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How theatre education can save the world | Rachel Harry | TEDxMtHood


when you meet someone for the first time

when you meet someone for the first time you ask them their name hello my name is

you ask them their name hello my name is

you ask them their name hello my name is Rachel Harry and invariably without fail

Rachel Harry and invariably without fail

Rachel Harry and invariably without fail the second thing you ask is what what do

the second thing you ask is what what do

the second thing you ask is what what do you do very good what do I do

you do very good what do I do

you do very good what do I do I I do theater what does that mean

I I do theater what does that mean

I I do theater what does that mean I do theater well I teach I write

I do theater well I teach I write

I do theater well I teach I write scripts I direct plays musicals I create

scripts I direct plays musicals I create

scripts I direct plays musicals I create performance art I do a lot of design

performance art I do a lot of design

performance art I do a lot of design work my furniture can be seen on stage

work my furniture can be seen on stage

work my furniture can be seen on stage my children and my dogs have been

my children and my dogs have been

my children and my dogs have been incorporated into some of my productions

incorporated into some of my productions

incorporated into some of my productions my son

my son

my son many years ago provided the recorded

many years ago provided the recorded

many years ago provided the recorded voice of a wailing infants Helen Keller

voice of a wailing infants Helen Keller

voice of a wailing infants Helen Keller stricken with scarlet fever for my

stricken with scarlet fever for my

stricken with scarlet fever for my production of The Miracle Worker

production of The Miracle Worker

production of The Miracle Worker and sometimes from time to time I can be

and sometimes from time to time I can be

and sometimes from time to time I can be seen performing on stage which is

seen performing on stage which is

seen performing on stage which is actually the original reason why I

actually the original reason why I

actually the original reason why I became enthralled in this artform as a

became enthralled in this artform as a

became enthralled in this artform as a six-year-old you see I’m the youngest of

six-year-old you see I’m the youngest of

six-year-old you see I’m the youngest of a large family right you can guess I

a large family right you can guess I

a large family right you can guess I found that dance and acting were

found that dance and acting were

found that dance and acting were terrific ways to get a little attention

terrific ways to get a little attention

terrific ways to get a little attention and contrary to what my siblings will

and contrary to what my siblings will

and contrary to what my siblings will tell you I was not showing off I was

tell you I was not showing off I was

tell you I was not showing off I was performing this is my life and this is

performing this is my life and this is

performing this is my life and this is my world I learned how to be human in

my world I learned how to be human in

my world I learned how to be human in the theatre my first kiss was a stage

the theatre my first kiss was a stage

the theatre my first kiss was a stage kiss alright my first three kisses were

kiss alright my first three kisses were

kiss alright my first three kisses were stage kisses I learned how to view the

stage kisses I learned how to view the

stage kisses I learned how to view the world by reading plays I learned about

world by reading plays I learned about

world by reading plays I learned about life by doing theater and my students

life by doing theater and my students

life by doing theater and my students will tell you when asked over the years

will tell you when asked over the years

will tell you when asked over the years what they learned in my classes that

what they learned in my classes that

what they learned in my classes that they learned more than just theater

they learned more than just theater

they learned more than just theater pedagogy they learned about life life

pedagogy they learned about life life

pedagogy they learned about life life lessons and this is important to me in

lessons and this is important to me in

lessons and this is important to me in fact it’s probably the most

fact it’s probably the most

fact it’s probably the most important reason why I teach theater you

important reason why I teach theater you

important reason why I teach theater you see when I find that when I teach

see when I find that when I teach

see when I find that when I teach theater concepts I’m also teaching how

theater concepts I’m also teaching how

theater concepts I’m also teaching how to cope with a life now this is of

to cope with a life now this is of

to cope with a life now this is of immense value to my students it’s also

immense value to my students it’s also

immense value to my students it’s also of immense value to the world you see

of immense value to the world you see

of immense value to the world you see what we learn in theater is a terrific

what we learn in theater is a terrific

what we learn in theater is a terrific way to interact with a very diverse

way to interact with a very diverse

way to interact with a very diverse world now you might wonder what does

