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Top 10 Unforgettable John Williams Scores


he is composed some of the most iconic

he is composed some of the most iconic orchestral movie scores ever welcome to

orchestral movie scores ever welcome to

orchestral movie scores ever welcome to watchmojo.com and today we’re counting

watchmojo.com and today we’re counting

watchmojo.com and today we’re counting down our picks for the top ten film

down our picks for the top ten film

down our picks for the top ten film scores by John Williams

for this list we’re looking at John

for this list we’re looking at John Williams career as a Hollywood film

Williams career as a Hollywood film

Williams career as a Hollywood film composer and are choosing the scores we

composer and are choosing the scores we

composer and are choosing the scores we feel are the most iconic memorable and

feel are the most iconic memorable and

feel are the most iconic memorable and which add to the film’s in which they

which add to the film’s in which they

which add to the film’s in which they appear however we have decided to

appear however we have decided to

appear however we have decided to exclude films like Fiddler on the Roof

exclude films like Fiddler on the Roof

exclude films like Fiddler on the Roof because although he won an Oscar for it

because although he won an Oscar for it

because although he won an Oscar for it Williams was the arranger and not the

Williams was the arranger and not the

Williams was the arranger and not the composer of that score a fiddler on the

composer of that score a fiddler on the

composer of that score a fiddler on the roof number 10 Empire of the Sun if the

roof number 10 Empire of the Sun if the

roof number 10 Empire of the Sun if the first entry on our list is of such

first entry on our list is of such

first entry on our list is of such admirable quality you know that this is

admirable quality you know that this is

admirable quality you know that this is a list filled with serious contenders

Empire of the Sun follows a young

Empire of the Sun follows a young Christian Bale on his journey from rich

Christian Bale on his journey from rich

Christian Bale on his journey from rich expat to Japanese prisoner of war during

expat to Japanese prisoner of war during

expat to Japanese prisoner of war during the Second World War

William score creates an oral landscape

William score creates an oral landscape that matches the horrors of war and

that matches the horrors of war and

that matches the horrors of war and captivity in a way that no listener can

captivity in a way that no listener can

captivity in a way that no listener can ever forget the brilliant score earned

ever forget the brilliant score earned

ever forget the brilliant score earned him not only a well-deserved Oscar

him not only a well-deserved Oscar

him not only a well-deserved Oscar Golden Globe and Grammy nominations but

Golden Globe and Grammy nominations but

Golden Globe and Grammy nominations but also won him the BAFTA just one in a

also won him the BAFTA just one in a

also won him the BAFTA just one in a long list of awards

number nine Close Encounters of the

number nine Close Encounters of the Third Kind area on the heels of his

Third Kind area on the heels of his

Third Kind area on the heels of his Grammy and Academy award-winning work on

Grammy and Academy award-winning work on

Grammy and Academy award-winning work on jaws and Star Wars Williams was tapped

jaws and Star Wars Williams was tapped

jaws and Star Wars Williams was tapped by Steven Spielberg once again to bring

by Steven Spielberg once again to bring

by Steven Spielberg once again to bring to screen a sense of mystery and

to screen a sense of mystery and

to screen a sense of mystery and wonderment associated with the unknown

wonderment associated with the unknown

wonderment associated with the unknown where my everyone has made Warren stay

where my everyone has made Warren stay

where my everyone has made Warren stay out of the area similar to his work on

out of the area similar to his work on

out of the area similar to his work on jaws Williams focused on a five tone

jaws Williams focused on a five tone

jaws Williams focused on a five tone theme that ran throughout even

theme that ran throughout even

theme that ran throughout even functioning as a plot point within the

functioning as a plot point within the

