The owner is also the topic that most
City interests
Each prize is filled in a manner
particularly the five best in the country
directed to be as before
these awards have a Spanish league and
is what I understood the most I did not know
nothing
then what I am going to do today
Mix a little bit the things that most
like but also what has
been doing in recent years and
are made for management issues
natural disasters was not the recipe
for sustainable development is
important and I understand it well but
I understood that my career was not going
hand in hand with that sustainable development
so I tried to make a connection and
I ended up as a university teacher
I left the whole topic of today to explain
a little bit what the
last years
the good the beautiful and the truth the share
the word architecture to be the
translate heidegger in all its
investigations what man asks
is that you want to be want to have a life
authentic or a life and an authentic me
I want the word to be linked to the
architecture because then I would say that
wants to be the fact is that there they came
the themes of the conference and I hesitated a lot
because I had to think and I had to
think I had to bring a message
which I find interesting
so I put what I always put there
improvise giving me the silence and the series
look at the necessary serenity and the
silence to find your own
interiority to man and then the being of
the architecture and then the
word improvise what is it
doing a little improvising means
look for in their provisions
you have luggage and those baggage
start the world today I’m going to
improvise again darwin taught us
basically to that in difficult times
the species are changing and adapting
and in times of crisis for the
architecture of great changes in the
that everyone believes that architecture
they are only ways to consume and it is
almost a kind of ocular centrism all
fixed to the sense of sight
if the building is not beautiful in appearance
it does not work but it did all this inside
wrong
the building has to be beautiful by
front and it’s not about that and it’s because
that the conference is called the good
the beautiful the truth the philosophy the cinema
and art and architecture are
strongly linked and I will try
that is much more linked still
the great lessons I had in the
books always the first one I read in
ricote ski architecture theory
the second most important book in my
life the ten books of architecture
the book the first book of the
architecture and there vitruvio said there is
two things for the texture or are you theoretical
it is practical there is that text that knows
speak well but I do not know to get to the
work
therefore the work is fundamental also
and while it is true that I already theorize
today the work has been important in the
professional development that I had to
is the architecture and how it relates
with the world of ideas the
architecture has to do with the world
of ideas
Plato indicates through his
reflections that the world is sensitive and
sensitive blow
the ideas are from the world suffer sensitive
the good the beautiful and do it for the
sensitive world is this one of the
economies
the speed in societies of the
consumption the fashion
he who does
of matter the most important thing of the
world
however, I think it is understood
the world outweighs sensible you understand
then the true values as
I got to that we will not see the video
chats blogs
[Music]
I’m interested in houses, not my career
the money I want to make houses in places
Specials in special situations
I love houses never dreamed and for
that their buildings are idiosyncratic
they are independent works do not build
too much but he takes his time to
that matures in their ideas
[Music]
its author is a considered one of the
world’s best architects
an idiosyncratic architect
idiosyncrasy ideas the graph is that you
belongs to the world of ideas
ideas we already know them and that is what is going to
guide a little the talk about which I
I’m going to talk
architecture and the world of ideas
the good the beautiful and the data a sweep to
through the architecture from
different edges that will allow us
understand that what the students what
the architects must understand and the
users also understand that the
architecture has nothing to do with
aesthetic issues has nothing to do
with things of form the architecture has
what to do with ideas fly the towers
twins correct yes and then a
fundamental fact
we enter the 21st century through the
worse door of horror through the
which we could enter the towers
that meant the word trade center the
World Trade Center
the towers meant the fall of a
true system but also the
intolerance architecture communicates
expresses and has meanings
the book that brings me this was the
genealogy of the moral of federico
Nietzsche refers to the origin of the
moral and in the moral in which it is
the world overcome sensitive and find a
anthological establishment that is capable of
impose the truth but the question is
what is the truth of architecture
and in these times we are not going to see the
video
a single example about the good 850
millions of people in the world do not
has homes do not have homes
the UN reports indicate that the
