get ready to rumble with the biggest and baddest of all time welcome to
baddest of all time welcome to
baddest of all time welcome to watchmojo.com and today we’re counting
watchmojo.com and today we’re counting
watchmojo.com and today we’re counting down our picks for the top 10 giant
down our picks for the top 10 giant
down our picks for the top 10 giant movie monsters before we begin we
movie monsters before we begin we
movie monsters before we begin we publish new videos every day
publish new videos every day
publish new videos every day they’ll be sure to subscribe for more
they’ll be sure to subscribe for more
they’ll be sure to subscribe for more great content for this list we’ll be
great content for this list we’ll be
great content for this list we’ll be taking a look at the most iconic and
taking a look at the most iconic and
taking a look at the most iconic and memorable giant monsters ever to grace
memorable giant monsters ever to grace
memorable giant monsters ever to grace the silver screen number 10 mutated fish
the silver screen number 10 mutated fish
the silver screen number 10 mutated fish creature the host
talk about fish gone bad this 2006 film
talk about fish gone bad this 2006 film from South Korea showcased a slimy
from South Korea showcased a slimy
from South Korea showcased a slimy squirmy style of giant movie monster for
squirmy style of giant movie monster for
squirmy style of giant movie monster for a modern audience the creature from the
a modern audience the creature from the
a modern audience the creature from the host serves as a commentary about
host serves as a commentary about
host serves as a commentary about pollution and the mishandling of
pollution and the mishandling of
pollution and the mishandling of dangerous chemicals similar to how
dangerous chemicals similar to how
dangerous chemicals similar to how Godzilla with an analogy for America’s
Godzilla with an analogy for America’s
Godzilla with an analogy for America’s use of the atomic bomb on Hiroshima and
use of the atomic bomb on Hiroshima and
use of the atomic bomb on Hiroshima and Nagasaki director bong joon-ho and crew
Nagasaki director bong joon-ho and crew
Nagasaki director bong joon-ho and crew utilized animatronics and models to
utilized animatronics and models to
utilized animatronics and models to create this monster as well as a bit of
create this monster as well as a bit of
create this monster as well as a bit of unfortunate looking CGI but the end
unfortunate looking CGI but the end
unfortunate looking CGI but the end result was still a fun entry into the
result was still a fun entry into the
result was still a fun entry into the giant monster genre number 9 de Puft
giant monster genre number 9 de Puft
giant monster genre number 9 de Puft Marshmallow Man ghostbusters
Marshmallow Man ghostbusters
Marshmallow Man ghostbusters now there’s something you don’t see
now there’s something you don’t see
now there’s something you don’t see every day at first glance this cuddly
every day at first glance this cuddly
every day at first glance this cuddly Candy Man may seem harmless that is
Candy Man may seem harmless that is
Candy Man may seem harmless that is until he stomped all over New York City
until he stomped all over New York City
until he stomped all over New York City and threatens to bring down civilization
and threatens to bring down civilization
and threatens to bring down civilization as we know it the Cimmerian Dei Gozer
as we know it the Cimmerian Dei Gozer
as we know it the Cimmerian Dei Gozer gives the protagonist in ghostbusters
gives the protagonist in ghostbusters
gives the protagonist in ghostbusters the chance to choose the instrument of
the chance to choose the instrument of
the chance to choose the instrument of their destruction
their destruction
their destruction what do you mean choose although they
what do you mean choose although they
what do you mean choose although they attempt to clear their minds of any
attempt to clear their minds of any
attempt to clear their minds of any dangerous thoughts raised image of the
dangerous thoughts raised image of the
dangerous thoughts raised image of the Stay Puft Marshmallow Man just popped
Stay Puft Marshmallow Man just popped
Stay Puft Marshmallow Man just popped into his head before they know it a
into his head before they know it a
into his head before they know it a giant version of the confectionery
giant version of the confectionery
giant version of the confectionery mascot looms ominously on the horizon
mascot looms ominously on the horizon
mascot looms ominously on the horizon the design may be cute his face may be
the design may be cute his face may be
the design may be cute his face may be lovable but make no mistake mr. Stay
lovable but make no mistake mr. Stay
lovable but make no mistake mr. Stay Puft can be bad news if provoked so just
Puft can be bad news if provoked so just
Puft can be bad news if provoked so just don’t get on his bad side okay oh oh
don’t get on his bad side okay oh oh
don’t get on his bad side okay oh oh Lorne hi Martin this is just wrong
Lorne hi Martin this is just wrong
Lorne hi Martin this is just wrong number 8 indominus rex jurassic world
