[Music]
hello everyone so why tolerate
for us that or so the turn and that’s
a traditional Polynesian instrument
and the water sprout or us who wants
say box and sao which is a biscuit in
makes his leg well known to Polynesians
it’s a box of metal biscuits
or I’m just doing the comparison
between a traditional instrument and
it’s adoptable it’s this adaptation
precisely to a box of imported I
would say in metal with rhythms
traditional
so here are the percussionists I
Polynesians have adapted precisely
it’s already culture at their roots
to something a little more modern
So I would say this title of the rsa to
illustrious also the step that I have
about the sculptures and the songs that
I do with it and so simply
me what I bring it into my
compositions
it’s all about exposing my
roots and try to bring this
culture to what it comes to the maximum
on the outside the optima what got me
sensitized announced in this
approach from there first of all being
little I listened a lot radio and
I listened to the music
Polynesian
there was certainly a brake that existed
already it was Polynesian music
in general is very fast and in
Tahitian course but goals
a lot a lot in difficult tahitian
to enjoy music anyway
very very fast with words that we
does not necessarily include a rhythmic
there is enough aggressive and catchy
certainly there are also themes that are
not necessarily addressed in the sense that
that’s not necessarily described
daily life conditions polynesia
these are themes that revolve around the
paradise of the beauty of the island
Thursday beautiful women beautiful
vahiné here is not every day
like that here in Polynesia and the way
of diffusion also something of
Thursday the of obsolete before or
events broadcast in radio and on
the police and on Polynesia
so we had this problem of
radiation of course we had this
very festive side with the forget it all
that but in the end we did not talk about
we really were not I would say
we were not we were not well
exposed is now following is
a young man I listened to other styles
musical
so of course I would say the reggae the
rock bossa nova
all these different musical styles that
comes from the outside and I appreciated
simply the message that had
behind or dc tahiti I could
closer to me
in the universe says some music
tell them well
so I say their daily lives and
I missed Samassa I would say
does it here anton Polynesians on
is not this ability to the fact that
these means of giving oneself to explain
how is actually going
it is Polynesia’s vision so here is
it really illustrates this approach
where I bring I will tell my roots
because I Polynesian culture
is a bit scattered so we do not have
I do not have all the keys to
this culture but with what I have I
did it I did I did the gesture
to want to adapt it precisely to
different rhythms but also to
tell our life story
that I lead mostly more or less good
with a few minor touch ups
sure it’s a lot more open
on the outside
especially I have a song a
composition that is called bankruptcy and
so not bankrupt and in Tahitian it
means to reconcile them the
reconciliation already we are in a
subject a theme still not very
merry more or less ok the
conciliations there have been we will say
something not very good and then
we are going towards a reconstruction with
something more positive with the
tolerance and forgiveness
favorite in this music I sing
completely to Haitians but the
music that I bring is not a
traditional music
it’s a pop rock music so a
rhythmic and a different style comes
from the outside I adapt them to our
slow of course the lyrics I tried
that phonetically
but every person when she listens
and if they like them sing called
afterwards it makes that this alchemy
to work in the sense that people
already knew each other by the music
I brought in the musical progression
this side of the down payment is something
very difficult thing to
melancholy but what to go to
something that was being built towards
the hope already musically one
heard I’m going to make you a
demonstration a little later we
musically hears this progression and
this hope of coming and
and that’s starting to hit so
this music could radiate everything
just outside who are at
mexico in japan in france in the states
united we got a lot of feedback on this
precisely on the way we have
led the music and finally they did not
did not necessarily understand because he
do not speak here but they tell us
asked for translation later
so much he was touched
although by music told me that’s it
can you give us the
translation
translations we spent and what
happened is extraordinary it’s
that it’s in this song I’m telling
just that I’m a child of
Polynesia
I did not receive on Thursday the inheritance
that I wanted to receive from my
seniors but still I’m going
take my stone to this culture I
will build it again today and
he eats is simply it’s even
if I do not speak for a montage
I will sing in palce and I will
was singing and that’s it
had them my big song and that’s it
the attribution to people that I brought
to foreigners and is this the find
because it’s a problem
in the end that everyone knows in
major cities whether in
France or elsewhere where precisely we live
with this modern life that is going to
their sometimes and then we try to follow
the pace and while providing forgetting
a little bit our basics our sitting and that
see them again and see that it’s my
god this culture she is there the
prisons in every country in every
each family and that this lack it
there is also a place in the I think
that we have taken the first step towards
much more open thing while
keeping our roots alive I said
with you and pushes them to adapt
our culture to what they radiate
outside
and that’s just from
there the mode of diffusion also these
democrats democratize I would say with
Internet
so we used modern tools
also Thursday at the internet the video have
do more live concerts finally that
really grew here at
level of Polynesia
and it’s thanks to that that we were able to
to be exported to the musical level and that’s it
so that’s exactly what I wanted
introduce yourself and try to
just take ownership if they
stay or even build this
culture and do it and we are at maximum
six but that’s my approach
good for the moment I’m going to you
illustrate that with a little
demonstration it will talk to you
surely a little bit more the song that I
have you taken I will introduce you
it is of course not bankrupt and the
reconciliation
[Music]
a
[Music]
made in italy beautiful swimsuit offered a
small country but naruto
[Music]
There you go
and fetish word
[Music]
and veiled
and me
[Music]
m
[Music]
e
common paris
m
[Music]
Oh
for mario
[Music]
hey hey
going
and
and my fetish
and
[Music]
and veiled
a stir all
[Music]
veiled
and why not
veiled
[Applause]
the
[Music]
and
and
hey hey hey
[Music]
t
yeah
and words
[Music]
m
and
omaha
[Music]
wae
here I am putting you his children
[Music]
the
[Applause]
[Music]
[Applause]
”
Be First to Comment