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Top 10 Visually Striking CGI Filled Films


say what you will about CGI but it’s

say what you will about CGI but it’s revolutionized the way movies look sure

revolutionized the way movies look sure

revolutionized the way movies look sure you’re making all of this welcome to

you’re making all of this welcome to

you’re making all of this welcome to watchmojo.com and today we’re counting

watchmojo.com and today we’re counting

watchmojo.com and today we’re counting down our picks for the top 10 visually

down our picks for the top 10 visually

down our picks for the top 10 visually stunning films for this list we’ve

stunning films for this list we’ve

stunning films for this list we’ve looked at films that feature CGI in key

looked at films that feature CGI in key

looked at films that feature CGI in key scenes to create the movies atmosphere

scenes to create the movies atmosphere

scenes to create the movies atmosphere look and feel which means as long as

look and feel which means as long as

look and feel which means as long as they’re beautiful and use

they’re beautiful and use

they’re beautiful and use computer-generated imagery they’re

computer-generated imagery they’re

computer-generated imagery they’re eligible for this list number 10 300

eligible for this list number 10 300

eligible for this list number 10 300 basing their film on a Frank Miller

basing their film on a Frank Miller

basing their film on a Frank Miller comic book series of the same name the

comic book series of the same name the

comic book series of the same name the production team behind this movie set

production team behind this movie set

production team behind this movie set out to make it look as bold and graphic

out to make it look as bold and graphic

out to make it look as bold and graphic as it appears on paper it does look like

as it appears on paper it does look like

as it appears on paper it does look like rain they more than accomplished this

rain they more than accomplished this

rain they more than accomplished this feat and match the comic almost panel by

feat and match the comic almost panel by

feat and match the comic almost panel by panel by filming largely in front of a

panel by filming largely in front of a

panel by filming largely in front of a blue screen and filling in the

blue screen and filling in the

blue screen and filling in the backgrounds later using CGI the clumsy

backgrounds later using CGI the clumsy

backgrounds later using CGI the clumsy beasts

after principal shooting ended 300 was

after principal shooting ended 300 was in post-production for almost a year but

in post-production for almost a year but

in post-production for almost a year but the time and effort definitely paid off

number nine the matrix have you ever had

number nine the matrix have you ever had a dream neo that you were so sure was

a dream neo that you were so sure was

a dream neo that you were so sure was real what if you were able to wake from

real what if you were able to wake from

real what if you were able to wake from them dream what would a future where

them dream what would a future where

them dream what would a future where humans are batteries and reality is

humans are batteries and reality is

humans are batteries and reality is nothing more than a computer simulation

nothing more than a computer simulation

nothing more than a computer simulation look like the Wachowski answered that

look like the Wachowski answered that

look like the Wachowski answered that question in their second feature the

question in their second feature the

question in their second feature the first of this iconic sci-fi franchise

drawing inspiration from anime and

drawing inspiration from anime and martial arts movies they designed a

martial arts movies they designed a

martial arts movies they designed a mind-blowing realm where CGI amplified

mind-blowing realm where CGI amplified

mind-blowing realm where CGI amplified the action making it seem at once real

the action making it seem at once real

the action making it seem at once real and unreal

and while later wachowski films like

and while later wachowski films like Speed Racer and Cloud Atlas also

Speed Racer and Cloud Atlas also

Speed Racer and Cloud Atlas also thrilled with their visuals there’s no

thrilled with their visuals there’s no

thrilled with their visuals there’s no beating the original matrix and its

beating the original matrix and its

beating the original matrix and its groundbreaking bullet time effects

maybe I’m not in your heaven after all

maybe I’m not in your heaven after all girl maybe you’re in mine number eight