perhaps this was in the mind of director
perhaps this was in the mind of director Colin Trevorrow and company when they
Colin Trevorrow and company when they
Colin Trevorrow and company when they geared up for a return to the Jurassic
geared up for a return to the Jurassic
geared up for a return to the Jurassic Park franchise in 2015 the star of the
Park franchise in 2015 the star of the
Park franchise in 2015 the star of the show the time was the indominus rex a
show the time was the indominus rex a
show the time was the indominus rex a genetically altered hybrid of DNA from
genetically altered hybrid of DNA from
genetically altered hybrid of DNA from some of the world’s most lethal
some of the world’s most lethal
some of the world’s most lethal dinosaurs the result was a smart and
dinosaurs the result was a smart and
dinosaurs the result was a smart and efficient killing machine that refused
efficient killing machine that refused
efficient killing machine that refused to go down without a fight
to go down without a fight
to go down without a fight it all builds up to a glorious showdown
it all builds up to a glorious showdown
it all builds up to a glorious showdown as a Mosasaurus Velociraptor and t-rex
as a Mosasaurus Velociraptor and t-rex
as a Mosasaurus Velociraptor and t-rex join forces to finish and dominance once
join forces to finish and dominance once
join forces to finish and dominance once and for all
number seven the troll troll hunter fee
number seven the troll troll hunter fee fie foe fum I smell the blood of an
fie foe fum I smell the blood of an
fie foe fum I smell the blood of an Englishman this line is usually
Englishman this line is usually
Englishman this line is usually attributed to the Giants in the fairy
attributed to the Giants in the fairy
attributed to the Giants in the fairy tale Jackman Beanstalk this time however
tale Jackman Beanstalk this time however
tale Jackman Beanstalk this time however the blood is of the Christian variety
the blood is of the Christian variety
the blood is of the Christian variety and the monster in question is that
and the monster in question is that
and the monster in question is that Scandinavian creature known as the troll
Scandinavian creature known as the troll
Scandinavian creature known as the troll on extra stuff in Andre over doll 2010
on extra stuff in Andre over doll 2010
on extra stuff in Andre over doll 2010 film a group of students are making a
film a group of students are making a
film a group of students are making a documentary about killings that have
documentary about killings that have
documentary about killings that have been attributed to bears
been attributed to bears
been attributed to bears of course bears have nothing to do with
of course bears have nothing to do with
of course bears have nothing to do with it and the kids instead find themselves
it and the kids instead find themselves
it and the kids instead find themselves face to feet with some very violent
face to feet with some very violent
face to feet with some very violent troll the action is frightening lis
troll the action is frightening lis
troll the action is frightening lis convincing during the film’s troll
convincing during the film’s troll
convincing during the film’s troll attack while the CGI creatures look
attack while the CGI creatures look
attack while the CGI creatures look great
great
great making troll hunter something of a
making troll hunter something of a
making troll hunter something of a modern cult classic number 6 giant squid
modern cult classic number 6 giant squid
modern cult classic number 6 giant squid 20,000 Leagues Under the Sea
fans were thrilled at the sight of this
fans were thrilled at the sight of this underwater monster as part of the 1954
underwater monster as part of the 1954
underwater monster as part of the 1954 adaptation of Jules Verne’s classic 1870
adaptation of Jules Verne’s classic 1870
adaptation of Jules Verne’s classic 1870 novel 20,000 Leagues Under the Sea the
novel 20,000 Leagues Under the Sea the
novel 20,000 Leagues Under the Sea the attack of the giant squid upon the
attack of the giant squid upon the
attack of the giant squid upon the passengers of crew of Captain Nemo
passengers of crew of Captain Nemo
passengers of crew of Captain Nemo submarine the Nautilus was considered a
submarine the Nautilus was considered a
submarine the Nautilus was considered a landmark special effect sequence for the
landmark special effect sequence for the
landmark special effect sequence for the time successfully capturing the
time successfully capturing the
time successfully capturing the harrowing feeling of a battle beneath
harrowing feeling of a battle beneath
harrowing feeling of a battle beneath the wait tentacles battle the ship’s
the wait tentacles battle the ship’s
the wait tentacles battle the ship’s hull and seemed to swarm their way
hull and seemed to swarm their way
hull and seemed to swarm their way through every door and hatch as Nemo and
through every door and hatch as Nemo and
through every door and hatch as Nemo and the Nautilus struggled for survival it’s
the Nautilus struggled for survival it’s
the Nautilus struggled for survival it’s a prime example of old-school Hollywood