functioning as a plot point within the movie itself

not only did these notes communicate

not only did these notes communicate with alien life-forms

with alien life-forms

with alien life-forms they became ingrained in popular

they became ingrained in popular

they became ingrained in popular consciousness as well as seems to be a

consciousness as well as seems to be a

consciousness as well as seems to be a running theme on this list

running theme on this list

running theme on this list Williams earned yet another Academy

Williams earned yet another Academy

Williams earned yet another Academy Award nomination for Close Encounters

Award nomination for Close Encounters

Award nomination for Close Encounters but unfortunately he lost to himself in

but unfortunately he lost to himself in

but unfortunately he lost to himself in Star Wars

number eight Harry Potter and the

number eight Harry Potter and the Philosopher’s Stone

after a relative dry spell Williams was

after a relative dry spell Williams was able to stretch his fantasy score

able to stretch his fantasy score

able to stretch his fantasy score muscles once again for our next entry

muscles once again for our next entry

muscles once again for our next entry this boy will be famous there won’t be a

this boy will be famous there won’t be a

this boy will be famous there won’t be a child in that battle who doesn’t know

child in that battle who doesn’t know

child in that battle who doesn’t know his name given the opportunity to take

his name given the opportunity to take

his name given the opportunity to take the music in any direction he wished

the music in any direction he wished

the music in any direction he wished Williams crafted a score that set off

Williams crafted a score that set off

Williams crafted a score that set off the characters quests and Quidditch

the characters quests and Quidditch

the characters quests and Quidditch perfectly

and his magnificently eerie piece

and his magnificently eerie piece referred to as Hedwig’s theme became

referred to as Hedwig’s theme became

referred to as Hedwig’s theme became synonymous with the entire Harry Potter

synonymous with the entire Harry Potter

synonymous with the entire Harry Potter universe books and films alike

critics seem to think so too as it was

critics seem to think so too as it was also nominated for an Oscar think about

also nominated for an Oscar think about

also nominated for an Oscar think about it who else could have crafted a fantasy

it who else could have crafted a fantasy

it who else could have crafted a fantasy score that would include the perfect

score that would include the perfect

score that would include the perfect theme for the entire Harry Potter

theme for the entire Harry Potter

theme for the entire Harry Potter franchise number seven Superman who do

franchise number seven Superman who do

franchise number seven Superman who do you call when you need a monumental

you call when you need a monumental

you call when you need a monumental score filled with heroism do you even

score filled with heroism do you even

score filled with heroism do you even have to ask

Williams take on our favorite Kryptonian

Williams take on our favorite Kryptonian matched the mood of the film conveying

matched the mood of the film conveying

matched the mood of the film conveying the theatrical and in some ways

the theatrical and in some ways

the theatrical and in some ways cartoonish feel of heroic deeds instead

cartoonish feel of heroic deeds instead

cartoonish feel of heroic deeds instead of being too serious easy miss I’ve got

of being too serious easy miss I’ve got

of being too serious easy miss I’ve got you you you’ve got me who’s got you

you you you’ve got me who’s got you

you you you’ve got me who’s got you fun fact veteran Hollywood composer

fun fact veteran Hollywood composer

fun fact veteran Hollywood composer Jerry Goldsmith was originally in charge

Jerry Goldsmith was originally in charge

Jerry Goldsmith was originally in charge of the score but Williams took the

of the score but Williams took the

of the score but Williams took the position due to scheduling conflicts

that worked out well for everyone as

that worked out well for everyone as Williams nabbed another Oscar nomination

Williams nabbed another Oscar nomination

Williams nabbed another Oscar nomination for his work number six Schindler’s List