world now you might wonder what does

world now you might wonder what does this woman teacher in her classes well

this woman teacher in her classes well

this woman teacher in her classes well I’m gonna give you some concepts of

I’m gonna give you some concepts of

I’m gonna give you some concepts of theater when I talk to my peers about

theater when I talk to my peers about

theater when I talk to my peers about diversity in theater they all nod yes

diversity in theater they all nod yes

diversity in theater they all nod yes yes theater includes people of all kinds

yes theater includes people of all kinds

yes theater includes people of all kinds ethnicity sexual orientation and that’s

ethnicity sexual orientation and that’s

ethnicity sexual orientation and that’s true but I’m referring to something else

true but I’m referring to something else

true but I’m referring to something else theater teaches one to communicate to

theater teaches one to communicate to

theater teaches one to communicate to diverse to create to communicate to

diverse to create to communicate to

diverse to create to communicate to diverse skills sets of thinking skills

diverse skills sets of thinking skills

diverse skills sets of thinking skills there we go I know I get that out you

there we go I know I get that out you

there we go I know I get that out you see theater is the only art that

see theater is the only art that

see theater is the only art that actively collaborates with all the other

actively collaborates with all the other

actively collaborates with all the other art forms theater needs visual arts it

art forms theater needs visual arts it

art forms theater needs visual arts it needs music it needs dance

needs music it needs dance

needs music it needs dance it needs the written word and the

it needs the written word and the

it needs the written word and the artists from all these genres they think

artists from all these genres they think

artists from all these genres they think differently but there’s more theater

differently but there’s more theater

differently but there’s more theater also depends on science and technology

also depends on science and technology

also depends on science and technology to promote or to produce its productions

to promote or to produce its productions

to promote or to produce its productions to create a play requires not only a

to create a play requires not only a

to create a play requires not only a diverse set of population but a diverse

diverse set of population but a diverse

diverse set of population but a diverse set of thinking communication skills you

see a theater program draws on students

see a theater program draws on students from all programs all departments in a

from all programs all departments in a

from all programs all departments in a school and each is recognized and

school and each is recognized and

school and each is recognized and respected for what they bring to the

respected for what they bring to the

respected for what they bring to the table I have a wonderful story of

table I have a wonderful story of

table I have a wonderful story of collaboration between these different

collaboration between these different

collaboration between these different thinking skills my stage manager decided

thinking skills my stage manager decided

thinking skills my stage manager decided last fall that I needed snow to fall

last fall that I needed snow to fall

last fall that I needed snow to fall from the ceiling in the final scene of

from the ceiling in the final scene of

from the ceiling in the final scene of the first act of the musical so I

the first act of the musical so I

the first act of the musical so I described to her how a professional

described to her how a professional

described to her how a professional theatre with fly space and rigging such

theatre with fly space and rigging such

theatre with fly space and rigging such as New York City

as New York City

as New York City creates the snow for their productions

creates the snow for their productions

creates the snow for their productions of Nutcracker now my stage manager is

of Nutcracker now my stage manager is

of Nutcracker now my stage manager is also a dancer and a member as well of

also a dancer and a member as well of

also a dancer and a member as well of our acclaimed robotics team she is

our acclaimed robotics team she is

our acclaimed robotics team she is incredibly skilled at communicating with

incredibly skilled at communicating with

incredibly skilled at communicating with both artists and scientists she

both artists and scientists she

both artists and scientists she collaborated with my lighting designer

collaborated with my lighting designer

collaborated with my lighting designer who is also a member of the robotics

who is also a member of the robotics

who is also a member of the robotics team and using their familiarity with

team and using their familiarity with

team and using their familiarity with our agricultural base devised a 35 foot

our agricultural base devised a 35 foot

our agricultural base devised a 35 foot long snow machine made of PVC irrigation

long snow machine made of PVC irrigation

long snow machine made of PVC irrigation pipe multiple drilled holes a very

pipe multiple drilled holes a very

pipe multiple drilled holes a very elegant rigging system and of course the

