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IMAX: A film maker’s life-changing view | Toni TROW Myers | TEDxBranksomeHall


hello everybody and thank you Branksome

hello everybody and thank you Branksome for giving me the opportunity to speak

for giving me the opportunity to speak

for giving me the opportunity to speak today I’m very flattered to be asked and

today I’m very flattered to be asked and

today I’m very flattered to be asked and included in such August company first of

included in such August company first of

included in such August company first of all happy Earth Day and let’s have big

all happy Earth Day and let’s have big

all happy Earth Day and let’s have big shout out to all those people around the

shout out to all those people around the

shout out to all those people around the world who are marching for science today

world who are marching for science today

world who are marching for science today my story yes my sort story is sort of a

my story yes my sort story is sort of a

my story yes my sort story is sort of a scientific a little bit but anyway it

scientific a little bit but anyway it

scientific a little bit but anyway it started here within it’s the story of

started here within it’s the story of

started here within it’s the story of how an advancing technology and evolving

how an advancing technology and evolving

how an advancing technology and evolving technology impacted my life and pitched

technology impacted my life and pitched

technology impacted my life and pitched me into fields of study that I never

me into fields of study that I never

me into fields of study that I never thought I would encounter and it all

thought I would encounter and it all

thought I would encounter and it all started back in the Stone Age here at

started back in the Stone Age here at

started back in the Stone Age here at Branksome Hall where I received an

Branksome Hall where I received an

Branksome Hall where I received an extremely good education but I had no

extremely good education but I had no

extremely good education but I had no idea when I finished what I wanted to do

idea when I finished what I wanted to do

idea when I finished what I wanted to do in life and I went on to the Ontario

in life and I went on to the Ontario

in life and I went on to the Ontario College of Art because I was interested

College of Art because I was interested

College of Art because I was interested in design and painting but it became

in design and painting but it became

in design and painting but it became rapidly clear that I was not destined to

rapidly clear that I was not destined to

rapidly clear that I was not destined to be a full-time painter but a friend told

be a full-time painter but a friend told

be a full-time painter but a friend told me about an extremely intriguing job

me about an extremely intriguing job

me about an extremely intriguing job offer which was to go work for a film

offer which was to go work for a film

offer which was to go work for a film editor I had no idea what that even

editor I had no idea what that even

editor I had no idea what that even meant but it sounded like fun so I went

meant but it sounded like fun so I went

meant but it sounded like fun so I went along to investigate and dog Ginsberg my

along to investigate and dog Ginsberg my

along to investigate and dog Ginsberg my future boss had a studio in an attic

future boss had a studio in an attic

future boss had a studio in an attic very small attic there and it was there

very small attic there and it was there

very small attic there and it was there from his assistants that I learned all

from his assistants that I learned all

from his assistants that I learned all the tricks of the film editing trait on

the tricks of the film editing trait on

the tricks of the film editing trait on the this machine called a movie Ola it

the this machine called a movie Ola it

the this machine called a movie Ola it was the age of 16 millimeter and 35

was the age of 16 millimeter and 35

was the age of 16 millimeter and 35 millimeter film men and I learned how to

millimeter film men and I learned how to

millimeter film men and I learned how to make a splice and it was the age of

make a splice and it was the age of

make a splice and it was the age of scissors and glue as you can see from

scissors and glue as you can see from

scissors and glue as you can see from the beehive hairstyle there so act by

the beehive hairstyle there so act by

the beehive hairstyle there so act by accident really I learned all the skills

accident really I learned all the skills

accident really I learned all the skills I needed to edit a film and fortunately

I needed to edit a film and fortunately

I needed to edit a film and fortunately went on to work at the CBC and on

went on to work at the CBC and on

went on to work at the CBC and on several

several

several a film series one problem I was in love

a film series one problem I was in love

a film series one problem I was in love and my boyfriend was a musician and he

and my boyfriend was a musician and he

and my boyfriend was a musician and he was not in Toronto he was in New York so

was not in Toronto he was in New York so

was not in Toronto he was in New York so I was spending a lot of time in New York

