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The 50 Year Photo: My Responsibility to History | Samantha Appleton | TEDxDirigo


I grew up in my dad’s waterfront

I grew up in my dad’s waterfront restaurant serving people like John

restaurant serving people like John

restaurant serving people like John Travolta and Walter Cronkite in the

Travolta and Walter Cronkite in the

Travolta and Walter Cronkite in the summertime I’d watch my little town

summertime I’d watch my little town

summertime I’d watch my little town swell in June and then vacate by

swell in June and then vacate by

swell in June and then vacate by September I’d then head back to school

September I’d then head back to school

September I’d then head back to school nodding my bike up the hill past dormant

nodding my bike up the hill past dormant

nodding my bike up the hill past dormant houses for extra cash as a teenager I

houses for extra cash as a teenager I

houses for extra cash as a teenager I helped yachts prepare for their trip

helped yachts prepare for their trip

helped yachts prepare for their trip down to the Caribbean

down to the Caribbean

down to the Caribbean I was hired as delivery crew on a big

I was hired as delivery crew on a big

I was hired as delivery crew on a big beautiful wooden sailboat called white

beautiful wooden sailboat called white

beautiful wooden sailboat called white Hawk as far as Newport but I wanted to

Hawk as far as Newport but I wanted to

Hawk as far as Newport but I wanted to go further in high school I took a

go further in high school I took a

go further in high school I took a course on the Vietnam War in a dark

course on the Vietnam War in a dark

course on the Vietnam War in a dark little classroom a slideshow of images

little classroom a slideshow of images

little classroom a slideshow of images transformed that yearning to travel into

transformed that yearning to travel into

transformed that yearning to travel into a bigger mission I learned that a

a bigger mission I learned that a

a bigger mission I learned that a fistful of images had ended that war the

fistful of images had ended that war the

fistful of images had ended that war the burning girl the spy shot in the head

burning girl the spy shot in the head

burning girl the spy shot in the head the piles of dead babies during the

the piles of dead babies during the

the piles of dead babies during the malai massacre these atrocities had to

malai massacre these atrocities had to

malai massacre these atrocities had to be photographed to be believed what

be photographed to be believed what

be photographed to be believed what power even 50 years later especially

power even 50 years later especially

power even 50 years later especially fifty years later a lone committed

fifty years later a lone committed

fifty years later a lone committed photographer can alter the course of

photographer can alter the course of

photographer can alter the course of history my own relative privilege and a

history my own relative privilege and a

history my own relative privilege and a political parents had / had protected me

political parents had / had protected me

political parents had / had protected me from a raw dialogue of history this

from a raw dialogue of history this

from a raw dialogue of history this realization motivated me to become a

realization motivated me to become a

realization motivated me to become a photojournalist the history we know is

photojournalist the history we know is

photojournalist the history we know is the history we see several wars and

the history we see several wars and

the history we see several wars and continents later that commitment to

continents later that commitment to

continents later that commitment to history still guides me I approach each

history still guides me I approach each

history still guides me I approach each story in three tiers the immediate

story in three tiers the immediate

story in three tiers the immediate moment the story of today and the story

moment the story of today and the story

moment the story of today and the story as it should be perceived 50 years from

as it should be perceived 50 years from

as it should be perceived 50 years from now I’m writing a book about my time

now I’m writing a book about my time

now I’m writing a book about my time photographing in Iraq and I’ve been

photographing in Iraq and I’ve been

photographing in Iraq and I’ve been looking through my entire archive as a

looking through my entire archive as a

looking through my entire archive as a visual journal as I said at my computer

visual journal as I said at my computer

visual journal as I said at my computer my four-year-old daughter Beatrice pulls

my four-year-old daughter Beatrice pulls

my four-year-old daughter Beatrice pulls on my arm asking me to watch Sesame

on my arm asking me to watch Sesame

on my arm asking me to watch Sesame Street with her on the computer screen

Street with her on the computer screen

Street with her on the computer screen an image of insurgents praying in a

an image of insurgents praying in a