housing rights define it as the
right to adequate housing but the
architects we say that it is appropriate if
today you are on mats and tomorrow you are in
bricks that’s right true it’s not
so much so because for us the
architects
the architecture is much more than the
physical world is the relationship of the world
physical with the mental world the
architecture translates what thought what
created the imagined the dreamed and all that
makes it a physical fact where
Relationships are connections
mental the only one says housing
adequate and I said that here there has been
a problem because if we see in the
slides we see the image of the
twin towers
and then there is one of the sets
most important housing
world 1954 yes and it was flown almost 15 years
later because the example of the
economic social unsustainability
anthropological and architectural
we had never generated a
disaster as high as this one
the example is positive this is in
san luis missouri united states and in the
54 they executed it 15 years later what
wash and there are the families the day
that apparently move everything
it was good in the lower part is the
architect, author of the work
minoru yamasaki minoru yamasaki is the
same architect who executed and designed
the towers of the world trade center
ten years later this happened and this is
what happens junk prostitution
levels of degradation that never before
we had seen because the architect believes
that works with walls and does not
works with aspects of human life
of the human condition are facts
anthropological you have to understand it
social and you have to understand the
philosophy because philosophy is the
totality of what you think
philosophy is the totality of what
it thinks right they flew it flew
their buildings as they flew that caused
the twin towers is the only
architect to whom his works ended
well not all of them by the way but the two most
iconic became in use in this
and in the translation one does not know if it is
an ill-understood icon or
misinterpreted something like as
saying that the architects say no
they understood
no it is not that we do not understand it
we do not understand the reality
the architect finished in the magazine time
and that’s when he presents the project and
in the towers
which brings us to this alvar image
aalto on the dollar bill in Gentile
that the framework forgive the cisns that already this
1986 ticket has the artist and a
of his best works luis fernández
Galiano says where the architects go
what is the truth of the architects
what good in architects
it seems that architects want
be in the magazines architects of
Coated paper
all this happened because the
industrial revolution and the revolution
industrial told us that we are all
same and you had to build the houses
same we took a recipe a century
we go to any department in
anywhere in the world everyone
they seem the facades change but the
inside
kitchen dining room small everything
compact the future studies of the century
twenty-one
then we have not learned the beautiful
luis barragán the best architect so
less for me he tracked it more than 20
years
he said do not do what I do try
see what I saw his library was
purchased for more than three million
Dollars
today who wants to access to investigate
have to pay a
maybe to be able to access this is the
best architect the world and they are the best
work and it is this that comes here when not
Looks at her says this is a disaster because
where is the house of the famous architect
luis barragán this his house like that
outside anyone’s house
it does not matter what you see on the outside what
that the reservation in the inner world is
the most important thing and inside has a
sense of total technical beauty
economic social and cultural
anthropological Mexico is literally
there in a cultural climate of the 60s
frida rivera yes they all form
stuck here even the best writer in
speak spanish for me
juan rulfo two books one more with two
books the best architect the best
Spanish-speaking writer in the world
the plain in flames si and pedro páramo
Luis is that literally then
this comes
art and philosophy have always
Been linked to Madrid with some with
3 jingle bells suspended in the air
way of UFOs that is saying in
chat today in belgium the horses
they carry rattles and these
jingle bells ring in the air and when
it sounds one knows on the hill the front that
is there I lived many years of my life in
the farm of friend of my grandmother in
puno january february and march all
years and since he had use of reason
up to 19 years old and every time
I listened to the quenas on a hill
they played I did not watch or I did not listen
music what I was looking at was the people
dancing madrid paints the thought
then beauty appears and if it
they fix here does the same but when
we arrived at dali a fact that is
really beautiful gala had there 60 years
and madrid and sorry dalí the pint like
as if it were healthy as it had
25 years with this
with this he was giving to gala
the condition of timeless without time
start without completion time
that’s the beauty the architecture has
to be fundamentally time 100
500 thousand years later is the real
measure of the architecture that there
I would find beauty more and that’s why
