good if indeed I’m going to talk
of cristinismo because if I do not talk about
Cristinism really tried to
vindicate myself and my own
position
so that’s exactly what I had
proposed tonight on this afternoon
telex was simply to share with
you from my own history since
my own experience of my own
testimony that has involved in me
existing building and build me me
build me as a woman
so with your permission I’m going to
recap the simplest way
my own story my own biography
then I start telling this part
mine of me daughter woman
I am 53 years old as a daughter of a daughter
awesome mom an enterprising mom
dreamy writer dominator
entrepreneur and businesswoman but about
all dominator a true matriarch
definitely and this woman mountain
a lot of examples in my life
because he was never a submissive being was
always a woman who fought for what
He thought for what he dreamed of what he wanted
make one of the few women in his
epoch that I actually study a
generation in which women do not
I was still studying a lot and this one and
woman
I think affectively became one
great example for me
on the other hand is this side of me
Taita of my father that he on the other hand
is a man with a sensitivity was a
man with immense sensitivity
farmer entertainer singer a being
anarchic quixotic with a license
to do in life always what you
I felt like it
then these two beings come together and I
I’m born of them
my dad was a guy who since childhood
I always heard him say with a
immense admiration towards my mother say
your mom is the smartest woman
with
I look is a thousand times smarter than
How lucky is mine because I also
I am like dalí I am an anarchist feminist and
monarchic rather said my dad assumed
with all the freshness and elegance and
distinction that a tangerine and with all
the comfort of the case in addition then
is this relationship obviously does not
me growing up in an environment or very
conventional not very everyday that is to say
my family a family where you
He lived very much the extra daily
how strange I miss how different we were
some time cataloged the family
crazy of quito in the year 1987
then grows in that medium grew in
that environment and I actually started
understand what he meant to be
independent be free and clear
anyway not in spite of the fact that
crazy family that I grew up in had
the conventions that were already
established not that you have to
a career worth
that suddenly if you have to marry you
you think you have to have children and
baptize it and so on
but of course I had already seen others
parameters in life that seemed a lot
more interesting and fun than
necessarily follow all these are
rules that were established
so I keep growing I become
student woman
well I was lucky to live in the
field why I love the field called the
mountain I had that immense luck of
grow up and run around among the páramos
get on the horses get on the
trees
there begins my militancy for the cari yes
same because I love being always
since childhood the things that were made or
thought that only made them the
men in all and my militancy begins
in assuming that part of me also
male the way more rain the
people are animated and this animus that
then I could study and and understand what
I wanted to say that
then believe with the field in the six
first years of my life in the Russian style
my dad did not want me not to go to school
have my mom instead yes because that
demand
the pedagogue then there was that fight
effectively six years he entered school
and not only that they enter the school but that
this process of schooling
turns into a panic situation
for me because of being one let’s say a
person who had grown up in the field
rustic a super rustic being suddenly
I have to enter the city and understand
what were the codes of that city and
what did he want to say
this urban world that was different to
this peasant world in which in addition
there was a lot of competition
many classisms many racisms things
that were for me it is quite
foreign
then I mechanism defense for
become a shy girl and
correct introverted I was good at
president to the degree of this Christmas not
I think it will be my mechanism
of defense to be able to understand that other
scope that I found complex that was
this is this world of the city not and
that’s when I start to
understand that there are other dimensions
from other things I keep growing
came then to adolescence and there
came in I think one of the processes
most traumatic of my existence
she was not a complicated teenager
externally but very convulsed
internally because the male world
the feminine world or those codes that I
I saw in the adults were codes that
they were totally strange to me
totally negative is to say I saw
that the world of the adults of the world to
that I did not want to belong I did not see anything
interesting in growing up so traumatized which
tinplate drum I was reluctant to grow
I was reluctant to come here that also
forcedly they did it in my time
that it was me I had to get rid of
loafers and boots put meta comedy
nylon skirt and lady will keep
spatial blackboard when I wanted
still go jumping with the backpack
then it was that nobody if I do not want
that but why do I have to listen and
it’s there that I said no bone
I have to find another way of being
in the world
and effectively as a family we
we move from living to quito
here to the capital we live here in this
Large house stands out from the patio
of comedies and I had the immense luck of
that the theater began to inhabit our
stock and literally inhabit
because the theater rehearsals were done
there in the house of has opened that is
now he created it but that’s where it
happens in theater rehearsals and my
dad and my mom from this one to passion that
they had for theater for music by
arts and so they walk around my
dad said this is a theater
this was a winery really where
we are now and my dad said this is a
theater here there has to be a theater myself
I want a theater here
he said my mom was not executed
the means of Cusco and everything he did
missing to be able to realize the dreams and
effectively in it in 1980
there’s the comedy yard and I had
14 15 years out there pretty much and I start
to bond with the theater and I say to and
relief
there is that is a space with which I
I will be able to live with the rest of the
world that was a space to play that
It’s what I wanted to continue making
my visit I just wanted to continue
playing and I wanted to have the license to
can do it
the truth and I realized that my dad who
he was actor who was funny histrionic
he had the license to really
sit on the lid of the pot
existence and does what he felt like
I said the same license that I got
and so then she entered the world
of the theater and he reconciled me with the
possibility of growing
I had no choice but to grow and grow
but with this theatrical tool is
wonderful that is what has made me
allowed in life to do and say what
that I have wanted and that has allowed me
in life effectively play that is what
that in the long run I wanted to keep doing
my existence
then good I keep growing and me
becomes a clear student woman
he also entered into this question of what
the prejudices and the fears tell us and
he studied theater and I will not have to
live
make a dependent person and not
I want because I already have clear that if
there is something I want to do in my life and
independent and free
I want to be a person who makes it a
independent woman ok then though
study something else studied science
also with this desire to
want to save or change the world
I do a secondary career rather than
theater back to the equator I ‘m against
with the stone in your teeth because this
international science degree I do not
served for nothing in this country not what
could revalidate the average medium flacso
I agree it is a graduate
scientific research in the flacso
between the world of social sciences
initial in some projects participate
of social sciences but while it was a
Avant-garde space in a space
extremely masculine and it was a space in
the one that women
we are assistant of assistant of
research in which I got bored
mine bombed luckily in parallel to that
I also never got rid of the theater
never in since since the first time
I stepped on this scenario I never went back to
detach from the theater because always that
it was my lifeline to be in
the planet but definitely I believe
that I would have become a demented
drug addict or terrorists
really that the theater half the
tool to be able to do what I
I wanted and then I effectively decide
He made the decision at a moment of my life
25 years in which I say does not do what I
I want to do is theater
I know my dear comrades March
arms elena towers to luis miguel fields
he mounted his work the ladybug was killed with
leukemia that by the way is now in
season in this pleasant way I give myself
account through this work that yes that
if I serve for the theater and that’s what
that I want to make of my life
no matter what that situation implies
but always with this feeling
wonderful besides having been before
in another country have traveled to have
learned all languages to have
known other cultures have opened
once the head in an amazing way
to be able to understand all those other
things that allow the human being
man woman
be free and I realized that being free and
to be independent in a country like the
Ecuador with such a heavy machismo
It was so easy if it was a little more
relieving if they had the license
to be an artist because the artists of the
verb stars we have
”
Be First to Comment