a prime example of old-school Hollywood
a prime example of old-school Hollywood magic at its best survivor
magic at its best survivor
magic at its best survivor why
good question number five the Kraken
good question number five the Kraken Clash of the Titans release the Kraken
Clash of the Titans release the Kraken
Clash of the Titans release the Kraken forget the 2010 remake the 1981 original
forget the 2010 remake the 1981 original
forget the 2010 remake the 1981 original made the most out of Ray Harryhausen’s
made the most out of Ray Harryhausen’s
made the most out of Ray Harryhausen’s amazing stop-motion animation
amazing stop-motion animation
amazing stop-motion animation Harryhausen had already set the industry
Harryhausen had already set the industry
Harryhausen had already set the industry standard for the medium long before
standard for the medium long before
standard for the medium long before working on this final project but his
working on this final project but his
working on this final project but his impressive resume was improved upon
impressive resume was improved upon
impressive resume was improved upon once audiences caught a look at his
once audiences caught a look at his
once audiences caught a look at his marvelous work for the Kraken the Beast
marvelous work for the Kraken the Beast
marvelous work for the Kraken the Beast serves to highlight the climactic final
serves to highlight the climactic final
serves to highlight the climactic final battle for hero Perseus as he uses a
battle for hero Perseus as he uses a
battle for hero Perseus as he uses a head of the flame Medusa to subdue what
head of the flame Medusa to subdue what
head of the flame Medusa to subdue what is essentially a giant scaled sea
is essentially a giant scaled sea
is essentially a giant scaled sea monster it’s an example of stop-motion
monster it’s an example of stop-motion
monster it’s an example of stop-motion animation at its finest and a testament
animation at its finest and a testament
animation at its finest and a testament to the power of old school and made
to the power of old school and made
to the power of old school and made creature features as huge as one my
creature features as huge as one my
creature features as huge as one my tongue has triumphed number four the
tongue has triumphed number four the
tongue has triumphed number four the kaiju Pacific Rim although the term
kaiju Pacific Rim although the term
kaiju Pacific Rim although the term kaiju a Japanese word meaning strange
kaiju a Japanese word meaning strange
kaiju a Japanese word meaning strange beasts can also be applied to the
beasts can also be applied to the
beasts can also be applied to the legions of giant rubber suit monster
legions of giant rubber suit monster
legions of giant rubber suit monster movies that thrilled audiences in the
movies that thrilled audiences in the
movies that thrilled audiences in the past 2013’s Pacific Rim brought a whole
past 2013’s Pacific Rim brought a whole
past 2013’s Pacific Rim brought a whole new meaning to the word thanks to
new meaning to the word thanks to
new meaning to the word thanks to director Guillermo del Toro hi
in the film humans operating giant
in the film humans operating giant mecca’s are fighting a war against
mecca’s are fighting a war against
mecca’s are fighting a war against interdimensional creatures known as you
interdimensional creatures known as you
interdimensional creatures known as you guessed it kaiju
guessed it kaiju
guessed it kaiju although the creature designs may have
although the creature designs may have
although the creature designs may have lacked the attention to personality
lacked the attention to personality
lacked the attention to personality present in their practical effect
present in their practical effect
present in their practical effect forebears the detailed CGI and massive
forebears the detailed CGI and massive
forebears the detailed CGI and massive size of the kaiju updated the idea of
size of the kaiju updated the idea of
size of the kaiju updated the idea of strange city destroying monsters for a
strange city destroying monsters for a
strange city destroying monsters for a whole new generation of moviegoers
number three clover clover field or no
number three clover clover field or no [Music]
sometimes it’s what we don’t see that
sometimes it’s what we don’t see that frightens us the most this was
frightens us the most this was
frightens us the most this was definitely the case with the Matt Reeves
definitely the case with the Matt Reeves
definitely the case with the Matt Reeves directed and JJ Abrams produced 2008
directed and JJ Abrams produced 2008
directed and JJ Abrams produced 2008 found footage movie which made the most
found footage movie which made the most
found footage movie which made the most out of its creatures impressive size and
out of its creatures impressive size and
out of its creatures impressive size and destructive capabilities audiences only
destructive capabilities audiences only
destructive capabilities audiences only caught glimpses of clover at various
caught glimpses of clover at various
caught glimpses of clover at various intervals throughout the film with the
