those fleeting moments of nocturnal passion these are the songs that
passion these are the songs that
passion these are the songs that perfectly capture the experience welcome
perfectly capture the experience welcome
perfectly capture the experience welcome to watchmojo.com and today we’ll be
to watchmojo.com and today we’ll be
to watchmojo.com and today we’ll be counting down our picks for the top 10
counting down our picks for the top 10
counting down our picks for the top 10 one-night-stand songs
for this list we’re focusing
for this list we’re focusing specifically on musical compositions
specifically on musical compositions
specifically on musical compositions with a one night stand as the central
with a one night stand as the central
with a one night stand as the central narrative our chosen entries are more
narrative our chosen entries are more
narrative our chosen entries are more about the brief act of hooking up rather
about the brief act of hooking up rather
about the brief act of hooking up rather than a lasting sense of romance
than a lasting sense of romance
than a lasting sense of romance [Music]
number ten all I want to do is make love
number ten all I want to do is make love to you heart
to you heart
to you heart [Music]
[Music]
[Music] evocative of spontaneous decision-making
evocative of spontaneous decision-making
evocative of spontaneous decision-making and love at first sight this early 90
and love at first sight this early 90
and love at first sight this early 90 song blurs the line between fantasy and
song blurs the line between fantasy and
song blurs the line between fantasy and specific sexual intent written by ac/dc
specific sexual intent written by ac/dc
specific sexual intent written by ac/dc and Def Leppard producer Mutt Lange the
and Def Leppard producer Mutt Lange the
and Def Leppard producer Mutt Lange the tracks overt message was reportedly a
tracks overt message was reportedly a
tracks overt message was reportedly a cause of concern for heart
cause of concern for heart
cause of concern for heart [Music]
[Music]
[Music] even so the inherent romance brilliantly
even so the inherent romance brilliantly
even so the inherent romance brilliantly glides over the subtext for most of the
glides over the subtext for most of the
glides over the subtext for most of the production with the narrator expressing
production with the narrator expressing
production with the narrator expressing a declarative statement about her plans
a declarative statement about her plans
a declarative statement about her plans for the evening
for the evening
for the evening in the end however the truth comes to
in the end however the truth comes to
in the end however the truth comes to light as the unknown hitchhiker learns
light as the unknown hitchhiker learns
light as the unknown hitchhiker learns the disturbing truth behind the hotel
the disturbing truth behind the hotel
the disturbing truth behind the hotel room tryst incidentally the seemingly
room tryst incidentally the seemingly
room tryst incidentally the seemingly romantic story actually highlights a
romantic story actually highlights a
romantic story actually highlights a disturbing premeditated act
number nine goodbye stranger Supertramp
number nine goodbye stranger Supertramp good morning yesterday
I was up the whole dome tinged with a
I was up the whole dome tinged with a carefree set of self reflexive lyrics
carefree set of self reflexive lyrics
carefree set of self reflexive lyrics this song demonstrates the effectiveness
this song demonstrates the effectiveness
this song demonstrates the effectiveness of an open dialogue for the first part
of an open dialogue for the first part
of an open dialogue for the first part of goodbye stranger the subjects
of goodbye stranger the subjects
of goodbye stranger the subjects troubadour ways are established as
troubadour ways are established as
troubadour ways are established as one-night-stands make him feel young
one-night-stands make him feel young
one-night-stands make him feel young plus he must definitely enjoy the act of
plus he must definitely enjoy the act of
plus he must definitely enjoy the act of sexual intercourse
sexual intercourse
sexual intercourse [Music]
[Music]
[Music] and once Rick Davies hits a falsetto for
and once Rick Davies hits a falsetto for
and once Rick Davies hits a falsetto for the sand off course the narrator reveals
the sand off course the narrator reveals
the sand off course the narrator reveals himself to be a compromising lover
himself to be a compromising lover
himself to be a compromising lover willing to communicate about the
willing to communicate about the
willing to communicate about the after-effects of one-night stands
in essence supertramps goodbye stranger
in essence supertramps goodbye stranger represents the antithesis of contrived
represents the antithesis of contrived
represents the antithesis of contrived pillow talk
pillow talk
pillow talk [Music]
number eight blame Calvin Harris
number eight blame Calvin Harris featuring John Newman campus even keep