I was spending a lot of time in New York

I was spending a lot of time in New York and I happened to meet there a person

and I happened to meet there a person

and I happened to meet there a person who would change my life entirely he he

who would change my life entirely he he

who would change my life entirely he he was a filmmaker and went on to be the

was a filmmaker and went on to be the

was a filmmaker and went on to be the co-inventor of IMAX

co-inventor of IMAX

co-inventor of IMAX his name was Graham Ferguson and he was

his name was Graham Ferguson and he was

his name was Graham Ferguson and he was also a cinematographer and a producer

also a cinematographer and a producer

also a cinematographer and a producer and he was just beginning a project for

and he was just beginning a project for

and he was just beginning a project for Expo 67 in Montreal and it was about

Expo 67 in Montreal and it was about

Expo 67 in Montreal and it was about life in the Arctic in the Antarctic and

life in the Arctic in the Antarctic and

life in the Arctic in the Antarctic and he said how about would you like to work

he said how about would you like to work

he said how about would you like to work on it

on it

on it I couldn’t believe my luck and said well

I couldn’t believe my luck and said well

I couldn’t believe my luck and said well of course absolutely not realizing that

of course absolutely not realizing that

of course absolutely not realizing that this would be I would say the second

this would be I would say the second

this would be I would say the second phase of the technology into my life the

phase of the technology into my life the

phase of the technology into my life the film the film editing being the first

film the film editing being the first

film the film editing being the first that in at Expo at Expo all the rage was

that in at Expo at Expo all the rage was

that in at Expo at Expo all the rage was multi image technology and our film was

multi image technology and our film was

multi image technology and our film was the mother of all multi image films 11

the mother of all multi image films 11

the mother of all multi image films 11 35 millimeter screens arrayed in a

35 millimeter screens arrayed in a

35 millimeter screens arrayed in a circle to tell the story all of which

circle to tell the story all of which

circle to tell the story all of which had to run perfectly in sync with one

had to run perfectly in sync with one

had to run perfectly in sync with one another the audience to keep them moving

another the audience to keep them moving

another the audience to keep them moving through sat inside looking out of the

through sat inside looking out of the

through sat inside looking out of the screens you can see the projectors

screens you can see the projectors

screens you can see the projectors behind them there

behind them there

behind them there the problem was they were on a moving

the problem was they were on a moving

the problem was they were on a moving floor to keep everything rolling and as

floor to keep everything rolling and as

floor to keep everything rolling and as the Edit slave it was my job to keep all

the Edit slave it was my job to keep all

the Edit slave it was my job to keep all of those film projectors in sync so if

of those film projectors in sync so if

of those film projectors in sync so if you were editing the film and you

you were editing the film and you

you were editing the film and you shortened one screen that rippled all

shortened one screen that rippled all

shortened one screen that rippled all the way through all 11 so that got

the way through all 11 so that got

the way through all 11 so that got Graham and his his partners to thinking

Graham and his his partners to thinking

Graham and his his partners to thinking we need to get rid of all these

we need to get rid of all these

we need to get rid of all these projectors let’s invent a film format

projectors let’s invent a film format

projectors let’s invent a film format large enough to take all these multiple

large enough to take all these multiple

large enough to take all these multiple images then we won’t have all we won’t

images then we won’t have all we won’t

images then we won’t have all we won’t kill Tony anymore and they started doing

kill Tony anymore and they started doing

kill Tony anymore and they started doing that I was just about dead so I’ve took

that I was just about dead so I’ve took

that I was just about dead so I’ve took a long vacation and went

a long vacation and went

a long vacation and went Londyn well it was the swinging late 60s

Londyn well it was the swinging late 60s

Londyn well it was the swinging late 60s I was a hopeless tourist just hopeless

I was a hopeless tourist just hopeless

I was a hopeless tourist just hopeless so I wound up working for Canadian

so I wound up working for Canadian

so I wound up working for Canadian filmmaker named Alan King you may have

filmmaker named Alan King you may have

filmmaker named Alan King you may have heard of him doing documentaries and

heard of him doing documentaries and

heard of him doing documentaries and also pioneering the first rock videos

also pioneering the first rock videos

also pioneering the first rock videos and you may recognise to the people I

and you may recognise to the people I

and you may recognise to the people I did quite a bit of work for at that time

did quite a bit of work for at that time

did quite a bit of work for at that time and you can see that the movie Ola then

and you can see that the movie Ola then

and you can see that the movie Ola then in 1968 was still in use and so was the

in 1968 was still in use and so was the

in 1968 was still in use and so was the beehive hairdo

beehive hairdo

beehive hairdo meanwhile back in Toronto I went to

meanwhile back in Toronto I went to

meanwhile back in Toronto I went to visit my parents and saw what Graham and

visit my parents and saw what Graham and

visit my parents and saw what Graham and his partners had been up to and it was

his partners had been up to and it was

his partners had been up to and it was as big as a truck and more noisy than a

as big as a truck and more noisy than a

as big as a truck and more noisy than a locomotive and this was imax projector

locomotive and this was imax projector

locomotive and this was imax projector number one which ran 70 millimeter film

number one which ran 70 millimeter film

number one which ran 70 millimeter film projected on a bedsheet so I I thought

projected on a bedsheet so I I thought