elegant rigging system and of course the

elegant rigging system and of course the obligatory duct tape to teach this I

obligatory duct tape to teach this I

obligatory duct tape to teach this I actively teach this by using a process

actively teach this by using a process

actively teach this by using a process in in how we would critique student

in in how we would critique student

in in how we would critique student scene performance my student critique

scene performance my student critique

scene performance my student critique errs are only allowed to say this works

errs are only allowed to say this works

errs are only allowed to say this works keep it this works this or this does not

keep it this works this or this does not

keep it this works this or this does not work how can we make this stronger and

work how can we make this stronger and

work how can we make this stronger and as a class we brainstorm ways to help

as a class we brainstorm ways to help

as a class we brainstorm ways to help strengthen that scene we consider what

strengthen that scene we consider what

strengthen that scene we consider what works for us and then we modify that to

works for us and then we modify that to

works for us and then we modify that to fit the individual onstage embracing

fit the individual onstage embracing

fit the individual onstage embracing diversity requires just that the ability

diversity requires just that the ability

diversity requires just that the ability to acknowledge and accept the strengths

to acknowledge and accept the strengths

to acknowledge and accept the strengths and weaknesses of others without

and weaknesses of others without

and weaknesses of others without judgment and to accept the strengths and

judgment and to accept the strengths and

judgment and to accept the strengths and weaknesses within ourselves what if all

weaknesses within ourselves what if all

weaknesses within ourselves what if all the countries of the world could

the countries of the world could

the countries of the world could acknowledge and accept both these

acknowledge and accept both these

acknowledge and accept both these attributes and then collaborate to help

attributes and then collaborate to help

attributes and then collaborate to help strengthen each other theater teaches a

strengthen each other theater teaches a

strengthen each other theater teaches a student to develops one’s own voice over

student to develops one’s own voice over

student to develops one’s own voice over the course of development of the human

the course of development of the human

the course of development of the human being there evolves a desire to fit in

being there evolves a desire to fit in

being there evolves a desire to fit in to belong and this desire is so strong

to belong and this desire is so strong

to belong and this desire is so strong we’re willing to subjugate our own

we’re willing to subjugate our own

we’re willing to subjugate our own feelings our own needs our own thoughts

so we can conform in class when we’re

so we can conform in class when we’re working on acting or improvisational

working on acting or improvisational

working on acting or improvisational skills we actually have exercises that

skills we actually have exercises that

skills we actually have exercises that promote original thought we practice

promote original thought we practice

promote original thought we practice games that help us to stop listen to our

games that help us to stop listen to our

games that help us to stop listen to our instincts not judge them but allow them

instincts not judge them but allow them

instincts not judge them but allow them out there’s an actor’s term called flash

out there’s an actor’s term called flash

out there’s an actor’s term called flash now flash occurs when you’re on stage

now flash occurs when you’re on stage

now flash occurs when you’re on stage listening to someone and if you’re

listening to someone and if you’re

listening to someone and if you’re really listening to someone a

really listening to someone a

really listening to someone a recognition a realization a flash of an

recognition a realization a flash of an

recognition a realization a flash of an idea will pop into your head we learn to

idea will pop into your head we learn to

idea will pop into your head we learn to listen to those thoughts because they

listen to those thoughts because they

listen to those thoughts because they are important they are your own and they

are important they are your own and they

are important they are your own and they have a value in an improv scene an actor

have a value in an improv scene an actor

have a value in an improv scene an actor will have these responses occur to her

will have these responses occur to her

will have these responses occur to her and instead of shutting them down or

and instead of shutting them down or

and instead of shutting them down or stifling them she learns to give those

stifling them she learns to give those

stifling them she learns to give those thoughts of voice and often these are

thoughts of voice and often these are

thoughts of voice and often these are the best lines the audience responds to

the best lines the audience responds to

the best lines the audience responds to them because they are honest in class we

them because they are honest in class we

them because they are honest in class we work on enhancing our creativity through