an image of insurgents praying in a bombed-out home in Iraq mama did I go

bombed-out home in Iraq mama did I go

bombed-out home in Iraq mama did I go there with you was I

there with you was I

there with you was I there she asks I want to say no

there she asks I want to say no

there she asks I want to say no sweetheart you were definitely not there

sweetheart you were definitely not there

sweetheart you were definitely not there and you were not there a moment later

and you were not there a moment later

and you were not there a moment later when that guy pulled a grenade pin on me

when that guy pulled a grenade pin on me

when that guy pulled a grenade pin on me and you weren’t there when I followed a

and you weren’t there when I followed a

and you weren’t there when I followed a slippery thin eight-year-old boy into a

slippery thin eight-year-old boy into a

slippery thin eight-year-old boy into a sapphire mine in Madagascar or when

sapphire mine in Madagascar or when

sapphire mine in Madagascar or when Michelle Obama sat in the Sun soaked

Michelle Obama sat in the Sun soaked

Michelle Obama sat in the Sun soaked room who the dying Nelson Mandela but

room who the dying Nelson Mandela but

room who the dying Nelson Mandela but instead I just say baby please just go

instead I just say baby please just go

instead I just say baby please just go back to watch your show so that I can

back to watch your show so that I can

back to watch your show so that I can finish my work it’s hard to reconcile

finish my work it’s hard to reconcile

finish my work it’s hard to reconcile the me of today with who I was a few

the me of today with who I was a few

the me of today with who I was a few years ago as I look through my images

years ago as I look through my images

years ago as I look through my images there are those whose significance has

there are those whose significance has

there are those whose significance has been bleached through time but there are

been bleached through time but there are

been bleached through time but there are others those precious few who still meet

others those precious few who still meet

others those precious few who still meet the third most important tear and that

the third most important tear and that

the third most important tear and that was always the goal does this image

was always the goal does this image

was always the goal does this image matter 50 years from now I covered much

matter 50 years from now I covered much

matter 50 years from now I covered much of the first three years of the war in

of the first three years of the war in

of the first three years of the war in Iraq 2004 was the most significant it’s

Iraq 2004 was the most significant it’s

Iraq 2004 was the most significant it’s April the country’s falling apart at the

April the country’s falling apart at the

April the country’s falling apart at the seams iraqi shiaa fed up with empty

seams iraqi shiaa fed up with empty

seams iraqi shiaa fed up with empty promises begin to take up arms against

promises begin to take up arms against

promises begin to take up arms against the US military their liberators just a

the US military their liberators just a

the US military their liberators just a year before I’m working for The New

year before I’m working for The New

year before I’m working for The New Yorker magazine with a writer when we

Yorker magazine with a writer when we

Yorker magazine with a writer when we make forays into a neighborhood slum in

make forays into a neighborhood slum in

make forays into a neighborhood slum in the morning when the rhythm of war

the morning when the rhythm of war

the morning when the rhythm of war allows mornings our quietest nights the

allows mornings our quietest nights the

allows mornings our quietest nights the worst one morning after heavy fighting

worst one morning after heavy fighting

worst one morning after heavy fighting we drive to a morgue when they start

we drive to a morgue when they start

we drive to a morgue when they start stacking bodies in a refrigerated morgue

stacking bodies in a refrigerated morgue

stacking bodies in a refrigerated morgue you know it’s been bad on this morning

you know it’s been bad on this morning

you know it’s been bad on this morning they’re stacking them outside that is

they’re stacking them outside that is

they’re stacking them outside that is very bad we meet a family picking up the

very bad we meet a family picking up the

very bad we meet a family picking up the body of their son he’s a martyr they say

body of their son he’s a martyr they say

body of their son he’s a martyr they say I take some photographs of the coffin a

I take some photographs of the coffin a

I take some photographs of the coffin a crude plywood the body thrown in so fast

crude plywood the body thrown in so fast

crude plywood the body thrown in so fast that blood drips through the seams they

that blood drips through the seams they

that blood drips through the seams they strap the coffin to the top of a truck I

strap the coffin to the top of a truck I

strap the coffin to the top of a truck I take another close-up image of the blood