projected on a bedsheet so I I thought they were totally crazy I didn’t get it

they were totally crazy I didn’t get it

they were totally crazy I didn’t get it at all but the rest is history

at all but the rest is history

at all but the rest is history and imax was born the first film that I

and imax was born the first film that I

and imax was born the first film that I that that well here’s a little bit about

that that well here’s a little bit about

that that well here’s a little bit about the the actual format you can see that

the the actual format you can see that

the the actual format you can see that the two pieces of film on the right

the two pieces of film on the right

the two pieces of film on the right there the IMAX format but you can see

there the IMAX format but you can see

there the IMAX format but you can see how the 35 and even 16 imagery could fit

how the 35 and even 16 imagery could fit

how the 35 and even 16 imagery could fit many times inside that but needless to

many times inside that but needless to

many times inside that but needless to say when people saw the beautiful big

say when people saw the beautiful big

say when people saw the beautiful big lovely frame multi-image was never

lovely frame multi-image was never

lovely frame multi-image was never mentioned again Graham was asked to make

mentioned again Graham was asked to make

mentioned again Graham was asked to make the first film for the first permanent

the first film for the first permanent

the first film for the first permanent on Mac Theatre which was at Ontario

on Mac Theatre which was at Ontario

on Mac Theatre which was at Ontario Place down on the waterfront here and

Place down on the waterfront here and

Place down on the waterfront here and here he is shooting with the first

here he is shooting with the first

here he is shooting with the first camera the famous forest fire scene from

camera the famous forest fire scene from

camera the famous forest fire scene from that film we realized that with the big

that film we realized that with the big

that film we realized that with the big frame it’s a 60 by 80 foot screen and

frame it’s a 60 by 80 foot screen and

frame it’s a 60 by 80 foot screen and immersed its audience very very deeply

immersed its audience very very deeply

immersed its audience very very deeply inside the picture and we realized that

inside the picture and we realized that

inside the picture and we realized that it could take you places you couldn’t

it could take you places you couldn’t

it could take you places you couldn’t normally go that was its attraction for

normally go that was its attraction for

normally go that was its attraction for audiences and space was one of them so

audiences and space was one of them so

audiences and space was one of them so we tried to persuade NASA that they

we tried to persuade NASA that they

we tried to persuade NASA that they should take off one of our cameras to

should take off one of our cameras to

should take off one of our cameras to space and we made a proof-of-concept

space and we made a proof-of-concept

space and we made a proof-of-concept film and they said okay

film and they said okay

film and they said okay so we started to build a space camera

so we started to build a space camera

so we started to build a space camera and this is the first space camera not

and this is the first space camera not

and this is the first space camera not that much different from the ground

that much different from the ground

that much different from the ground cameras it weighs about 80 pounds

cameras it weighs about 80 pounds

cameras it weighs about 80 pounds nothing in zero gravity of course and we

nothing in zero gravity of course and we

nothing in zero gravity of course and we said about all that you have to do to

said about all that you have to do to

said about all that you have to do to fly a camera in space first thing you

fly a camera in space first thing you

fly a camera in space first thing you have to do is test your equipment and

have to do is test your equipment and

have to do is test your equipment and you do this on a diabolical aircraft

you do this on a diabolical aircraft

you do this on a diabolical aircraft called the vomit comet and the vomit

called the vomit comet and the vomit

called the vomit comet and the vomit comet flies has its own airspace and it

comet flies has its own airspace and it

comet flies has its own airspace and it flies a series of parabolic arcs for

flies a series of parabolic arcs for

flies a series of parabolic arcs for hours and at the top of each arc you get

hours and at the top of each arc you get

hours and at the top of each arc you get thirty Seconds to a minute of

thirty Seconds to a minute of

thirty Seconds to a minute of weightlessness and that’s when you do

weightlessness and that’s when you do

weightlessness and that’s when you do your testing of your equipment if you’re

your testing of your equipment if you’re

your testing of your equipment if you’re not being really really sick but

not being really really sick but

not being really really sick but fortunately Graham and the team here

fortunately Graham and the team here

fortunately Graham and the team here they they have brass guts as they say in

they they have brass guts as they say in

they they have brass guts as they say in the airforce and they didn’t get sick

the airforce and they didn’t get sick

the airforce and they didn’t get sick then you have to train your crews

then you have to train your crews

then you have to train your crews because we we would really like to have

because we we would really like to have

because we we would really like to have gone ourselves to space but couldn’t so

gone ourselves to space but couldn’t so

gone ourselves to space but couldn’t so you have to train your astronaut crews

you have to train your astronaut crews

you have to train your astronaut crews how to be directors cinematographers

how to be directors cinematographers

how to be directors cinematographers sound recordists actors and that’s

sound recordists actors and that’s

sound recordists actors and that’s astronaut Marsha Ivins looking through

astronaut Marsha Ivins looking through

astronaut Marsha Ivins looking through the camera she flew five times and

the camera she flew five times and

the camera she flew five times and eventually came to work for me on my

eventually came to work for me on my

eventually came to work for me on my last film which was released last year

last film which was released last year

last film which was released last year she was a great great after she would