work on enhancing our creativity through

work on enhancing our creativity through just these kinds of exercises and we

just these kinds of exercises and we

just these kinds of exercises and we learn to enhance our creativity by

learn to enhance our creativity by

learn to enhance our creativity by simply freeing up the student’s

simply freeing up the student’s

simply freeing up the student’s imagination what if a country

imagination what if a country

imagination what if a country specifically trained its citizens to

specifically trained its citizens to

specifically trained its citizens to enhance their creativity to solve

enhance their creativity to solve

enhance their creativity to solve problems and to have courage and

problems and to have courage and

problems and to have courage and confidence in their own voice to speak

confidence in their own voice to speak

confidence in their own voice to speak up when the need arises last concept

up when the need arises last concept

up when the need arises last concept finding a character demands empathy now

finding a character demands empathy now

finding a character demands empathy now in class I work on providing tools for

in class I work on providing tools for

in class I work on providing tools for the students to develop an honest

the students to develop an honest

the students to develop an honest character on stage you see when an actor

character on stage you see when an actor

character on stage you see when an actor is cast they’re given a script and all

is cast they’re given a script and all

is cast they’re given a script and all it contains is the dialogue of a story

it contains is the dialogue of a story

it contains is the dialogue of a story and they must explore that character by

and they must explore that character by

and they must explore that character by creating a backstory or history that

creating a backstory or history that

creating a backstory or history that motivates the character to say and act

motivates the character to say and act

motivates the character to say and act as they do as an actor I use the

as they do as an actor I use the

as they do as an actor I use the backstory to inform my mood and that’s

backstory to inform my mood and that’s

backstory to inform my mood and that’s how I might deliver a line

how I might deliver a line

how I might deliver a line I must seek out similarities between

I must seek out similarities between

I must seek out similarities between myself and that character and then

myself and that character and then

myself and that character and then contemplate how I might respond in those

contemplate how I might respond in those

contemplate how I might respond in those same situations I must also seek out the

