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Top 10 SERIOUSLY Underrated Instrumental Film Scores


these musical soundtracks may be

these musical soundtracks may be underappreciated and underestimated but

underappreciated and underestimated but

underappreciated and underestimated but that doesn’t mean they aren’t any good

welcome to watchmojo.com and today we’re

welcome to watchmojo.com and today we’re counting down our picks for the top ten

counting down our picks for the top ten

counting down our picks for the top ten underrated instrumental film scores

underrated instrumental film scores

underrated instrumental film scores before we begin we publish new videos

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every day so be sure to subscribe for more great content for this list we’re

more great content for this list we’re

more great content for this list we’re taking a look at the musical scores of

taking a look at the musical scores of

taking a look at the musical scores of particular films that are usually

particular films that are usually

particular films that are usually undervalued or aren’t given the respect

undervalued or aren’t given the respect

undervalued or aren’t given the respect they deserve this could be because the

they deserve this could be because the

they deserve this could be because the movie didn’t do as well as expected or

movie didn’t do as well as expected or

movie didn’t do as well as expected or the music just didn’t receive enough

the music just didn’t receive enough

the music just didn’t receive enough recognition

also while these scores may contain one

also while these scores may contain one or two songs with vocals the majority of

or two songs with vocals the majority of

or two songs with vocals the majority of the work must be instrumental to qualify

number 10 Atlantis the lost Empire is

number 10 Atlantis the lost Empire is offering the legend of Atlantis probably

offering the legend of Atlantis probably

offering the legend of Atlantis probably one of the few overlooked Disney movies

one of the few overlooked Disney movies

one of the few overlooked Disney movies today

today

today what makes Atlantis unforgettable is not

what makes Atlantis unforgettable is not

what makes Atlantis unforgettable is not only its animation story and voice

only its animation story and voice

only its animation story and voice casting but also its music this is

casting but also its music this is

casting but also its music this is exactly what I wanted to hear composed

exactly what I wanted to hear composed

exactly what I wanted to hear composed by James Newton Howard and his trademark

by James Newton Howard and his trademark

by James Newton Howard and his trademark style the score takes the audience on a

style the score takes the audience on a

style the score takes the audience on a journey to the unknown with bold sounds

journey to the unknown with bold sounds

journey to the unknown with bold sounds and different musical themes creative

and different musical themes creative

and different musical themes creative spine-chilling beautiful and adventurous

spine-chilling beautiful and adventurous

spine-chilling beautiful and adventurous we recommend the score to any jnh then

we recommend the score to any jnh then

we recommend the score to any jnh then listen to the secret swim and the

listen to the secret swim and the

listen to the secret swim and the crystal chamber if you don’t believe

[Music]

[Music] number nine Thor

one of the best superhero films of 2011

one of the best superhero films of 2011 also features frequent Kenneth Branagh

also features frequent Kenneth Branagh

also features frequent Kenneth Branagh collaborator Patrick Doyle and his

collaborator Patrick Doyle and his

collaborator Patrick Doyle and his majestic and thrilling musical score

known for his oscar-nominated work on

known for his oscar-nominated work on Sense and Sensibility and Hamlet his

Sense and Sensibility and Hamlet his

Sense and Sensibility and Hamlet his Rockies and a space of Dahak Doyle

Rockies and a space of Dahak Doyle

Rockies and a space of Dahak Doyle brings both energy and emotion to source

brings both energy and emotion to source

brings both energy and emotion to source story acting and visuals

although it’s said that both Doyle and

although it’s said that both Doyle and Branagh had trouble finding the musical

Branagh had trouble finding the musical

Branagh had trouble finding the musical direction for the score

direction for the score

direction for the score we can only say that we see no evidence

we can only say that we see no evidence

we can only say that we see no evidence of this as the result is amazing

of this as the result is amazing

of this as the result is amazing beginning with the very superhero asked

beginning with the very superhero asked

beginning with the very superhero asked chasing the storm this is one score not

chasing the storm this is one score not

chasing the storm this is one score not to be missed

number eight the mask of Zoro

number eight the mask of Zoro [Music]