she was a great great after she would

she was a great great after she would retired she was a great asset to the

retired she was a great asset to the

retired she was a great asset to the team finally we get to space and you see

team finally we get to space and you see

team finally we get to space and you see now that a 25 pound magazine doesn’t

now that a 25 pound magazine doesn’t

now that a 25 pound magazine doesn’t weigh anything in space and we were

weigh anything in space and we were

weigh anything in space and we were assigned three flights in the mid-80s to

assigned three flights in the mid-80s to

assigned three flights in the mid-80s to make a film called the dream is alive

make a film called the dream is alive

make a film called the dream is alive which was really took audiences to zero

which was really took audiences to zero

which was really took audiences to zero gravity for the first time ever and that

gravity for the first time ever and that

gravity for the first time ever and that was the point at which new fields of

was the point at which new fields of

was the point at which new fields of study kind of entered my life because to

study kind of entered my life because to

study kind of entered my life because to support all those flights at NASA you’ve

support all those flights at NASA you’ve

support all those flights at NASA you’ve got to learn all about orbital mechanics

got to learn all about orbital mechanics

got to learn all about orbital mechanics how to capture a satellite with the

how to capture a satellite with the

how to capture a satellite with the Canada arm how a spacewalk is done etc

Canada arm how a spacewalk is done etc

Canada arm how a spacewalk is done etc you can’t you can’t support the flight

you can’t you can’t support the flight

you can’t you can’t support the flight and be part of that infrastructure

and be part of that infrastructure

and be part of that infrastructure without

without

without so I found myself learning all sorts of

so I found myself learning all sorts of

so I found myself learning all sorts of new stuff and that is the the camera

new stuff and that is the the camera

new stuff and that is the the camera about to go into the window to take a

about to go into the window to take a

about to go into the window to take a picture of Earth and when we saw what

picture of Earth and when we saw what

picture of Earth and when we saw what the earth looked like from orbit I mean

the earth looked like from orbit I mean

the earth looked like from orbit I mean I said stupid things like it’s really

I said stupid things like it’s really

I said stupid things like it’s really round I can’t tell you how how amazing

round I can’t tell you how how amazing

round I can’t tell you how how amazing it was we decided right then that our

it was we decided right then that our

it was we decided right then that our second film would be about the earth as

second film would be about the earth as

second film would be about the earth as you see it from that platform we made

you see it from that platform we made

you see it from that platform we made another camera that went outside in the

another camera that went outside in the

another camera that went outside in the shuttles cargo bay and it it shot

shuttles cargo bay and it it shot

shuttles cargo bay and it it shot spacewalks and beautiful refuses you can

spacewalks and beautiful refuses you can

spacewalks and beautiful refuses you can see there and blue planet was our second

see there and blue planet was our second

see there and blue planet was our second film it was a all about earth and enter

film it was a all about earth and enter

film it was a all about earth and enter again other fields of study because I

again other fields of study because I

again other fields of study because I was a scriptwriter on all these films

was a scriptwriter on all these films

was a scriptwriter on all these films for this one I had to learn all about

for this one I had to learn all about

for this one I had to learn all about Earth System science geology

Earth System science geology

Earth System science geology oceanography all of the natural factors

oceanography all of the natural factors

oceanography all of the natural factors that affect our changing earth as well

that affect our changing earth as well

that affect our changing earth as well as what humans were doing to it and back

as what humans were doing to it and back

as what humans were doing to it and back in 1990 we we were discussing climate

in 1990 we we were discussing climate

in 1990 we we were discussing climate change back then and the next film we

change back then and the next film we

change back then and the next film we made looked exactly the other way and

made looked exactly the other way and

made looked exactly the other way and that was about what it takes to explore

that was about what it takes to explore

that was about what it takes to explore our surroundings in the solar system and

our surroundings in the solar system and

our surroundings in the solar system and maybe even go to the Stars one day and

maybe even go to the Stars one day and

maybe even go to the Stars one day and that was a big learning curve because

that was a big learning curve because

that was a big learning curve because what I learned there was really the vast

what I learned there was really the vast

what I learned there was really the vast distances that I think today even most

distances that I think today even most

distances that I think today even most people don’t totally grasp that Mars is

people don’t totally grasp that Mars is

people don’t totally grasp that Mars is you know you just don’t go to Mars

you know you just don’t go to Mars

you know you just don’t go to Mars because you want to explore it’s 49

because you want to explore it’s 49

because you want to explore it’s 49 million miles away and that’s the

million miles away and that’s the

million miles away and that’s the closest one so we learn that really if

closest one so we learn that really if

closest one so we learn that really if we’re ever going to go to the Stars that

we’re ever going to go to the Stars that

we’re ever going to go to the Stars that it’s going to be a multi-generational

it’s going to be a multi-generational

it’s going to be a multi-generational endeavor and it is going to take many

endeavor and it is going to take many

endeavor and it is going to take many different nations to do it it’s just too

different nations to do it it’s just too

different nations to do it it’s just too big for one to do alone and at that time