intervals throughout the film with the
intervals throughout the film with the Beast impact primarily being felt when
Beast impact primarily being felt when
Beast impact primarily being felt when Lady Liberty’s head comes careening down
Lady Liberty’s head comes careening down
Lady Liberty’s head comes careening down on a city street it isn’t until the
on a city street it isn’t until the
on a city street it isn’t until the horror flicks final act where we fully
horror flicks final act where we fully
horror flicks final act where we fully see what’s being assaulting New York
see what’s being assaulting New York
see what’s being assaulting New York City this whole time and it isn’t pretty
City this whole time and it isn’t pretty
City this whole time and it isn’t pretty Matt Reeves crafting some legitimate
Matt Reeves crafting some legitimate
Matt Reeves crafting some legitimate suspense in this loving throwback to
suspense in this loving throwback to
suspense in this loving throwback to giant monster movies and it’s obvious
giant monster movies and it’s obvious
giant monster movies and it’s obvious that clover is near and dear to the
that clover is near and dear to the
that clover is near and dear to the directors heart
King Kong
King Kong we love this fake Harriet it seems as if
we love this fake Harriet it seems as if
we love this fake Harriet it seems as if audiences just can’t get enough Kong
audiences just can’t get enough Kong
audiences just can’t get enough Kong whether it’s 1933 original starring Fay
whether it’s 1933 original starring Fay
whether it’s 1933 original starring Fay Wray the underrated remake from 1976 or
Wray the underrated remake from 1976 or
Wray the underrated remake from 1976 or director Peter Jackson’s 2005 version it
director Peter Jackson’s 2005 version it
director Peter Jackson’s 2005 version it should be said that it’s the amazing
should be said that it’s the amazing
should be said that it’s the amazing special effects work from Willis O’Brien
special effects work from Willis O’Brien
special effects work from Willis O’Brien which gives the og Kong such an
which gives the og Kong such an
which gives the og Kong such an everlasting appeal from his shocking
everlasting appeal from his shocking
everlasting appeal from his shocking first appearance on Skull Island to his
first appearance on Skull Island to his
first appearance on Skull Island to his final tragic climb up the Empire State
final tragic climb up the Empire State
final tragic climb up the Empire State Building
meanwhile the 76 Kong’s featured effects
meanwhile the 76 Kong’s featured effects from ET designer Carlo Rambaldi while
from ET designer Carlo Rambaldi while
from ET designer Carlo Rambaldi while Andy Serkis further revolutionized
Andy Serkis further revolutionized
Andy Serkis further revolutionized motion capture technology in his
motion capture technology in his
motion capture technology in his portrayal of the Beast in 2005 this lord
portrayal of the Beast in 2005 this lord
portrayal of the Beast in 2005 this lord of the jungle may often be imitated but
of the jungle may often be imitated but
of the jungle may often be imitated but he’ll never be duplicated
before we name our number one giant
before we name our number one giant movie monster here are a few big-time
movie monster here are a few big-time
movie monster here are a few big-time honorable mention
honorable mention
honorable mention [Music]
number one Godzilla Godzilla is there
number one Godzilla Godzilla is there any giant monster with as much
any giant monster with as much
any giant monster with as much personality and multicultural appeal as
personality and multicultural appeal as
personality and multicultural appeal as the king of monsters
the king of monsters
the king of monsters Godzilla it isn’t every day that a
Godzilla it isn’t every day that a
Godzilla it isn’t every day that a character can enjoy so many iteration
character can enjoy so many iteration
character can enjoy so many iteration from nuclear analogy to world hero back
from nuclear analogy to world hero back
from nuclear analogy to world hero back to natural disaster while continuing to
to natural disaster while continuing to
to natural disaster while continuing to capture the world’s imagination Godzilla
capture the world’s imagination Godzilla
capture the world’s imagination Godzilla has being portrayed by actors and suits
has being portrayed by actors and suits
has being portrayed by actors and suits by convincing CGI and some not so
by convincing CGI and some not so
by convincing CGI and some not so convincing CGI over the years yet his
convincing CGI over the years yet his
convincing CGI over the years yet his appeal has never waned and this atomic
appeal has never waned and this atomic
appeal has never waned and this atomic breathing tail swinging monster bashing
breathing tail swinging monster bashing
breathing tail swinging monster bashing icon continues to rule court over the
icon continues to rule court over the
icon continues to rule court over the giant monster world to this day long may
giant monster world to this day long may
giant monster world to this day long may she reign
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