Emociones a ambos lados del telón | Alejandro Meerapfel | TEDxBariloche

[Music]

or

[Music]

or

I have not lived it

of the other or

I see you from sopapos

[Music]

do not

if you caress toriz paris annulled lun

light sme

[Music]

we are horbury environment

[Music]

bush

Of course, that’s why I already

or but shell com or not

or a bear

[Music]

[Applause]

[Music]

[Applause]

they make the benign stillness plunged into the

twilight the silence gives way to its song and

there is no more dignified caress

when the light decreases balsam that is

dilutes by purifying the breeze and

Lucero that in a hurry after the belfry

they flee because a recited poetry and a

poetry with music are not the same

the musical expression takes us

inevitably from the routine and we

place every fraction of time

elapsed in an unknown place

some of this happens prior to the function

of an opera in the theater when the

The curtain is still low, the

people the lights on

people who come perhaps from a hard day

working trying to look for a bit of

rest above all those ears of ours

dreams do not have eyelids and can not

select nothing of what they receive

during the day and on the other side of the

curtain up the singer adjusting

his mustache by floor his hat his

locker room

looking at the latest accessories

props that will be used

and in that moment the lights of the room

they go down and there is silence

there are silences that separate and silences

that unite this is a silence that unites

because it is experienced at the same time with

the same emotion and the same intensity

from both sides

at that moment walking between the

orchestra a gentleman in suit enters with a

stick in hand at a hurry step and

he greeted the public is the director of

orchestra clear how would an orchestra

of 100 or 120 musicians to play all

at the same time it would be impossible

that is the function of the director of

orchestra this one signs one of the

oboes stands up and emits a sound

something as if the note that is called

it should be sent all the

sections of the orchestra the bronzes

woods are that have timbres

different is due in pleasure and the

duty of tuning becomes another

silence and this silence if you already form

part of the music that is going to come

because there is no music that boasts of

such but a pure and concrete silence

that the director presides with his baton

at that moment it’s going to be a gesture like that

up

at that time the violins are going to

prepare your bow course

the wind players are going to

take a breath because when the director

lower your baton and get to this point

there’s going to be nothing my conversation and

claimed no indication that prevents

each instrument emits the sound that has

prepared

the music begins

the curtain opens the director with eyes

great looks for me and finds me in the

place on the stage where we were

rehearsing the last month because it’s just

say that what the public is

seeing is a small part a 10 or a

15 percent of the rest of the rest

that great mass s 80 90 percent is what

that does not look like an ice see that shows

only a small portion and that

is below the water is the period of

essays and preparation of weeks months

and maybe years it takes to put a

musical piece on stage the

opera la bohème de puccini in the

first scene the audience sees a

perfect replica of an attic

Parisian

there are four friends that are surrounding

a very cold stove a long time ago

cold in paris

in winter the role of the tenor is called

rodolfo and is a poet

me to the baritone I played the role of

painter marchelo I am very happy

do this opera because normally in

in the opera and as a convention that

the sharp voices the tenors the soprano

they are always those who end up in love

those who have the greatest

the greatest interest in history and the

Poor little voices are left to the

tenors to the baritones to the low to

the mezzo sopranos contraltos make of

bad do what we die this

make cops this and many times

this one we are left with the desire of

start and when you tie something a caress

but that is what we have to do in

this opera in particular I do not die

so I’m happy because I know that

until the end this one I will not have to

go through that trance

there is a very funny scene in the

bohème we were rehearsing a lot that

to fight the cold

the four guilds we waged a war of

pillows and pillow or pillow well

we were very involved in the character

one of the prop pillows is

breaks explodes and thousands of feathers leave

goose you take off they start to fall

about the orchestra

imagine a snow of ideas but

with goose feathers

the director with the baton if so for

to clear them I did not look with the faces of

I will kill when I can and we will

which is very difficult we laughed and

we tried to sing

this was a good thing what things that

many times they go on the scene in that

moment we feel at the side of the

scenario that someone says via is the

voice of a stage assistant who

orders a machinist to spin the

the Parisian guard disappears

and a perfect replica of the

Latin Quarter of Paris to mourn my

Painter and brush palette

and I start painting a picture of the girl

I like my dog

8 upi

one or the other by broken

8

moza no hay or musetta buseta is one of

the female protagonists of this

History is the girl that I like

we had something but one

silly discussion made it like two

months we did not see goes right

on stage and puccini

besides being a lofty composer he was

a great dramatist put on the

score all the actions that the

singers we had to perform

and at that moment says the score here

marchelo and musetta kiss and go

reconcile as it was prescribed

musetta approaches and kisses me

from there I do not remember anything more

of that function and it was missing as one and one

hour and a quarter in an hour and a half of music

the only thing I remember that at the end of

the opera the musical director was very

happy

the scenic director also the people

I applauded some waited at the door

from the theater a couple of ladies told me

that come from the pens how

they made it so good

he has also rehearsed for me

insides and waters to put him if they knew that

it was an accident an accident and people

he lived it like it was something that was

millimeter rehearsed

after that I found myself alone in the

my hotel room watching the final

of the shanghai tennis masters that

nalbandian had won federer it

remember and I realized that I had been

all night without sleep

Cupid had done his job you see that

he did very well because we’ve been

even sitting there today

[Music]

[Applause]

[Music]

and there are also two out there

little paintings of paintings that

they arrived some time later the

musical expression as I said no

inevitably pulls out of the routine and we

place at every fraction of time

elapsed in a place where

never maybe we were that is the

emotion that is lived on that side and of

this the only thing that differentiates

that we are here that we are excited

as much as you that we have the

mission to transform into sound what

a composer played to put on a

paper a while ago

that’s all but the emotion is the same

and I wanted to propose you take out the curtain

is still high and has not yet come down

they sing something with me they cheer me

I ‘m going to transport it to another opera

carmen de bizet has the song of

toreador and a chorus that is very

known that our teacher mauricio

music for those who ask for great applause

[Applause]

the French operation do not worry

with the reach but what I’m going to

ask if as well as we know that we are

full of fluid in the body too

we are full of air

I’m going to ask you to take a small

lot of air they feel they feel

that airs moves and that they move it

to the best sound system and

amplification that exists that we have it

everyone emphasizes that they are our

Reasoners send in the sound there

are against against that curtain and

I ‘m going to see what I can give them back

now let’s do the part of 85 by

percent is to say let’s rehearse the

chorus of the toreador song

with the help of the teacher will give the

started

[Music]

and

[Music]

white aldanondo lolo

[Applause]

roldán domón

ronaldo clear I do not see it very well very

all right

well then 85 percent is done

now we go for the 15

let’s make the historian song

complete and in the chorus the ladies

are going to be the gypsies friends of Carmen and

the gentlemen are going to be the bullfighters

come very large and canchers for

tell your exploits in the last

bullfight cheer up

I warn you when others by pure

Lord man fat man

for you for asking that they are not like

tell you southern deadline of gaza

another closest

[Music]

Brown intervened

now I am treated by offering and

all southeast

[Music]

only the fat or or not

[Music]

wilson stopped you

will not delay the port he had for the

player by the bubble the best

[Music]

hayek

[Music]

thank you very much

[Music]

and