big for one to do alone and at that time

big for one to do alone and at that time NASA was talking to the Russian space

NASA was talking to the Russian space

NASA was talking to the Russian space agency about building a permanent

agency about building a permanent

agency about building a permanent International Space Station

International Space Station

International Space Station the Russians already had me

the Russians already had me

the Russians already had me and they were going to talk about how do

and they were going to talk about how do

and they were going to talk about how do we build can we build a space station

we build can we build a space station

we build can we build a space station together to learn about how to explore

together to learn about how to explore

together to learn about how to explore the solar system among other things and

the solar system among other things and

the solar system among other things and they flew us a series of flights to the

they flew us a series of flights to the

they flew us a series of flights to the space station Mir with American and

space station Mir with American and

space station Mir with American and docked with Mir and so American cruise

docked with Mir and so American cruise

docked with Mir and so American cruise and Russian cruise could work together

and Russian cruise could work together

and Russian cruise could work together and that proved okay they could they

and that proved okay they could they

and that proved okay they could they could work with within different

could work with within different

could work with within different languages and their technologies could

languages and their technologies could

languages and their technologies could meld and they decided to go ahead and

meld and they decided to go ahead and

meld and they decided to go ahead and build a space station meanwhile back at

build a space station meanwhile back at

build a space station meanwhile back at IMAX they’d been busy and invented

IMAX they’d been busy and invented

IMAX they’d been busy and invented technology number four which was IMAX 3d

technology number four which was IMAX 3d

technology number four which was IMAX 3d that was a whole other level of

that was a whole other level of

that was a whole other level of experiencing cinema now the images

experiencing cinema now the images

experiencing cinema now the images floated off the screen and we decided we

floated off the screen and we decided we

floated off the screen and we decided we would go ahead and make try and make

would go ahead and make try and make

would go ahead and make try and make Space Station in IMAX 3d and Space

Space Station in IMAX 3d and Space

Space Station in IMAX 3d and Space Station was the single most I think

Station was the single most I think

Station was the single most I think demanding and untried engineering feat

demanding and untried engineering feat

demanding and untried engineering feat that humans have ever done other than

that humans have ever done other than

that humans have ever done other than maybe building a cathedral in the in

maybe building a cathedral in the in

maybe building a cathedral in the in ages past because it was done by over

ages past because it was done by over

ages past because it was done by over over many many years there were now 16

over many many years there were now 16

over many many years there were now 16 different countries contributing to it

different countries contributing to it

different countries contributing to it and many languages and many many many

and many languages and many many many

and many languages and many many many astronauts and would these would these

astronauts and would these would these

astronauts and would these would these pieces all go together because it was

pieces all go together because it was

pieces all go together because it was all built in orbit and this is a shot

all built in orbit and this is a shot

all built in orbit and this is a shot from the early stages of the space

from the early stages of the space

from the early stages of the space station going together about three

station going together about three

station going together about three pieces of it are there in that shot and

we worked over this seven flights

we worked over this seven flights oh here’s the narrator of the film we

oh here’s the narrator of the film we

oh here’s the narrator of the film we live to tell the tale

live to tell the tale

live to tell the tale Tom Cruise was very close to becoming an

Tom Cruise was very close to becoming an

Tom Cruise was very close to becoming an astronaut himself he really wanted to

astronaut himself he really wanted to

astronaut himself he really wanted to fly and he’s a very accomplished pilot

fly and he’s a very accomplished pilot

fly and he’s a very accomplished pilot and sadly the Columbia tried

and sadly the Columbia tried

and sadly the Columbia tried intervened and commercial spaceflight

intervened and commercial spaceflight

intervened and commercial spaceflight possibilities were terminated then but

possibilities were terminated then but

possibilities were terminated then but it was great working with him he was

it was great working with him he was

it was great working with him he was absolutely absolutely terrific

so next you’ll see us at the opening

so next you’ll see us at the opening there and that’s with most of the Space

there and that’s with most of the Space

there and that’s with most of the Space Station crew at the Air and Space Museum

Station crew at the Air and Space Museum

Station crew at the Air and Space Museum at the film’s opening but of particular

at the film’s opening but of particular

at the film’s opening but of particular interest in the back row second from

interest in the back row second from

interest in the back row second from left is a commander Scott Altman and he

left is a commander Scott Altman and he