featuring John Newman campus even keep
featuring John Newman campus even keep awaken fat the woman next to me while
awaken fat the woman next to me while
awaken fat the woman next to me while this electro collaboration top Dan
this electro collaboration top Dan
this electro collaboration top Dan starts in the UK and United States the
starts in the UK and United States the
starts in the UK and United States the powerhouse course doesn’t necessarily
powerhouse course doesn’t necessarily
powerhouse course doesn’t necessarily reflect good life advice
with John Newman serving up their
with John Newman serving up their razor-sharp vocals co-written by his
razor-sharp vocals co-written by his
razor-sharp vocals co-written by his brother James
brother James
brother James the narrator takes a laksa days achill
the narrator takes a laksa days achill
the narrator takes a laksa days achill approach to his one-night stand she
approach to his one-night stand she
approach to his one-night stand she needed him to talk so blame out on the
needed him to talk so blame out on the
needed him to talk so blame out on the nine
nine
nine like so many doomed couples
like so many doomed couples
like so many doomed couples responsibility to a committed
responsibility to a committed
responsibility to a committed relationship takes a backseat to sexual
relationship takes a backseat to sexual
relationship takes a backseat to sexual healing and in the style of Yolo this
healing and in the style of Yolo this
healing and in the style of Yolo this apologetic track relies heavily on
apologetic track relies heavily on
apologetic track relies heavily on living in the moment and conveying a
living in the moment and conveying a
living in the moment and conveying a youthful ignorance to lasting
youthful ignorance to lasting
youthful ignorance to lasting consequences
number seven tonight’s I’m lovin you
number seven tonight’s I’m lovin you Enrique Iglesias featuring ludacris and
Enrique Iglesias featuring ludacris and
Enrique Iglesias featuring ludacris and DJ Frankie I know you depending on which
DJ Frankie I know you depending on which
DJ Frankie I know you depending on which version one listens to dirty or clean
version one listens to dirty or clean
version one listens to dirty or clean the message might be a little different
the message might be a little different
the message might be a little different but the core idea remains the same
but the core idea remains the same
but the core idea remains the same excuse me Ricky Iglesias or at least the
excuse me Ricky Iglesias or at least the
excuse me Ricky Iglesias or at least the narrator fully expects a one-night stand
narrator fully expects a one-night stand
narrator fully expects a one-night stand detailing the confusion that can easily
detailing the confusion that can easily
detailing the confusion that can easily derail such an experience the lyrics
derail such an experience the lyrics
derail such an experience the lyrics behold a blunt message yet it’s one that
behold a blunt message yet it’s one that
behold a blunt message yet it’s one that could easily be interpreted as offensive
could easily be interpreted as offensive
could easily be interpreted as offensive in real-life situations excuse me
in real-life situations excuse me
in real-life situations excuse me [Music]
[Music]
[Music] but for club banger purposes the song
but for club banger purposes the song
but for club banger purposes the song perfectly execute a sexual ideal that
perfectly execute a sexual ideal that
perfectly execute a sexual ideal that many can relate to and with Ludacris
many can relate to and with Ludacris
many can relate to and with Ludacris providing assistance with a pronounced
providing assistance with a pronounced
providing assistance with a pronounced verse the track exudes a bit more edge
verse the track exudes a bit more edge
verse the track exudes a bit more edge than most enrique love songs may not be
than most enrique love songs may not be
than most enrique love songs may not be room but tonight 11 you
number six one-night-stand keri hilson
number six one-night-stand keri hilson featuring Chris Brown tell me how you
featuring Chris Brown tell me how you
featuring Chris Brown tell me how you like it babe do you wanna fast as slow
like it babe do you wanna fast as slow
like it babe do you wanna fast as slow as a musical example of the feelings
as a musical example of the feelings
as a musical example of the feelings that arise after a positive late-night
that arise after a positive late-night
that arise after a positive late-night escapades this track figuratively takes
escapades this track figuratively takes
escapades this track figuratively takes the listener inside the bedroom
with a sexually charged conversation and
with a sexually charged conversation and folding by way of Keri Hilson and Chris
folding by way of Keri Hilson and Chris
folding by way of Keri Hilson and Chris Brown the subject brings to light the
Brown the subject brings to light the
