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Cinema in Society | Javed Akhtar | TEDxIIFTDelhi


[Music]

[Music] [Applause]

[Applause]

[Applause] hello everybody everybody can hear me

well I’m talking about cinema and

well I’m talking about cinema and society we are a nation of movie buffs

society we are a nation of movie buffs

society we are a nation of movie buffs so this is very relevant to think and

so this is very relevant to think and

so this is very relevant to think and analyze how cinema influences society

analyze how cinema influences society

analyze how cinema influences society and how society in princess cinema you

and how society in princess cinema you

and how society in princess cinema you see art I mean let me start by stating

see art I mean let me start by stating

see art I mean let me start by stating obvious that art should entertain but

obvious that art should entertain but

obvious that art should entertain but there is a difference between art and

there is a difference between art and

there is a difference between art and circus circus’ only entertained art has

circus circus’ only entertained art has

circus circus’ only entertained art has many more things to do and particularly

many more things to do and particularly

many more things to do and particularly cinema because cinema is a kind of a

cinema because cinema is a kind of a

cinema because cinema is a kind of a synthesis of so many arts

synthesis of so many arts

synthesis of so many arts it has literature it has visual it has

it has literature it has visual it has

it has literature it has visual it has music it has acting it has dancing it

music it has acting it has dancing it

music it has acting it has dancing it has every form of art somehow or the

has every form of art somehow or the

has every form of art somehow or the other contributes in cinema but does it

other contributes in cinema but does it

other contributes in cinema but does it reflect society does it reflect the

reflect society does it reflect the

reflect society does it reflect the aspirations and hopes and dreams of

aspirations and hopes and dreams of

aspirations and hopes and dreams of society their apprehensions and hurts

society their apprehensions and hurts

society their apprehensions and hurts and bruises I believe that even

and bruises I believe that even

and bruises I believe that even mainstream cinema which has no claim

mainstream cinema which has no claim

mainstream cinema which has no claim over reality does that one can ask that

over reality does that one can ask that

over reality does that one can ask that if the film is films are not realistic

if the film is films are not realistic

if the film is films are not realistic how can they portray how can they

how can they portray how can they

how can they portray how can they reflect truth of the society you know

reflect truth of the society you know

reflect truth of the society you know commercial cinema has its own language

commercial cinema has its own language

commercial cinema has its own language like dreams have you know when we sleep

like dreams have you know when we sleep

like dreams have you know when we sleep all the parts of our bodies are

all the parts of our bodies are

all the parts of our bodies are functional

functional

functional except for brain brain functions in a

except for brain brain functions in a

except for brain brain functions in a different manner because if it keeps on

different manner because if it keeps on

different manner because if it keeps on functioning the way it functions when we

functioning the way it functions when we

functioning the way it functions when we are awake how will we sleep so it has a

are awake how will we sleep so it has a

are awake how will we sleep so it has a trick

trick

trick it changes the language and instead of

it changes the language and instead of

it changes the language and instead of thinking shop focus it starts working in

thinking shop focus it starts working in

thinking shop focus it starts working in dreams

dreams

dreams now dreams don’t come from Marcel moon

now dreams don’t come from Marcel moon

now dreams don’t come from Marcel moon they come from the realities but they

they come from the realities but they

they come from the realities but they turn into symbols and if you tell your

turn into symbols and if you tell your

turn into symbols and if you tell your dream to any psychologist he or she will

dream to any psychologist he or she will

dream to any psychologist he or she will be able to analyze and tell you why you

be able to analyze and tell you why you

be able to analyze and tell you why you are seeing the dream and why you have

are seeing the dream and why you have

are seeing the dream and why you have seen your dream the same way cinema if

seen your dream the same way cinema if

seen your dream the same way cinema if we look at it carefully as a matter of

we look at it carefully as a matter of

we look at it carefully as a matter of fact in the light of the list of the

fact in the light of the list of the

fact in the light of the list of the heroes or the lists of the villains was

heroes or the lists of the villains was

heroes or the lists of the villains was a list of the hero ins the characters

a list of the hero ins the characters

a list of the hero ins the characters I’m not talking factor you can write the

I’m not talking factor you can write the

I’m not talking factor you can write the socio-economic political history of this