left is a commander Scott Altman and he turned out to have been Tom Cruise’s

turned out to have been Tom Cruise’s

turned out to have been Tom Cruise’s flight instructor for Top Gun I don’t

flight instructor for Top Gun I don’t

flight instructor for Top Gun I don’t know if any of you saw Top Gun sort of

know if any of you saw Top Gun sort of

know if any of you saw Top Gun sort of what goes around comes around but anyway

what goes around comes around but anyway

what goes around comes around but anyway Scott turned out to be he was going to

Scott turned out to be he was going to

Scott turned out to be he was going to be the commander of the final flight to

be the commander of the final flight to

be the commander of the final flight to repair the Hubble Space Telescope and if

repair the Hubble Space Telescope and if

repair the Hubble Space Telescope and if ever there was a candidate for a

ever there was a candidate for a

ever there was a candidate for a technology that had huge impact on

technology that had huge impact on

technology that had huge impact on humanity it’s the Hubble Space Telescope

humanity it’s the Hubble Space Telescope

humanity it’s the Hubble Space Telescope and we’d been covering its original

and we’d been covering its original

and we’d been covering its original deploy for and repairs before this and

deploy for and repairs before this and

deploy for and repairs before this and we decided to make a film of this final

we decided to make a film of this final

we decided to make a film of this final repair and that involved not only not

repair and that involved not only not

repair and that involved not only not only shooting what the astronauts were

only shooting what the astronauts were

only shooting what the astronauts were doing in these incredible spacewalks

doing in these incredible spacewalks

doing in these incredible spacewalks where they climbed right inside the

where they climbed right inside the

where they climbed right inside the telescope and changed out circuit boards

telescope and changed out circuit boards

telescope and changed out circuit boards that were not designed to to be messed

that were not designed to to be messed

that were not designed to to be messed with like that they just did incredible

with like that they just did incredible

with like that they just did incredible work but I also wanted to try and take

work but I also wanted to try and take

work but I also wanted to try and take everybody in the audience through the

everybody in the audience through the

everybody in the audience through the Hubble imagery so that it so that we

Hubble imagery so that it so that we

Hubble imagery so that it so that we could approximate something like star

could approximate something like star

could approximate something like star travel and I found a team at the

travel and I found a team at the

travel and I found a team at the national supercomputing Center at the

national supercomputing Center at the

national supercomputing Center at the University of Illinois

University of Illinois

University of Illinois Donna Cox and her team and they made

Donna Cox and her team and they made

Donna Cox and her team and they made that possible this is not CGI it’s not

that possible this is not CGI it’s not

that possible this is not CGI it’s not special effects that’s a real Hubble

special effects that’s a real Hubble

special effects that’s a real Hubble imagery of the Orion Nebula and we flew

imagery of the Orion Nebula and we flew

imagery of the Orion Nebula and we flew all the way from Earth to the Orion

all the way from Earth to the Orion

all the way from Earth to the Orion Nebula then we went forward from this

Nebula then we went forward from this

Nebula then we went forward from this view right down to where you see the

view right down to where you see the

view right down to where you see the bright stars in the middle and that’s

bright stars in the middle and that’s

bright stars in the middle and that’s where solar systems are being born it’s

where solar systems are being born it’s

where solar systems are being born it’s absolutely incredible

absolutely incredible

absolutely incredible in another sequence we flew into the

in another sequence we flew into the

in another sequence we flew into the hubble deep field to the very edge of

hubble deep field to the very edge of

hubble deep field to the very edge of the visible universe and back it was a

the visible universe and back it was a

the visible universe and back it was a really astonishing what we could achieve

really astonishing what we could achieve

really astonishing what we could achieve with with the Hubble data at the same

with with the Hubble data at the same

with with the Hubble data at the same time we were exploring a completely

time we were exploring a completely

time we were exploring a completely different world which is the bottom of

different world which is the bottom of

different world which is the bottom of the ocean there you can see the IMAX

the ocean there you can see the IMAX

the ocean there you can see the IMAX camera and it’s housing I seem only to

camera and it’s housing I seem only to

camera and it’s housing I seem only to work in airless environments but you can

work in airless environments but you can

work in airless environments but you can see the camera in its housing and that

see the camera in its housing and that

see the camera in its housing and that is a picture of Howard Hall and his wife

is a picture of Howard Hall and his wife

is a picture of Howard Hall and his wife Michelle there are very very talented

Michelle there are very very talented

Michelle there are very very talented underwater filmmakers themselves it was

underwater filmmakers themselves it was

underwater filmmakers themselves it was a real privilege to work with them that

a real privilege to work with them that

a real privilege to work with them that that whole rig you need lights there’s a

