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Los espacios intermedios de creación | Claudia Vega | TEDxYouth@Valladolid


[Music]

[Applause]

flares of the composition process

more would be quite complicated

so he has decided to sing I’m here

the story of one of my songs so

only nine months he lived in the seventh

plant of a building in the winter

cold had already happened when I kept

the memory of those colder times

The fact is that one night when the

wind was blowing hard

I opened my window and on the horizon of

security is funny because when you look

the horizon of the latter is a

tide of the simeone if the

us by the intensity of their lights

yesterday the neons that stand out on the

rest some lions in the form of crosses

Christians that indicate from the heights

where are the investments

Evangelicals and Catholics

there was a neon after the turn

from the corner on my street has died a

year more every day and I crossed

I do not mind that he cleaned part of the

building the solos that you get to the

look at the neon that night in remembering

my concierge with much sadness

this morning he had come down like

every morning to buy me one

apple by not recognizing many of the

Labor that was used to

Korea ended up clutching a few and

he developed a great addiction for

apples

it seems a joke but military apples

at home and that’s why every morning I

he woke up he lowered the seven floors of the

building

warmly greet my concierge and

I bought a single apple

[Music]

but this morning I will not be back

and I would not be the next morning

neither

[Music]

later I found out that the caretaker

I had passed away and the news

he was so sad that he does not have

need to write you devote to that

I did not know anything about the concierge

I never knew either but it was

extremely familiar as a bit

from españa korean I thought

interesting as my mind that created

links constantly between these two

so different places

I saw more and more Garcia Lorca

I had a recording of the romancero

gypsy as he put at night when

thousand while the breeze came through the

window and it brought me inclusions of

Madrid

I listened to him with someone who is not

well and I saw myself reflected in their

stories

[Music]

it seemed that a space was being

opening before me in which the barriers

between places and nations not

they are defined as they had been

until then and thinking and giving it

How can I talk to you here today about

creative process

I get the impression that it is almost

impossible to talk about it but yes that

I could mention that space that

I just mentioned that space

intermediate in which I can put things together

that I have not seen as related

previously

so I think that is an element that

could work as a recurrent in my

experience when creating well

slowly come I took my dog that was

sitting on my bed and I started singing

with her and now I’m going to ask you

you imagine what you are in my also

not that you are on the seventh floor of

a building in Seoul but yes that

space opens before us a space

in which you have all the freedom of

world to create what you guys

he deserves relief

our mind begins to have ties

It matters little what is consistent what

not since the more open that in

these six with yourselves

the most crazy situations in

reach himself he has said with

frequency of the creative process that is

as a kind of throwback to a

most primitive state of consciousness in

the one that our mind would be able to

make freer associations more

rational among mental elements more

disparate and for that reason I think that the

history that you with taxis do not

I can count and nobody can tell

next to us is the story that

you with taxis are you can tell

you and its value resides

so I’m going to go back to my story my

truck was listening to bob dylan

that night when the wind

it blew hard it was lynn throw to a

song that gotti certifies half of

the 60s and later popularity already

this

[Music]

michelena pause lower

Chayanne consigned semi or cyclists not

[Applause]

will win that there is more

the title of this bob dylan song

of an American author since the bank

belonging to the beat generation

Rubalcaba also belonged to one of

my favorite poets

allen ginsberg who wrote a poem

in the valley he had thought several times

being in Korea since he said yes in my

hunger in a land in search of

images in the fruit supermarket

of neon a dreaming with its numbering

uu that peaches followed penumbras and

whole families shopping at night

corridors full of husbands husbands

between the baby avocados in the

tomatoes and you garcia lorca that you were

doing said watermelons point

so there he was there in the

seventh floor of a sour building

singing to my concierge while

wind work shows through the sea

has a spiral in when I came to the

mind this song that was coming

listening from cellar and from there those

night supermarket images and

neons of allen ginsberg and finally

Lorca

a week later he caught a plane

back to madrid when the loneliness

it became unbearable and

return

I wrote 14 pages of song that

reduce to five minutes

[Music]

ballasting the brush strokes that paint a

little by little this song that with

your permission now we have to r

zaballa has made nobody

It seems made to be calmed for calls

in christiania good time the state is

saw dance head shaved Arab house

[Music]

javier sábada betín yesterday almost areas

no more

cannes is so bad that in weapons made

hand was easy

once well-born towards was modest in

Aragón is normal is that I dance and before

this workshop

there is vpo federico china e bike ansa and dpa

precious parchment moon touch either

for a zero row of crystals and

labor and finances without stars

shining from the singsong kagan bernard

butler and sing your night full of guys

of the sierra pescara moneys have

guarding the pews towers where they live

water income and gypsies

they raise for distracting gazebos from

snails and precious bergamum branches

touching well to see them has raised the

wind that never sleeps

san cristóbal to a nude and full of

celestial languages

look at the girl who plays a sweet cause

girl let them raise their dress to

see what will be in my two friends the

blue rose of your belly

but the tambourine and run if they bring me this

number chases her with a sword

hot french a rumor the sea the

olive trees to give you sing the silver of

manliness and in Lisbon where the snow

pulled out he repeated until the

precious green wind runs prices has

looked where they come from

shapiro of low stars with their

reducing languages

Ceosa full of fear entering the house

that has above the times the

Consul of the English

scared by the three screams

Carabineros have their blacks

chestnuts and the galaxy caps

the English of the gypsy a glass of tea

vials and a glass of gin and precious

you do not see

and while she is crying her adventure

those people in the slate brows

the furious wind

[Music]

[Applause]

[Music]

[Applause]

[Music]

they had rafa that he gave on the mahler pole and

he learned that you had to be

more to what I saw

you should walk for cars pain away

laws

to

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