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Llegar a ser el que eres | Pamela Frank | TEDxUNLaM | Pamela Frank | TEDxUNLaM


[Music]

as it is not in my name is pamela

fraga and I am I forgive

the truth that this part of the

Presentations are always a problem

for me

every time they ask me what is their

profession

I honestly do not know what to answer

I do not know whether to start listing one by one

all the things that I do every day of the

most coherent way possible to define

all behind a teacher or leaving

running and going back to therapy

Jesus because you already know what is your

profession but what they are your

they study what they do every day to

survive what you know how to do this is what

that you love doing that I think this doubt

It has its origin when we were little

and they asked us what they want to be

when you grow up they wanted to be

you

the truth is that it was an unknown

It will be very small we think

astronaut determine me superhero but

let’s go this first adolescence where

they went character one way one

personality a dream we wanted

do and what happened in the middle

I wanted to be a choreographer and the truth is

that I did not even know that that was the name of the

profession because in my life I had gone

a dance class but if I saw the

shows and there to the science dances

I want to put on these dances so I

I spent whole summers in my house

neighbor arming choreography with all the

neighborhood

of course this game went from the playground

from my neighbor to a dance school and

what happened there I fell in love I fell in love with the

but something happened discipline could

observe

in this the ndi taught me and I learned

that the dance was not for anyone and

that the truth is that he wants to be

choreographer dancer first this tour

second the truth that we must turn

with the chest and I sew and if you want to dance

what to do all the dance classes

of the school that of course my

family could not bancada so from

exist a little bit of my dream and good

who seeks a secure career and I

give a stable life

then I wrote down this high house of

studies

five years later I received from

licensed in public relations

license that word gives me two

sensations

first security was impossible as

licensed to have work

second he forced me to close the

child clear during all this time

I never since I danced and how could I

because you had to bankroll careers

I kept taking classes and I would be training

and what I did was in the garage of a

friend who lent me to give classes of

dance

here someone to a group of kids

little ones who played with me do the

dancers and I the choreographer so

we started to prepare and train

these children started to give a lot of strength

but they became big

dancers because I forgot about

something very important I did not tell them that the

Nasa was not for anyone so

when I finish my career in this

college

I said before I started with my life safe

and stable

surely and shortly behind a

desk a super multinational

reviewing large communication plans

you’re going to enjoy this a little bit

generated in the garage and we will continue

dancing a little more little more

so every morning I woke up

in a kind of dance studio that

I had generated in my house with my team

from mate my music my headphones to

study what happens

with the movement in my body make a

kind of laboratory in which

will listen to music tried to understand

the stories I wanted to tell and how

do to convey that but first

what was happening with that in me and of course

see the way then pass that

laboratory to my students during

Afternoons with whom we work and experience

let ‘s dance

when we went on stage and the audience

I received it and it really was wonderful

but good life goes by and fracc

I am licensed stable stable life

is waiting for you let’s go ok let’s go for

there

so I started working was not a

multinational but something there we are

starting always worked center

commercial and three things happened first

clearly all the campaigns that

could do some promoter the cia

dancers and actors so the shopping

It was full of dancers and actors

all sides in second instance when

I had the opportunity to present a plan

of social responsibility was for

sponsor 30 boys who will study

musical comedy in this mall

who then presented a work in the

food court that was no longer a patio

of meals was a theater and in third

place

I thought I was inspired inspired in that

inspiration and I made the city

the office the maelstrom of work

running back watch your boss

expiration to realize that that is

part of a mechanical structure in

where to receive mails analysts projected

Almeida deliveries answer the phone

and this is repeated again and again one and

again my body

that is my body was a machine inside

of that space that was drowning me clearly how

do not do this dance

how they did a choreography of everything

this

then I started to work and prepare

my students put together a choreography

based on everything that happened in that

office

but as already to the impulse and read the this

skin flower we said why stay

in this we are going to do a campaign of

Photos

then we went with a designer

graphic a photographer two friendly colleagues

to the city to intervene the city and with

these guys

we did this a campaign called

dancing work because of course dancing

we work we work from this

this campaign was used by law

national dance a time later and already

we had this shipment a flower fur

we said ok

why do not we go to the contest more

important of the country that is made in

córdoba but we do not have a mango we are

by isidro casanova good does not matter

we go trained so some were

among others in micros 60 pesos the passage

between round trip

our costumes were clothes that we have

bought in Emmaus house where he sells clothes

used weights 5 pesos we had been and

well we did not go like this to córdoba with everything

that the prize of the contest

it was a trip to new york for the

dancers and listen to this the choreographer

we won and we went united states and

we represent the same photo in that place

this changed my life totally but in

