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Why everybody should play improvisational theatre | Stefan Scherbaum | TEDxDresden


hello I am a cognitive scientist and I

hello I am a cognitive scientist and I like to do research I love it but there

like to do research I love it but there

like to do research I love it but there is one thing I have to admit when you do

is one thing I have to admit when you do

is one thing I have to admit when you do research in cognitive science you never

research in cognitive science you never

research in cognitive science you never know what you will get every study is a

know what you will get every study is a

know what you will get every study is a leap into the unknown into the future

leap into the unknown into the future

leap into the unknown into the future that is uncertain as well they are on

that is uncertain as well they are on

that is uncertain as well they are on put it quite nicely in one of his talks

put it quite nicely in one of his talks

put it quite nicely in one of his talks you enter a cloud where you don’t know

you enter a cloud where you don’t know

you enter a cloud where you don’t know where you will end it is this experience

where you will end it is this experience

where you will end it is this experience of uncertainty that unsettles young

of uncertainty that unsettles young

of uncertainty that unsettles young researchers and it’s still unsettled

researchers and it’s still unsettled

researchers and it’s still unsettled myself sometimes and I think it is also

myself sometimes and I think it is also

myself sometimes and I think it is also this uncertainty that unsettled us when

this uncertainty that unsettled us when

this uncertainty that unsettled us when we think of the future this can be

we think of the future this can be

we think of the future this can be frightening and paralyzing at times so

frightening and paralyzing at times so

frightening and paralyzing at times so this is why we struggle when we want to

this is why we struggle when we want to

this is why we struggle when we want to embrace the future but there’s one thing

embrace the future but there’s one thing

embrace the future but there’s one thing that helps me and this is

that helps me and this is

that helps me and this is improvisational theater short improv so

improvisational theater short improv so

improvisational theater short improv so what I want to show you today is how I

what I want to show you today is how I

what I want to show you today is how I think that improv can help everyone to

think that improv can help everyone to

think that improv can help everyone to embrace the future so what is improv

embrace the future so what is improv

embrace the future so what is improv actually improv is theater without any

actually improv is theater without any

actually improv is theater without any script the audience provides an idea and

script the audience provides an idea and

script the audience provides an idea and the players get on stage immediately

the players get on stage immediately

the players get on stage immediately afterwards and start to develop the

afterwards and start to develop the

afterwards and start to develop the story and the characters live onstage

story and the characters live onstage

story and the characters live onstage for the audience

for the audience

for the audience this provides an enjoyable and inspiring

this provides an enjoyable and inspiring

this provides an enjoyable and inspiring evening but for the players improv can

evening but for the players improv can

evening but for the players improv can be much more it is a mind-blowing

be much more it is a mind-blowing

be much more it is a mind-blowing experience it teaches us to boldly go

experience it teaches us to boldly go

experience it teaches us to boldly go into the unknown as no one on stage

into the unknown as no one on stage

into the unknown as no one on stage knows what happens next

knows what happens next

knows what happens next I’ve played improv for 20 years and for

I’ve played improv for 20 years and for

I’ve played improv for 20 years and for 10 years here in Racine with my group

10 years here in Racine with my group

10 years here in Racine with my group vehicle tour improv has changed me and

vehicle tour improv has changed me and

vehicle tour improv has changed me and in my trainings I have seen how it

in my trainings I have seen how it

in my trainings I have seen how it changed many different people students

changed many different people students

changed many different people students prisoners cancer patients work teams

prisoners cancer patients work teams

prisoners cancer patients work teams and even teachers so how does improv do

and even teachers so how does improv do

and even teachers so how does improv do this at this point I think it’s a good

this at this point I think it’s a good

this at this point I think it’s a good idea that you try improve yourself so

idea that you try improve yourself so

idea that you try improve yourself so please I want to invite you to play a

please I want to invite you to play a

please I want to invite you to play a little game of word by word which is a

little game of word by word which is a

little game of word by word which is a seemingly simple improv game so before

seemingly simple improv game so before

seemingly simple improv game so before you start now please don’t make any

you start now please don’t make any

you start now please don’t make any arrangements beforehand okay

arrangements beforehand okay

arrangements beforehand okay the only arrangement you can make now

the only arrangement you can make now

the only arrangement you can make now please is to find a partner to play with