socio-economic political history of this

socio-economic political history of this country of last 70 years and more as a

country of last 70 years and more as a

country of last 70 years and more as a matter of fact if remember in 14th who

matter of fact if remember in 14th who

matter of fact if remember in 14th who is a hero David us

is a hero David us

is a hero David us Devdas was the symbol the

Devdas was the symbol the

Devdas was the symbol the personification of the funeral system

personification of the funeral system

personification of the funeral system that was breathing its last there even a

that was breathing its last there even a

that was breathing its last there even a lover even a rebel

lover even a rebel

lover even a rebel could not think to rebel against the

could not think to rebel against the

could not think to rebel against the parents are in the establishment so that

parents are in the establishment so that

parents are in the establishment so that anger was directed towards the self and

anger was directed towards the self and

anger was directed towards the self and there was a glorification in that

there was a glorification in that

there was a glorification in that society for self-destruction then the

society for self-destruction then the

society for self-destruction then the world changed and came the time when we

world changed and came the time when we

world changed and came the time when we got independence and we are hopeful and

got independence and we are hopeful and

got independence and we are hopeful and we were happy and we thought

we were happy and we thought

we were happy and we thought everything’s going to be fine and right

everything’s going to be fine and right

everything’s going to be fine and right and the happiness is just around the

and the happiness is just around the

and the happiness is just around the corner and wonderful days out the next

corner and wonderful days out the next

corner and wonderful days out the next page of the calendar and then we had a

page of the calendar and then we had a

page of the calendar and then we had a rebel star now

rebel star now

rebel star now the rebel star that we saw later the

the rebel star that we saw later the

the rebel star that we saw later the rebel image that we saw later you see in

rebel image that we saw later you see in

rebel image that we saw later you see in 70s this rebel star was different this

70s this rebel star was different this

70s this rebel star was different this rebel star had no problems with the

rebel star had no problems with the

rebel star had no problems with the society with the economic or social

society with the economic or social

society with the economic or social system because this rebel star was

system because this rebel star was

system because this rebel star was hopeful the only fight he had won with

hopeful the only fight he had won with

hopeful the only fight he had won with the few realistic system of his or her

the few realistic system of his or her

the few realistic system of his or her own family

own family

own family so this star for the first time unlike

so this star for the first time unlike

so this star for the first time unlike Devdas he started telling the parents

Devdas he started telling the parents

Devdas he started telling the parents the mother or the father or the

the mother or the father or the

the mother or the father or the grandfather that I will marry Franco and

grandfather that I will marry Franco and

grandfather that I will marry Franco and I won’t marry Soto

I won’t marry Soto

I won’t marry Soto that was a rebellion

that was a rebellion

that was a rebellion then in a while the dream shattered the

then in a while the dream shattered the

then in a while the dream shattered the society realized people rely the younger

society realized people rely the younger

society realized people rely the younger generation life that things are not that