[Music]

[Music] now we get to experience some

now we get to experience some

now we get to experience some swashbuckling action in musical form

swashbuckling action in musical form

swashbuckling action in musical form inspired by my clothes roses film score

inspired by my clothes roses film score

inspired by my clothes roses film score from El Cid composer James Horner put

from El Cid composer James Horner put

from El Cid composer James Horner put his own take on Latin music in this

his own take on Latin music in this

his own take on Latin music in this adventure flick now some say it’s

adventure flick now some say it’s

adventure flick now some say it’s similar to Horner’s previous work you

similar to Horner’s previous work you

similar to Horner’s previous work you can’t help but feel like you’re actually

can’t help but feel like you’re actually

can’t help but feel like you’re actually riding on a horse while listening to

riding on a horse while listening to

riding on a horse while listening to tracks like the ride

tracks like the ride

tracks like the ride [Music]

with a blend of exciting and touching

with a blend of exciting and touching music this is an enjoyable and sweeping

music this is an enjoyable and sweeping

music this is an enjoyable and sweeping score that all JH fans can enjoy did you

score that all JH fans can enjoy did you

score that all JH fans can enjoy did you miss me

number seven The Last Samurai for six

number seven The Last Samurai for six months worth I am to receive three years

months worth I am to receive three years

months worth I am to receive three years captain’s pay you’re probably familiar

captain’s pay you’re probably familiar

captain’s pay you’re probably familiar with many of Hans Zimmer’s brilliant

with many of Hans Zimmer’s brilliant

with many of Hans Zimmer’s brilliant film scores like the oscar-winning The

film scores like the oscar-winning The

film scores like the oscar-winning The Lion King but what you probably didn’t

Lion King but what you probably didn’t

Lion King but what you probably didn’t know is that he is also the man behind

know is that he is also the man behind

know is that he is also the man behind the music of this epic war film on his

the music of this epic war film on his

the music of this epic war film on his 100th film score Zimmer fuses

100th film score Zimmer fuses

100th film score Zimmer fuses traditional Japanese instrumentation

traditional Japanese instrumentation

traditional Japanese instrumentation with his usual musical flair to

with his usual musical flair to

with his usual musical flair to perfectly match the tone of the film the

perfectly match the tone of the film the

perfectly match the tone of the film the way of the sword and a small measure of

way of the sword and a small measure of

way of the sword and a small measure of peace don’t only make up the conclusion

peace don’t only make up the conclusion

peace don’t only make up the conclusion of the film but they’re also some of

of the film but they’re also some of

of the film but they’re also some of Zimmer’s finest work tell me how she

Zimmer’s finest work tell me how she

Zimmer’s finest work tell me how she died

[Music]

[Music] I’ll tell you how are you number six

I’ll tell you how are you number six

I’ll tell you how are you number six unbreakable you’ll officially be the

unbreakable you’ll officially be the

unbreakable you’ll officially be the only survivor in this train wreck and

only survivor in this train wreck and

only survivor in this train wreck and two she didn’t break one bone

two she didn’t break one bone

two she didn’t break one bone here’s another musical score from the

here’s another musical score from the

here’s another musical score from the chameleon-like James Newton Howard

chameleon-like James Newton Howard

chameleon-like James Newton Howard bringing some misterioso or mystery to

bringing some misterioso or mystery to

bringing some misterioso or mystery to the film Newton Howard creates a

the film Newton Howard creates a

the film Newton Howard creates a suspenseful musical atmosphere to M

suspenseful musical atmosphere to M

suspenseful musical atmosphere to M night Shyamalan neo-noir superhero drama

night Shyamalan neo-noir superhero drama

night Shyamalan neo-noir superhero drama only one year after he scored the

only one year after he scored the

only one year after he scored the directors The Sixth Sense

directors The Sixth Sense

directors The Sixth Sense beginning with vision

unbreakable score is one musical trip

unbreakable score is one musical trip worth listening to while many people

worth listening to while many people

worth listening to while many people consider the film to be one of sha

consider the film to be one of sha

consider the film to be one of sha Milan’s best movies

Milan’s best movies

Milan’s best movies it’s Newton Howard enchanting and

it’s Newton Howard enchanting and

it’s Newton Howard enchanting and haunting music that will stay with you

haunting music that will stay with you

haunting music that will stay with you long after you watch it

long after you watch it

long after you watch it [Music]

