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What is Ethnic Art? | Clara Johnson | TEDxDurham


good afternoon have you ever looked at

good afternoon have you ever looked at artwork and assumed that you knew the

artwork and assumed that you knew the

artwork and assumed that you knew the ethnicity of that artist

ethnicity of that artist

ethnicity of that artist have you ever met in person we told you

have you ever met in person we told you

have you ever met in person we told you they were an artist and based on their

they were an artist and based on their

they were an artist and based on their ethnicity assume that you knew what type

ethnicity assume that you knew what type

ethnicity assume that you knew what type of artwork they would create in this

of artwork they would create in this

of artwork they would create in this picture right here would you assume that

picture right here would you assume that

picture right here would you assume that the artist was of ethnicity or no how

the artist was of ethnicity or no how

the artist was of ethnicity or no how about this work of art was this created

about this work of art was this created

about this work of art was this created by someone of ethnicity or not in this

by someone of ethnicity or not in this

by someone of ethnicity or not in this word half-man half-bull mythological

word half-man half-bull mythological

word half-man half-bull mythological theme did a person of ethnicity create

theme did a person of ethnicity create

theme did a person of ethnicity create this work throughout my artistic

this work throughout my artistic

this work throughout my artistic adventures I’ve always felt like

adventures I’ve always felt like

adventures I’ve always felt like sometimes the one to be Dorothy and just

sometimes the one to be Dorothy and just

sometimes the one to be Dorothy and just click my heels three times and find a

click my heels three times and find a

click my heels three times and find a home for me and my work it took a while

home for me and my work it took a while

home for me and my work it took a while for me to become comfortable with and

for me to become comfortable with and

for me to become comfortable with and confident in my creative expression

confident in my creative expression

confident in my creative expression because people always want to tell me

because people always want to tell me

because people always want to tell me that I should be doing this and why

that I should be doing this and why

that I should be doing this and why aren’t you doing that and it helped me

aren’t you doing that and it helped me

aren’t you doing that and it helped me develop a disposition that if you like

develop a disposition that if you like

develop a disposition that if you like my work great if you don’t like my work

my work great if you don’t like my work

my work great if you don’t like my work great I’ve had the opportunity to

great I’ve had the opportunity to

great I’ve had the opportunity to exhibit my work throughout the country

exhibit my work throughout the country

exhibit my work throughout the country at fine black art shows in Houston New

at fine black art shows in Houston New

at fine black art shows in Houston New York Atlanta and the artists they’re

York Atlanta and the artists they’re

York Atlanta and the artists they’re depicted works that ranged anywhere from

depicted works that ranged anywhere from

depicted works that ranged anywhere from the transatlantic slave trade to church

the transatlantic slave trade to church

the transatlantic slave trade to church revivals and jazz so you would imagine

revivals and jazz so you would imagine

revivals and jazz so you would imagine that my abstract artwork would stick out

that my abstract artwork would stick out

that my abstract artwork would stick out like a rose and concrete patrons there

like a rose and concrete patrons there

like a rose and concrete patrons there they would ask questions like what is

they would ask questions like what is

they would ask questions like what is this a picture of

and what do you do just splatter some

and what do you do just splatter some paint on the canvas the patrons they

paint on the canvas the patrons they

paint on the canvas the patrons they were expecting to see black artists

were expecting to see black artists

were expecting to see black artists exhibiting artwork turned black art on

exhibiting artwork turned black art on

exhibiting artwork turned black art on the other hand when I would exhibit at

the other hand when I would exhibit at

the other hand when I would exhibit at mainstream galleries the questions were

mainstream galleries the questions were

mainstream galleries the questions were more about the artist connected to the

more about the artist connected to the

more about the artist connected to the world the patrons there some would have

world the patrons there some would have

world the patrons there some would have visible shop to see my Brown face

visible shop to see my Brown face

visible shop to see my Brown face connected to abstract artwork and so

connected to abstract artwork and so

connected to abstract artwork and so they’ve come with their questions and

they’ve come with their questions and

they’ve come with their questions and they’d say what school did you go to is

they’d say what school did you go to is

they’d say what school did you go to is your artwork in any other galleries do

your artwork in any other galleries do

your artwork in any other galleries do you have a studio somewhere but their

