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Political Protest in Music | Yehuda Hanani | TEDxBerkshires


we live in a time of political unrest

we live in a time of political unrest demonstrations protests how does music

demonstrations protests how does music

demonstrations protests how does music fit into such conflict we think of it as

fit into such conflict we think of it as

fit into such conflict we think of it as enchanting Orpheus and his lyre we think

enchanting Orpheus and his lyre we think

enchanting Orpheus and his lyre we think of it as seductive and erotic in

of it as seductive and erotic in

of it as seductive and erotic in countless serenades arias love songs

countless serenades arias love songs

countless serenades arias love songs there is dance music there is mystical

there is dance music there is mystical

there is dance music there is mystical music music of the spheres of course

music music of the spheres of course

music music of the spheres of course liturgical music but how does it

liturgical music but how does it

liturgical music but how does it function as a political tool in the

function as a political tool in the

function as a political tool in the autumn of 1831 the young Frederic Chopin

autumn of 1831 the young Frederic Chopin

autumn of 1831 the young Frederic Chopin is on his way from his hometown in

is on his way from his hometown in

is on his way from his hometown in Poland to Paris well would spend the

Poland to Paris well would spend the

Poland to Paris well would spend the rest of his short life unroot while in

rest of his short life unroot while in

rest of his short life unroot while in Germany he learns that the Russian army

Germany he learns that the Russian army

Germany he learns that the Russian army conquered Warsaw and that there is no

conquered Warsaw and that there is no

conquered Warsaw and that there is no more Poland that night a piece of music

more Poland that night a piece of music

more Poland that night a piece of music is conceived that expresses his fury his

is conceived that expresses his fury his

is conceived that expresses his fury his despair a frightening outburst of

despair a frightening outburst of

despair a frightening outburst of violent emotions it will become famous

violent emotions it will become famous

violent emotions it will become famous as as a revolutionary etude and will

as as a revolutionary etude and will

as as a revolutionary etude and will serve as the unofficial anthem for the

serve as the unofficial anthem for the

serve as the unofficial anthem for the three Poland movement

three Poland movement

three Poland movement [Music]

not exactly used to soothe the savage

not exactly used to soothe the savage breast quite the opposite and the

breast quite the opposite and the

breast quite the opposite and the pianist could use a haircut many operas

pianist could use a haircut many operas

pianist could use a haircut many operas are the product of their site diced

are the product of their site diced

are the product of their site diced reflecting the political atmosphere of

reflecting the political atmosphere of

reflecting the political atmosphere of the day but also contributing to it take

the day but also contributing to it take

the day but also contributing to it take the marriage of figaro is an example in

the marriage of figaro is an example in

the marriage of figaro is an example in the disguise of a light comic opera most

the disguise of a light comic opera most

the disguise of a light comic opera most of its poking fun at the stupidity and

of its poking fun at the stupidity and

of its poking fun at the stupidity and the abuse of the aristocracy the count

the abuse of the aristocracy the count

the abuse of the aristocracy the count is trying to reinstate the old feudal

is trying to reinstate the old feudal

is trying to reinstate the old feudal custom of the right of the first night

custom of the right of the first night

custom of the right of the first night and expects to take susana to bed on the

and expects to take susana to bed on the

and expects to take susana to bed on the night of her wedding to Figaro Figaro

night of her wedding to Figaro Figaro

night of her wedding to Figaro Figaro gets wind of it and seems civil bond law

gets wind of it and seems civil bond law

gets wind of it and seems civil bond law Horrors in your conten no civil Volare

Horrors in your conten no civil Volare

Horrors in your conten no civil Volare if you want to dance my little count you

if you want to dance my little count you

if you want to dance my little count you will play the music and the entire opera