number five taxi driver famous for being

number five taxi driver famous for being a man behind the music and psycho shower

a man behind the music and psycho shower

a man behind the music and psycho shower scene Bernard Herrmann’s last score

scene Bernard Herrmann’s last score

scene Bernard Herrmann’s last score before his 1975 death was for this

before his 1975 death was for this

before his 1975 death was for this psychological thriller considered one of

psychological thriller considered one of

psychological thriller considered one of the greatest films of all time taxi

the greatest films of all time taxi

the greatest films of all time taxi driver sees Herman bringing in

driver sees Herman bringing in

driver sees Herman bringing in instruments such as the saxophone harp

instruments such as the saxophone harp

instruments such as the saxophone harp and drums to set the sleazy setting and

and drums to set the sleazy setting and

and drums to set the sleazy setting and tone in motion

tone in motion

tone in motion [Music]

[Music]

[Music] making use of unsettling instrumentation

making use of unsettling instrumentation

making use of unsettling instrumentation as in his previous work both the movie

as in his previous work both the movie

as in his previous work both the movie setting and its characters are given a

setting and its characters are given a

setting and its characters are given a musical personality through his score

musical personality through his score

musical personality through his score garnering proof that Herman and his

garnering proof that Herman and his

garnering proof that Herman and his music will remain in pop culture for

music will remain in pop culture for

music will remain in pop culture for generations to come

generations to come

generations to come [Music]

number four look

number four look [Music]

[Music]

[Music] with this entry we get to the men who’s

with this entry we get to the men who’s

with this entry we get to the men who’s arguably the king of iconic film

arguably the king of iconic film

arguably the king of iconic film composers

known for his jaws and star wars film

known for his jaws and star wars film scores

scores

scores [Music]

[Music]

[Music] usual Steven Spielberg collaborator John

usual Steven Spielberg collaborator John

usual Steven Spielberg collaborator John Williams composed the music for this

Williams composed the music for this

Williams composed the music for this adventure fantasy flick about a little

adventure fantasy flick about a little

adventure fantasy flick about a little boy who didn’t want to grow up starting

boy who didn’t want to grow up starting

boy who didn’t want to grow up starting things off with a prologue that

things off with a prologue that

things off with a prologue that effectively brings us into the magic of

effectively brings us into the magic of

effectively brings us into the magic of the film

the film

the film [Music]

the score with a typical Williams touch

the score with a typical Williams touch is what truly elevates the entire

is what truly elevates the entire

is what truly elevates the entire cinematic experience for the audience

cinematic experience for the audience

cinematic experience for the audience remembering childhood is a track that’s

remembering childhood is a track that’s

remembering childhood is a track that’s especially worth listening to

especially worth listening to

especially worth listening to [Music]

as at highlights Williams gentle melody

as at highlights Williams gentle melody use of instrumentation and theme of

use of instrumentation and theme of

use of instrumentation and theme of innocence

innocence

innocence [Music]

[Music]

[Music] number three oblivion

number three oblivion

number three oblivion we a human cost for us being human is

we a human cost for us being human is

we a human cost for us being human is problem

problem

problem director joseph kosinski felt the band

director joseph kosinski felt the band

director joseph kosinski felt the band m83 would be perfect to score oblivion

m83 would be perfect to score oblivion

m83 would be perfect to score oblivion as he believed they would bring

as he believed they would bring

as he believed they would bring originality and emotion to the film and

originality and emotion to the film and

originality and emotion to the film and boy was he right waking up

boy was he right waking up

boy was he right waking up [Music]

and Earth 2077 are two tracks from the

and Earth 2077 are two tracks from the score that are must listen as they bring

score that are must listen as they bring

score that are must listen as they bring much excitement and intensity to this

much excitement and intensity to this

much excitement and intensity to this post-apocalyptic sci-fi movie

post-apocalyptic sci-fi movie

post-apocalyptic sci-fi movie [Music]