girl maybe you’re in mine number eight

girl maybe you’re in mine number eight what dreams may come can you see me now

what dreams may come can you see me now

what dreams may come can you see me now say you doc why are you so blurred

say you doc why are you so blurred

say you doc why are you so blurred hockey Claire when you want me to Chris

hockey Claire when you want me to Chris

hockey Claire when you want me to Chris the movie may have earned mixed reviews

the movie may have earned mixed reviews

the movie may have earned mixed reviews but even naysayers couldn’t deny the

but even naysayers couldn’t deny the

but even naysayers couldn’t deny the excellence of Vincent Ward’s visuals

following soulmates Robin Williams and

following soulmates Robin Williams and Annabella Shara from Earth to the

Annabella Shara from Earth to the

Annabella Shara from Earth to the afterlife

afterlife

afterlife what dreams may come is rich with

what dreams may come is rich with

what dreams may come is rich with vibrant colors and picturesque

vibrant colors and picturesque

vibrant colors and picturesque landscapes with the imagery of heaven

landscapes with the imagery of heaven

landscapes with the imagery of heaven resembling a dream and hell serving as a

resembling a dream and hell serving as a

resembling a dream and hell serving as a stark contrast winning the Oscar for

stark contrast winning the Oscar for

stark contrast winning the Oscar for Best Visual Effects it’s also one of the

Best Visual Effects it’s also one of the

Best Visual Effects it’s also one of the only movies to be filmed using Fuji

only movies to be filmed using Fuji

only movies to be filmed using Fuji Velvia film which gave it its smooth

Velvia film which gave it its smooth

Velvia film which gave it its smooth finish and vivid colors why are they

finish and vivid colors why are they

finish and vivid colors why are they going they’re going to help others be

going they’re going to help others be

going they’re going to help others be reborn on earth reincarnation number

reborn on earth reincarnation number

reborn on earth reincarnation number seven inception

every dime of its 160 million dollar

every dime of its 160 million dollar budget was accounted for in this

budget was accounted for in this

budget was accounted for in this Christopher Nolan production actually in

Christopher Nolan production actually in

Christopher Nolan production actually in the middle of the workshop right now

the middle of the workshop right now

the middle of the workshop right now sleeping this is your first lesson in

sleeping this is your first lesson in

sleeping this is your first lesson in shared mainly it’s very common when

shared mainly it’s very common when

shared mainly it’s very common when inventing a world where the subconscious

inventing a world where the subconscious

inventing a world where the subconscious can be infiltrated through dreams and

can be infiltrated through dreams and

can be infiltrated through dreams and entire worlds can be created and altered

entire worlds can be created and altered

entire worlds can be created and altered with the mind the director consciously

with the mind the director consciously

with the mind the director consciously limited the use of cgi to avoid

limited the use of cgi to avoid

limited the use of cgi to avoid overpowering the film’s visuals instead

overpowering the film’s visuals instead

overpowering the film’s visuals instead filming at locations around the world

filming at locations around the world

filming at locations around the world using practical effects drop you at up

using practical effects drop you at up

using practical effects drop you at up gravity and his technique worked by

gravity and his technique worked by

gravity and his technique worked by using cgi Tastefully reality really

using cgi Tastefully reality really

using cgi Tastefully reality really contrasted with the fight and dream

contrasted with the fight and dream

contrasted with the fight and dream sequences creating a successful movie

sequences creating a successful movie

sequences creating a successful movie that earned 826 million dollars at the

that earned 826 million dollars at the

that earned 826 million dollars at the box office something this number six

box office something this number six

box office something this number six Jurassic Park

just because they weren’t resurrected

just because they weren’t resurrected using complicated science as they were

using complicated science as they were

using complicated science as they were in the movie doesn’t make the

in the movie doesn’t make the