generation life that things are not that

generation life that things are not that hunky-dory happy days are not here and

hunky-dory happy days are not here and

hunky-dory happy days are not here and so on and so forth

so on and so forth

so on and so forth and did disillusionment which ultimately

and did disillusionment which ultimately

and did disillusionment which ultimately came to her seventies created the angry

came to her seventies created the angry

came to her seventies created the angry young man this was for the first time a

young man this was for the first time a

young man this was for the first time a vigilante

vigilante

vigilante a man who had lost because the society

a man who had lost because the society

a man who had lost because the society had lost trust in the institutions that

had lost trust in the institutions that

had lost trust in the institutions that was the time when extra-constitutional

was the time when extra-constitutional

was the time when extra-constitutional forces were rising that was a time when

forces were rising that was a time when

forces were rising that was a time when the wholes

the wholes

the wholes decisions were being rejected and so on

decisions were being rejected and so on

decisions were being rejected and so on so forth and that was a time that you

so forth and that was a time that you

so forth and that was a time that you saw on the screen an angry young man has

saw on the screen an angry young man has

saw on the screen an angry young man has come but how long you can remain angry

come but how long you can remain angry

come but how long you can remain angry so ultimately you were tired of anger

so ultimately you were tired of anger

so ultimately you were tired of anger and comes a cynicism then you see that

and comes a cynicism then you see that

and comes a cynicism then you see that the villain who was once upon a time the

the villain who was once upon a time the

the villain who was once upon a time the villain was the tacos the Zamindar when

villain was the tacos the Zamindar when

villain was the tacos the Zamindar when we had that remnants of feudal system

we had that remnants of feudal system

we had that remnants of feudal system then with urbanization the villain

then with urbanization the villain

then with urbanization the villain became the capitalist the mill owner

became the capitalist the mill owner

became the capitalist the mill owner because that was the time of socialistic

because that was the time of socialistic

because that was the time of socialistic pattern of society and then you see that

pattern of society and then you see that

pattern of society and then you see that the villain as urbanization became

the villain as urbanization became

the villain as urbanization became denser and the villain was the slumlord

denser and the villain was the slumlord

denser and the villain was the slumlord or the urban gangster and lo and behold

or the urban gangster and lo and behold

or the urban gangster and lo and behold within few years this gangster this

within few years this gangster this

within few years this gangster this urban gangster became the hero that tell

urban gangster became the hero that tell

urban gangster became the hero that tell something about the morality for society

something about the morality for society

something about the morality for society then after that the villain was the

then after that the villain was the

then after that the villain was the policeman the politician which was

policeman the politician which was

policeman the politician which was unimaginable in 40s or 50s because we

unimaginable in 40s or 50s because we

unimaginable in 40s or 50s because we used to respect politicians leaders but

used to respect politicians leaders but

used to respect politicians leaders but in 80s the villain was the politician

in 80s the villain was the politician

in 80s the villain was the politician the policeman and in 90s for barrier

the policeman and in 90s for barrier

the policeman and in 90s for barrier vyas reason the villain became the

vyas reason the villain became the

vyas reason the villain became the pakistani terrorist and then we got

pakistani terrorist and then we got

pakistani terrorist and then we got tired of him also the law of diminishing

tired of him also the law of diminishing

tired of him also the law of diminishing utility was applied on him

utility was applied on him

utility was applied on him and at the moment we don’t have any

and at the moment we don’t have any

and at the moment we don’t have any melon because today the villain of the

melon because today the villain of the

melon because today the villain of the society has said tomb Raider’s

society has said tomb Raider’s

society has said tomb Raider’s resemblance with us that we don’t want

resemblance with us that we don’t want

resemblance with us that we don’t want to face him we don’t want to expose him

to face him we don’t want to expose him

to face him we don’t want to expose him as a matter of fact we want to be him so

as a matter of fact we want to be him so

as a matter of fact we want to be him so how can we call him a villain that’s why

