very good afternoon as they are with a lot
encouragement because we are very
happy also to be here the
afternoon of telex square sotomayor for
share with you some
experiences and experiences that we have
accumulated in these seven years of
youth and children’s orchestra program
use the white house today we have to
represent this program
this group of talented young people who
we make the camerata use when starting
I would like to share with you the
need that most of us have
human beings from the community group
where we feel welcomed to
work then the family also the
family with the crown is deformed and that
community helps us
finally to the search of the
happiness
I believe that nobody in this room does not want
be happy but raise your hand and I
I think it’s going to be the only
then that search for happiness
It allows us musicians to
through hours but they form in villas
months a lifetime of dedication
with an instrument with several of them
I can take you to the public
a unique musical experience
experience that is not something material but
which is something that comes from the musician
that is a human being with an instrument
to another human being who will not be able to read
finance as you want
I invite you to live our experience
use of white house
the laws
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after
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all right
and
and
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all right
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it’s white house art and that’s what motivates
children and youth not only home
white but from outside the commune of
casablanca to travel to this commune and
be trained in an instrument and in addition to
present to white house which is what
allows us to be here today before you
2012 we were already two years of
our project that was born in June of
2010 and we had tried the 2010 and 11
try to win a place for the festival
of youth orchestras that is organized
year after year at the municipal theater of
Santiago
this is organized by the foundation of
youth and children’s orchestras of
chile better known as the fuji and
just this year 2012
we got the quota and besides that
we started to notice ourselves as one of
the eight best youth orchestras of the
country
this in a modern day universe
five hundred youth orchestras and
children
throughout our chile
then we won this quota
we went up saved the municipal bus we arrived
to the municipal theater of santiago el mayor
Country scenario in the capital
maybe one of the most important
together with the lake theater
we had to do the sound test and
it approaches the end of its director
fuji musical and and you mention me
Vincent when I close my eyes and
He listened carefully because this one
that there are 30 more musicians but when
abro are only 15
then he told me here is something
There is different energy and passion
there is an involvement of each one of
its musicians older than I
I usually see a person who already has
12 years in an institution
as the foundation of orchestras
juvenile and children
we also had something very
curious we were an orchestra with two
electric basses and because the basses
electrical will you ask
well it happens that that instrument that is
back there that the contrabass and
our beautiful interpreters show it
It is expensive
within the range of these instruments
of string rubbed violins violas
chelos and obviously we did not have
resources still to be bought that
instrument and much less be able to pay a
teacher therefore not for that
we do not lack this serious sound that is
essential in a grouping like this
we replace it with electric bass and
still we had achieved a quota in
the municipal theater of santiago I think
that for the first time a youth orchestra
he did that in such an important scenario
but the need that we had
to convey what we were
feeling that his director saw
musical and that had nothing to do with
that there were students of our program
that every week they had to travel
it’s a rural white house has a lot
rurality that sometimes is not so good
connected as we would like and travel to
take your class to central white house
he did not know that year 2012 either
it almost takes us into the program for a
terrible administration since the end of
year of 2012 and beginning of 2012 in
the cultural center did not know either
we try hard to maintain with the
few resources paying teachers many
from us the initial professors
we had months without schedules believing in
the talent of children and young people who
I really wanted to make music and
who finally got engaged then
to identities energies to passions
effort for what I see is that your
music director and it’s something that we try
to rescue beautiful white house
but not only based on all this
that I just mentioned is our
youth orchestra program and child
the commune also the human team
that important factor when one goes
to train other children and young people
We are very proud in Casablanca
power
closing the circle we have started with
children and young people
this year 2010 in June and today
many of them some are here
giving for you are teachers
those alumni of mozart casa blanca
they have believed their talent have believed in the
music and they are formed in different
universities do the region and they
they keep in this area to form in their
alma mater let’s say musical at home
white other children and young people so
both the spirit and the passion the
energy the identity and toxo that
we mentioned in front
it presents and returns to the question
what is musa kusa weaves or a community
unique in music
in July of this year I got sick
more or less serious and I was two weeks
in bed I could not take charge
obviously of all my
responsibilities and came the issue of
tax for these contests that they
I mentioned the fuji
I met osa call really and I
I communicated with some of the
young people who are here that were
teachers and they decided to take the
responsibility of this recording that
It was not minor because there were 52 musicians who
had to play together from 7 to
25 years
the groupings all together that
we have in infant initial white house
and juvenile
the camerata and the percussion ensemble
all together in a group imagine yourself
what would you do even if you knew of
music and everything with such a group
colorful where you have to fight with the
ages rhythms of life and well I
did they did assume a
responsibility and I had no doubt that
this was going to be fine and it’s going to turn out
I trusted in the talent of them the
I know seven years ago but but
result was not good or excellent was
meritorious highlight the 69 to be
evaluated by musicians in santiago de la
fuji professional musicians and e
They were inducted second straight to
our great youth and children’s orchestra
as the best in the country
this obviously fills us with pride
but also meets
a little bit already the mission that we come
installed five years ago when
we had the 2012 in the municipal theater
of Santiago to be able to make us present
as musicians artist
bush where every young child who plays with
we are not only playing for
the family or is going from a
instrument but looking for something more
there transcend through this
community experience the music
there is little that form has not been
transformed into a family and I hope that
let’s all be living this community
today here before the islanders weakens
vine
let’s interpret for you back
at 17 points
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and
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and
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and
and
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so we arrived with many of those
young people with whom we start 2010 and
that I loved enchanted others
young people to form this group camerata
use casablanca and some you
will ask what is a camerata the
question is not true
g Well maybe have ever heard
of chamber orchestra because this
camera are are groupings of a
smaller size with orchestra
philharmonic symphony that can get
to have 100 musicians from the orchestra of
camera usually have between 15 12
Up to 30 members can have
Ropes like here can also have
hundreds of cases we have some
rubbed cords but the name camila
is currently occupied when it is
absent
someone who maybe you kicked out
less miss someone in front
a director is true the person who
arrives and all the people stop and little
he moves his hands but does not know much
happens and the musicians and the work of
directors so rehearsal and that ‘s what
we wanted to change among other things
we wanted to democratize the work
musical in the rehearsal where the
individual leadership of all these
musicians can be known for
so generate a collective work where
they are all part where everyone feels
present in what we do in the
music that we make decisions so
nimias like something technical musical up
the economic or trial or here
we invite you to play with us and this is how
a community experience that
again has that spirit of
use of white house that we talked about a
little this afternoon
we are sure that this project
many white house camerata
we love you and I hope
but I also hope that this project
can enchant private enterprise
I want to thank everyone that
who have come to share with
us and we’re going to this virus with
you with all the strength and energy of
tango by astor piazzolla
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efe
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