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L’algoritmo dell’infinito | Lucilla Giagnoni | TEDxNovara


until not long ago if they had me

asked

watson what is watson chi and watson me

it would come to mind elementary

elementary watson

then it would have occurred to me perhaps

emma watson the beautiful fighting actress

I like her who was hermione in

harry potter

then I discovered that conan doyle in his

in his sherlock holmes books he does not

never say elementary watson to sherlock

holmes watson as we know today is

a computer but it’s a computer nothing

a very computer at all

very special special is a

computer that communicates is not among the most

competent computers that are on the

earth, however, is very very intelligent

communicate with us

using our language

natural that is the language with which I

now I’m talking to you with

human language

yes a bit like siri a bit as if he

he only answers that he has a lot of computer

very very particular very

intelligent because answering learns

understands learns so it evolves to

it’s called watson simply because

the inventor of the ibm was called thomas

jane watson

then the question that put orgy

dramatic and after that after the computers

they will have learned will have evolved later

what will be of us who will be here to?

tell about it on this earth

now also human language

we have learned the paleontologists there

they say it’s an acquisition for us

relatively recent human beings indeed

the very recent because at most

it rises to about 150 thousand years ago

considered that our history

evolutionary covers 6 million years

we learned to speak the day before yesterday

But though when we learned the

language that if we want is just one

technological transition

here is our civilization from that moment

from that moment he suffered one

progressive and perhaps unstoppable

acceleration now without entering the

juniper of the linguistics of the

neuroscience of neurophysiology il

language

it is that system that structure for which

a human being thinks but above all it is

aware of thinking about conscience

what he thinks

language is a sum of tools

limited sounds words that can

therefore combine a set of tools

finished that can be combined in a manner

infinite infinity now infinity now

if I talk about the concept of infinity one

computer goes haywire

but not only from the point of view of the

natural language but also with

mathematical language and then to this

point because there are a few things that

the computer is still not able to do

they do not even though they learn though

they evolve they have not learned to do

some substantial things do not have

for example, learned to laugh and cry

they do not feel pleasure they do not find pain and

therefore they have not yet learned to do

art to make poetry for us to laugh

cry to make poetry is to generate for the

computers and at most are errors

of errors including us or siberia

and then they can make beautiful images

but they are not aware of it

produce beautiful sounds but they are not

aware

here a boy comes to help us

21 year old boy who is called giacomo

he is a boy who is 200 years old

does

leopards in 1819 at 21 and writes one

poetry that really has really one

beautiful present a poem that has the

claim to be a poem about

poetry, that is, on the ability of the

human language of conceiving that is of

to keep within oneself and therefore to

generate and perceive to cross

the infinite a beautiful dean and the

What’s extraordinary is that he succeeds

here it is, this is Italian poetry

the best known in the world the most translated

more known

I now

I want to try to prove that thanks

also to the contribution of this poem that

we have come to create some

time after the computer language the

computer language

of course it is certain it is always dear I was

this heat with poetry

but what is poetry is in Italian

this I want to try and mine

mother tongue is Italian I am

an actress my instruments are the voice

and the body

so I want to try and make you feel

infinity at least the one inside

in the words of leopards, poetry is

something very particular in which the

word of human language resounds to

resonance in our natural language

daily to this resonance is not

the word is so relevant in poetry

the truth of the flesh becomes flesh

words do not pass through us through it

a difficult concept this

of the ariston areas the truth does not pass

through the meaning only through

sex but first of all passes

through the pulsating body the flesh

alive that is the sound is this that there

it passes truth because for us we for

to pronounce sounds we must move

the body and therefore our muscles that

they are adapted to move the vocal tract to

articulate our breath perform a

movement that is already in itself

very significant I make an example if

I pronounce one to I have to open the

mouth at the highest degree then when

I will tell many to fill me with

opening towards especially poetry

take this the poetry deals with

this and then and then let’s try to

read it let’s try to understand

we can do this poem

reading from watson always dear was me

this last hill in this hedge that from

so much of the last horizon the

I look away, but sitting and looking

interminated spaces beyond that and

superhuman silences and profound stillness

in my thoughts I pretend to be where I for a while

horn ansys scared

it’s like the wind oddo stormir among these

plants I that infinite silence a

This voice is comparing and it occurs to me

the eternal and the dead seasons and the

presents is alive and the sound of her

so, among this immensity, the

my thought and the shipwreck is sweet to me

this sea at the roundabout take the

second exit

the nice thing is that she does not know she has

made a joke makes us laugh is already

a great thing but she does not laugh but

look, he has not read very badly and if

I had done the experiment yes

called some of us say no

not to say you to read it and you would have

read this because this is a bit

what you already want as you want

But he also reserves us some beautiful ones

surprises that there is the power of poetry

let’s try to analyze this poem

let’s try open the narrative plot lo

we all know the narrative situation

it’s very simple there’s a guy who

there is a passion to go on top of one

hill watching the landscape but not the

like to look at it behind a hedge like that

that he closes his eyes and sits down

imagine infinite worlds spaces

interminable then this thing a little bit

upset because augmented reality for

giacom was not a problem is the return

of his present reality discovers that

that experience he had done

cosmic, however, also and above all

born here among these things is inside the

real reality that his body touches and ea

this point can only fail

sweetly because you must leave

go to this infinite that pervades

everything said so is not the same thing