you have a studio somewhere but their

you have a studio somewhere but their real question was are you qualified to

real question was are you qualified to

real question was are you qualified to be an abstract artist everyone I think

be an abstract artist everyone I think

be an abstract artist everyone I think everyone knows Picasso he is known for

everyone knows Picasso he is known for

everyone knows Picasso he is known for cubism although of Spanish descent he is

cubism although of Spanish descent he is

cubism although of Spanish descent he is not considered exclusively Spanish he

not considered exclusively Spanish he

not considered exclusively Spanish he was not promoted as a Spanish artist

was not promoted as a Spanish artist

was not promoted as a Spanish artist that being the case his famous works

that being the case his famous works

that being the case his famous works that depict any cultural references we

that depict any cultural references we

that depict any cultural references we want to associate an ethnicity to the

want to associate an ethnicity to the

want to associate an ethnicity to the artist so with anything that doesn’t

artist so with anything that doesn’t

artist so with anything that doesn’t have a cultural reference we don’t

have a cultural reference we don’t

have a cultural reference we don’t associate it with someone else ethnicity

associate it with someone else ethnicity

associate it with someone else ethnicity we expect to see Native Americans as

we expect to see Native Americans as

we expect to see Native Americans as artists painting things with feathers or

artists painting things with feathers or

artists painting things with feathers or Chiefs and horses and if the artist is

Chiefs and horses and if the artist is

Chiefs and horses and if the artist is Japanese you would expect to see geishas

Japanese you would expect to see geishas

Japanese you would expect to see geishas and in bonsai and if we know we look at

and in bonsai and if we know we look at

and in bonsai and if we know we look at this work we would assume the artist is

this work we would assume the artist is

this work we would assume the artist is from India take Norman Lewis for example

from India take Norman Lewis for example

from India take Norman Lewis for example in his earlier works he created artwork

in his earlier works he created artwork

in his earlier works he created artwork that wasn’t you know likeness of himself

that wasn’t you know likeness of himself

that wasn’t you know likeness of himself and during that time when he was

and during that time when he was

and during that time when he was creating what’s called black art his

creating what’s called black art his

creating what’s called black art his community appreciated him and loved his

community appreciated him and loved his

community appreciated him and loved his work when he began moving towards

work when he began moving towards

work when he began moving towards abstract his work was less appreciated

abstract his work was less appreciated

abstract his work was less appreciated by his community and it wasn’t readily

by his community and it wasn’t readily

by his community and it wasn’t readily accepted by the mainstream over the

accepted by the mainstream over the

accepted by the mainstream over the years you know I get feedback from

years you know I get feedback from

years you know I get feedback from people close to me they’re like Clara

people close to me they’re like Clara

people close to me they’re like Clara you should try to do this you should

you should try to do this you should

you should try to do this you should make beech

make beech

make beech and you know just stuff people can

and you know just stuff people can

and you know just stuff people can recognize even my own brother it

recognize even my own brother it

recognize even my own brother it suggested I paint black art a little bit

suggested I paint black art a little bit

suggested I paint black art a little bit that’s where that’s where it said you

that’s where that’s where it said you

that’s where that’s where it said you got a piece art sale okay

got a piece art sale okay

got a piece art sale okay so I try it and every time I would try

so I try it and every time I would try

so I try it and every time I would try to create in that fashion

to create in that fashion

to create in that fashion I would always gravitate back towards my

I would always gravitate back towards my

I would always gravitate back towards my natural tendency which is universal

natural tendency which is universal

natural tendency which is universal abstract in my brother’s request he’s

abstract in my brother’s request he’s

abstract in my brother’s request he’s trying to put me in a box I recall my

trying to put me in a box I recall my

trying to put me in a box I recall my time in Houston Texas on the gallery

time in Houston Texas on the gallery

time in Houston Texas on the gallery sends out a call for art depicting race

sends out a call for art depicting race

sends out a call for art depicting race and I’m pulling our initial conversation

and I’m pulling our initial conversation

and I’m pulling our initial conversation he says Clara how are you going to

he says Clara how are you going to

he says Clara how are you going to create art depicting rays when you’re a

create art depicting rays when you’re a

create art depicting rays when you’re a abstract painter I had to admit that was

abstract painter I had to admit that was

abstract painter I had to admit that was a fair question I says well let me worry

