How High Frame Rates in film affect our viewing experience | Maren Kießling | TEDxUniHalle

I love films and especially yes I’m a

I love films and especially yes I’m a film lover I’m a filmmaker I’m a firm

film lover I’m a filmmaker I’m a firm

film lover I’m a filmmaker I’m a firm dose in but my heart topic is about high

dose in but my heart topic is about high

dose in but my heart topic is about high frame rate and spatial films and spatial

frame rate and spatial films and spatial

frame rate and spatial films and spatial films means for example 3d stereoscopic

films means for example 3d stereoscopic

films means for example 3d stereoscopic 3d films or full-dome films in German

3d films or full-dome films in German

3d films or full-dome films in German kokino and 360 degree virtual reality

kokino and 360 degree virtual reality

kokino and 360 degree virtual reality films this means special films but what

films this means special films but what

films this means special films but what means high frame rate or what means

means high frame rate or what means

means high frame rate or what means frame rate and frame rate means our

frame rate and frame rate means our

frame rate and frame rate means our human brain and eyes only need a small

human brain and eyes only need a small

human brain and eyes only need a small number of pictures to see them like

number of pictures to see them like

number of pictures to see them like moving phone so since nearly hundred

moving phone so since nearly hundred

moving phone so since nearly hundred years we produce and shown films in the

years we produce and shown films in the

years we produce and shown films in the cinema and 24 frames per second but the

cinema and 24 frames per second but the

cinema and 24 frames per second but the digital revolution of the cinema we are

digital revolution of the cinema we are

digital revolution of the cinema we are now able and to produce and show films

now able and to produce and show films

now able and to produce and show films in high frame rate easily for example

in high frame rate easily for example

in high frame rate easily for example The Hobbit was produced and shown in 48

The Hobbit was produced and shown in 48

The Hobbit was produced and shown in 48 frames per second avatar 2 is produced

frames per second avatar 2 is produced

frames per second avatar 2 is produced also in higher framerate and Billy

also in higher framerate and Billy

also in higher framerate and Billy Lynn’s long half time work was produced

Lynn’s long half time work was produced

Lynn’s long half time work was produced and shown in 4k 3d and hundred 20 frames

and shown in 4k 3d and hundred 20 frames

and shown in 4k 3d and hundred 20 frames per second so are we at least able to

per second so are we at least able to

per second so are we at least able to recognize such a high frame rate and I

recognize such a high frame rate and I

recognize such a high frame rate and I bring you an example on the left you can

bring you an example on the left you can

bring you an example on the left you can see 24 frames per second and on the

see 24 frames per second and on the

see 24 frames per second and on the right you can see 60 frames per second

right you can see 60 frames per second

right you can see 60 frames per second and now if you look at the ground at the

and now if you look at the ground at the

and now if you look at the ground at the structure or if you look at the trees

structure or if you look at the trees

structure or if you look at the trees and perhaps when the motorcycling

and perhaps when the motorcycling

and perhaps when the motorcycling motorcyclist is in the air

motorcyclist is in the air

motorcyclist is in the air I’m sure you can see the difference the

I’m sure you can see the difference the

I’m sure you can see the difference the 60 frames per second of course is less

60 frames per second of course is less

60 frames per second of course is less shattering has less blur is a little bit

shattering has less blur is a little bit

shattering has less blur is a little bit smoother or sharper and since last year

smoother or sharper and since last year

smoother or sharper and since last year of April I’ve done three studies about

of April I’ve done three studies about

of April I’ve done three studies about high frame rate and films high frame

high frame rate and films high frame

high frame rate and films high frame rate in canvas cinema and high frame

rate in canvas cinema and high frame

rate in canvas cinema and high frame rate and full-dome films and also I want

rate and full-dome films and also I want

rate and full-dome films and also I want to do more studies in this area of

to do more studies in this area of

to do more studies in this area of course but let’s take a look at the

course but let’s take a look at the

course but let’s take a look at the results and most people I ask the

results and most people I ask the

results and most people I ask the question what frame rate to you or would

question what frame rate to you or would

question what frame rate to you or would you prefer and at the study 15 96 frames

you prefer and at the study 15 96 frames

you prefer and at the study 15 96 frames per second the people did prefer the

per second the people did prefer the

per second the people did prefer the higher frame rate also at the other two

higher frame rate also at the other two

higher frame rate also at the other two studies with 60 frames per second most

studies with 60 frames per second most

studies with 60 frames per second most people prefer the higher frame rate so

people prefer the higher frame rate so

people prefer the higher frame rate so there’s a tendency that people prefer a

there’s a tendency that people prefer a

there’s a tendency that people prefer a high frame rate about 60 and above and I

high frame rate about 60 and above and I

high frame rate about 60 and above and I also asked them after they have seen the