of how he says here to and then we look

as it is called begins with always begins

not so much with the concept of always that a

I do not care much in this case

start with a s

if we clench our teeth we do

travel our breath through i

teeth if we had breathing

circular that certain musicians have

we can reach the infinite stars

Sounds space is always the is

unlike the way we have seen

first it is forced mine mine

vocal tract my mouth ad

articulate in a slot closes a

little more, however, this closure me

allows you to enlarge the laterality itself

and so she is just the letter from

my soul that puts itself in a state of

contemplation of observation and of this

that is in front of always there are two and in

first line that I have to say if

it incorporates poetry if the voice pronounces it

high you see that it always comes then

strengthened immediately after you are that

always and the hedge you are and then we have of

new a strengthening by sitting down

so here it is always expensive you are sitting

This guy sits you have this

you remember how the giacomo is still today

betrayed there is the hump and does not have a body

just happy and sits with difficulty and

however, this situation allows it

something his body of truly unique

perhaps for this he likes to

rattle vertebra after vertebra la

its spine is like in position

yoga does not say no but

simply because he has to pronounce

one that will pull them on the spine

look sitting and aiming interminated

spaces beyond those sovereign silences and

very quiet

in my mind I pretend to hop and for a while

I have to go fast I do not have the time

I could reason on every sound that is there

in this text leopards these things

he did consciously because he knew

human languages ​​knew Hebrew

knew the Greek knew Latin

he knew French where he was for a while

horn takes off

when I have to express the gods

feelings we speak for vowels

because the vowel is the one that just

as soon as we simply open

and to close, we do not shape reality

our breath simply comes out

and look at the first hemistichio what he does

the good giacomo always dear was me

it puts all human feelings in the first

mysterio in the first verse he said well

we will talk about all human feelings

we are in the infinite let alone

and then in the first part we have

this body that widens

but then goes vertically closes his eyes

and then all these or all of them

experiences that are inferior and then there is

fear

I have to go fast in the second part

there is a version of Florence where

he makes small changes

relevant to make us understand the changes

the intentions stormir way between these

plants are written between these plants

he makes a cross before and puts between us

he held that instead of there was one

dental in the dental language beats

against the teeth the tongue beats where the

tooth of pain

the sound of the dental is punctual then

with the dental we say tube la

objective tangible reality I hear stormir

among these plants this reality me

the infinite one is fine and then there is one

shipwreck

I have to overcome this here are these

sounds are sounds though they are flesh

they are muscles are blood of poetry

But I want to take you further

because there is another part equally

interesting shocking for me is that

is that of the bone structure of the

poetry and perhaps of the nervous system

then our generous reader has

elected as they would all read why

giacomo deceives us use this poem for

to make a narration very much

elementary and uses very well towards and the

punctuation first verse forever dear me

was this hill comma everything

which I mean is expressed inside the

towards second towards and this hedge

comma that gives so much the sense of the

towards does not end in the verse but with one

figure of speech that is called in john

brennan

me and the verse I open the sense of the

towards the I go to fall in the verse

following

and this comma hedge that gives so much

peace

of the last horizon, the look excludes

and here the verse ends but sitting and

aiming for comma interminated spaces beyond

from that comma and superhuman silences e

very quiet

in my thoughts I pretend to be where I for a while

horn takes off like the wind

I hear stormy among these plants

I that infinite silence to this

voice

I compare and sovvien the eternal and the

death seasons and the present and alive and the

her ring

so, among this immensity, the

my thought and the shipwreck is sweet to me

this sea

here he is, he makes us fall there

create this other space that now

it could be white and it tells me not

I can take you by the hand

towards infinity tc I make fall that

I do wrecked beyond is beyond

born here is among these words is in the

ended in the unfinished infinite but yes

they put it there that are on the side and yes

intersect

I do not know you can say that here is the

body here is the thought can be said

that here is the finished here

infinity can tell us that this is

one and this 0

yes, perhaps this can also be said

surely they are more intertwined in

giacomo certainly giacomo as you

I said he does not need reality

increased but certainly giacomo has us

helped to then get to face the

language problem also in

relation to the problem of language

artificial intelligence

now giacomo leopardi was definitely not

a happy man indeed was definitely a

unhappy man and did not even nourish

too much confidence in the progressive fate

human

but this poem is written and then not

he shredded it

I believe he was not going to

torment our school years but

he had faith in something he trusted

in the word he was afraid of trust in the

sound trusted in language

and it is this language but

language of what quality of that

body quality of what human quality

of quake papers this language and the

chain that binds humans in space

I am very moved by the time I have to tell you

when I do this job

on the infinity I feel giacomo here

I feel here and his language like that

high quality crosses the plot of the

space time and as a language a

four dimensions 4 says a film that has

tried to explain this thing

calls drive is a science fiction movie

where these aliens who shipwreck Venetian

they deliver language all round to the

linguist certainly deliver it to the

price is high for this trip

cosmic and a shipwreck is a price but

it is also a gift is a gift

if the shipwreck and the infinite

contact is cosmic

now you have the masca said the founder of

tesla that in 30 years we will be half

to the cyborg

I do not know if on earth in 30 years

and watson will know how to make this shipwreck

they will know how to learn to fail

well then me it will not matter much if

on earth we will be cyborgs or men

computers that use human language for

the moment we know how to do it alone

we

and then my cosmic invitation is

let’s enjoy the poem thanks

thank you

[Music]

”

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