how can we call him a villain that’s why

how can we call him a villain that’s why we are devoid of villains at the moment

we are devoid of villains at the moment

we are devoid of villains at the moment look at the women characters man Chopra

look at the women characters man Chopra

look at the women characters man Chopra he was a film and Meena Kumari in

he was a film and Meena Kumari in

he was a film and Meena Kumari in minasan out of the world who would cried

minasan out of the world who would cried

minasan out of the world who would cried the drop of the Hat their husbands will

the drop of the Hat their husbands will

the drop of the Hat their husbands will go on the quota to listen to mudra and

go on the quota to listen to mudra and

go on the quota to listen to mudra and they will sit in the temple and sing

they will sit in the temple and sing

they will sit in the temple and sing bhajans for a long for the long life of

bhajans for a long for the long life of

bhajans for a long for the long life of the husband and so forth now she is

the husband and so forth now she is

the husband and so forth now she is rejected

rejected

rejected she is gone the society is aware that

she is gone the society is aware that

she is gone the society is aware that she is no longer a currency but she is

she is no longer a currency but she is

she is no longer a currency but she is not on the screen also you see it is not

not on the screen also you see it is not

not on the screen also you see it is not a one-way traffic it is given cake what

a one-way traffic it is given cake what

a one-way traffic it is given cake what happens that there are some they think

happens that there are some they think

happens that there are some they think but counter to plate they fantasize but

but counter to plate they fantasize but

but counter to plate they fantasize but they can’t visualize they imagine desire

they can’t visualize they imagine desire

they can’t visualize they imagine desire but can’t deem the cinema somehow

but can’t deem the cinema somehow

but can’t deem the cinema somehow instinctively understand what they are

instinctively understand what they are

instinctively understand what they are looking for and when the guest is right

looking for and when the guest is right

looking for and when the guest is right when the filmmaker the writer of guess

when the filmmaker the writer of guess

when the filmmaker the writer of guess is right the film offers an icon the

is right the film offers an icon the

is right the film offers an icon the film offers a symbol the film offers a

film offers a symbol the film offers a

film offers a symbol the film offers a narrative a character and the audiences

narrative a character and the audiences

narrative a character and the audiences decide what we were looking for and has

decide what we were looking for and has

decide what we were looking for and has the best it’s obviously the change is

the best it’s obviously the change is

the best it’s obviously the change is constant that’s why the hero hero in

constant that’s why the hero hero in

constant that’s why the hero hero in everybody changes

everybody changes

everybody changes you see you used to have Mona darling

you see you used to have Mona darling

you see you used to have Mona darling used to have Rita we used to have Julie

used to have Rita we used to have Julie

used to have Rita we used to have Julie wherever they gone they are no longer in

wherever they gone they are no longer in

wherever they gone they are no longer in the friends anymore because the hero and