that whole rig you need lights there’s a

that whole rig you need lights there’s a team of eight divers that whole

team of eight divers that whole

team of eight divers that whole assemblage weighs one ton and you can

assemblage weighs one ton and you can

assemblage weighs one ton and you can imagine every well every three minutes

imagine every well every three minutes

imagine every well every three minutes you run out of film so it has to be

you run out of film so it has to be

you run out of film so it has to be winched up onto the dive boat and

winched up onto the dive boat and

winched up onto the dive boat and changed out again and then redeployed

changed out again and then redeployed

changed out again and then redeployed you can imagine working with wild

you can imagine working with wild

you can imagine working with wild animals there’s no kind of setup no

animals there’s no kind of setup no

animals there’s no kind of setup no tanks anything to try and actually shoot

tanks anything to try and actually shoot

tanks anything to try and actually shoot enough good stuff of wild animal

enough good stuff of wild animal

enough good stuff of wild animal behavior to make a film is really quite

behavior to make a film is really quite

behavior to make a film is really quite a feat and they did it beautifully so we

a feat and they did it beautifully so we

a feat and they did it beautifully so we made three different films like that for

made three different films like that for

made three different films like that for those of you who are interested Johnny

those of you who are interested Johnny

those of you who are interested Johnny Depp and be still my heart

Depp and be still my heart

Depp and be still my heart and we had Jim Carrey did this one but

and we had Jim Carrey did this one but

and we had Jim Carrey did this one but you know what they taught me was what an

you know what they taught me was what an

you know what they taught me was what an exquisite fragile diverse world that we

exquisite fragile diverse world that we

exquisite fragile diverse world that we inherited you know whether you’re

inherited you know whether you’re

inherited you know whether you’re looking at it from the platform of space

looking at it from the platform of space

looking at it from the platform of space or whether you’re seeing the bottom of

or whether you’re seeing the bottom of

or whether you’re seeing the bottom of the ocean and it was something that I

the ocean and it was something that I

the ocean and it was something that I just thought it hasn’t we haven’t got

just thought it hasn’t we haven’t got

just thought it hasn’t we haven’t got the news out to enough young people yet

the news out to enough young people yet

the news out to enough young people yet that why it’s worth taking care of it

that why it’s worth taking care of it

that why it’s worth taking care of it and why we need to so desperately so I

and why we need to so desperately so I

and why we need to so desperately so I wanted I decided to go back to the space

wanted I decided to go back to the space

wanted I decided to go back to the space station after all these years it was now

station after all these years it was now

station after all these years it was now complete as a 20-some years after

complete as a 20-some years after

complete as a 20-some years after the planet was made and sort of take

the planet was made and sort of take

the planet was made and sort of take stock and see the state of our planet

stock and see the state of our planet

stock and see the state of our planet and also see the inside of the the newly

and also see the inside of the the newly

and also see the inside of the the newly finished station and that was all fine

finished station and that was all fine

finished station and that was all fine except NASA said you can’t fly film

except NASA said you can’t fly film

except NASA said you can’t fly film anymore

anymore

anymore we have no shuttle the shuttle retired

we have no shuttle the shuttle retired

we have no shuttle the shuttle retired so there was no no room to or vehicle to

so there was no no room to or vehicle to

so there was no no room to or vehicle to really take big seventy millimeter film

really take big seventy millimeter film

really take big seventy millimeter film back and forth in a timely fashion so

back and forth in a timely fashion so

back and forth in a timely fashion so enter technology number five of the film

enter technology number five of the film

enter technology number five of the film variety and that was digital we had to

variety and that was digital we had to

variety and that was digital we had to find that solution and as you can see

find that solution and as you can see

find that solution and as you can see there the cameras a quarter the size of

there the cameras a quarter the size of

there the cameras a quarter the size of the original which is great and also we

the original which is great and also we

the original which is great and also we had you can have pretty much unlimited

had you can have pretty much unlimited

had you can have pretty much unlimited storage capture storage because you just

storage capture storage because you just

storage capture storage because you just flew these little cards as many as you

flew these little cards as many as you

flew these little cards as many as you wanted and and you could erase them and

wanted and and you could erase them and

wanted and and you could erase them and do things over and there we are training

do things over and there we are training

do things over and there we are training our first commander on the Digi camera

our first commander on the Digi camera

our first commander on the Digi camera and we flew two of them on station for a

and we flew two of them on station for a

and we flew two of them on station for a year this was just a couple of years ago

