Press "Enter" to skip to content

Transforming the hidden messages of art | Felix D’Eon | TEDxMexicoCityWomen


this could be a way of learning less

this could be a way of learning less porque esto un poco nervioso I mean

porque esto un poco nervioso I mean

porque esto un poco nervioso I mean let’s just tell me what can be a spender

let’s just tell me what can be a spender

let’s just tell me what can be a spender okay pero arm so Lucy the part the

okay pero arm so Lucy the part the

okay pero arm so Lucy the part the critic once said that all art is

critic once said that all art is

critic once said that all art is political but not all artists realize

political but not all artists realize

political but not all artists realize that this is so I’m paraphrasing her

that this is so I’m paraphrasing her

that this is so I’m paraphrasing her words James Baldwin the great u.s.

words James Baldwin the great u.s.

words James Baldwin the great u.s. American writer once said that he was

American writer once said that he was

American writer once said that he was asked how he felt about being homosexual

asked how he felt about being homosexual

asked how he felt about being homosexual in black and he replied I feel like I

in black and he replied I feel like I

in black and he replied I feel like I hit the jackpot these are these are some

hit the jackpot these are these are some

hit the jackpot these are these are some of my favorite quotes that have helped

of my favorite quotes that have helped

of my favorite quotes that have helped to define my life as as a human being

to define my life as as a human being

to define my life as as a human being the first speaks to my experience as an

the first speaks to my experience as an

the first speaks to my experience as an artist and the second to my experience

artist and the second to my experience

artist and the second to my experience as a gay man and as a mexican-american

as a gay man and as a mexican-american

as a gay man and as a mexican-american so growing up in the u.s. in the 90s

so growing up in the u.s. in the 90s

so growing up in the u.s. in the 90s before the Internet as a young gay boy

before the Internet as a young gay boy

before the Internet as a young gay boy it was really hard the kind of images I

it was really hard the kind of images I

it was really hard the kind of images I saw reflected of myself as a gay person

saw reflected of myself as a gay person

saw reflected of myself as a gay person on like TV in the movies tended to be

on like TV in the movies tended to be

on like TV in the movies tended to be really negative there were images there

really negative there were images there

really negative there were images there were either laughingstocks

were either laughingstocks

were either laughingstocks or tragic figures who were doomed to die

or tragic figures who were doomed to die

or tragic figures who were doomed to die or or sinister but basically I could

or or sinister but basically I could

or or sinister but basically I could never see anything reflected in the

never see anything reflected in the

never see anything reflected in the world at large that that was an image

world at large that that was an image

world at large that that was an image that I could imagine as a life for

that I could imagine as a life for

that I could imagine as a life for myself like any kind of an ocean of love

myself like any kind of an ocean of love

myself like any kind of an ocean of love or normalcy or a hero a person at the

or normalcy or a hero a person at the

or normalcy or a hero a person at the center of the story is because of things

center of the story is because of things

center of the story is because of things that I think that straight people take

that I think that straight people take

that I think that straight people take for granted or something that were just

for granted or something that were just

for granted or something that were just simply denied to to me as a gay as a

simply denied to to me as a gay as a

simply denied to to me as a gay as a young gay boy and well you know to the

young gay boy and well you know to the

young gay boy and well you know to the wider gay community so being my

wider gay community so being my

wider gay community so being my experience my personal experience

experience my personal experience

experience my personal experience growing up wasn’t any easier I grew up

growing up wasn’t any easier I grew up

growing up wasn’t any easier I grew up with a Mexican mother was very Catholic

with a Mexican mother was very Catholic

with a Mexican mother was very Catholic very conservative and it was it was that

very conservative and it was it was that

very conservative and it was it was that was really hard to it’s like her values

was really hard to it’s like her values

was really hard to it’s like her values were patriarchal and and frankly

were patriarchal and and frankly

were patriarchal and and frankly machista and growing up in that context

machista and growing up in that context

machista and growing up in that context you know I was taught to feel a lot of