will play the music and the entire opera

will play the music and the entire opera then tells us how two servants make a

then tells us how two servants make a

then tells us how two servants make a full of their master and get their way

full of their master and get their way

full of their master and get their way adorable on the surface but

adorable on the surface but

adorable on the surface but revolutionary in content the Opera was

revolutionary in content the Opera was

revolutionary in content the Opera was premiered in 1786 and the rumblings of

premiered in 1786 and the rumblings of

premiered in 1786 and the rumblings of the French Revolution are felt

the French Revolution are felt

the French Revolution are felt throughout Europe the librettist the

throughout Europe the librettist the

throughout Europe the librettist the ponte had to change a few incendiary

ponte had to change a few incendiary

ponte had to change a few incendiary sentences before getting a clearance

sentences before getting a clearance

sentences before getting a clearance from the censor repressive regimes of

from the censor repressive regimes of

from the censor repressive regimes of all flavors were always aware of the

all flavors were always aware of the

all flavors were always aware of the power of music and kept a watchful eye

power of music and kept a watchful eye

power of music and kept a watchful eye and ear on composers and musicians the

and ear on composers and musicians the

and ear on composers and musicians the Chinese Cultural Revolution and Western

Chinese Cultural Revolution and Western

Chinese Cultural Revolution and Western music altogether it was a crime if you

music altogether it was a crime if you

music altogether it was a crime if you saw the red

saw the red

saw the red you remember how horrific Li disrupted

you remember how horrific Li disrupted

you remember how horrific Li disrupted this period was in Chinese history the

this period was in Chinese history the

this period was in Chinese history the the same phonetic prohibition continues

the same phonetic prohibition continues

the same phonetic prohibition continues today among the Taliban and Islamic

today among the Taliban and Islamic

today among the Taliban and Islamic extremists they consider western music

extremists they consider western music

extremists they consider western music sinful and dangerous I would argue that

sinful and dangerous I would argue that

sinful and dangerous I would argue that it was jazz that brought down the Berlin

it was jazz that brought down the Berlin

it was jazz that brought down the Berlin wall you can imagine what this forbidden

wall you can imagine what this forbidden

wall you can imagine what this forbidden free and spontaneous art phone

free and spontaneous art phone

free and spontaneous art phone represented to young people under Soviet

represented to young people under Soviet

represented to young people under Soviet oppression it penetrated unstoppable and

oppression it penetrated unstoppable and

oppression it penetrated unstoppable and may irreparable cracks in the wall and

may irreparable cracks in the wall and

may irreparable cracks in the wall and in the systems like the walls of Jericho

in the systems like the walls of Jericho

in the systems like the walls of Jericho that symbolically crumbled to the sound

that symbolically crumbled to the sound

that symbolically crumbled to the sound of music and the walls came tumbling

of music and the walls came tumbling

of music and the walls came tumbling down a Russian composer who lived in the

down a Russian composer who lived in the

down a Russian composer who lived in the very jaws of Stalinist terror was Dmitri

very jaws of Stalinist terror was Dmitri

very jaws of Stalinist terror was Dmitri Shostakovich

Shostakovich

Shostakovich a casual comment could cost person his

a casual comment could cost person his

a casual comment could cost person his life or exiled to the gulags so a

life or exiled to the gulags so a

life or exiled to the gulags so a tormented man is sending coded messages

tormented man is sending coded messages

tormented man is sending coded messages to the world through his music here’s

to the world through his music here’s

to the world through his music here’s one or two examples his second trio

one or two examples his second trio

one or two examples his second trio opens with a nostalgic Russian tune but

opens with a nostalgic Russian tune but

opens with a nostalgic Russian tune but right away you know that something is

right away you know that something is

right away you know that something is seriously wrong that the world order has

seriously wrong that the world order has

seriously wrong that the world order has gone topsy-turvy the cello opens very

gone topsy-turvy the cello opens very

gone topsy-turvy the cello opens very high up on top and the violin enters

high up on top and the violin enters

high up on top and the violin enters underneath an eerie feeling of looking

underneath an eerie feeling of looking

underneath an eerie feeling of looking at things upside

[Music]

[Music] the second movement is skeletal which

the second movement is skeletal which

the second movement is skeletal which Italian means joke this one however is

Italian means joke this one however is

Italian means joke this one however is anything but it’s dance macabre it’s the

anything but it’s dance macabre it’s the

anything but it’s dance macabre it’s the dance of death the metronome markings

dance of death the metronome markings

dance of death the metronome markings are intentionally too fast for the music

are intentionally too fast for the music

are intentionally too fast for the music there is violent convulsion and threads

there is violent convulsion and threads

there is violent convulsion and threads of a waltz toast about shards of a

of a waltz toast about shards of a

of a waltz toast about shards of a broken world if the musicians in the

broken world if the musicians in the

broken world if the musicians in the video behaved as if they’ve gone berserk

video behaved as if they’ve gone berserk

video behaved as if they’ve gone berserk they are responding to the insane

they are responding to the insane

they are responding to the insane presence of music

presence of music

presence of music [Music]