the friends anymore because the hero and

the friends anymore because the hero and used to be the potato Murtaugh sati

used to be the potato Murtaugh sati

used to be the potato Murtaugh sati Savitri that time some baby needed

Savitri that time some baby needed

Savitri that time some baby needed somebody like Rita and Miss moon also

somebody like Rita and Miss moon also

somebody like Rita and Miss moon also but then our hero in became miss Mona

but then our hero in became miss Mona

but then our hero in became miss Mona and the society accepted that so now we

and the society accepted that so now we

and the society accepted that so now we don’t we don’t need those vamps and it

don’t we don’t need those vamps and it

don’t we don’t need those vamps and it is all of it is happening in the society

is all of it is happening in the society

is all of it is happening in the society in cinema is really only reflecting it

in cinema is really only reflecting it

in cinema is really only reflecting it then cinema if you die image then you

then cinema if you die image then you

then cinema if you die image then you take the tomato and send a stronger

take the tomato and send a stronger

take the tomato and send a stronger message to society cinema and so on so

message to society cinema and so on so

message to society cinema and so on so forth in there is a major change when I

forth in there is a major change when I

forth in there is a major change when I joined film industry I was 19 year old I

joined film industry I was 19 year old I

joined film industry I was 19 year old I had joined after my graduation and when

had joined after my graduation and when

had joined after my graduation and when I started writing and should some

I started writing and should some

I started writing and should some producer they said son you are talented

producer they said son you are talented

producer they said son you are talented you will become a writer but let me give

you will become a writer but let me give

you will become a writer but let me give you an advice write story which will be

you an advice write story which will be

you an advice write story which will be popular in small towns because that is

popular in small towns because that is

popular in small towns because that is where the money is there are very few

where the money is there are very few

where the money is there are very few big cities and the rental theater rental

big cities and the rental theater rental

big cities and the rental theater rental is so high that we don’t get much money

is so high that we don’t get much money

is so high that we don’t get much money from the big cities this film should run

from the big cities this film should run

from the big cities this film should run in this small town after 45 years this

in this small town after 45 years this

in this small town after 45 years this mantra is standing on its head now they

mantra is standing on its head now they

mantra is standing on its head now they say that I mean I’m repeating the words

say that I mean I’m repeating the words

say that I mean I’m repeating the words of the producer young producer I won’t

of the producer young producer I won’t

of the producer young producer I won’t name him that I don’t care if my film

name him that I don’t care if my film

name him that I don’t care if my film doesn’t get relieved in European Bihar

doesn’t get relieved in European Bihar

doesn’t get relieved in European Bihar as long as it is doing well in

as long as it is doing well in

as long as it is doing well in multiplexes or big cities and diaspora

multiplexes or big cities and diaspora

multiplexes or big cities and diaspora likes it I am home safe and dry now this

likes it I am home safe and dry now this

likes it I am home safe and dry now this person is not a sociologist this person

person is not a sociologist this person

person is not a sociologist this person is not an economist but this person

is not an economist but this person

is not an economist but this person unwittingly unknowingly making a

unwittingly unknowingly making a

unwittingly unknowingly making a statement that almost 75% human beings

statement that almost 75% human beings

statement that almost 75% human beings Indians are redundant and understandably

Indians are redundant and understandably

Indians are redundant and understandably so because you had to hospital for each

so because you had to hospital for each

so because you had to hospital for each people hospital for poor people hotel

people hospital for poor people hotel

people hospital for poor people hotel for rich people hotel for poor people

for rich people hotel for poor people

for rich people hotel for poor people school for each people school for poor

school for each people school for poor

school for each people school for poor people now you have theta for rich

people now you have theta for rich

people now you have theta for rich people and theta3

people and theta3

people and theta3 these multiplexes have offered as a

these multiplexes have offered as a

these multiplexes have offered as a package deal

package deal

package deal something is very good about it

something is very good about it

something is very good about it something is not so good good that we

something is not so good good that we

something is not so good good that we are allowed to have all kind of film

are allowed to have all kind of film

are allowed to have all kind of film then they become viable bad because the

then they become viable bad because the

then they become viable bad because the audience that comes to multiplexes is

audience that comes to multiplexes is

audience that comes to multiplexes is not interested in social economic

not interested in social economic

not interested in social economic problems of the country it has happened

problems of the country it has happened

problems of the country it has happened for the first time you will notice that

for the first time you will notice that

for the first time you will notice that the protagonists of Hindi cinema

the protagonists of Hindi cinema

the protagonists of Hindi cinema in no longer a working person or a poor

in no longer a working person or a poor

in no longer a working person or a poor person he doesn’t come from working

person he doesn’t come from working

person he doesn’t come from working class in 40 50 60 70 you may not agree

class in 40 50 60 70 you may not agree

class in 40 50 60 70 you may not agree with the intellectual level of those

with the intellectual level of those

with the intellectual level of those films but who is the hero

films but who is the hero

films but who is the hero Richa wala taxi driver a farmer a mill

Richa wala taxi driver a farmer a mill

Richa wala taxi driver a farmer a mill worker a clerk a schoolteacher a lawyer

worker a clerk a schoolteacher a lawyer

worker a clerk a schoolteacher a lawyer a doctor now our protagonist doesn’t

a doctor now our protagonist doesn’t

a doctor now our protagonist doesn’t work he lives in a palatial house and

work he lives in a palatial house and

work he lives in a palatial house and when he steps out he’s in Switzerland

when he steps out he’s in Switzerland

when he steps out he’s in Switzerland because if he’ll walk on the streets of

because if he’ll walk on the streets of

because if he’ll walk on the streets of India some poor person may come in the

India some poor person may come in the

India some poor person may come in the frame and he spoiled the party so what

frame and he spoiled the party so what

frame and he spoiled the party so what has happened that on one hand we are

has happened that on one hand we are

has happened that on one hand we are achieving variety on the other hand at

achieving variety on the other hand at