you know I was taught to feel a lot of

you know I was taught to feel a lot of fear and shame and sadness about myself

fear and shame and sadness about myself

fear and shame and sadness about myself and about this thing I couldn’t control

and about this thing I couldn’t control

and about this thing I couldn’t control about myself there was really nowhere

about myself there was really nowhere

about myself there was really nowhere you know to put these emotions which is

you know to put these emotions which is

you know to put these emotions which is really difficult luckily I wasn’t

really difficult luckily I wasn’t

really difficult luckily I wasn’t bullied by the kids around me and I was

bullied by the kids around me and I was

bullied by the kids around me and I was you know treated pretty well but

you know treated pretty well but

you know treated pretty well but nonetheless I used to think about you

nonetheless I used to think about you

nonetheless I used to think about you know like killing myself and things like

know like killing myself and things like

know like killing myself and things like that is a

that is a

that is a it was really depressing and I think

it was really depressing and I think

it was really depressing and I think that I did my life in a little different

that I did my life in a little different

that I did my life in a little different had I’ve been bullied more than I was I

had I’ve been bullied more than I was I

had I’ve been bullied more than I was I might not be here today so being Latino

might not be here today so being Latino

might not be here today so being Latino in an American context was also

in an American context was also

in an American context was also difficult

difficult

difficult my mother was an undocumented immigrants

my mother was an undocumented immigrants

my mother was an undocumented immigrants and I saw the way that the world around

and I saw the way that the world around

and I saw the way that the world around me treated people of color like my

me treated people of color like my

me treated people of color like my mother and undocumented immigrants and

mother and undocumented immigrants and

mother and undocumented immigrants and Mexicans Mexican Americans in the US and

Mexicans Mexican Americans in the US and

Mexicans Mexican Americans in the US and it tended not to be very positive and

it tended not to be very positive and

it tended not to be very positive and the image and popular culture of Latinos

the image and popular culture of Latinos

the image and popular culture of Latinos was also something that you know they

was also something that you know they

was also something that you know they were always marginalized and stereotyped

were always marginalized and stereotyped

were always marginalized and stereotyped so I felt doubly marginalized as a gay

so I felt doubly marginalized as a gay

so I felt doubly marginalized as a gay person and as as a mexican-american so

person and as as a mexican-american so

person and as as a mexican-american so my parents were you know very concerned

my parents were you know very concerned

my parents were you know very concerned my education and they didn’t have a lot

my education and they didn’t have a lot

my education and they didn’t have a lot of money so they used to buy antique

of money so they used to buy antique

of money so they used to buy antique children’s books and here are some

children’s books and here are some

children’s books and here are some examples of the kinds of the kind of

examples of the kinds of the kind of

examples of the kinds of the kind of books that I used to love a lot when I

books that I used to love a lot when I

books that I used to love a lot when I was growing up so I had I had these

was growing up so I had I had these

was growing up so I had I had these books and I would study them and paint

books and I would study them and paint

books and I would study them and paint them and you know think about them as a

them and you know think about them as a

them and you know think about them as a little kid and the thing that all of

little kid and the thing that all of

little kid and the thing that all of these kinds of images have in common is

these kinds of images have in common is

these kinds of images have in common is that is that everybody in them is white

that is that everybody in them is white

that is that everybody in them is white and everybody in them is straight so I

and everybody in them is straight so I

and everybody in them is straight so I feel like my youthful feelings of

feel like my youthful feelings of

feel like my youthful feelings of alienation had a little bit to do with

alienation had a little bit to do with

alienation had a little bit to do with the fact that I never saw myself

the fact that I never saw myself

the fact that I never saw myself reflected in the kinds of work I loved

reflected in the kinds of work I loved

reflected in the kinds of work I loved so much starting at the youngest age so

so much starting at the youngest age so