for his work number six Schindler’s List

for his work number six Schindler’s List one I’m a musician

one I’m a musician

one I’m a musician what if you don’t your name for some of

what if you don’t your name for some of

what if you don’t your name for some of it I hear your name goes in at least

it I hear your name goes in at least

it I hear your name goes in at least insecure trucks have your tissues ready

insecure trucks have your tissues ready

insecure trucks have your tissues ready this time around with the help of

this time around with the help of

this time around with the help of director Steven Spielberg Williams uses

director Steven Spielberg Williams uses

director Steven Spielberg Williams uses his music to depict the sheer tragedy

his music to depict the sheer tragedy

his music to depict the sheer tragedy and loss suffered during the Holocaust

and loss suffered during the Holocaust

and loss suffered during the Holocaust some days this is all going to end

some days this is all going to end

some days this is all going to end unlike the majority of his other works

unlike the majority of his other works

unlike the majority of his other works Schindler’s List is a much more intimate

Schindler’s List is a much more intimate

Schindler’s List is a much more intimate score with famed violinist Itzhak

score with famed violinist Itzhak

score with famed violinist Itzhak Perlman performing some of the

Perlman performing some of the

Perlman performing some of the melancholy music Williams delicate work

melancholy music Williams delicate work

melancholy music Williams delicate work on the soundtrack adds to the feeling of

on the soundtrack adds to the feeling of

on the soundtrack adds to the feeling of dread that accompanies one of the

dread that accompanies one of the

dread that accompanies one of the world’s darkest periods in history

this emotion invoking score allowed

this emotion invoking score allowed Williams to bring home his fifth Oscar

Williams to bring home his fifth Oscar

Williams to bring home his fifth Oscar because let’s face it Williams is a

because let’s face it Williams is a

because let’s face it Williams is a magician with music

our next entry is arguably the mother of

our next entry is arguably the mother of all adventure film themes

this score provides another example of

this score provides another example of Williams expertise in invoking

Williams expertise in invoking

Williams expertise in invoking excitement most notably through his

excitement most notably through his

excitement most notably through his Raiders March which would eventually

Raiders March which would eventually

Raiders March which would eventually become synonymous with all of Indies

become synonymous with all of Indies

become synonymous with all of Indies adventures beyond that Williams is also

adventures beyond that Williams is also

adventures beyond that Williams is also able to add just the right amount of

able to add just the right amount of

able to add just the right amount of horror when needed

later be regarded as one of Williams

later be regarded as one of Williams masterpieces this scores snagged the

masterpieces this scores snagged the

masterpieces this scores snagged the composer another Oscar nomination now

composer another Oscar nomination now

composer another Oscar nomination now it’s time to go on an adventure with dr.

it’s time to go on an adventure with dr.

it’s time to go on an adventure with dr. Jones

three number four ET the

three number four ET the extra-terrestrial for his next trick

extra-terrestrial for his next trick

extra-terrestrial for his next trick Williams will warm your hearts with this

Williams will warm your hearts with this

Williams will warm your hearts with this marvelously uplifting score he’s keeping

marvelously uplifting score he’s keeping

marvelously uplifting score he’s keeping hood with his work on ET he wanted to

hood with his work on ET he wanted to

hood with his work on ET he wanted to portray a sense of innocence showcasing

portray a sense of innocence showcasing

portray a sense of innocence showcasing audiences exactly how wide his ranges

audiences exactly how wide his ranges

audiences exactly how wide his ranges and the results blew everyone away

he also proved he has a sense of humor

he also proved he has a sense of humor by including a snippet of Yoda’s theme

by including a snippet of Yoda’s theme

by including a snippet of Yoda’s theme from The Empire Strikes Back in the film

from The Empire Strikes Back in the film

from The Empire Strikes Back in the film when et runs into a child dressed as the