please is to find a partner to play with

please is to find a partner to play with so please ask one of your neighbors if

so please ask one of your neighbors if

so please ask one of your neighbors if he wants to play with you Yoshi who

he wants to play with you Yoshi who

he wants to play with you Yoshi who can’t resist there right okay since most

can’t resist there right okay since most

can’t resist there right okay since most of you have a neighbor I hope you are

of you have a neighbor I hope you are

of you have a neighbor I hope you are now ready to play so what you will do in

now ready to play so what you will do in

now ready to play so what you will do in the following you will tell the

the following you will tell the

the following you will tell the beginning of a fairy tale please don’t

beginning of a fairy tale please don’t

beginning of a fairy tale please don’t speak about which fairy tale you want to

speak about which fairy tale you want to

speak about which fairy tale you want to tell okay so you will do that and you

tell okay so you will do that and you

tell okay so you will do that and you will do that vert by vert so you will

will do that vert by vert so you will

will do that vert by vert so you will say a word then your neighbor will say a

say a word then your neighbor will say a

say a word then your neighbor will say a word and you will say a word again you

word and you will say a word again you

word and you will say a word again you build the sentences together to make

build the sentences together to make

build the sentences together to make things easier for you you might start

things easier for you you might start

things easier for you you might start with once upon a time you know that

with once upon a time you know that

with once upon a time you know that right or in german is VAR n mal okay but

right or in german is VAR n mal okay but

right or in german is VAR n mal okay but simply experience the uncertainty and

simply experience the uncertainty and

simply experience the uncertainty and remember that you simply speak word by

remember that you simply speak word by

remember that you simply speak word by word are you ready

kind of okay so go ahead and start with

kind of okay so go ahead and start with your fairy tale

okay thank you

okay thank you thank you very much

yes yep you get on the pole great

yes yep you get on the pole great [Applause]

[Applause]

[Applause] so thank you very much for engaging into

so thank you very much for engaging into

so thank you very much for engaging into this so who have you had fun simply say

this so who have you had fun simply say

this so who have you had fun simply say yes that’s great that’s what it is about

yes that’s great that’s what it is about

yes that’s great that’s what it is about mostly yes okay so what you experienced

mostly yes okay so what you experienced

mostly yes okay so what you experienced when you did this is what most players

when you did this is what most players

when you did this is what most players of impress experienced when they do this

of impress experienced when they do this

of impress experienced when they do this the first and they have a lot of fun but

the first and they have a lot of fun but

the first and they have a lot of fun but there are other things they learn by the

there are other things they learn by the

there are other things they learn by the way so what is it that we learn that

way so what is it that we learn that

way so what is it that we learn that helps us to embrace the future I think

helps us to embrace the future I think

helps us to embrace the future I think that improv helps us to face three

that improv helps us to face three

that improv helps us to face three paradoxes that are typical when we face

paradoxes that are typical when we face

paradoxes that are typical when we face uncertainty in these three paradoxes are

uncertainty in these three paradoxes are

uncertainty in these three paradoxes are those ones the first one is the so

those ones the first one is the so

those ones the first one is the so called preserving paradox well I call it

called preserving paradox well I call it

called preserving paradox well I call it this way so the preserving paradox means

this way so the preserving paradox means

this way so the preserving paradox means that on the one hand you want to

that on the one hand you want to

that on the one hand you want to preserve what’s good what’s proven but

preserve what’s good what’s proven but

preserve what’s good what’s proven but on the other hand we all want to change

on the other hand we all want to change

on the other hand we all want to change things we want to improve things so an

things we want to improve things so an

things we want to improve things so an improv when you start to play improv you

improv when you start to play improv you

improv when you start to play improv you don’t want to change anything most

don’t want to change anything most

don’t want to change anything most players are frightened of driving the

players are frightened of driving the

players are frightened of driving the story forward and they are frightened to

story forward and they are frightened to

story forward and they are frightened to give strong impulses they say things

give strong impulses they say things

give strong impulses they say things like I don’t want to destroy what we

like I don’t want to destroy what we

like I don’t want to destroy what we already have I don’t want to make

already have I don’t want to make

already have I don’t want to make mistakes I don’t want to break the rules

mistakes I don’t want to break the rules

mistakes I don’t want to break the rules so when we play improv for a longer time

