picture by knowing that film however you know I I saw the future coming and the

know I I saw the future coming and the

know I I saw the future coming and the way before it was here I was trying to

way before it was here I was trying to

way before it was here I was trying to learn everything about digital when the

learn everything about digital when the

learn everything about digital when the cameras came out digitally that were

cameras came out digitally that were

cameras came out digitally that were equal to the cameras that we shot with

equal to the cameras that we shot with

equal to the cameras that we shot with with film I switched from one to the

with film I switched from one to the

with film I switched from one to the other seamlessly you know Ansel Adams

other seamlessly you know Ansel Adams

other seamlessly you know Ansel Adams the true master of technique you know I

the true master of technique you know I

the true master of technique you know I know that Ansel would be if he was alive

know that Ansel would be if he was alive

know that Ansel would be if he was alive he’d be totally into digital I mean it’s

he’d be totally into digital I mean it’s

he’d be totally into digital I mean it’s it gives you actually more options when

it gives you actually more options when

it gives you actually more options when you’re photographing trees are are

you’re photographing trees are are

you’re photographing trees are are really a lifelong project for me you

really a lifelong project for me you

really a lifelong project for me you know from the day I picked up the camera

know from the day I picked up the camera

know from the day I picked up the camera I was drawn towards trees

I was drawn towards trees

I was drawn towards trees I don’t know that–just I know that they

I don’t know that–just I know that they

I don’t know that–just I know that they were here before I got here and I know

were here before I got here and I know

were here before I got here and I know they’re gonna be here a lot longer after

they’re gonna be here a lot longer after

they’re gonna be here a lot longer after I’m gone

I’m gone

I’m gone and I just look at them and you know

and I just look at them and you know

and I just look at them and you know they’re just and they have so much

they’re just and they have so much

they’re just and they have so much wisdom and they’re so peaceful and

wisdom and they’re so peaceful and

wisdom and they’re so peaceful and there’s they represent so many things to

there’s they represent so many things to

there’s they represent so many things to me that I don’t never tire of them I

me that I don’t never tire of them I

me that I don’t never tire of them I would like to eventually someday maybe

would like to eventually someday maybe

would like to eventually someday maybe produce a book on trees I was living in

produce a book on trees I was living in

produce a book on trees I was living in upstate New York in the Catskill

upstate New York in the Catskill

upstate New York in the Catskill Mountains and I was doing mostly

Mountains and I was doing mostly

Mountains and I was doing mostly carpentry work roofing and I wasn’t

carpentry work roofing and I wasn’t

carpentry work roofing and I wasn’t shooting very much in fact I’d sold most

shooting very much in fact I’d sold most

shooting very much in fact I’d sold most of my cameras and I was 27 years old and

of my cameras and I was 27 years old and

of my cameras and I was 27 years old and I shot a fall maple tree in the fog and

I shot a fall maple tree in the fog and

I shot a fall maple tree in the fog and when the little yellow box came back

when the little yellow box came back

when the little yellow box came back from Kodak I opened it up and there was

from Kodak I opened it up and there was

from Kodak I opened it up and there was a picture in there of these two maple

a picture in there of these two maple

a picture in there of these two maple trees and the picture said to me go to

trees and the picture said to me go to

trees and the picture said to me go to New York be a photographer this is your

New York be a photographer this is your

New York be a photographer this is your calling and so that picture is still

calling and so that picture is still

calling and so that picture is still hanging in my office and it’s still one

hanging in my office and it’s still one

hanging in my office and it’s still one of my favorite pictures what is it good

of my favorite pictures what is it good

of my favorite pictures what is it good photographer need what qualities does he

photographer need what qualities does he

photographer need what qualities does he need to become a good photographer I

need to become a good photographer I

need to become a good photographer I guess patience for me is probably number

guess patience for me is probably number

guess patience for me is probably number one the ability to step back and look

one the ability to step back and look

one the ability to step back and look and take yourself out of a situation

and take yourself out of a situation

and take yourself out of a situation maybe to see what’s around you you know

maybe to see what’s around you you know

maybe to see what’s around you you know it the whole process is a base for me

it the whole process is a base for me

it the whole process is a base for me I’m pretty much a mindless process you

I’m pretty much a mindless process you

I’m pretty much a mindless process you know once you get in the zone you’re

know once you get in the zone you’re

know once you get in the zone you’re just reacting and I think that could be

just reacting and I think that could be

just reacting and I think that could be true of war photographer although

true of war photographer although

true of war photographer although they’ve got to be really aware of their

they’ve got to be really aware of their

they’ve got to be really aware of their surroundings which I do too if I’m

surroundings which I do too if I’m

surroundings which I do too if I’m shooting bears or wild animals but I

shooting bears or wild animals but I

shooting bears or wild animals but I think you’re just you know you’re

think you’re just you know you’re

think you’re just you know you’re reacting that and the fact that you have

reacting that and the fact that you have

reacting that and the fact that you have to be able to sacrifice really cocktail

to be able to sacrifice really cocktail

to be able to sacrifice really cocktail hour breakfast you have to be there when

hour breakfast you have to be there when

hour breakfast you have to be there when the lights

what inspires me as a photographer it’s

what inspires me as a photographer it’s just you know the beautiful natural

just you know the beautiful natural

just you know the beautiful natural world I just you know when I’m out on

world I just you know when I’m out on

world I just you know when I’m out on location and I’m there at sunrise and

location and I’m there at sunrise and

location and I’m there at sunrise and I’m alone and it’s just like the most

I’m alone and it’s just like the most

I’m alone and it’s just like the most beautiful symphony going on in front of

beautiful symphony going on in front of

beautiful symphony going on in front of me you know I’m capturing it but I’m

me you know I’m capturing it but I’m

me you know I’m capturing it but I’m saying yes and thank you at the same

saying yes and thank you at the same

saying yes and thank you at the same time

”

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