when et runs into a child dressed as the

when et runs into a child dressed as the green Jedi

rightfully earning its place as a John

rightfully earning its place as a John Williams concert staple this is by far

Williams concert staple this is by far

Williams concert staple this is by far the most enchanting of his scores so

the most enchanting of his scores so

the most enchanting of his scores so much so that et obtained Williams his

much so that et obtained Williams his

much so that et obtained Williams his fourth Oscar win he just can’t stop

fourth Oscar win he just can’t stop

fourth Oscar win he just can’t stop winning Oscars Kenny

number three Jurassic Park there’s a

number three Jurassic Park there’s a kind of sore

kind of sore

kind of sore there’s a reason Williams as the go-to

there’s a reason Williams as the go-to

there’s a reason Williams as the go-to guy when it comes to fantastical and

guy when it comes to fantastical and

guy when it comes to fantastical and magical themes he inspires us and makes

magical themes he inspires us and makes

magical themes he inspires us and makes us feel awe and excitement through his

us feel awe and excitement through his

us feel awe and excitement through his music which is exactly what he

music which is exactly what he

music which is exactly what he accomplishes in Jurassic Park

accomplishes in Jurassic Park

accomplishes in Jurassic Park dr. grant my idea dr. Satcher welcome to

dr. grant my idea dr. Satcher welcome to

dr. grant my idea dr. Satcher welcome to Jurassic Park Williams music increases

Jurassic Park Williams music increases

Jurassic Park Williams music increases the sense of amazement we feel when

the sense of amazement we feel when

the sense of amazement we feel when traveling to Isla Nublar and when we

traveling to Isla Nublar and when we

traveling to Isla Nublar and when we first see the dinosaurs on-screen

at the same time he doesn’t neglect to

at the same time he doesn’t neglect to amp up the intensity and fear when the

amp up the intensity and fear when the

amp up the intensity and fear when the Tyrannosaurus Rex attacks

William knows exactly what we were

William knows exactly what we were supposed to feel and we happily follow

supposed to feel and we happily follow

supposed to feel and we happily follow along

widely considered by fans and critics

widely considered by fans and critics alike to be one of Williams most

alike to be one of Williams most

alike to be one of Williams most impressive pieces Williams – no tuba

impressive pieces Williams – no tuba

impressive pieces Williams – no tuba theme made multitudes of people scared

theme made multitudes of people scared

theme made multitudes of people scared to venture back into the water again the

to venture back into the water again the

to venture back into the water again the score as a whole is incredibly well done

score as a whole is incredibly well done

score as a whole is incredibly well done moving the plot along with mounting

moving the plot along with mounting

moving the plot along with mounting tension and primordial dread as

tension and primordial dread as

tension and primordial dread as evidenced by such tracks as out to sea

evidenced by such tracks as out to sea

evidenced by such tracks as out to sea and sea attack number one but it’s the

and sea attack number one but it’s the

and sea attack number one but it’s the main theme that proved exactly what

main theme that proved exactly what

main theme that proved exactly what Williams is capable of guys okay over

Williams is capable of guys okay over

Williams is capable of guys okay over there

need to build some suspense take note

need to build some suspense take note from John Williams before we orchestrate

from John Williams before we orchestrate

from John Williams before we orchestrate our final pick here are a few honorable

our final pick here are a few honorable

our final pick here are a few honorable mentions

number one Star Wars Episode four a new

number one Star Wars Episode four a new hope

the combined talents of composer John

the combined talents of composer John Williams and director George Lucas take

Williams and director George Lucas take

Williams and director George Lucas take us to worlds we couldn’t possibly dream

us to worlds we couldn’t possibly dream

us to worlds we couldn’t possibly dream up

Williams blows us right out of the gate

Williams blows us right out of the gate with the epic opening theme but all of

with the epic opening theme but all of

with the epic opening theme but all of it from lurching around to the seedy Mos

it from lurching around to the seedy Mos

it from lurching around to the seedy Mos Eisley cantina to the ending ceremony is

Eisley cantina to the ending ceremony is

Eisley cantina to the ending ceremony is amazing

throughout Williams portrays a sense of

throughout Williams portrays a sense of familiarity while exposing us to new

familiarity while exposing us to new

familiarity while exposing us to new lands and this isn’t just our ruling as

lands and this isn’t just our ruling as

lands and this isn’t just our ruling as many critics list the Star Wars score as

many critics list the Star Wars score as

many critics list the Star Wars score as the best score ever composed so do you

the best score ever composed so do you

the best score ever composed so do you agree with our list you’re meddling in

agree with our list you’re meddling in

agree with our list you’re meddling in things that ought not to be meddled in

things that ought not to be meddled in

things that ought not to be meddled in what’s your choice for John Williams

what’s your choice for John Williams

what’s your choice for John Williams best score

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