so much starting at the youngest age so the thing about these paintings is that

the thing about these paintings is that

the thing about these paintings is that they have power like like all art

they have power like like all art

they have power like like all art they’re political as you see the part

they’re political as you see the part

they’re political as you see the part would say they’re telling us a story

would say they’re telling us a story

would say they’re telling us a story about how we view ourselves as a people

about how we view ourselves as a people

about how we view ourselves as a people and as a society they’re telling us

and as a society they’re telling us

and as a society they’re telling us about about gender men and women are

about about gender men and women are

about about gender men and women are expected to play very prescribed roles

expected to play very prescribed roles

expected to play very prescribed roles they’re telling us about bodies

they’re telling us about bodies

they’re telling us about bodies everybody in these paintings are skinny

everybody in these paintings are skinny

everybody in these paintings are skinny they’re telling us about race everybody

they’re telling us about race everybody

they’re telling us about race everybody in them is white and they’re telling us

in them is white and they’re telling us

in them is white and they’re telling us about about sexuality it’s always a man

about about sexuality it’s always a man

about about sexuality it’s always a man who falls in love with a woman and it’s

who falls in love with a woman and it’s

who falls in love with a woman and it’s never any other way they’re telling us

never any other way they’re telling us

never any other way they’re telling us that the princess always has to be a

that the princess always has to be a

that the princess always has to be a white woman that the nine shining armor

white woman that the nine shining armor

white woman that the nine shining armor will always be a straight man and the

will always be a straight man and the

will always be a straight man and the kiss at the end of the story will always

kiss at the end of the story will always

kiss at the end of the story will always be between a man and a woman and

be between a man and a woman and

be between a man and a woman and anything else is unnatural because it

anything else is unnatural because it

anything else is unnatural because it literally never happens so so I went to

literally never happens so so I went to

literally never happens so so I went to art school I studied installation and

art school I studied installation and

art school I studied installation and performance but it

performance but it

performance but it certain point I realized that my love of

certain point I realized that my love of

certain point I realized that my love of painting was just too great and I wanted

painting was just too great and I wanted

painting was just too great and I wanted to to revisit these kinds of paintings

to to revisit these kinds of paintings

to to revisit these kinds of paintings that I used to love so much as a kid and

that I used to love so much as a kid and

that I used to love so much as a kid and I decided that this time I knew

I decided that this time I knew

I decided that this time I knew something more about it I understood

something more about it I understood

something more about it I understood what they were saying and I understood

what they were saying and I understood

what they were saying and I understood what was being excluded and I wanted to

what was being excluded and I wanted to

what was being excluded and I wanted to include myself and people like myself in

include myself and people like myself in

include myself and people like myself in the narrative and tell paintings from a

the narrative and tell paintings from a

the narrative and tell paintings from a gay perspective and in a Mexican

gay perspective and in a Mexican

gay perspective and in a Mexican perspective in which gay love and gay

perspective in which gay love and gay

perspective in which gay love and gay kids could be celebrated and I started

kids could be celebrated and I started

kids could be celebrated and I started making paintings like these and it was

making paintings like these and it was

making paintings like these and it was really empowering because I felt like I

really empowering because I felt like I

really empowering because I felt like I could imagine myself as that child that

could imagine myself as that child that

could imagine myself as that child that used to be that that child had been you

used to be that that child had been you

used to be that that child had been you know afraid and ashamed and and I’d

know afraid and ashamed and and I’d

know afraid and ashamed and and I’d taken away that shame and put desire at

taken away that shame and put desire at

taken away that shame and put desire at the center of it I had read I had made a

the center of it I had read I had made a

the center of it I had read I had made a painting in which the the vision of love

