[Music]
[Music]
I still remember that moment clearly
after a long journey I woke up
all of a sudden on my night’s night
first contact with the city
wonderful it was 13 years ago when
for the first time alone and after a few
hours from landing in Brazil I am
found in the pulsating heart of the
bohemian carioca
the artists worked in the neighborhood
musicians where the party does not seem
never finish
[Music]
and almost dawn
but as a call in the distance I hear
still a rhythm of drums in that
concrete jungle people are the only one
tourist remained in a situation
potentially dangerous but
the attraction for those sounds is more
strong of me and without hesitating I head
to the crowd to make mine that moment
[Music]
the skin of the drums vibrates like mine
along with that of the multitude
kaleidoscopic dance
unity from that African rhythm arrived at
on the diaspora ships
the song of resistance of these people
makes it so special and rich in humanity
the community of favelas
[Music]
I want to play go to the barnyard
[Music]
the rai needs the gallery
[Music]
go away
Yes No
[Music]
the holland mine
[Music]
from that day I continued to
immerse myself in that world almost without
realize that he was totally kidnapped by the
magic of that culture
a solitary journey in search of the
origins of the samba and batucada that
it has its origins in religion
afro Brazilian of the candomble jesus e
He has not
[Music]
or
yes no
tell me
Yes No
[Music]
pavia
[Music]
career
[Music]
I was welcomed warmly in
Italian religious musical environments
the gringo so they called me
amicably after a few months ago
once borined in a lap block and the
pandoro in the rod ag samb practically
wherever I went he had become mine
inseparable companion night after night
I understood the value of the word
vivenzio learn about things
through direct experience
daily and the depth of relationships
humans have come up to the cradle of
those traditions the jeans communities of
periphery
who pays today in the historic center the
feijoada in the schools of samba and le
gis community of suburbs and also the
religious ceremonies dedicated to golds
chance in the ground there candomble that not
crown one of my dreams playing at
carnival of rio
[Music]
[Music]
[Music]
[Laughs]
[Music]
[Music]
[Music]
[Music]
from all this my first was born
song you give morgia is all with
love can be done, that is, it is a slang
that I felt a little everywhere around the
beans in the favela where I lived in bars
at every corner of the road at parties
it is a situation of almost enthusiasm
a declaration of faith yes I am
we can do it already exists
[Music]
[Music]
[Music]
[Music]
she says she does not know well but up to a1
both ineffective marcisse attracts him voodoo
my heart so much india is here we are
sure if we jean a grueling mine
big face for decades of cain
batucada me one man show of the futbol
this steady dancing that does not come
will hear nets to the friend claims a downstairs
and to look for a motorcycle that notes the fact
of a girlfriend
what is the dear that Moggiana dome
a lung
since it’s fine
already
I see
mom
[Music]
then the border
when
[Music]
those years immersed in real cariocas
they have profoundly changed me more than
another thing has changed me
touching the humanity of the people who
I have known especially the wrestlers of
every day the people who live and
families in the streets work in the streets
the people of the gis communities that they are
of the communities for real
they live in total synergy helping each other
to survive in the conditions of
extreme difficulty for the so – called
fear of degradation in which the greater
part of the favelas of rio
[Music]
despite all the difficulties the
violence, armed conflicts
poverty these people succeed
always find a reason to smile
and continue to hope for a future
best
if it is true that if it is true that if
what’s for you
and you
female
giuseppe ii se surf and liszt methods
this is one of the many songs I have
written inspired by what I experienced
in brazil and for which it is involved
also like in many others
the children of my musical laboratories
that I hold in several in the favelas of the
city
in the favela of the cantagallo a few
steps from the luxurious hotels of
copacabana
we have created a song together with i
little ones whom they imagine how
they would like it to be from their favela
ideal
where in which to live
serenely no more violence
filthy dirt but a world
enchanted in which
to be able to live peacefully made only of
harmony, prosperity and peace
[Music]
I sing galù company I counted him
no high will go and singing kalou
company surround then not time
road and singing rooster this was the
song title is so beautiful
to share with them some of
joy and the power of music that
precisely, it gives us joy
offers the possibility of an alternative
positive to the bad road and feeds
the hope of the little ones and theirs
families
the Brazilian people fighting hard
and with great humility he knows the meaning
of the word solidarity and remains united
also through music and dance
without ever stopping
exploit and dream
[Music]
yes, struggling and dreaming, but during the
carnival the biggest show at
world for which these people work
all year long for pure passion to be able to
live that magical moment in which
they feel the emotion of being important
united to create the beauty of art
[Music]
[Applause]
[Music]
[Music]
[Applause]
[Music]
[Applause]
[Music]
ephemeral happiness
certainly perhaps only an illusion
what does it really matter
live to create security in one
world that is not safe or live for
create the possibility made of a
dream made of music, dance and magic
seek exclusively well-being
material remaining maybe only then to the
end or fight to survive but
remaining united without ever stopping
to rejoice and to dream to rejoice to dream yes
simply because we are alive
eyes of children immensity
[Music]
[Music]
clear visibility
the event enters
and deep knows that life lifts you up
Go
through everything in their hands
cuts with light and shadow
but however, however
[Music]
but sings, however, however, the christ
redeemer who speaks to me in a room
But however, however, I do not
[Music]
and without shoes to touch the city of
rio
the rain cadence people indicate
I am all half free though
however, however, I am fascinated
however, that the editor who me
they wanted to get tired, however, however, however
but however, however, however
[Music]
[Music]
[Applause]
in the eyes of children immensity
[Music]
thank you very much
”
Be First to Comment