same situations I must also seek out the

same situations I must also seek out the divert the differences between myself

divert the differences between myself

divert the differences between myself and that character and ponder what were

and that character and ponder what were

and that character and ponder what were the forces that caused those differences

to find the motivation of a character I

to find the motivation of a character I have to define the reasons for her

have to define the reasons for her

have to define the reasons for her actions and to teach this I ask my

actions and to teach this I ask my

actions and to teach this I ask my students to make observations of others

students to make observations of others

students to make observations of others close observations but not to judge to

close observations but not to judge to

close observations but not to judge to learn I ask them to initiate a

learn I ask them to initiate a

learn I ask them to initiate a conversation with someone who might have

conversation with someone who might have

conversation with someone who might have similar qualities to the character

similar qualities to the character

similar qualities to the character they’re studying or perhaps maybe even

they’re studying or perhaps maybe even

they’re studying or perhaps maybe even emulate some of the aspects of that

emulate some of the aspects of that

emulate some of the aspects of that lifestyle Dustin Hoffman is famous for

lifestyle Dustin Hoffman is famous for

lifestyle Dustin Hoffman is famous for dressing as a woman and living as a

dressing as a woman and living as a

dressing as a woman and living as a woman in New York City to create his

woman in New York City to create his

woman in New York City to create his celebrated character of Tootsie he said

celebrated character of Tootsie he said

celebrated character of Tootsie he said he wished he to explore this character

he wished he to explore this character

he wished he to explore this character as a much younger man he said he missed

as a much younger man he said he missed

as a much younger man he said he missed out on meeting so many interesting

out on meeting so many interesting

out on meeting so many interesting wonderful women because he didn’t know

wonderful women because he didn’t know

wonderful women because he didn’t know how to truly value a woman until he had

how to truly value a woman until he had

how to truly value a woman until he had lived as one what could happen in a

lived as one what could happen in a

lived as one what could happen in a country what could happen in our country

country what could happen in our country

country what could happen in our country if we were taught actively taught to

if we were taught actively taught to

if we were taught actively taught to truly empathize with others now I’ve had

truly empathize with others now I’ve had

truly empathize with others now I’ve had the joy of spending many years a lot of

the joy of spending many years a lot of

the joy of spending many years a lot of years working with a large group of

years working with a large group of

years working with a large group of teenagers from the ages of 14 and 18 and

teenagers from the ages of 14 and 18 and

teenagers from the ages of 14 and 18 and we have spent classes working on lessons

we have spent classes working on lessons

we have spent classes working on lessons to help them learn how to view others

to help them learn how to view others

to help them learn how to view others without judging to develop diverse

without judging to develop diverse

without judging to develop diverse communication strategies to enhance

communication strategies to enhance

communication strategies to enhance their character or creativity and their

their character or creativity and their

their character or creativity and their character and to

character and to

character and to to truly understand and have confidence

to truly understand and have confidence

to truly understand and have confidence in their own voice and this is all falls

in their own voice and this is all falls

in their own voice and this is all falls under the aspect or the title of

under the aspect or the title of

under the aspect or the title of teaching theater we have spent countless

teaching theater we have spent countless

teaching theater we have spent countless hours exploring the lives of people both