in the movie doesn’t make the achievement of bringing dinosaurs into

achievement of bringing dinosaurs into

achievement of bringing dinosaurs into today’s world any less spectacular it’s

today’s world any less spectacular it’s

today’s world any less spectacular it’s it’s dinosaur besides stan winston’s

it’s dinosaur besides stan winston’s

it’s dinosaur besides stan winston’s lifelike animatronic creatures stand

lifelike animatronic creatures stand

lifelike animatronic creatures stand Industrial Light and Magic sprout

Industrial Light and Magic sprout

Industrial Light and Magic sprout braking effects but signaled a

braking effects but signaled a

braking effects but signaled a revolution in filmmaking and still look

revolution in filmmaking and still look

revolution in filmmaking and still look lifelike decades after the film’s

lifelike decades after the film’s

lifelike decades after the film’s release in real time director Steven

release in real time director Steven

release in real time director Steven Spielberg postulated that without an

Spielberg postulated that without an

Spielberg postulated that without an impressive first reveal his movie would

impressive first reveal his movie would

impressive first reveal his movie would fail but the first time we see the

fail but the first time we see the

fail but the first time we see the dinosaurs we know were in for one wild

dinosaurs we know were in for one wild

dinosaurs we know were in for one wild magical and visually stunning ride

building on the success and beauty of

building on the success and beauty of its 1982 predecessor this sequels

its 1982 predecessor this sequels

its 1982 predecessor this sequels visuals are futuristic sleek and sexy

creating a fictional world inside a

creating a fictional world inside a computer system that looked and felt

computer system that looked and felt

computer system that looked and felt real the movie’s effects took nearly two

real the movie’s effects took nearly two

real the movie’s effects took nearly two years to complete with 10 companies

years to complete with 10 companies

years to complete with 10 companies contributing to the effort to ground the

contributing to the effort to ground the

contributing to the effort to ground the CGI effects in reality the set design

CGI effects in reality the set design

CGI effects in reality the set design team used real materials like glass

team used real materials like glass

team used real materials like glass concrete and steel but what was perhaps

concrete and steel but what was perhaps

concrete and steel but what was perhaps most impressive was the Jeff Bridges was

most impressive was the Jeff Bridges was

most impressive was the Jeff Bridges was digitally altered to look decades

digitally altered to look decades

digitally altered to look decades younger the conditions were right and it

younger the conditions were right and it

younger the conditions were right and it came into being and more similar to his

came into being and more similar to his

came into being and more similar to his 1982 appearance

1982 appearance

1982 appearance come on come on number 4 Life of Pi

based on Yann Martel’s novel of the same

based on Yann Martel’s novel of the same name this live-action computer animated

name this live-action computer animated

name this live-action computer animated film depended heavily on 3d and CGI to

film depended heavily on 3d and CGI to

film depended heavily on 3d and CGI to bring to vivid life the various animals

bring to vivid life the various animals

bring to vivid life the various animals the protagonist meets while drifting at

the protagonist meets while drifting at

the protagonist meets while drifting at sea setting out to explore the beauty of

sea setting out to explore the beauty of

sea setting out to explore the beauty of nature and natural wonders it coupled

nature and natural wonders it coupled

nature and natural wonders it coupled real locations with visual effects to

real locations with visual effects to

real locations with visual effects to create the gorgeous scenery and somehow

create the gorgeous scenery and somehow

create the gorgeous scenery and somehow make the ocean its own character

make the ocean its own character

make the ocean its own character Life of Pi is thought to be the perfect

Life of Pi is thought to be the perfect

Life of Pi is thought to be the perfect balance of Technology and natural

balance of Technology and natural

balance of Technology and natural wonders and it’s highlighted as a poetic

wonders and it’s highlighted as a poetic

wonders and it’s highlighted as a poetic force of cinema number three the Lord of