also asked them after they have seen the

also asked them after they have seen the film’s how they feel about the

film’s how they feel about the

film’s how they feel about the respective frame rate and as you can see

respective frame rate and as you can see

respective frame rate and as you can see the most people felt very pleasant with

the most people felt very pleasant with

the most people felt very pleasant with the higher frame rate I hope you also

the higher frame rate I hope you also

the higher frame rate I hope you also have the example and

have the example and

have the example and there’s also always a question for

there’s also always a question for

there’s also always a question for filmmakers at the point of immersion

filmmakers at the point of immersion

filmmakers at the point of immersion immersion is the one the question about

immersion is the one the question about

immersion is the one the question about how much you felt in the film so I asked

how much you felt in the film so I asked

how much you felt in the film so I asked the people how much they felt immersed

the people how much they felt immersed

the people how much they felt immersed in the film and most people felt more

in the film and most people felt more

in the film and most people felt more totally immersed at the high frame rate

also I asked them in study 2 and study 3

also I asked them in study 2 and study 3 if they have something a kind of

if they have something a kind of

if they have something a kind of perception if they could see more and

perception if they could see more and

perception if they could see more and it’s obviously that people could see

it’s obviously that people could see

it’s obviously that people could see more River high frame rate and this

more River high frame rate and this

more River high frame rate and this matches with an eye-tracking study from

matches with an eye-tracking study from

matches with an eye-tracking study from Miriam lurcher from the to Ric

Miriam lurcher from the to Ric

Miriam lurcher from the to Ric University which said that if you have a

University which said that if you have a

University which said that if you have a higher frame rate you have more

higher frame rate you have more

higher frame rate you have more fixations with the eye at the pictures

fixations with the eye at the pictures

fixations with the eye at the pictures also there are other studies like the

also there are other studies like the

also there are other studies like the EEG study from Japan it’s about high

EEG study from Japan it’s about high

EEG study from Japan it’s about high frame rate at television and they’ve

frame rate at television and they’ve

frame rate at television and they’ve done the study with yes 480 frames per

done the study with yes 480 frames per

done the study with yes 480 frames per second and as you can see the EEG curve

second and as you can see the EEG curve

second and as you can see the EEG curve gets nearly our natural version the

gets nearly our natural version the

gets nearly our natural version the higher the frame rate are also there is

higher the frame rate are also there is

higher the frame rate are also there is a study from Katie Nolan from BBC about

a study from Katie Nolan from BBC about

a study from Katie Nolan from BBC about Ultra HD television and please look at

Ultra HD television and please look at

Ultra HD television and please look at the head don’t look at the boss at first

the head don’t look at the boss at first

the head don’t look at the boss at first only look at the head and it’s said that

only look at the head and it’s said that

only look at the head and it’s said that if at non direct motion objects we need

if at non direct motion objects we need

if at non direct motion objects we need 140 frames per second and now look at

140 frames per second and now look at

140 frames per second and now look at the balls attract motion objects we need

the balls attract motion objects we need

the balls attract motion objects we need 700 frames per second to have no blur at

700 frames per second to have no blur at

700 frames per second to have no blur at all it’s a mathematical study ok so

all it’s a mathematical study ok so

all it’s a mathematical study ok so in conclusion this means it’s only a

in conclusion this means it’s only a

in conclusion this means it’s only a little getting used to a high frame rate

little getting used to a high frame rate

little getting used to a high frame rate it’s absolutely brilliant in focus

it’s absolutely brilliant in focus

it’s absolutely brilliant in focus detail and visual quality it gives a

detail and visual quality it gives a

detail and visual quality it gives a stronger impression of reality and

stronger impression of reality and

stronger impression of reality and emergent it gives you a sharper and

emergent it gives you a sharper and

emergent it gives you a sharper and smoother and less shattering impression

smoother and less shattering impression

smoother and less shattering impression and this is direct related to your 3d

and this is direct related to your 3d

and this is direct related to your 3d objects for example like in stereoscopic

objects for example like in stereoscopic

objects for example like in stereoscopic 3d films you get the better contour of

3d films you get the better contour of

3d films you get the better contour of the objects and so you get to get a

the objects and so you get to get a

the objects and so you get to get a better quality of the object so at least

better quality of the object so at least

better quality of the object so at least yes high frame rate can boost your film

yes high frame rate can boost your film

yes high frame rate can boost your film if we minimize the teasing troubles for

if we minimize the teasing troubles for

if we minimize the teasing troubles for example don’t light it like an soap

example don’t light it like an soap

example don’t light it like an soap opera or use a plainly visible mask

opera or use a plainly visible mask

opera or use a plainly visible mask don’t overstrain your movement and don’t

don’t overstrain your movement and don’t

don’t overstrain your movement and don’t use makeup if you want to film 120

use makeup if you want to film 120

use makeup if you want to film 120 frames per second for example angley’s

frames per second for example angley’s

frames per second for example angley’s actors for the film Billy Lynn’s long

actors for the film Billy Lynn’s long

actors for the film Billy Lynn’s long halftime work had to do a diet three

halftime work had to do a diet three

halftime work had to do a diet three weeks before they shoot the film so they

weeks before they shoot the film so they

weeks before they shoot the film so they had a better skin a smoother skin for

had a better skin a smoother skin for

had a better skin a smoother skin for the shooting of the film because they

the shooting of the film because they

the shooting of the film because they couldn’t use makeup you had seen them so

couldn’t use makeup you had seen them so

couldn’t use makeup you had seen them so of course please also use high frame

of course please also use high frame

of course please also use high frame rate with your dramatic II and it’s not

rate with your dramatic II and it’s not

rate with your dramatic II and it’s not about acceptance of the audience at

about acceptance of the audience at

about acceptance of the audience at least it will be the financial and

least it will be the financial and

least it will be the financial and technical aspect that will drive to

technical aspect that will drive to

technical aspect that will drive to challenge thank

challenge thank

challenge thank [Applause]