a fair question I says well let me worry

a fair question I says well let me worry about that may I be in the show he said

about that may I be in the show he said

about that may I be in the show he said sure provided that your work depicts

sure provided that your work depicts

sure provided that your work depicts race in the end I created two works of

race in the end I created two works of

race in the end I created two works of art that embody all races this one is

art that embody all races this one is

art that embody all races this one is cultural trance and in it has the black

cultural trance and in it has the black

cultural trance and in it has the black the brown the red the yellow and the

the brown the red the yellow and the

the brown the red the yellow and the white man or woman it’s a mixed media

white man or woman it’s a mixed media

white man or woman it’s a mixed media piece and the next one that I created is

piece and the next one that I created is

piece and the next one that I created is my officially my first 3d wire sculpture

my officially my first 3d wire sculpture

my officially my first 3d wire sculpture which has two trees flanking the

which has two trees flanking the

which has two trees flanking the continent of Africa and Africa is the

continent of Africa and Africa is the

continent of Africa and Africa is the mother of civilization that is my offer

mother of civilization that is my offer

mother of civilization that is my offer for race and mr. Kalinin loved them

inclusion non restriction acceptance of

inclusion non restriction acceptance of all things and all people those are the

all things and all people those are the

all things and all people those are the cornerstones of who I am as a person and

cornerstones of who I am as a person and

cornerstones of who I am as a person and as an artist and as such as the

as an artist and as such as the

as an artist and as such as the undertone of my whole speech I do not

undertone of my whole speech I do not

undertone of my whole speech I do not find myself needing to focus solely on

find myself needing to focus solely on

find myself needing to focus solely on my blackness the beauty and the pain and

my blackness the beauty and the pain and

my blackness the beauty and the pain and the triumph of my culture there are so

the triumph of my culture there are so

the triumph of my culture there are so many things in the universe to focus on

many things in the universe to focus on

many things in the universe to focus on the perfection and the universe nature

the perfection and the universe nature

the perfection and the universe nature just everything and that’s where my

just everything and that’s where my

just everything and that’s where my thoughts tend to go and what I like to

thoughts tend to go and what I like to

thoughts tend to go and what I like to create so back to the first slide anyone

create so back to the first slide anyone

create so back to the first slide anyone want to gather a guess as to the

want to gather a guess as to the

want to gather a guess as to the ethnicity of this work remember the talk

ethnicity of this work remember the talk

ethnicity of this work remember the talk is what is ethnic art right that was

is what is ethnic art right that was

is what is ethnic art right that was created by mr. Norman Lewis in this

created by mr. Norman Lewis in this

created by mr. Norman Lewis in this beautiful African woman and her

beautiful African woman and her

beautiful African woman and her beautiful African garb my to gather and

beautiful African garb my to gather and

beautiful African garb my to gather and I guess on the creator of this artwork

I guess on the creator of this artwork

I guess on the creator of this artwork this mr. Tim uh Kimura and this creature

this mr. Tim uh Kimura and this creature

this mr. Tim uh Kimura and this creature here that’s mr. Baughman mahasin the

here that’s mr. Baughman mahasin the

here that’s mr. Baughman mahasin the topic is what is ethnic art so this is

topic is what is ethnic art so this is

topic is what is ethnic art so this is an abstract piece and abstract art

an abstract piece and abstract art

an abstract piece and abstract art depicting no cultural references it’s

depicting no cultural references it’s

depicting no cultural references it’s not readily associated with someone of

not readily associated with someone of

not readily associated with someone of ethnicity the default is white when you

ethnicity the default is white when you

ethnicity the default is white when you look at artwork in the future look at it

look at artwork in the future look at it

look at artwork in the future look at it with an open mind with open eyes

with an open mind with open eyes

with an open mind with open eyes challenge your beliefs examine your

challenge your beliefs examine your

challenge your beliefs examine your beliefs all of them I just artwork try

beliefs all of them I just artwork try

beliefs all of them I just artwork try to see yourself as a part of the art in

to see yourself as a part of the art in

to see yourself as a part of the art in the in the artwork itself it’s not

the in the artwork itself it’s not

the in the artwork itself it’s not always what it seems there’s no culture

always what it seems there’s no culture

always what it seems there’s no culture that has a capstone on anything and view

that has a capstone on anything and view

that has a capstone on anything and view art without assumptions if an artist has

art without assumptions if an artist has

art without assumptions if an artist has the passion and the pleasure and the

the passion and the pleasure and the

the passion and the pleasure and the nerve to create what speaks through his

nerve to create what speaks through his

nerve to create what speaks through his or her heart it should be appreciated

or her heart it should be appreciated

or her heart it should be appreciated it’s just that thank you

”

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