so when we play improv for a longer time

so when we play improv for a longer time we learn that yes roots are important

we learn that yes roots are important

we learn that yes roots are important and we have to keep things together but

and we have to keep things together but

and we have to keep things together but we also learn that if something strange

we also learn that if something strange

we also learn that if something strange happens it doesn’t destroy the play as

happens it doesn’t destroy the play as

happens it doesn’t destroy the play as long as we accept it as long as we make

long as we accept it as long as we make

long as we accept it as long as we make it big and exploit its full potential

it big and exploit its full potential

it big and exploit its full potential even more the cool things can only

even more the cool things can only

even more the cool things can only happen if you make mistakes and break

happen if you make mistakes and break

happen if you make mistakes and break the rules sometimes so when you tell the

the rules sometimes so when you tell the

the rules sometimes so when you tell the fairy tale of Red Riding Hood and have

fairy tale of Red Riding Hood and have

fairy tale of Red Riding Hood and have accidentally the girl swallowing the

accidentally the girl swallowing the

accidentally the girl swallowing the wolf that’s the point where your story

wolf that’s the point where your story

wolf that’s the point where your story might get interesting so this is what

might get interesting so this is what

might get interesting so this is what Keith Johnstone termed the oh yes

Keith Johnstone termed the oh yes

Keith Johnstone termed the oh yes attitude and it is this attitude that

attitude and it is this attitude that

attitude and it is this attitude that helps us to accept whatever comes and

helps us to accept whatever comes and

helps us to accept whatever comes and use it and make something great out of

use it and make something great out of

use it and make something great out of it in the future

it in the future

it in the future the second paradox is what I call the

the second paradox is what I call the

the second paradox is what I call the planning paradox so on the one hand we

planning paradox so on the one hand we

planning paradox so on the one hand we want to plan to take matters in our

want to plan to take matters in our

want to plan to take matters in our hands but on the other hand we actually

hands but on the other hand we actually

hands but on the other hand we actually can’t plan we don’t know what will come

can’t plan we don’t know what will come

can’t plan we don’t know what will come it doesn’t make sense we can only react

it doesn’t make sense we can only react

it doesn’t make sense we can only react so in the beginning of playing improv

so in the beginning of playing improv

so in the beginning of playing improv you can see the players being totally

you can see the players being totally

you can see the players being totally absorbed by the plans they are sitting

absorbed by the plans they are sitting

absorbed by the plans they are sitting along the side the stage and they think

along the side the stage and they think

along the side the stage and they think stuff like I go on the stage I will be

stuff like I go on the stage I will be

stuff like I go on the stage I will be the alien and I will shoot this

the alien and I will shoot this

the alien and I will shoot this astronaut with my laser pistol and so on

astronaut with my laser pistol and so on

astronaut with my laser pistol and so on and so on

and so on

and so on well sadly the story develops in this

well sadly the story develops in this

well sadly the story develops in this time and it might take a turn and when

time and it might take a turn and when

time and it might take a turn and when the alien gets on stage it doesn’t find

the alien gets on stage it doesn’t find

the alien gets on stage it doesn’t find itself on planets walk anymore facing

itself on planets walk anymore facing

itself on planets walk anymore facing the astronaut but it finds itself in the

the astronaut but it finds itself in the

the astronaut but it finds itself in the kitchen of mr. Miller so if the player

kitchen of mr. Miller so if the player

kitchen of mr. Miller so if the player sticks to his plan now he’s lost so when

sticks to his plan now he’s lost so when

sticks to his plan now he’s lost so when we play him for for a longer time we

we play him for for a longer time we

we play him for for a longer time we learn that we have to accept our plans

learn that we have to accept our plans

learn that we have to accept our plans there are good things expectations or

there are good things expectations or

