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Endangered Cultural Patterns & Symbols: Important Non-Verbal Communication | Robin Sanders | TEDxVCU


good afternoon good afternoon it’s a

good afternoon good afternoon it’s a pleasure to be here I’m dr. Robin Renee

pleasure to be here I’m dr. Robin Renee

pleasure to be here I’m dr. Robin Renee Sanders and I’m currently the CEO of

Sanders and I’m currently the CEO of

Sanders and I’m currently the CEO of feeds which is an advocacy initiative

feeds which is an advocacy initiative

feeds which is an advocacy initiative looking at global issues around the

looking at global issues around the

looking at global issues around the world particularly development issues

world particularly development issues

world particularly development issues and advocating for them and one of the

and advocating for them and one of the

and advocating for them and one of the things that I did as a diplomat US

things that I did as a diplomat US

things that I did as a diplomat US diplomat for 20 years so I tend to focus

diplomat for 20 years so I tend to focus

diplomat for 20 years so I tend to focus on political and economic issues which

on political and economic issues which

on political and economic issues which was part of my job but what I realized

was part of my job but what I realized

was part of my job but what I realized and want to share with you today was

and want to share with you today was

and want to share with you today was that I wasn’t paying as much attention

that I wasn’t paying as much attention

that I wasn’t paying as much attention as I should have been to cultural

as I should have been to cultural

as I should have been to cultural practices the rituals the songs what

practices the rituals the songs what

practices the rituals the songs what they meant and what I want to share with

they meant and what I want to share with

they meant and what I want to share with you today is that we have this challenge