hours exploring the lives of people both

hours exploring the lives of people both fictional and true

fictional and true

fictional and true now you’re going to if you are familiar

now you’re going to if you are familiar

now you’re going to if you are familiar with this production you’re going to go

with this production you’re going to go

with this production you’re going to go she uses a lot of pictures from a

she uses a lot of pictures from a

she uses a lot of pictures from a musical called catch me if you can that

musical called catch me if you can that

musical called catch me if you can that one and it’s true and I chose this

one and it’s true and I chose this

one and it’s true and I chose this musical because it’s an excellent

musical because it’s an excellent

musical because it’s an excellent example that expresses the ideas I’m

example that expresses the ideas I’m

example that expresses the ideas I’m trying to convey to you today

trying to convey to you today

trying to convey to you today on the surface this is a fast-paced

on the surface this is a fast-paced

on the surface this is a fast-paced glittery Vegas style production of high

glittery Vegas style production of high

glittery Vegas style production of high kicks and jazz hands it’s also the true

kicks and jazz hands it’s also the true

kicks and jazz hands it’s also the true story of Frank Abagnale jr. his parents

story of Frank Abagnale jr. his parents

story of Frank Abagnale jr. his parents and a detective named Hanratty a very

and a detective named Hanratty a very

and a detective named Hanratty a very smart detective on the surface we see a

smart detective on the surface we see a

smart detective on the surface we see a criminal who bilked thousands out of

criminal who bilked thousands out of

criminal who bilked thousands out of more than a million 1960s dollars before

more than a million 1960s dollars before

more than a million 1960s dollars before he reached the age of 21 but as we

he reached the age of 21 but as we

he reached the age of 21 but as we explore the character more deeply we see

explore the character more deeply we see

explore the character more deeply we see a young man reeling from the breakup of

a young man reeling from the breakup of

a young man reeling from the breakup of his family and the tragic demise of a

his family and the tragic demise of a

his family and the tragic demise of a father whom he idolized and as we

father whom he idolized and as we

father whom he idolized and as we explore this character scene by scene we

explore this character scene by scene we

explore this character scene by scene we we see the motivations and so we

we see the motivations and so we

we see the motivations and so we understand and we also see a detective

understand and we also see a detective

understand and we also see a detective who understands that he’s not chasing a

who understands that he’s not chasing a

who understands that he’s not chasing a hardened criminal but rather a very

hardened criminal but rather a very

hardened criminal but rather a very troubled very bright young man and his

troubled very bright young man and his

troubled very bright young man and his compassion and ability to see past those

compassion and ability to see past those

compassion and ability to see past those actions was discussed in many a

actions was discussed in many a

actions was discussed in many a rehearsal now the real Frank abigail

rehearsal now the real Frank abigail

rehearsal now the real Frank abigail junior sent us some emails and a letter

junior sent us some emails and a letter

junior sent us some emails and a letter which my music director has framed in

which my music director has framed in

which my music director has framed in his office that was exciting and he

his office that was exciting and he

his office that was exciting and he talked about that compassion and empathy

talked about that compassion and empathy

talked about that compassion and empathy that detective had for him

that detective had for him

that detective had for him and that Detective ultimately became in

and that Detective ultimately became in

and that Detective ultimately became in real life his mentor and best friend now

real life his mentor and best friend now

real life his mentor and best friend now all this happened in a theater program

all this happened in a theater program

all this happened in a theater program in a small rural High School in a

in a small rural High School in a

in a small rural High School in a community that understands and supports

community that understands and supports

community that understands and supports a full four-year theater program taught

a full four-year theater program taught

a full four-year theater program taught by a teacher with a master’s degree in

by a teacher with a master’s degree in

by a teacher with a master’s degree in theater and I tell you this because it

theater and I tell you this because it

theater and I tell you this because it is rare and I firmly believe we need to

is rare and I firmly believe we need to

is rare and I firmly believe we need to change that fact you see less than half

change that fact you see less than half

change that fact you see less than half of all secondary public schools have any

of all secondary public schools have any

of all secondary public schools have any kind of a theater class in their

kind of a theater class in their

kind of a theater class in their programs and of that 45 percent 12

programs and of that 45 percent 12

programs and of that 45 percent 12 percent only 12 have a full four-year

percent only 12 have a full four-year

percent only 12 have a full four-year program now most high schools offer an

program now most high schools offer an

program now most high schools offer an after-school production and this is

after-school production and this is

after-school production and this is terrific but again realize only half of

terrific but again realize only half of

terrific but again realize only half of those productions are taught by someone

those productions are taught by someone

those productions are taught by someone who is a certified art specialist in

who is a certified art specialist in

who is a certified art specialist in theater if we look at these statistics

theater if we look at these statistics

theater if we look at these statistics you’re going to see well first let me

you’re going to see well first let me

you’re going to see well first let me tell you I don’t want to cash aid on

tell you I don’t want to cash aid on

tell you I don’t want to cash aid on music and visual arts because remember I

music and visual arts because remember I

music and visual arts because remember I collaborate with them we need them but

collaborate with them we need them but

collaborate with them we need them but you’re going to see that music and

you’re going to see that music and

you’re going to see that music and visual arts garner far more respect than

visual arts garner far more respect than

visual arts garner far more respect than theater now is this important

theater now is this important

theater now is this important what depends on what you want if you

what depends on what you want if you

what depends on what you want if you want students to simply have an

want students to simply have an

want students to simply have an experience performing on stage then this

experience performing on stage then this

experience performing on stage then this is enough because honestly theater can

is enough because honestly theater can

is enough because honestly theater can happen anywhere and it can be done

happen anywhere and it can be done

happen anywhere and it can be done pretty well but but if you want students

pretty well but but if you want students

pretty well but but if you want students to learn the skills to mount a quality

to learn the skills to mount a quality

to learn the skills to mount a quality production if you want students to

production if you want students to

production if you want students to become better world citizens in any

become better world citizens in any

become better world citizens in any career they choose well then you need a

career they choose well then you need a

career they choose well then you need a strong theatre program taught by a

strong theatre program taught by a

strong theatre program taught by a qualified instructor

Theatre needs to take the stage as the

Theatre needs to take the stage as the important art form in public education

important art form in public education

important art form in public education that it truly is thank you

that it truly is thank you

that it truly is thank you [Applause]

”

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