achieving variety on the other hand at the cost of certain realities so Turkey

the cost of certain realities so Turkey

the cost of certain realities so Turkey is economically divided

is economically divided

is economically divided I mean 75 people don’t mean there are 25

I mean 75 people don’t mean there are 25

I mean 75 people don’t mean there are 25 paper that are important and obviously

paper that are important and obviously

paper that are important and obviously because that those 75 people will buy in

because that those 75 people will buy in

because that those 75 people will buy in a single theatre buy tickets in 10

a single theatre buy tickets in 10

a single theatre buy tickets in 10 rupees 50 rupees this man will buy a

rupees 50 rupees this man will buy a

rupees 50 rupees this man will buy a ticket in 500 rupees so he is worth 10

ticket in 500 rupees so he is worth 10

ticket in 500 rupees so he is worth 10 of them here I have to please one they

of them here I have to please one they

of them here I have to please one they all have to please 10 people so this is

all have to please 10 people so this is

all have to please 10 people so this is a better deal and then I’ll be talking

a better deal and then I’ll be talking

a better deal and then I’ll be talking about them and I’ll be writing about

about them and I’ll be writing about

about them and I’ll be writing about them and I’ll be filming about them whom

them and I’ll be filming about them whom

them and I’ll be filming about them whom I know well who are my society well my

I know well who are my society well my

I know well who are my society well my people

so we are gaining sophistication we are

so we are gaining sophistication we are gaining smartness Venice at the cost of

gaining smartness Venice at the cost of

gaining smartness Venice at the cost of honesty in depth and it is coming from

honesty in depth and it is coming from

honesty in depth and it is coming from the audience I genuinely believe that

the audience I genuinely believe that

the audience I genuinely believe that audience is a pretty bad influence on

audience is a pretty bad influence on

audience is a pretty bad influence on cinema they generally accuse cinema why

cinema they generally accuse cinema why

cinema they generally accuse cinema why won’t it they would make Dobie doesn’t

won’t it they would make Dobie doesn’t

won’t it they would make Dobie doesn’t mean it would love to do that they will

mean it would love to do that they will

mean it would love to do that they will make Madame India Sujata

make Madame India Sujata

make Madame India Sujata buns me why won’t they do it you had

buns me why won’t they do it you had

buns me why won’t they do it you had done it earlier when they had done it

done it earlier when they had done it

done it earlier when they had done it when the middle class was educated and

when the middle class was educated and

when the middle class was educated and sophisticated

sophisticated

sophisticated you see when again life off with your

you see when again life off with your

you see when again life off with your packages and here in every package you

packages and here in every package you

packages and here in every package you have something good and something bad

have something good and something bad

have something good and something bad because there was hardly any in this

because there was hardly any in this

because there was hardly any in this tradition so how could you be in middle

tradition so how could you be in middle

tradition so how could you be in middle class only people who are lawyers

class only people who are lawyers

class only people who are lawyers University professors called

University professors called

University professors called teachers doctors civil servants these

teachers doctors civil servants these

teachers doctors civil servants these are the people who only trust people so

are the people who only trust people so

are the people who only trust people so they were necessarily educated but

they were necessarily educated but

they were necessarily educated but industrialization when industrialization

industrialization when industrialization

industrialization when industrialization happens it creates lots of and Cleary’s

happens it creates lots of and Cleary’s

happens it creates lots of and Cleary’s these ancillary I’ll suppose somebody is

these ancillary I’ll suppose somebody is

these ancillary I’ll suppose somebody is making a bicycle so you say okay you

making a bicycle so you say okay you

making a bicycle so you say okay you make the tube these main factory doesn’t

make the tube these main factory doesn’t

make the tube these main factory doesn’t produce everything they give small

produce everything they give small

produce everything they give small contracts to different people smaller

contracts to different people smaller

contracts to different people smaller people now these people are technicians

people now these people are technicians

people now these people are technicians these people have learned at the job but

these people have learned at the job but

these people have learned at the job but they may not be necessarily educated so

they may not be necessarily educated so

they may not be necessarily educated so industrialization creates a middle class

industrialization creates a middle class

industrialization creates a middle class which is not necessarily a do it happily

which is not necessarily a do it happily

which is not necessarily a do it happily native almost 15 crore people entered

native almost 15 crore people entered

native almost 15 crore people entered middle-class bracket for the first time

middle-class bracket for the first time

middle-class bracket for the first time I don’t know there it is right to say

I don’t know there it is right to say

I don’t know there it is right to say politically correct or not but it’s the

politically correct or not but it’s the

politically correct or not but it’s the truth

truth

truth that it takes three generations to lose

that it takes three generations to lose

that it takes three generations to lose culture

culture

culture when you lose everything then do you are

when you lose everything then do you are

when you lose everything then do you are in you remain with your culture and you

in you remain with your culture and you

in you remain with your culture and you take three generations that it goes out

take three generations that it goes out

take three generations that it goes out of you

of you

of you it takes three generations to gain

it takes three generations to gain

it takes three generations to gain culture there’s a last thing to come a

culture there’s a last thing to come a

culture there’s a last thing to come a last thing to go things are changing

last thing to go things are changing

last thing to go things are changing that’s why the next generation has grown

that’s why the next generation has grown

that’s why the next generation has grown up and the next generation you can see

up and the next generation you can see

up and the next generation you can see the difference et was the tournament

the difference et was the tournament

the difference et was the tournament when for the first time a team color

when for the first time a team color

when for the first time a team color people him and to middle class bracket

people him and to middle class bracket

people him and to middle class bracket and how you can see communalism was not

and how you can see communalism was not

and how you can see communalism was not invented by a tease

invented by a tease

invented by a tease it was all always there but it was never

it was all always there but it was never

it was all always there but it was never ever Glee or an aesthetic as it was in a