you today is that we have this challenge

you today is that we have this challenge in our global community there’s about

in our global community there’s about

in our global community there’s about 6,000 plus 6,000 plus languages words

6,000 plus 6,000 plus languages words

6,000 plus 6,000 plus languages words associated with cultural practices and

associated with cultural practices and

associated with cultural practices and the artistic motifs and patterns

the artistic motifs and patterns

the artistic motifs and patterns themselves that are endangered today

themselves that are endangered today

themselves that are endangered today think about that number 6,000 I know

think about that number 6,000 I know

think about that number 6,000 I know that when I say the word extinction many

that when I say the word extinction many

that when I say the word extinction many of you might have the same emotive

of you might have the same emotive

of you might have the same emotive reaction to the word extinction that I

reaction to the word extinction that I

reaction to the word extinction that I do you know that civilizations are

do you know that civilizations are

do you know that civilizations are bygone there are lots of civilizations

bygone there are lots of civilizations

bygone there are lots of civilizations that we’ve either seen or read about

that we’ve either seen or read about

that we’ve either seen or read about that no longer exist today

that no longer exist today

that no longer exist today and the message and the takeaway today

and the message and the takeaway today

and the message and the takeaway today is we had that same challenge with

is we had that same challenge with

is we had that same challenge with endangered cultural practices and their

endangered cultural practices and their

endangered cultural practices and their artistic motifs and the languages and

artistic motifs and the languages and

artistic motifs and the languages and the songs that go along with them and

the songs that go along with them and

the songs that go along with them and when you think about that if I were to

when you think about that if I were to

when you think about that if I were to tell you that in December 2016

tell you that in December 2016

tell you that in December 2016 the mighty giraffe that I had an

the mighty giraffe that I had an

the mighty giraffe that I had an opportunity to see in Kenya in southern

opportunity to see in Kenya in southern

opportunity to see in Kenya in southern Africa was put on the endangered species

Africa was put on the endangered species

Africa was put on the endangered species list but we don’t have a same kind of

list but we don’t have a same kind of

list but we don’t have a same kind of list globally for endangered practices

list globally for endangered practices

list globally for endangered practices their songs their rituals and even the

their songs their rituals and even the

their songs their rituals and even the words associated with them so what

words associated with them so what

words associated with them so what happens when these things disappear it

happens when these things disappear it

happens when these things disappear it means that they are gone forever that we

means that they are gone forever that we

means that they are gone forever that we lose something as human common

lose something as human common

lose something as human common and as a global community what I learned

and as a global community what I learned

and as a global community what I learned when I was doing my research on this at

when I was doing my research on this at

when I was doing my research on this at Robert Morris University in Pittsburgh

Robert Morris University in Pittsburgh

Robert Morris University in Pittsburgh was it there there’s this transcendental

was it there there’s this transcendental

was it there there’s this transcendental moment that takes place

moment that takes place

moment that takes place nobody says let’s not teach this anymore

nobody says let’s not teach this anymore

nobody says let’s not teach this anymore nobody says these words are not useful

nobody says these words are not useful

nobody says these words are not useful to our community anymore it just sort of

to our community anymore it just sort of

to our community anymore it just sort of happens and that period of time is

happens and that period of time is

happens and that period of time is called moribund and i know that we all

called moribund and i know that we all

called moribund and i know that we all know what the word moribund means but in

know what the word moribund means but in

know what the word moribund means but in this particular case for cultural

this particular case for cultural

this particular case for cultural practices and their artistic motifs the

practices and their artistic motifs the

practices and their artistic motifs the word moribund means it’s no longer being

word moribund means it’s no longer being

word moribund means it’s no longer being taught to the next generation so

taught to the next generation so

taught to the next generation so whatever that vanguard generation is

whatever that vanguard generation is

whatever that vanguard generation is rather they’re in their 50s their 60s or

rather they’re in their 50s their 60s or

rather they’re in their 50s their 60s or 70s or even in their 80s the practice

70s or even in their 80s the practice

70s or even in their 80s the practice the words the rituals and the songs are

the words the rituals and the songs are

the words the rituals and the songs are no longer being taught to that next

no longer being taught to that next

no longer being taught to that next generation which means that when that

generation which means that when that

generation which means that when that vanguard generation moves on to walk

vanguard generation moves on to walk

vanguard generation moves on to walk with the ancestors those words those

with the ancestors those words those

with the ancestors those words those rituals those artistic cultural

rituals those artistic cultural

rituals those artistic cultural practices disappear so the example that

practices disappear so the example that

practices disappear so the example that i want to talk to you about in depth my

i want to talk to you about in depth my

i want to talk to you about in depth my own personal experience with it it’s

own personal experience with it it’s

own personal experience with it it’s called uh lee and it was traditionally

called uh lee and it was traditionally

called uh lee and it was traditionally done by the e bowl of southeastern

done by the e bowl of southeastern

done by the e bowl of southeastern Nigeria what was traditionally their

Nigeria what was traditionally their

Nigeria what was traditionally their home land area but in general worldwide

home land area but in general worldwide