force of cinema number three the Lord of

force of cinema number three the Lord of the Rings The Return of the King shut

now you must die Peter Jackson’s vision

now you must die Peter Jackson’s vision of JRR Tolkien’s world was perfected in

of JRR Tolkien’s world was perfected in

of JRR Tolkien’s world was perfected in the trilogy’s last film leaving

the trilogy’s last film leaving

the trilogy’s last film leaving audiences with a lasting impression of

audiences with a lasting impression of

audiences with a lasting impression of middle-earth Jackson was conscious in

middle-earth Jackson was conscious in

middle-earth Jackson was conscious in his use of cgi preferring to use New

his use of cgi preferring to use New

his use of cgi preferring to use New Zealand’s natural landscape whenever

Zealand’s natural landscape whenever

Zealand’s natural landscape whenever possible but this film contains the most

possible but this film contains the most

possible but this film contains the most visual effects of the trilogy with

visual effects of the trilogy with

visual effects of the trilogy with nearly three times the amount of the

nearly three times the amount of the

nearly three times the amount of the first and twice the amount of the second

first and twice the amount of the second

first and twice the amount of the second and whether the CGI is bringing us a

and whether the CGI is bringing us a

and whether the CGI is bringing us a giant spider a massive army or a lasting

giant spider a massive army or a lasting

giant spider a massive army or a lasting villain it’s executed with expert

villain it’s executed with expert

villain it’s executed with expert precision

number two Avatar who’d you expect

number two Avatar who’d you expect numbnuts this film was director James

numbnuts this film was director James

numbnuts this film was director James Cameron’s labor of love since 1994 but

he knew that in order to do the story

he knew that in order to do the story justice he would have to wait for the

justice he would have to wait for the

justice he would have to wait for the proper technology to be created the

proper technology to be created the

proper technology to be created the deputy was gone

Cameron used his estimated 2 to 300

Cameron used his estimated 2 to 300 million dollar budget to use motion

million dollar budget to use motion

million dollar budget to use motion capture photography and cutting-edge CGI

capture photography and cutting-edge CGI

capture photography and cutting-edge CGI techniques to create his non-existent

techniques to create his non-existent

techniques to create his non-existent creatures and the beautiful fictional

creatures and the beautiful fictional

creatures and the beautiful fictional world of Pandora this is a place for

world of Pandora this is a place for

world of Pandora this is a place for prayers to be heard and sometimes ends

prayers to be heard and sometimes ends

prayers to be heard and sometimes ends his patience paid off and the film

his patience paid off and the film

his patience paid off and the film became not only a groundbreaker in terms

became not only a groundbreaker in terms

became not only a groundbreaker in terms of effects but also the highest grossing

of effects but also the highest grossing

of effects but also the highest grossing film ever

film ever

film ever beating out Titanic another Cameron film

before we unveil our top pick here are a

before we unveil our top pick here are a few honorable mentions

number one gravity you should I have a

number one gravity you should I have a bad feeling about this mission director

bad feeling about this mission director

bad feeling about this mission director Alfonso Cuaron captured the vastness and

Alfonso Cuaron captured the vastness and

Alfonso Cuaron captured the vastness and beauty of space like no one before him

combining thrilling effects with an

combining thrilling effects with an equally thrilling story and performances

equally thrilling story and performances

equally thrilling story and performances he tracks two astronauts as they go

he tracks two astronauts as they go

he tracks two astronauts as they go about their work far away from Earth I

about their work far away from Earth I

about their work far away from Earth I never got to land the simulator I told

never got to land the simulator I told

never got to land the simulator I told you but you know about it and I crashed

you but you know about it and I crashed

you but you know about it and I crashed it with every time I go back or do you

it with every time I go back or do you

it with every time I go back or do you want to stay here as Sandra Bullock

want to stay here as Sandra Bullock

want to stay here as Sandra Bullock floats through space the audience is

floats through space the audience is

floats through space the audience is treated to a visual feast as she’s a

treated to a visual feast as she’s a

treated to a visual feast as she’s a ejected from one spacecraft to another

ejected from one spacecraft to another

ejected from one spacecraft to another and credit must be given to Framestore

and credit must be given to Framestore

and credit must be given to Framestore the uk-based special effects company

the uk-based special effects company

the uk-based special effects company that did the majority of the film’s

that did the majority of the film’s

that did the majority of the film’s visuals after all their work helped win

visuals after all their work helped win

visuals after all their work helped win seven Oscars admit one thing

seven Oscars admit one thing

seven Oscars admit one thing can’t beat the view do you agree with

can’t beat the view do you agree with

can’t beat the view do you agree with our list which CGI movie made an

our list which CGI movie made an

our list which CGI movie made an impression on you for more stunning top

impression on you for more stunning top

impression on you for more stunning top 10s published every day be sure to

10s published every day be sure to

10s published every day be sure to subscribe to watchmojo.com

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