take another close-up image of the blood

take another close-up image of the blood as it had dripped halfway down the

as it had dripped halfway down the

as it had dripped halfway down the windshields drying Midway I get

windshields drying Midway I get

windshields drying Midway I get permission to photograph the funeral so

permission to photograph the funeral so

permission to photograph the funeral so we followed the truck through empty

we followed the truck through empty

we followed the truck through empty streets and arrived at a little

streets and arrived at a little

streets and arrived at a little courtyard women spill out of the house

courtyard women spill out of the house

courtyard women spill out of the house their arms in the air howling I turned

their arms in the air howling I turned

their arms in the air howling I turned my attention from the somber work of the

my attention from the somber work of the

my attention from the somber work of the men to this unrestrained passion of the

men to this unrestrained passion of the

men to this unrestrained passion of the women grieving is segregated the men

women grieving is segregated the men

women grieving is segregated the men stay outside and I go with the women and

stay outside and I go with the women and

stay outside and I go with the women and the coffin inside

the coffin inside

the coffin inside the lull in fighting is temporary I know

the lull in fighting is temporary I know

the lull in fighting is temporary I know I have mere minutes to work so my hands

I have mere minutes to work so my hands

I have mere minutes to work so my hands start to shake the power’s out the

start to shake the power’s out the

start to shake the power’s out the little windows curtain’d I spin the dial

little windows curtain’d I spin the dial

little windows curtain’d I spin the dial on my camera to a slow twentieth of a

on my camera to a slow twentieth of a

on my camera to a slow twentieth of a second calibrating to the darkness there

second calibrating to the darkness there

second calibrating to the darkness there are more women inside their black abayas

are more women inside their black abayas

are more women inside their black abayas crowding that room now noxious the

crowding that room now noxious the

crowding that room now noxious the rancid cheese smell of the body I snap

rancid cheese smell of the body I snap

rancid cheese smell of the body I snap glimpses of white faces I moved to get

glimpses of white faces I moved to get

glimpses of white faces I moved to get to a better angle and I trip over the

to a better angle and I trip over the

to a better angle and I trip over the coffin I feel nauseous

coffin I feel nauseous

coffin I feel nauseous the women howl allowed her it was a

the women howl allowed her it was a

the women howl allowed her it was a primal pain violent women start woman

primal pain violent women start woman

primal pain violent women start woman starts beating her chest and others

starts beating her chest and others

starts beating her chest and others follow their arms flashing in the thin

follow their arms flashing in the thin

follow their arms flashing in the thin light another woman tears off her

light another woman tears off her

light another woman tears off her headscarf and begins to beat her hair

headscarf and begins to beat her hair

headscarf and begins to beat her hair her hair catches and tangles and her

her hair catches and tangles and her

her hair catches and tangles and her fingers just makes her scream louder now

fingers just makes her scream louder now

fingers just makes her scream louder now drowning out gunfire that I hear popping

drowning out gunfire that I hear popping

drowning out gunfire that I hear popping in the distance I point my camera around