home land area but in general worldwide you have really two types of communities

you have really two types of communities

you have really two types of communities that tend to be in this situation you

that tend to be in this situation you

that tend to be in this situation you have hunter and gathering communities

have hunter and gathering communities

have hunter and gathering communities yes they are a few of them still left in

yes they are a few of them still left in

yes they are a few of them still left in the world

the world

the world I’ve had the honor and I considered an

I’ve had the honor and I considered an

I’ve had the honor and I considered an honor to have been in pygmy villages in

honor to have been in pygmy villages in

honor to have been in pygmy villages in central Africa and the Republic of Congo

central Africa and the Republic of Congo

central Africa and the Republic of Congo and Bushmen communities in the Kalahari

and Bushmen communities in the Kalahari

and Bushmen communities in the Kalahari Desert in southern Africa but we also

Desert in southern Africa but we also

Desert in southern Africa but we also have them here in the United States

have them here in the United States

have them here in the United States particularly Native Alaskan communities

particularly Native Alaskan communities

particularly Native Alaskan communities like the in you Pat in North Alaska in

like the in you Pat in North Alaska in

like the in you Pat in North Alaska in the borrow area and then you of course

the borrow area and then you of course

the borrow area and then you of course have them in the Amazon and you have

have them in the Amazon and you have

have them in the Amazon and you have them in Southeast Asia and places like

them in Southeast Asia and places like

them in Southeast Asia and places like Australia as well the only example I’m

Australia as well the only example I’m

Australia as well the only example I’m going to highlight

going to highlight

going to highlight today and you see some of the wonderful

today and you see some of the wonderful

today and you see some of the wonderful creative and artistic motifs that are

creative and artistic motifs that are

creative and artistic motifs that are part of this ritual I think is a good

part of this ritual I think is a good

part of this ritual I think is a good example because it has a number of

example because it has a number of

example because it has a number of elements when you think of cultural

elements when you think of cultural

elements when you think of cultural practices and patterns it includes a lot

practices and patterns it includes a lot

practices and patterns it includes a lot of things the rituals the songs the

of things the rituals the songs the

of things the rituals the songs the dance and the words and Olli has all of

dance and the words and Olli has all of

dance and the words and Olli has all of those things you will meet some of the

those things you will meet some of the

those things you will meet some of the women that I had the honor to hear their

women that I had the honor to hear their

women that I had the honor to hear their life stories about early with I called

life stories about early with I called

life stories about early with I called them legends because they were in a

them legends because they were in a

them legends because they were in a situation where they were trying to

situation where they were trying to

situation where they were trying to protect something extremely important to

protect something extremely important to

protect something extremely important to them that they had learned from their

them that they had learned from their

them that they had learned from their mothers and their grandmothers wooly is

mothers and their grandmothers wooly is

mothers and their grandmothers wooly is a matriarchal practice it is done on the

a matriarchal practice it is done on the

a matriarchal practice it is done on the body it is done on the walls of deity

body it is done on the walls of deity

body it is done on the walls of deity shrines and for me it was a very emotive

shrines and for me it was a very emotive

shrines and for me it was a very emotive experience to hear these women talk

experience to hear these women talk

experience to hear these women talk about how something very important to

about how something very important to

about how something very important to them was being lost and so I called them

them was being lost and so I called them

them was being lost and so I called them legends because they were fighting this

legends because they were fighting this

legends because they were fighting this taboo not only a modernization

taboo not only a modernization

taboo not only a modernization encroaching on their environmental

encroaching on their environmental

encroaching on their environmental habitat because they had spiritual

habitat because they had spiritual

habitat because they had spiritual connections to animals in flora and

connections to animals in flora and

connections to animals in flora and fauna and reputa and reptiles but they

fauna and reputa and reptiles but they

fauna and reputa and reptiles but they also had a to deities things that they

also had a to deities things that they

also had a to deities things that they worshiped that were part of their

worshiped that were part of their

worshiped that were part of their spiritual awakening so these were the

spiritual awakening so these were the

spiritual awakening so these were the challenges they faced and I consider

challenges they faced and I consider

challenges they faced and I consider them legends because they were trying

them legends because they were trying

them legends because they were trying their very best to hold on to something

their very best to hold on to something

their very best to hold on to something that was historically important to them

that was historically important to them

that was historically important to them so when I talk to you about early today

so when I talk to you about early today

so when I talk to you about early today it is several things

it is several things

it is several things it is the overall cultural practice of

it is the overall cultural practice of

it is the overall cultural practice of course it is the plant the plant itself

course it is the plant the plant itself

course it is the plant the plant itself is called early from which the ink is

is called early from which the ink is

is called early from which the ink is made from which the motifs then are made

made from which the motifs then are made

made from which the motifs then are made that are then celebrated in the rituals

that are then celebrated in the rituals

that are then celebrated in the rituals and the song and the dance and these are

and the song and the dance and these are

and the song and the dance and these are the things that are disappearing in that