painting in which the the vision of love

painting in which the the vision of love that we as a culture share could be

that we as a culture share could be

that we as a culture share could be shared with people like me and it felt

shared with people like me and it felt

shared with people like me and it felt like it worked because I started getting

like it worked because I started getting

like it worked because I started getting fan letters and my work started selling

fan letters and my work started selling

fan letters and my work started selling more and so I wanted to make paintings

more and so I wanted to make paintings

more and so I wanted to make paintings that would address history and give a

that would address history and give a

that would address history and give a voice to gay or gay ancestors as own

voice to gay or gay ancestors as own

voice to gay or gay ancestors as own voices have been silenced and and I

voices have been silenced and and I

voices have been silenced and and I wanted to to make paintings where where

wanted to to make paintings where where

wanted to to make paintings where where shame was stripped away and pride was

shame was stripped away and pride was

shame was stripped away and pride was celebrated so so then so having done

celebrated so so then so having done

celebrated so so then so having done these kinds of paintings I realized that

these kinds of paintings I realized that

these kinds of paintings I realized that the possibilities are essentially

the possibilities are essentially

the possibilities are essentially endless because nobody had been

endless because nobody had been

endless because nobody had been representing these because of paintings

representing these because of paintings

representing these because of paintings except for straight white people and

except for straight white people and

except for straight white people and that everybody else was was missing and

that everybody else was was missing and

that everybody else was was missing and that there were a million stories that I

that there were a million stories that I

that there were a million stories that I could tell but making a painting that

could tell but making a painting that

could tell but making a painting that features a white gay man or a Mexican

features a white gay man or a Mexican

features a white gay man or a Mexican gay man it’s something that I could

gay man it’s something that I could

gay man it’s something that I could easily do because I myself represent

easily do because I myself represent

easily do because I myself represent both of these groups and I don’t need

both of these groups and I don’t need

both of these groups and I don’t need ask anyone’s permission I can do this

ask anyone’s permission I can do this

ask anyone’s permission I can do this for my own my own perspective telling my

for my own my own perspective telling my

for my own my own perspective telling my own story and celebrating my own desire

own story and celebrating my own desire

own story and celebrating my own desire but if I’m going to tell a painting

but if I’m going to tell a painting

but if I’m going to tell a painting about another minority that is not from

about another minority that is not from

about another minority that is not from a group of myself if I wanted painted

a group of myself if I wanted painted

a group of myself if I wanted painted women if I want to paint transgender men

women if I want to paint transgender men

women if I want to paint transgender men or women I need to I need to do

or women I need to I need to do

or women I need to I need to do something else I need to like approach

something else I need to like approach

something else I need to like approach the models so so these are the kinds of

the models so so these are the kinds of

the models so so these are the kinds of paintings I started making afterwards

paintings I started making afterwards

paintings I started making afterwards you know celebrating a wider variety of

you know celebrating a wider variety of

you know celebrating a wider variety of people and to do this I need to I need

people and to do this I need to I need

people and to do this I need to I need to talk to the model and ask them what

to talk to the model and ask them what

to talk to the model and ask them what their experience was

their experience was

their experience was I need to listen to them and tell listen

I need to listen to them and tell listen

I need to listen to them and tell listen to them when they told me their stories

to them when they told me their stories

to them when they told me their stories and represent that and and not represent

and represent that and and not represent

and represent that and and not represent the fantasy that I had brought to it

the fantasy that I had brought to it

the fantasy that I had brought to it beforehand I need to approach the model

beforehand I need to approach the model

beforehand I need to approach the model and the work that I’m making with

and the work that I’m making with

and the work that I’m making with empathy and extend that empathy through

empathy and extend that empathy through

empathy and extend that empathy through the work to a broader audience so that

the work to a broader audience so that

the work to a broader audience so that that audience can if they’re coming from

that audience can if they’re coming from

that audience can if they’re coming from the outside can can experience like the

the outside can can experience like the

the outside can can experience like the kind of love that I’m trying to

kind of love that I’m trying to

kind of love that I’m trying to celebrate I feel like to make the kind

celebrate I feel like to make the kind

celebrate I feel like to make the kind of painting that I want to make I need

of painting that I want to make I need

of painting that I want to make I need to approach it with an open mind and

to approach it with an open mind and

to approach it with an open mind and make something that’s beautiful and

make something that’s beautiful and

make something that’s beautiful and something that’s loving and something

something that’s loving and something

something that’s loving and something that speaks to the model to the models

that speaks to the model to the models

that speaks to the model to the models community to the wider queer community

community to the wider queer community

community to the wider queer community and to like the wider human community a

and to like the wider human community a

and to like the wider human community a story about the diversity of gender and

story about the diversity of gender and

story about the diversity of gender and the the universality of love so so I

the the universality of love so so I

the the universality of love so so I consider myself an activist I feel like

consider myself an activist I feel like

consider myself an activist I feel like there’s a story that I have to tell and

there’s a story that I have to tell and

there’s a story that I have to tell and an ability that I have to communicate

an ability that I have to communicate

an ability that I have to communicate and to add to a conversation I feel like

and to add to a conversation I feel like

and to add to a conversation I feel like with the work that I can do I can move a

with the work that I can do I can move a

with the work that I can do I can move a conversation along and I can celebrate

conversation along and I can celebrate

conversation along and I can celebrate pride celebrate love and celebrate

pride celebrate love and celebrate

pride celebrate love and celebrate acceptance so if I’m ever asked how I

acceptance so if I’m ever asked how I

acceptance so if I’m ever asked how I feel about being Mexican and and and gay

feel about being Mexican and and and gay

feel about being Mexican and and and gay I feel like I can honestly reply I feel

I feel like I can honestly reply I feel

I feel like I can honestly reply I feel like I hit the jackpot thank you very

like I hit the jackpot thank you very

like I hit the jackpot thank you very much

”

Be First to Comment

Leave a Reply

Your email address will not be published. Required fields are marked *