that the sun is photographing one another and another
time until we find this but that
has the sun and I will try to do the
stronger translation that I always do
in my life everyone has to
answer a question because there is something and
no more nothing if there is something there is a being
small anguished who wonders
his existence and he asks about his
existence because he knows that he is a being
finite
there are several projects for man but
the project that knows to which we all go
to arrive is death
as long as man is never going to be
after death
the universe is eternal immeasurable
indeterminate and that likes the man and the
man at least the text tries
transcend through his works
santa catalina has that happened
more than 300 years since it was built and
we all keep seeing how it was
from today
let’s look at today’s architecture in two
years is old and you have to vote and not
they pass the test of time they are
that
and that’s what makes it wonderful
They seek all conferences or
talks to their students at the university
from pennsylvania he took a brick and they
said this brick wants to be something that
wants to be brick arch I not want to be
it can be arch
you have to be a wall I do not want to be an arch
it could not be arch because it had appeared
the beam and the bow was what replaced
the beam
but when the brick says I want to be
the question is how is the matter to
architect asks him what he wants
be and the only one who asks questions
about his being
the man the man I will read
quickly this I love always
not just talk but talk to them from
the books that is from where I always
like architecture articulates
experience of being in the world and
strengthen our sense of
reality and self does not make us live in
worlds of mere fiction and invention and
fantasy the beautiful and the truth what is the
true if the architects want to be
at all times in the paper covered in
journals
If our projects do not come out
published is a disaster and it is not true
because we have much stronger tasks
that only come out on the coated paper
make the 60s
Haydée appears and write a book very
pretty now a conference architects
where he tells them architects never
he said no architect architecture but
so the call and give a
talk that is called to build and
inhabit think think generate the
reflection to become aware of things
makes to take the thinking to its
maximum expression that is the doing if
build and inhabit each one of us
they inhabit the architecture every day
the city and its houses and those buildings or
Overwhelm and make life easy or
they make their lives sad and there the people
and now it grows dream aspires gets up and
it falls again and the cinema is projected
Italian taught us a lot of that with the
neorealist cinema yes and to finalize
box I wanted to talk about something that is
something that moves me when one
asks about his being and asks the
architecture about your being
I can not help but translate that being of
the architecture
It has taught me that Arequipa has
local values that can be considered
that constitute values
universal through an architecture
that does not translate thick walls like in the
case of the slide with this picture
from quarries and quarries to
the city a cut material that have the
synthetic vision of being able to
summarize everything that happened in the story
from this city
when we look at the being of architecture
from here to the global
we say we can not stop looking
Arequipa but for me it’s not only
arequipa
I never think only my city I think
in the Latin American identity because
Latin America is very similar and that’s what
I learned with Juan Rulfo with the cinema
Classic Mexican gold with martín
chambi with the recoleta with the quarries
and with the vargas brothers
all that is what in regards to
me means to be the being of the
architecture that responds to this
ask how is the being of the
architecture in these times
hipermodernos hipervelocidad
architecture requires something that is
fundamental and something that I always tell them
to the students
apart from this less is more always
do less with more between entered to
different buildings like this young man
simple plating
how much does it cost that I do not require that
matter what it requires is the
thinking and can make matter
be sublime with the thought not with what
what it costs
I do not need the gold of the king midas to
make architecture less is more
rulfo two books less is more
san francisco de asís live with little
need little and if we look at the church
of recoleta is a total austerity
with little finished in this way a
project that I did never shows the
projects but this is a project where
it was brought to conciliate yes and the light is
fundamental
I wanted to be a window but the window
what
really for an architect the window
do not look at the landscape waiting for the
landscape return something to the look or the
city give something back to look at
one what the window does is make
the man
look at your own interiority your being and if
we can the architects look at our
be
we can find the being of the
less architecture is more and that is the
lesson of the good the beautiful and the truth
thank you
to
”
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