the things that are disappearing in that

the things that are disappearing in that 6000 plus number that I shared with you

6000 plus number that I shared with you

6000 plus number that I shared with you in the beginning so listen to levy

in the beginning so listen to levy

in the beginning so listen to levy Madame levy is in her late 80s she’s

Madame levy is in her late 80s she’s

Madame levy is in her late 80s she’s telling me there about her mother and

telling me there about her mother and

telling me there about her mother and her grandmother

her grandmother

her grandmother the communal activities I was accepted

the communal activities I was accepted

the communal activities I was accepted into the village and that’s something

into the village and that’s something

into the village and that’s something that was really an honor for me to be

that was really an honor for me to be

that was really an honor for me to be accepted into the village you see Madame

accepted into the village you see Madame

accepted into the village you see Madame Martina been practicing you hear the

Martina been practicing you hear the

Martina been practicing you hear the wonderful celebratory music and dancing

wonderful celebratory music and dancing

wonderful celebratory music and dancing that is the start of the activity I

that is the start of the activity I

that is the start of the activity I wanted to feel with the motifs and the

wanted to feel with the motifs and the

wanted to feel with the motifs and the ink felt like on my hand and Madame levy

ink felt like on my hand and Madame levy

ink felt like on my hand and Madame levy is they’re putting the motif on my hand

is they’re putting the motif on my hand

is they’re putting the motif on my hand and then of course at the end there is

and then of course at the end there is

and then of course at the end there is the celebration the dance for an

the celebration the dance for an

the celebration the dance for an activity that is considered a

activity that is considered a

activity that is considered a celebratory activity Huli is never done

celebratory activity Huli is never done

celebratory activity Huli is never done for sad occasions it’s always done for

for sad occasions it’s always done for

for sad occasions it’s always done for joyous occasions like the planting

joyous occasions like the planting

joyous occasions like the planting season like the harvest season like the

season like the harvest season like the

season like the harvest season like the beginning of the new year in the ebo

beginning of the new year in the ebo

beginning of the new year in the ebo traditional calendar there are only

traditional calendar there are only

traditional calendar there are only seven months in a new year and for

seven months in a new year and for

seven months in a new year and for naming ceremonies for a new child born

naming ceremonies for a new child born

naming ceremonies for a new child born into the village so I had an opportunity

into the village so I had an opportunity

into the village so I had an opportunity to go to four villages and meet the

to go to four villages and meet the

to go to four villages and meet the women that I call legends

women that I call legends

women that I call legends you’ve already met Madame Levy and

you’ve already met Madame Levy and

you’ve already met Madame Levy and you’ll meet the others as well getting

you’ll meet the others as well getting

you’ll meet the others as well getting to the villages very difficult

to the villages very difficult

to the villages very difficult environment very difficult to get there

environment very difficult to get there

environment very difficult to get there very difficult environments that these

very difficult environments that these

very difficult environments that these women live in on a daily basis in the

women live in on a daily basis in the

women live in on a daily basis in the first village the motifs were about

first village the motifs were about

first village the motifs were about reptiles they celebrated the reptiles in

reptiles they celebrated the reptiles in

reptiles they celebrated the reptiles in the flora and fauna in their area

the flora and fauna in their area

the flora and fauna in their area because that’s where they believe the

because that’s where they believe the

because that’s where they believe the spirits lived and it was very very

spirits lived and it was very very

spirits lived and it was very very important to them in terms of keeping

important to them in terms of keeping

important to them in terms of keeping these motifs alive remember the songs

these motifs alive remember the songs

these motifs alive remember the songs remember the music remember the history

remember the music remember the history

remember the music remember the history here she’s putting the Kola nut on my

here she’s putting the Kola nut on my

here she’s putting the Kola nut on my hand which is a traditional acceptance

hand which is a traditional acceptance

hand which is a traditional acceptance by an evil village that you are welcomed

by an evil village that you are welcomed

by an evil village that you are welcomed into the village it represents evil

into the village it represents evil

into the village it represents evil unity it represents hospitality and you

unity it represents hospitality and you

unity it represents hospitality and you see her very delicate early motifs and

see her very delicate early motifs and

see her very delicate early motifs and that picture there which I learned how

that picture there which I learned how

that picture there which I learned how to draw I learned how to draw all the

to draw I learned how to draw all the

to draw I learned how to draw all the symbols that you saw today because I

symbols that you saw today because I

symbols that you saw today because I felt that for me to really understand

felt that for me to really understand

felt that for me to really understand not only did I need to feel it I need to

not only did I need to feel it I need to

not only did I need to feel it I need to understand how to to make

understand how to to make

understand how to to make how to draw them and I did that second

how to draw them and I did that second

how to draw them and I did that second village was called Inari and they’re

village was called Inari and they’re

village was called Inari and they’re celebratory motifs were a little bit

celebratory motifs were a little bit

celebratory motifs were a little bit different they were huge they were six

different they were huge they were six

different they were huge they were six feet tall actually and they were around

feet tall actually and they were around

feet tall actually and they were around deity shrines in this particular case

deity shrines in this particular case

deity shrines in this particular case you see the motifs behind me their deity

you see the motifs behind me their deity

you see the motifs behind me their deity was a Python and the Python was to

was a Python and the Python was to

was a Python and the Python was to celebrate the beginning of the new year

celebrate the beginning of the new year

celebrate the beginning of the new year the harvest seizing the planting season

the harvest seizing the planting season

the harvest seizing the planting season all the joyous occasions of a village