year this was just a couple of years ago

year this was just a couple of years ago and the film came out last year and we

and the film came out last year and we

and the film came out last year and we were able to not only look at the earth

were able to not only look at the earth

were able to not only look at the earth and the state of the earth now but we

and the state of the earth now but we

and the state of the earth now but we were able and one thing I wanted to get

were able and one thing I wanted to get

were able and one thing I wanted to get across to young kids was the fact that

across to young kids was the fact that

across to young kids was the fact that the station is a great metaphor for our

the station is a great metaphor for our

the station is a great metaphor for our planet it’s a closed loop you know close

planet it’s a closed loop you know close

planet it’s a closed loop you know close life-support system and you need to

life-support system and you need to

life-support system and you need to recycle and conserve exactly the way we

recycle and conserve exactly the way we

recycle and conserve exactly the way we need to do on earth very very carefully

need to do on earth very very carefully

need to do on earth very very carefully to keep everything going and you can’t

to keep everything going and you can’t

to keep everything going and you can’t step outside or because there’s no air

step outside or because there’s no air

step outside or because there’s no air the only difference between those the

the only difference between those the

the only difference between those the station and our planet really is the

station and our planet really is the

station and our planet really is the fact that Earth doesn’t get resupply

fact that Earth doesn’t get resupply

fact that Earth doesn’t get resupply missions with food and stuff so that

missions with food and stuff so that

missions with food and stuff so that that really hit home that message I

that really hit home that message I

that really hit home that message I think here’s Commander Terry Virts

think here’s Commander Terry Virts

think here’s Commander Terry Virts shooting in the cupola which is a great

shooting in the cupola which is a great

shooting in the cupola which is a great place where they get to observe the

place where they get to observe the

place where they get to observe the Earth from and in all we we shot

Earth from and in all we we shot

Earth from and in all we we shot something like hundreds of thousands and

something like hundreds of thousands and

something like hundreds of thousands and thousands of frames I can’t even

thousands of frames I can’t even

thousands of frames I can’t even remember

remember

remember the number it was so big and I was very

the number it was so big and I was very

the number it was so big and I was very pleased with the result I know it

pleased with the result I know it

pleased with the result I know it changed the way we do business up there

changed the way we do business up there

changed the way we do business up there in the early days you had to go through

in the early days you had to go through

in the early days you had to go through the flight director you couldn’t talk to

the flight director you couldn’t talk to

the flight director you couldn’t talk to anything on orbit and now Terry would

anything on orbit and now Terry would

anything on orbit and now Terry would just call me from the space station on

just call me from the space station on

just call me from the space station on his cell phone I’d be lying there in my

his cell phone I’d be lying there in my

his cell phone I’d be lying there in my nightie at 6 a.m. hi Terry I’m thinking

nightie at 6 a.m. hi Terry I’m thinking

nightie at 6 a.m. hi Terry I’m thinking about doing a shot we haven’t discussed

about doing a shot we haven’t discussed

about doing a shot we haven’t discussed what do you think and I could say well

what do you think and I could say well

what do you think and I could say well try it and he could I’d get it within a

try it and he could I’d get it within a

try it and he could I’d get it within a day he’d send it down on the kayuu band

day he’d send it down on the kayuu band

day he’d send it down on the kayuu band and then I’d put it in a PowerPoint and

and then I’d put it in a PowerPoint and

and then I’d put it in a PowerPoint and mark it up if I you know needed to

mark it up if I you know needed to

mark it up if I you know needed to change things I give him advice and then

change things I give him advice and then

change things I give him advice and then he’d do it over it was a fantastic way

he’d do it over it was a fantastic way

he’d do it over it was a fantastic way of doing business and he shot they all

of doing business and he shot they all

of doing business and he shot they all shot fabulous pictures like this one

shot fabulous pictures like this one

shot fabulous pictures like this one which we could never capture on slow

which we could never capture on slow

which we could never capture on slow IMAX film that’s the boot of Italy

IMAX film that’s the boot of Italy

IMAX film that’s the boot of Italy looking from the top of it and really to

looking from the top of it and really to

looking from the top of it and really to sum up that’s the story of how

technology took me really from a little

technology took me really from a little attic in downtown Toronto to the edge of

attic in downtown Toronto to the edge of

attic in downtown Toronto to the edge of the universe and back I’d like to thank

the universe and back I’d like to thank

the universe and back I’d like to thank Graham Ferguson and IMAX corporation and

Graham Ferguson and IMAX corporation and

Graham Ferguson and IMAX corporation and so many wonderful team members that I’ve

so many wonderful team members that I’ve

so many wonderful team members that I’ve had along the way because it is a

had along the way because it is a

had along the way because it is a collaborative process making film and I

collaborative process making film and I

collaborative process making film and I just like to leave you right now with a

just like to leave you right now with a

just like to leave you right now with a slide that sort of summarizes our

slide that sort of summarizes our

slide that sort of summarizes our activities in space and the outreach

activities in space and the outreach

activities in space and the outreach thank you so much for the opportunity to

thank you so much for the opportunity to

thank you so much for the opportunity to speak to you

speak to you

speak to you I’ve really enjoyed

I’ve really enjoyed

I’ve really enjoyed [Applause]

”

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