there are good things expectations or something we all have we all build them

something we all have we all build them

something we all have we all build them up automatically and they can also guide

up automatically and they can also guide

up automatically and they can also guide our action quite well but we also learn

our action quite well but we also learn

our action quite well but we also learn to stay in the present observe what’s

to stay in the present observe what’s

to stay in the present observe what’s happening and the moment the plans don’t

happening and the moment the plans don’t

happening and the moment the plans don’t fit the reality anymore we let them go

fit the reality anymore we let them go

fit the reality anymore we let them go easily as William Faulkner put it quite

easily as William Faulkner put it quite

easily as William Faulkner put it quite nicely you have to kill your darlings if

nicely you have to kill your darlings if

nicely you have to kill your darlings if they don’t support your story anymore it

they don’t support your story anymore it

they don’t support your story anymore it is this ability to plan and to let plans

is this ability to plan and to let plans

is this ability to plan and to let plans go easily that makes us spontaneous when

go easily that makes us spontaneous when

go easily that makes us spontaneous when we face the future and want to act in it

we face the future and want to act in it

we face the future and want to act in it the third paradox is the initiative

the third paradox is the initiative

the third paradox is the initiative paradox so on the one hand we want to

paradox so on the one hand we want to

paradox so on the one hand we want to shape the future according to our ideas

shape the future according to our ideas

shape the future according to our ideas and ideals but on the other hand we need

and ideals but on the other hand we need

and ideals but on the other hand we need to consider the needs and the ideas of

to consider the needs and the ideas of

to consider the needs and the ideas of other ones and give them space to thrive

other ones and give them space to thrive

other ones and give them space to thrive to you if you want to be successful so

to you if you want to be successful so

to you if you want to be successful so in the beginning of playing improv you

in the beginning of playing improv you

in the beginning of playing improv you find two types of players there’s the

find two types of players there’s the

find two types of players there’s the one type that loves to go on stage fire

one type that loves to go on stage fire

one type that loves to go on stage fire one idea after the other one and basking

one idea after the other one and basking

one idea after the other one and basking in

in

in they feel quite great on stage then

they feel quite great on stage then

they feel quite great on stage then there are the other ones they are quite

there are the other ones they are quite

there are the other ones they are quite careful they react to what happens on

careful they react to what happens on

careful they react to what happens on stage let others go first they seem

stage let others go first they seem

stage let others go first they seem quite on spectacular and often they feel

quite on spectacular and often they feel

quite on spectacular and often they feel miserable on stage when we play improv

miserable on stage when we play improv

miserable on stage when we play improv for longer we learn that they have to

for longer we learn that they have to

for longer we learn that they have to embrace both sides as players so yes we

embrace both sides as players so yes we

embrace both sides as players so yes we need to drive the story forward we need

need to drive the story forward we need

need to drive the story forward we need to give strong impulses we need to make

to give strong impulses we need to make

to give strong impulses we need to make things big but even more need to observe

things big but even more need to observe

things big but even more need to observe the others to accept their impulses to

the others to accept their impulses to

the others to accept their impulses to give space and time for emotions to grow

give space and time for emotions to grow

give space and time for emotions to grow and to make each other good time on

and to make each other good time on

and to make each other good time on stage so it’s the balance between action

stage so it’s the balance between action

stage so it’s the balance between action and observation that lets us tell a good

and observation that lets us tell a good

and observation that lets us tell a good story together the best question you can