all the joyous occasions of a village

all the joyous occasions of a village the last two women you’re going to meet

the last two women you’re going to meet

the last two women you’re going to meet Madame Martina and Madame ISA foe for me

Madame Martina and Madame ISA foe for me

Madame Martina and Madame ISA foe for me they had the most difficult challenge

they had the most difficult challenge

they had the most difficult challenge because in their case they didn’t have

because in their case they didn’t have

because in their case they didn’t have two three four other women with them in

two three four other women with them in

two three four other women with them in the community who was still Pratt who

the community who was still Pratt who

the community who was still Pratt who was still practicing they were by

was still practicing they were by

was still practicing they were by themselves I used to call them the solo

themselves I used to call them the solo

themselves I used to call them the solo courage of Olli in their villages and

courage of Olli in their villages and

courage of Olli in their villages and their facing the taboos that I talked to

their facing the taboos that I talked to

their facing the taboos that I talked to you about that this is a pagan activity

you about that this is a pagan activity

you about that this is a pagan activity so we don’t want to move it forward we

so we don’t want to move it forward we

so we don’t want to move it forward we want don’t want to share that with the

want don’t want to share that with the

want don’t want to share that with the next generation and you see she had very

next generation and you see she had very

next generation and you see she had very delicate very delicate motifs that

delicate very delicate motifs that

delicate very delicate motifs that represented the historical economic

represented the historical economic

represented the historical economic practice of her village which is palm

practice of her village which is palm

practice of her village which is palm wine you see the calabash there it is

wine you see the calabash there it is

wine you see the calabash there it is the dual razors for circumcision during

the dual razors for circumcision during

the dual razors for circumcision during a naming ceremony in a village and the

a naming ceremony in a village and the

a naming ceremony in a village and the last woman that I met and had an

last woman that I met and had an

last woman that I met and had an opportunity to hear her story is Madame

opportunity to hear her story is Madame

opportunity to hear her story is Madame Iza foe and what touched me about Madame

Iza foe and what touched me about Madame

Iza foe and what touched me about Madame Iza foe and also Madame Martina is they

Iza foe and also Madame Martina is they

Iza foe and also Madame Martina is they were facing these taboos by themselves

were facing these taboos by themselves

were facing these taboos by themselves Madame Martina told me the story that

Madame Martina told me the story that

Madame Martina told me the story that her daughter wouldn’t even come near the

her daughter wouldn’t even come near the

her daughter wouldn’t even come near the kitchen would that she was refurbishing

kitchen would that she was refurbishing

kitchen would that she was refurbishing every year with the old motif she was by

every year with the old motif she was by

every year with the old motif she was by herself and I actually had an

herself and I actually had an

herself and I actually had an opportunity to witness that because as

opportunity to witness that because as

opportunity to witness that because as she was telling me this story there were

she was telling me this story there were

she was telling me this story there were two women on their way to to do fishing

two women on their way to to do fishing

two women on their way to to do fishing and when they saw her practicing and

and when they saw her practicing and

and when they saw her practicing and putting Olli on her home they they both

putting Olli on her home they they both

putting Olli on her home they they both stopped in their tracks like they were

stopped in their tracks like they were

stopped in their tracks like they were going to be tainted by this this

going to be tainted by this this

going to be tainted by this this horrible activity

horrible activity

horrible activity and they made this wise why a wide swath

and they made this wise why a wide swath

and they made this wise why a wide swath around her so they wouldn’t be tainted

around her so they wouldn’t be tainted

around her so they wouldn’t be tainted by it Madame Iza foe had the same

by it Madame Iza foe had the same

by it Madame Iza foe had the same challenge being by herself in her

challenge being by herself in her

challenge being by herself in her village in fact her family tore down her

village in fact her family tore down her

village in fact her family tore down her traditional clay home and they put up

traditional clay home and they put up

traditional clay home and they put up the cement structure that you see there

the cement structure that you see there

the cement structure that you see there behind her and they thought if we do

behind her and they thought if we do

behind her and they thought if we do this

this

this she will not practice anymore because

she will not practice anymore because

she will not practice anymore because she can’t put these motifs on a cement

she can’t put these motifs on a cement

she can’t put these motifs on a cement structure and I remember her chuckling

structure and I remember her chuckling

structure and I remember her chuckling to me when she was telling me this story

to me when she was telling me this story

to me when she was telling me this story scene I fooled them all I still was able

scene I fooled them all I still was able

scene I fooled them all I still was able to put early on my home and you see the

to put early on my home and you see the

to put early on my home and you see the signs and symbols there on her home and

signs and symbols there on her home and

signs and symbols there on her home and she asked me to take an official pose an

she asked me to take an official pose an

she asked me to take an official pose an official picture of her which is what’s

official picture of her which is what’s

official picture of her which is what’s there because I want to be remembered

there because I want to be remembered

there because I want to be remembered for this early when I passed on and she

for this early when I passed on and she

for this early when I passed on and she passed on to walk with the ancestors in

passed on to walk with the ancestors in

passed on to walk with the ancestors in 2014 and I sent this picture and that

2014 and I sent this picture and that

2014 and I sent this picture and that quote back to her village so that it

quote back to her village so that it

quote back to her village so that it would appear in her obituary because I

would appear in her obituary because I

would appear in her obituary because I promised her that I would always

promised her that I would always

promised her that I would always advocate for disappearing and endangered

advocate for disappearing and endangered

advocate for disappearing and endangered signs and symbols her patterns look more

