Hello to everyone.
Today, both with practice,
with previously made marbling applications
I will try to tell Ebru.
Maybe you all heard it.
This constantly growing interest of Ebru,
All of you have noticed in recent years.
In fact, you should not be surprised.
Because there is a side that adapts a bit to the current art.
I mean, a little coincidental, self-evolving,
Especially contemporary art languages
With video and performance –
there is a side that is very compatible.
Obviously, in this respect, the old ones call it the “Zuhurat”.
So you can not control everything,
You are only directing some of it with your little will
into the Art of Zuhurat.
The encounter is unexpected in terms of the meaning of the emerging,
Against the general events that have occurred in a moment, somewhat surprising us actually
a term we describe.
Now, with a very simple example,
we are not much involved
but the patterns that are emerging are really amazing
with a little experiment we will notice
I want to leave you alone.
In fact, you’ll see I’m not very involved.
Here, a simple water already installed
from here to paint the dyes
we will look at how we get results.
Yes, a very similar application now
years ago,
So let’s go to another geography that did in the 1960s.
I see a completely different application of the world.
Yeah,
The artist you have seen in this image
In the 1960s,
The same method is used to make water on a random basis.
And, actually, who are they
when I look carefully
but the plank, that is to say against the control
a thought that is also subject to Zuhurat
we see what people do.
These are hippies.
In many parts of the world in the 1960s
they are doing such similar applications,
And in fact they are the coincidence
they have put them in the center of their lives before.
Or, now that we all know more closely
Let’s look at the works of another artist.
In fact, it is almost like the dripping technique of the classic Ebru,
But like Pop-art’s very important representative like Andy Warhol,
Let’s watch these moves made by Jackson Pollock.
Basically based on movement …
Do you think you look like Ebru?
Do I think I do it myself?
Because all of the figure,
And apart from the control,
He’s doing it incidentally.
We are actually in a moment that we already know
This is analogous to an application of classical Ebru.
We can follow Jackson Pollock’s analogy.
Actually, basically the subject there
is fully incorporated into contemporary art
to adapt to the performance arts.
This is the process of watching the video in the language.
Maybe we can say:
The consequence is that the process is precious,
In other words, the journey is precious,
And at any moment, it is
an image of a form.
Now, let’s see if Pollock
which we have defined as Battal in our classical Ebru
Let’s start with an image.
Then we can shape it.
I think the most important aspect of Ebru
it is constantly changing dynamically.
For example, the only such form we have started
now is our chance to take another one now,
We have a chance.
In fact, we are constantly on the road
we are a part of.
Is there anyone who does not use this Emoji phone?
(Laughter)
Yes, now I turn this back on.
This is the dynamic side of Ebru:
We have a form that we have just started
we can turn it into a completely different form.
Now almost now
turned into a national symbol
Let’s go to another form.
I mean, it’s a tulip form.
Yes, we are now talking about dynamic.
Let’s continue another turn.
Yeah.
Now we will hang it on the paper.
In fact, another characteristic of Ebru
really many different surfaces
transferable.
You can do this,
you can get all the different mat materials.
Since there is no air gap
to be sure…
Perhaps the world is so fast
we can say that there is no other art discipline.
It can change very quickly from the motion of the water.
(Alkış) Thank you very much.
(Applause)
Actually maybe
perhaps something unique to this geography
it is the Appearance.
It is indeed this nature, the desire to control life,
Too much in the West.
Something that can be observed too much in social psychology research.
There is too much control.
And in our lives it really is this
voluntarily becoming nature’s own
a process we deliver.
In the dynamics of this art
I felt references to our life,
from the beginning.
This is the part that develops outside us all the time
I was more excited for me.
Because, every moment keeps us sober.
He’s taking the form out of every moment we are.
We do not condemn us at any moment in the same process,
constantly tantalizing us with new references,
there is a reminder.
And during this process,
I want to share a few plans with you now,
And frankly, how far apart are the areas
I will do this to emphasize that.
Because you can not
instead of deepening it,
Just like this soul of Ebru,
constantly evolving according to changing projects
what we have done so far.
For example, in a London fashion week
Like these images we have interpreted Klimt’s work in a suit …
Or a pop music clip in Oslo
again with the rhythms of Ebru
like this project we are working on …
Or how TED-Ed’s baby was born in the lab
Biological documentation on
like this project we are trying to produce …
Or, say, a performing arts
In a water show, like the reflection of Ebru in the water …
Or so many personalities,
Or, like to interpret the videos of the contents of the directory
I continued with portrait work …
After that, what actually
there is really no idea about where to evolve.
I do not have any plans.
I do not even have a project on my own.
It is shaped by people’s constant ideas
I am in the effort of developing it.
Thank you very much for listening to me.
(Applause) Thank you very much.
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