[Music]

[Music] emotional and experimental m83 score

emotional and experimental m83 score

emotional and experimental m83 score with the help of Joseph Trapani’s is a

with the help of Joseph Trapani’s is a

with the help of Joseph Trapani’s is a brilliantly dramatic work that really

brilliantly dramatic work that really

brilliantly dramatic work that really lets the audience go on a sci-fi

lets the audience go on a sci-fi

lets the audience go on a sci-fi adventure with Tom Cruise

you

you [Music]

[Music]

[Music] here we are with another score from the

here we are with another score from the

here we are with another score from the ever-popular Hans Zimmer with powerful

ever-popular Hans Zimmer with powerful

ever-popular Hans Zimmer with powerful choral voices to start off an animated

choral voices to start off an animated

choral voices to start off an animated journey adapted from the book of Exodus

the score for the Prince of Egypt allows

the score for the Prince of Egypt allows the audience to listen to Zimmer’s

the audience to listen to Zimmer’s

the audience to listen to Zimmer’s orchestral pieces which includes songs

orchestral pieces which includes songs

orchestral pieces which includes songs that we’d even go as far as saying are

that we’d even go as far as saying are

that we’d even go as far as saying are biblically stunning maybe maybe so the

biblically stunning maybe maybe so the

biblically stunning maybe maybe so the film was praised for its animation and

film was praised for its animation and

film was praised for its animation and voice work and for it’s masterful Hans

voice work and for it’s masterful Hans

voice work and for it’s masterful Hans Zimmer music something any HD fan will

Zimmer music something any HD fan will

Zimmer music something any HD fan will undoubtedly fall in love with

undoubtedly fall in love with

undoubtedly fall in love with [Music]

[Music]

[Music] before our top pick hits all the high

before our top pick hits all the high

before our top pick hits all the high notes here are some honorable mentions

notes here are some honorable mentions

notes here are some honorable mentions [Music]

I was just thinking we can take care of

I was just thinking we can take care of it right here bring her

put that back in your pocket please

put that back in your pocket please number 1 Conan the Barbarian

number 1 Conan the Barbarian

number 1 Conan the Barbarian [Music]

before he brought the gentle Free Willy

before he brought the gentle Free Willy main theme to the world

laughs Apollodorus works on the music

laughs Apollodorus works on the music for this Arnold Schwarzenegger classic

for this Arnold Schwarzenegger classic

for this Arnold Schwarzenegger classic when the score begins

when the score begins

when the score begins you instantly know you’re in for a while

you instantly know you’re in for a while

you instantly know you’re in for a while to fantasy adventure director John

to fantasy adventure director John

to fantasy adventure director John Milius and Paula Doris discuss ideas on

Milius and Paula Doris discuss ideas on

Milius and Paula Doris discuss ideas on how to create the tones for specific

how to create the tones for specific

how to create the tones for specific scenes and since was the latter’s first

scenes and since was the latter’s first

scenes and since was the latter’s first large-scale orchestral score

powerful and with an epic touch to suit

powerful and with an epic touch to suit an epic movie this is one of the most

an epic movie this is one of the most

an epic movie this is one of the most underrated musical scores of all time

underrated musical scores of all time

underrated musical scores of all time and one that music enthusiasts aren’t

and one that music enthusiasts aren’t

and one that music enthusiasts aren’t likely to forget a few to those

likely to forget a few to those

likely to forget a few to those businesses then the hell did you do you

businesses then the hell did you do you

businesses then the hell did you do you agree with our picks check out these

agree with our picks check out these

agree with our picks check out these other great clips from WatchMojo and

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