ever Glee or an aesthetic as it was in a

ever Glee or an aesthetic as it was in a tease and cinema always had made good

tease and cinema always had made good

tease and cinema always had made good and bad films but these were the dark

and bad films but these were the dark

and bad films but these were the dark ages of cinema certainly ecology this

ages of cinema certainly ecology this

ages of cinema certainly ecology this song and the speeches of mr. al-kidd

song and the speeches of mr. al-kidd

song and the speeches of mr. al-kidd when he come from the same package you

when he come from the same package you

when he come from the same package you could not imagine that a man like him

could not imagine that a man like him

could not imagine that a man like him would be the top leader of the country

would be the top leader of the country

would be the top leader of the country in 1415 not possible and you could not

in 1415 not possible and you could not

in 1415 not possible and you could not imagine circle a career John Oliver

imagine circle a career John Oliver

imagine circle a career John Oliver could be a super hit song in 15 it’s the

could be a super hit song in 15 it’s the

could be a super hit song in 15 it’s the same thing but things are changing and

same thing but things are changing and

same thing but things are changing and I’m hopeful because gradually I can see

I’m hopeful because gradually I can see

I’m hopeful because gradually I can see that the party I mean the first

that the party I mean the first

that the party I mean the first generation celebrated the party they

generation celebrated the party they

generation celebrated the party they didn’t want to hear anything about

didn’t want to hear anything about

didn’t want to hear anything about calahonda

calahonda

calahonda and so on who is having let them we are

and so on who is having let them we are

and so on who is having let them we are eating but the next generation and the

eating but the next generation and the

eating but the next generation and the next generation that is coming is all

next generation that is coming is all

next generation that is coming is all sensitive more receptive the ante not at

sensitive more receptive the ante not at

sensitive more receptive the ante not at the right place now we can see that we

the right place now we can see that we

the right place now we can see that we have crossed Kuch Kuch Hota Hai Kahuna

have crossed Kuch Kuch Hota Hai Kahuna

have crossed Kuch Kuch Hota Hai Kahuna ho pyaar ho gaya so on now the finger

ho pyaar ho gaya so on now the finger

ho pyaar ho gaya so on now the finger achieving certain depth certain

achieving certain depth certain

achieving certain depth certain sensitivity and I am extremely hopeful

sensitivity and I am extremely hopeful

sensitivity and I am extremely hopeful and I am extremely proud of this younger

and I am extremely proud of this younger

and I am extremely proud of this younger generation which has come now and things

generation which has come now and things

generation which has come now and things will become better and better

because for them it is no achievement

because for them it is no achievement that they have all the material things

that they have all the material things

that they have all the material things around them and they have the facility

around them and they have the facility

around them and they have the facility for their parents of grandparents it was

for their parents of grandparents it was

for their parents of grandparents it was energy but maybe it was an achievement

energy but maybe it was an achievement

energy but maybe it was an achievement for me but not for my children they take

for me but not for my children they take

for me but not for my children they take it for granted and now they are looking

it for granted and now they are looking

it for granted and now they are looking around they are the people with much

around they are the people with much

around they are the people with much better values much better aesthetics

better values much better aesthetics

better values much better aesthetics much better morality than my generation

much better morality than my generation

much better morality than my generation and that is why I believe that Indian

and that is why I believe that Indian

and that is why I believe that Indian mainstream cinemas future is very bright

mainstream cinemas future is very bright

mainstream cinemas future is very bright society will see good films and will ask

society will see good films and will ask

society will see good films and will ask for better friends thank you

for better friends thank you

for better friends thank you [Applause]

”

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