in the distance I point my camera around

in the distance I point my camera around the room and land on a boy I hadn’t

the room and land on a boy I hadn’t

the room and land on a boy I hadn’t noticed before crouching at the foot of

noticed before crouching at the foot of

noticed before crouching at the foot of his brother’s coffin his face to the

his brother’s coffin his face to the

his brother’s coffin his face to the ceiling the whites of his eyes blurred

ceiling the whites of his eyes blurred

ceiling the whites of his eyes blurred with grief a rumble shakes the house

with grief a rumble shakes the house

with grief a rumble shakes the house several percussive explosions follow the

several percussive explosions follow the

several percussive explosions follow the fighting is getting closer when I keep

fighting is getting closer when I keep

fighting is getting closer when I keep my camera on the boy whose eyes are now

my camera on the boy whose eyes are now

my camera on the boy whose eyes are now blazing with fear I feel weak my bones

blazing with fear I feel weak my bones

blazing with fear I feel weak my bones hollow my camera feels like an anvil I’m

hollow my camera feels like an anvil I’m

hollow my camera feels like an anvil I’m alone in this mission there’s no easy

alone in this mission there’s no easy

alone in this mission there’s no easy escape from the house the fighting is

escape from the house the fighting is

escape from the house the fighting is nearly on us and I risk being stuck like

nearly on us and I risk being stuck like

nearly on us and I risk being stuck like this family that boy is he

this family that boy is he

this family that boy is he experiences this everyday what does that

experiences this everyday what does that

experiences this everyday what does that do to a five-year-old kids psyche he is

do to a five-year-old kids psyche he is

do to a five-year-old kids psyche he is the picture I need to make I work harder

the picture I need to make I work harder

the picture I need to make I work harder don’t let this be a futile risk I tell

don’t let this be a futile risk I tell

don’t let this be a futile risk I tell myself I square my shoulders to him and

myself I square my shoulders to him and

myself I square my shoulders to him and make four more frames before they pull

make four more frames before they pull

make four more frames before they pull the coffin away that boy is either dead

the coffin away that boy is either dead

the coffin away that boy is either dead a refugee or a soldier today he’d be 18

a refugee or a soldier today he’d be 18

a refugee or a soldier today he’d be 18 I wouldn’t be able to find him but I’m

I wouldn’t be able to find him but I’m

I wouldn’t be able to find him but I’m still telling his story it became

still telling his story it became

still telling his story it became impossibly dangerous to photograph Iraqi

impossibly dangerous to photograph Iraqi

impossibly dangerous to photograph Iraqi civilians later that year on another

civilians later that year on another

civilians later that year on another trip I spent on

trip I spent on

trip I spent on trying and nearly dying before I just

trying and nearly dying before I just

trying and nearly dying before I just got on a plane and went home as I was

got on a plane and went home as I was

got on a plane and went home as I was walking through customs an editor from

walking through customs an editor from

walking through customs an editor from Time magazine asked if I’d get on

Time magazine asked if I’d get on

Time magazine asked if I’d get on another plane to Chicago

another plane to Chicago

another plane to Chicago I’d be photographing an exciting new

I’d be photographing an exciting new

I’d be photographing an exciting new politician then State Senator Barack

politician then State Senator Barack

politician then State Senator Barack Obama after witnessing years of failed

Obama after witnessing years of failed

Obama after witnessing years of failed foreign policy and reluctant to

foreign policy and reluctant to

foreign policy and reluctant to photograph any politician but I go a

photograph any politician but I go a

photograph any politician but I go a couple of election cycles later I’m an

couple of election cycles later I’m an

couple of election cycles later I’m an official White House photographer for

official White House photographer for

official White House photographer for President Barack Obama

President Barack Obama

President Barack Obama some days I photographed the Situation

some days I photographed the Situation

some days I photographed the Situation Room other days his family one hot day

Room other days his family one hot day

Room other days his family one hot day in June

in June

in June it’s Sasha’s 10th birthday the party is

it’s Sasha’s 10th birthday the party is

it’s Sasha’s 10th birthday the party is around the White House’s modest pool

around the White House’s modest pool

around the White House’s modest pool hidden from public view by high hedges I

hidden from public view by high hedges I

hidden from public view by high hedges I keep half an eye on the president in

keep half an eye on the president in

keep half an eye on the president in case he gets an important call but I

case he gets an important call but I

case he gets an important call but I noticed some of the girls are sneaking

noticed some of the girls are sneaking

noticed some of the girls are sneaking out through the hedges my instinct for

out through the hedges my instinct for

out through the hedges my instinct for history kicks in and I follow I pull my

history kicks in and I follow I pull my

history kicks in and I follow I pull my lens wide to take in the group of girls

lens wide to take in the group of girls

lens wide to take in the group of girls and me on bathing suits having a water

and me on bathing suits having a water

and me on bathing suits having a water balloon fight on the South Lawn of the

balloon fight on the South Lawn of the

balloon fight on the South Lawn of the White House each girl a different shade

White House each girl a different shade

White House each girl a different shade mostly brown laughing with abandon in

mostly brown laughing with abandon in

mostly brown laughing with abandon in front of a home built by slaves that is

front of a home built by slaves that is

front of a home built by slaves that is an image I will be proud of 50 years

an image I will be proud of 50 years

an image I will be proud of 50 years from now my own daughter Beatrice is

from now my own daughter Beatrice is

from now my own daughter Beatrice is also a shade of lovely brown skin the

also a shade of lovely brown skin the

also a shade of lovely brown skin the truth is I was never alone she was with

truth is I was never alone she was with

truth is I was never alone she was with me not as my daughter

me not as my daughter

me not as my daughter with a thought of having a daughter but

with a thought of having a daughter but

with a thought of having a daughter but as a then unborn child that would need

as a then unborn child that would need

as a then unborn child that would need to know history like me that girl

to know history like me that girl

to know history like me that girl watching the boats leave or that boy at

watching the boats leave or that boy at

watching the boats leave or that boy at the foot of his brother’s coffin my

the foot of his brother’s coffin my

the foot of his brother’s coffin my daughter reaching her little fingers up

daughter reaching her little fingers up

daughter reaching her little fingers up to touch those images thank you

”

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