the trip does not know that city but the

understand that I could believe in myself that

I had to listen to myself

I had to learn how to make that person

that was inside of me that I had to

make that same laboratory that had

made to understand my dance to

understand my emotions but for

understand me and deal with this

person for life and he had to

to silence all the voices that had

said that I would be happy

only having a safe life and with

stability in a fixed job

Of course it’s not easy, nobody said

it’s easy it’s very difficult to demand

a lot of effort but this effort is

beautiful because we are doing it with

something we are passionate about

so clearly we are totally

delivered to this and what is important and that

you have to keep in mind is that we have

that being in motion always the

action brings the reaction my dream never

He stopped being there, he imposed himself

emotionally before my scheme of

contraband in the garage of miami oy in

third place

third is to understand where

my career is going when my voice opens my eyes

maybe it’s not the best reality I do not know

if I’m going to do the choreography with which

dreamed the 10-year-old skinny in the

my neighbor’s yard and neither clearly

I’m going to do the ballerina but maybe

I learned a lot of things and I can

teach and transmit those things so

that is my goal in this race as well

that to go closing I would like

tell them that I try to transmit them to

my students or my colleagues when I have

the opportunity there is not a recipe for

fulfill your dreams

the truth is that adversity is so much

water we do not do an independent job

that there is not a fixed recipe did not come

next to the ingredients I put it in the

oven and zarco a cake that is my dream

ready to taste but yes a series of

ingredients that should not be missing first

the will the will and the love the

love for what we do if there is no

will there be no gasoline for this engine

second to believe if I do not believe in this

I’m exhausted and thirdly it ‘s not at

monoculture and what is this

if one walks through a wild field give

account that there are hundreds of species

different plants and animals

with this nature knew it

nature can face adversity

thanks to the diversity of that

ecosystem but if we go to a field that

it is only cultivated by one species

two species

surely before the first change

climatic in the middle this field is

destroyed

then diversity is our

tool like the kid is not going to

frustrate when you do not step out of

dance teaches her the teacher if the teacher

what he is teaching you is that this is

Dance

this pirouette this foot this one also not yes

or yes to the dance is the pirouette the foot

is new press a way to

communicate and necessarily have to

be linked to what happens to us

so all that are a series of

tools that we have to

transmit to our children

teenagers and ourselves but

also understand that the dance

It depends on what happens inside

that you have to teach them the child that

investigate that begins to discover which

is his language and that he has the

ability to create words because no

are all the words invented yet

at least in the dance

we sow seed seeds in the

guys and teenagers and in us

that we still have time we will have

seeds to have an ecosystem

totally full of different species

of animals and plants that can

face adversity

I want to present them the four boys

lola nine years of mendoza do not have it

the cutest eyes I saw not for his

shape and its color but because it has

the ability to see to really look

he looks at everything that happens to his

around and transforms it into art the

look at the space he understands he is nahuel

13 years of isidro casanova

the black listens to the music and vibrates

disc every sound that enters your body

it becomes movement and really

can not control it disappears

the world disappears to do the same

the music and his dance is nothing but araceli

hours the ies santa fe is 16 years old and

now it ‘s pure push pure heart

now he works with his 16 years old or he collaborates

your teacher’s school to be able to

bank studies and dreams of coming

to buenos aires to dance

I do not know if now it will reach good

airs to dance but I know what dance

where everyone dances to be able to

appreciate their particular dance and their

be so wonderful and finally

They have seriously rejected nine years

laferrére and the truth is that his family

makes a huge effort to bring the

class and she makes a huge effort

class to class but does not have a link

very strong between his being and his movement

their dance is honest with everything that

happens can not separate is so too

sometimes it is a problem dancing equal to

rest because it is very difficult

connect with what happens next and

be very connected with what happens to

self so they caught we do a

double work with cast

we work so that you learn to dance

just like your colleagues and so that

never forget what happens inside

of his body and that language every time

stronger

They threw nahuel araceli and lola

I wish all of us could see from

truth how the cell could have

the push Araceli has could we

have the ability to disappear from

world to connect with us

same as they do to google and

we could be

these with which it happens to us as the

I seal the truth is that I would like

leave two messages

3 these guys need us

we believe in them and we need

believe in ourselves

the only tool against

destruction is the action you have to do

we must always do and we are not the

circumstance but what we do with

this circumstance is not the step that I do not

I leave but all the work I do

so that step out and me

tools that I discover to carry

go ahead my dance

I am not even my dream but everything

what am I going to do to fulfill my dream

the truth is that I do not know if the dance is

for anyone but anyone who

move from the dance from love from

the will of the work will be launching

will be creating and will be going to

start over my name is pamela

frank and I’m a privileged person who does and

live from what you love

thank you very much

and

[Music]

all the

”

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