because of time limitation we cannot

because of time limitation we cannot listen to the rest of the piece and all

listen to the rest of the piece and all

listen to the rest of the piece and all four movements are an indictment they

four movements are an indictment they

four movements are an indictment they bear witness to a political nightmare on

bear witness to a political nightmare on

bear witness to a political nightmare on one of my trips to China I gave him a

one of my trips to China I gave him a

one of my trips to China I gave him a status on this piece and asked the Dean

status on this piece and asked the Dean

status on this piece and asked the Dean if I could tell the students about the

if I could tell the students about the

if I could tell the students about the background which is essential for the

background which is essential for the

background which is essential for the correct interpretation of the music and

correct interpretation of the music and

correct interpretation of the music and he said you can say anything you wish

he said you can say anything you wish

he said you can say anything you wish about Stalin but do not talk about mouth

the flag is a piece of cloth with a

the flag is a piece of cloth with a graphic designer

yet it is imbued with tremendous

yet it is imbued with tremendous emotions and picture you’re a fervor

emotions and picture you’re a fervor

emotions and picture you’re a fervor people will risk their lives to protect

people will risk their lives to protect

people will risk their lives to protect it the same is true of national anthems

it the same is true of national anthems

it the same is true of national anthems they may have little musical merit but

they may have little musical merit but

they may have little musical merit but what they represent far exceeds any tune

what they represent far exceeds any tune

what they represent far exceeds any tune they have a sacred iconic status in the

they have a sacred iconic status in the

they have a sacred iconic status in the movie Casablanca two such songs are

movie Casablanca two such songs are

movie Casablanca two such songs are dueling with one another one

dueling with one another one

dueling with one another one representing Nazi tyranny the fatherland

representing Nazi tyranny the fatherland

representing Nazi tyranny the fatherland the other stands for liberté égalité

the other stands for liberté égalité

the other stands for liberté égalité a fraternity

a fraternity

a fraternity La Marseillaise are you enough of a

La Marseillaise are you enough of a

La Marseillaise are you enough of a businessman to appreciate an offer of

businessman to appreciate an offer of

businessman to appreciate an offer of hundred thousand francs I appreciate it

hundred thousand francs I appreciate it

hundred thousand francs I appreciate it but I don’t accept it I raise it to two

but I don’t accept it I raise it to two

but I don’t accept it I raise it to two hundred thousand my friend you can make

hundred thousand my friend you can make

hundred thousand my friend you can make it a million francs or three my answer

it a million francs or three my answer

it a million francs or three my answer would still be the same there must be

would still be the same there must be

would still be the same there must be some reason why you won’t let me have

some reason why you won’t let me have

some reason why you won’t let me have them there is I suggest did you ask your

them there is I suggest did you ask your

them there is I suggest did you ask your wife I’ve a coupon I said ask your wife

wife I’ve a coupon I said ask your wife

wife I’ve a coupon I said ask your wife my wife yes

my wife yes

my wife yes [Music]

Oh

Oh [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

the premises

the premises great

great

great [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

satire parody are sharp powerful tools

satire parody are sharp powerful tools very effective in goethe’s faust

very effective in goethe’s faust

very effective in goethe’s faust mephistopheles

mephistopheles

mephistopheles sings a song in a tavern about a king

sings a song in a tavern about a king

sings a song in a tavern about a king who lavishes affection on a flea

corruption nepotism absurd stupidity are

corruption nepotism absurd stupidity are all disguised camouflaged in zany humor

all disguised camouflaged in zany humor

all disguised camouflaged in zany humor in 1879 mussorgsky used a Russian

in 1879 mussorgsky used a Russian

in 1879 mussorgsky used a Russian translation of his song and wrote an

translation of his song and wrote an

translation of his song and wrote an amazing piece of music he’s been ahead

amazing piece of music he’s been ahead

amazing piece of music he’s been ahead of the Bolshevik Revolution but you can

of the Bolshevik Revolution but you can

of the Bolshevik Revolution but you can see where the wind blowing the RAAF’s

see where the wind blowing the RAAF’s

see where the wind blowing the RAAF’s was a king who had a large flea he loved

was a king who had a large flea he loved

was a king who had a large flea he loved it as Julie as his own son he called his

it as Julie as his own son he called his

it as Julie as his own son he called his tailor

tailor

tailor Karen make robes for this night and a

Karen make robes for this night and a

Karen make robes for this night and a pair of trousers now the flea was

pair of trousers now the flea was

pair of trousers now the flea was clothed in silk and satins and a cross

clothed in silk and satins and a cross

clothed in silk and satins and a cross for distinguished service straightaway

for distinguished service straightaway

for distinguished service straightaway he became a minister an award a large

he became a minister an award a large

he became a minister an award a large star and his brothers the sisters do

star and his brothers the sisters do

star and his brothers the sisters do could load it to the court and you can

could load it to the court and you can

could load it to the court and you can imagine the rest no scratching allowed

imagine the rest no scratching allowed

imagine the rest no scratching allowed the word in Russian for a flea is Blaha

the word in Russian for a flea is Blaha

the word in Russian for a flea is Blaha let’s enjoy this amazing piece of music

let’s enjoy this amazing piece of music

let’s enjoy this amazing piece of music and allow it to go on his longest time

and allow it to go on his longest time

and allow it to go on his longest time permits thank you

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

”

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