signs and symbols her patterns look more

signs and symbols her patterns look more like this like it was a complete textile

like this like it was a complete textile

like this like it was a complete textile and this is made from cassava paste

and this is made from cassava paste

and this is made from cassava paste which is like a yam in the u.s. context

which is like a yam in the u.s. context

which is like a yam in the u.s. context and from the natural plant indigo both

and from the natural plant indigo both

and from the natural plant indigo both things in particular grow in the

things in particular grow in the

things in particular grow in the southeastern part of Nigeria but indigo

southeastern part of Nigeria but indigo

southeastern part of Nigeria but indigo with another endangered plant just like

with another endangered plant just like

with another endangered plant just like Olie isn’t a danger plant so it made me

Olie isn’t a danger plant so it made me

Olie isn’t a danger plant so it made me think how far could I find any reference

think how far could I find any reference

think how far could I find any reference to Ely and I was able to go back to 1745

to Ely and I was able to go back to 1745

to Ely and I was able to go back to 1745 and I found a journal written by as luck

and I found a journal written by as luck

and I found a journal written by as luck would have it a Nigerian who had been

would have it a Nigerian who had been

would have it a Nigerian who had been taken from his village in 1745 he was

taken from his village in 1745 he was

taken from his village in 1745 he was thinks he’s about nine years old at that

thinks he’s about nine years old at that

thinks he’s about nine years old at that time he was taken to the Caribbean in

time he was taken to the Caribbean in

time he was taken to the Caribbean in the slave trade and then on to Britain

the slave trade and then on to Britain

the slave trade and then on to Britain where his master then taught him how to

where his master then taught him how to

where his master then taught him how to read and write so he started writing

read and write so he started writing

read and write so he started writing this journal to try to remember his

this journal to try to remember his

this journal to try to remember his history and in the first chapter he

history and in the first chapter he

history and in the first chapter he references Ely and how important it was

references Ely and how important it was

references Ely and how important it was to his mother to the community to the

to his mother to the community to the

to his mother to the community to the all of that and it was very very

all of that and it was very very

all of that and it was very very important for me to understand that that

important for me to understand that that

important for me to understand that that how deep it was embedded in the

how deep it was embedded in the

how deep it was embedded in the community and some of the research shows

community and some of the research shows

community and some of the research shows that it goes back way into the 1600s and

that it goes back way into the 1600s and

that it goes back way into the 1600s and earlier you know every time in life

earlier you know every time in life

earlier you know every time in life every now and then we have a concentric

every now and then we have a concentric

every now and then we have a concentric circle moment and when I went to the new

circle moment and when I went to the new

circle moment and when I went to the new Smithsonian music Museum of African

Smithsonian music Museum of African

Smithsonian music Museum of African history and art when you go through the

history and art when you go through the

history and art when you go through the first chamber there it’s about the slave

first chamber there it’s about the slave

first chamber there it’s about the slave trade and the first name on the wall was

trade and the first name on the wall was

trade and the first name on the wall was the same young man that I had read the

the same young man that I had read the

the same young man that I had read the Journal of 1745

Journal of 1745

Journal of 1745 hola dao aquino and that was a very

hola dao aquino and that was a very

hola dao aquino and that was a very emotive concentric circle moment for me

emotive concentric circle moment for me

emotive concentric circle moment for me so this goes back to show you just how

so this goes back to show you just how

so this goes back to show you just how important these things are and i think

important these things are and i think

important these things are and i think that you know when you think about all

that you know when you think about all

that you know when you think about all of the cultural practices and patterns

of the cultural practices and patterns

of the cultural practices and patterns that are in jeopardy today that 6,000

that are in jeopardy today that 6,000

that are in jeopardy today that 6,000 number i hope that we as a community

number i hope that we as a community

number i hope that we as a community take that as seriously as we take the

take that as seriously as we take the

take that as seriously as we take the extinction and the endangerment of

extinction and the endangerment of

extinction and the endangerment of animal life and wildlife and i would

animal life and wildlife and i would

animal life and wildlife and i would like to see us do the same kind of thing

like to see us do the same kind of thing

like to see us do the same kind of thing to have an endangered list of languages

to have an endangered list of languages

to have an endangered list of languages practices and their patterns thank you

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