story together the best question you can

story together the best question you can ask when you leave the stage is how did

ask when you leave the stage is how did

ask when you leave the stage is how did you my dear co actor enjoy playing with

you my dear co actor enjoy playing with

you my dear co actor enjoy playing with me and it is this attitude that helps us

me and it is this attitude that helps us

me and it is this attitude that helps us to act together and create cool things

to act together and create cool things

to act together and create cool things when we face the future so with us in

when we face the future so with us in

when we face the future so with us in mind we can now develop an image how

mind we can now develop an image how

mind we can now develop an image how improv helps us to embrace the future we

improv helps us to embrace the future we

improv helps us to embrace the future we have two players on stage and they have

have two players on stage and they have

have two players on stage and they have nothing in their hands and then one

nothing in their hands and then one

nothing in their hands and then one player starts with a little idea he

player starts with a little idea he

player starts with a little idea he simply says good morning my dear servant

simply says good morning my dear servant

simply says good morning my dear servant so this is this idea and the other

so this is this idea and the other

so this is this idea and the other player he accepts this idea and might

player he accepts this idea and might

player he accepts this idea and might say something like oh yes good morning

say something like oh yes good morning

say something like oh yes good morning my lord

my lord

my lord and then he develops his own idea and

and then he develops his own idea and

and then he develops his own idea and says well did you prepare well for the

says well did you prepare well for the

says well did you prepare well for the duel and he gives this idea to the other

duel and he gives this idea to the other

duel and he gives this idea to the other play and the other one accepts and says

play and the other one accepts and says

play and the other one accepts and says oh yes I’m well prepared we will show

oh yes I’m well prepared we will show

oh yes I’m well prepared we will show Lord monthly how to win and then he

Lord monthly how to win and then he

Lord monthly how to win and then he enters his own idea and says something

enters his own idea and says something

enters his own idea and says something like well my servant did you prepare the

like well my servant did you prepare the

like well my servant did you prepare the bow and the other player accepts this

bow and the other player accepts this

bow and the other player accepts this idea and says oh yes the bow is well

idea and says oh yes the bow is well

idea and says oh yes the bow is well prepared and then he had this idea and

prepared and then he had this idea and

prepared and then he had this idea and says I think you will blame the violin

says I think you will blame the violin

says I think you will blame the violin much better than Lord MA

much better than Lord MA

much better than Lord MA play and the other player accepts this

play and the other player accepts this

play and the other player accepts this and so on and so on so it’s the oh yes

and so on and so on so it’s the oh yes

and so on and so on so it’s the oh yes attitude it’s the spontaneous II and the

attitude it’s the spontaneous II and the

attitude it’s the spontaneous II and the ability to permanently switch between

ability to permanently switch between

ability to permanently switch between action and observation that allows our

action and observation that allows our

action and observation that allows our players to end an amplification feedback

players to end an amplification feedback

players to end an amplification feedback loop here and in this loop the story

loop here and in this loop the story

loop here and in this loop the story develops a nun self-organized manner

develops a nun self-organized manner

develops a nun self-organized manner with no control by any single player at

with no control by any single player at

with no control by any single player at a certain point the story seems to take

a certain point the story seems to take

a certain point the story seems to take over and to drive the action of the

over and to drive the action of the

over and to drive the action of the players even further this story on the

players even further this story on the

players even further this story on the stage is in real life the story of our

stage is in real life the story of our

stage is in real life the story of our future so as citizens who want to

future so as citizens who want to

future so as citizens who want to embrace the future we are improvisers on

embrace the future we are improvisers on

embrace the future we are improvisers on the stage of life yes we could get

the stage of life yes we could get

the stage of life yes we could get caught by the paradoxes of uncertainty

caught by the paradoxes of uncertainty

caught by the paradoxes of uncertainty but improv shows us a way how we can go

but improv shows us a way how we can go

but improv shows us a way how we can go further into the unknown by saying oh

further into the unknown by saying oh

further into the unknown by saying oh yes by enjoying to plan but even

yes by enjoying to plan but even

yes by enjoying to plan but even enjoying it more to let plans go and by

enjoying it more to let plans go and by

enjoying it more to let plans go and by acting together because we can only

acting together because we can only

acting together because we can only create cool things if we act together

create cool things if we act together

create cool things if we act together it is this optimism and spontaneous T

it is this optimism and spontaneous T

it is this optimism and spontaneous T that offers that impro offers to me

that offers that impro offers to me

that offers that impro offers to me as a scientist doing my research and as

as a scientist doing my research and as

as a scientist doing my research and as a citizen who wants to embrace the

a citizen who wants to embrace the

a citizen who wants to embrace the future in a thing

future in a thing

future in a thing this experience is offered by improv to

this experience is offered by improv to

this experience is offered by improv to everyone thank you very much

everyone thank you very much

everyone thank you very much [Applause]

”

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