Brown the subject brings to light the excitement involved with the act itself
excitement involved with the act itself
excitement involved with the act itself and with the RB aesthetic adding to the
and with the RB aesthetic adding to the
and with the RB aesthetic adding to the sensuality the impassioned vocals
sensuality the impassioned vocals
sensuality the impassioned vocals provide even more intensity to the
provide even more intensity to the
provide even more intensity to the declarative course
declarative course
declarative course [Music]
[Music]
[Music] whereas many songs address the morning
whereas many songs address the morning
whereas many songs address the morning after one night scent is all about the
after one night scent is all about the
after one night scent is all about the act of hooking up
[Music]
[Music] number five last name Carrie Underwood a
number five last name Carrie Underwood a
number five last name Carrie Underwood a gasser a little bit that is performed by
gasser a little bit that is performed by
gasser a little bit that is performed by an American Idol here’s a song which
an American Idol here’s a song which
an American Idol here’s a song which reminds that even well-mannered
reminds that even well-mannered
reminds that even well-mannered individuals make poor decisions in this
individuals make poor decisions in this
individuals make poor decisions in this case however the female subject makes a
case however the female subject makes a
case however the female subject makes a big one
aim even so the sprawling vocals of
aim even so the sprawling vocals of Carrie Underwood offer a fresh take on a
Carrie Underwood offer a fresh take on a
Carrie Underwood offer a fresh take on a familiar concept in country music in
familiar concept in country music in
familiar concept in country music in 2008 last name appealed to a millennial
2008 last name appealed to a millennial
2008 last name appealed to a millennial demographic helping the singer cross
demographic helping the singer cross
demographic helping the singer cross over from the country genre into the
over from the country genre into the
over from the country genre into the realm of pop music
lyrically the song references the usual
lyrically the song references the usual biggest topics of drinking and
biggest topics of drinking and
biggest topics of drinking and late-night love yet it’s still an
late-night love yet it’s still an
late-night love yet it’s still an effective track given the dynamics of
effective track given the dynamics of
effective track given the dynamics of Underwood’s performance
number four take me home tonight Eddie
number four take me home tonight Eddie Money
Money
Money [Music]
[Music]
[Music] just cheaper
just cheaper
just cheaper undeniably a timeless 80’s production a
undeniably a timeless 80’s production a
undeniably a timeless 80’s production a proper understanding of its context adds
proper understanding of its context adds
proper understanding of its context adds an extra layer of depth while the
an extra layer of depth while the
an extra layer of depth while the titular chorus representing a feeling
titular chorus representing a feeling
titular chorus representing a feeling that both men and women can identify
that both men and women can identify
that both men and women can identify with its Ronnie Spector his vocal hook
with its Ronnie Spector his vocal hook
with its Ronnie Spector his vocal hook lifted from her 1963 classic be my baby
lifted from her 1963 classic be my baby
lifted from her 1963 classic be my baby that pulls us in
and given the emotive essence of the
and given the emotive essence of the lyrics that contrasts the cliched norms
lyrics that contrasts the cliched norms
lyrics that contrasts the cliched norms of male masculinity take me home tonight
of male masculinity take me home tonight
of male masculinity take me home tonight remains pertinent decades after its
remains pertinent decades after its
remains pertinent decades after its release all in all it’s a beloved retro
release all in all it’s a beloved retro
release all in all it’s a beloved retro hit from a more innocent time
number three get lucky Daft Punk
number three get lucky Daft Punk featuring Pharrell Williams like the
featuring Pharrell Williams like the
featuring Pharrell Williams like the legend of the things up ends with
legend of the things up ends with
legend of the things up ends with beginnings perhaps the ultimate
beginnings perhaps the ultimate
beginnings perhaps the ultimate one-night stand song of the YouTube era
one-night stand song of the YouTube era
one-night stand song of the YouTube era this catchy number is both organic and
this catchy number is both organic and
this catchy number is both organic and addictive complementing the pervading
addictive complementing the pervading
addictive complementing the pervading retro funk the lyrics as sung by
retro funk the lyrics as sung by
retro funk the lyrics as sung by Pharrell Williams touch on universal
Pharrell Williams touch on universal
Pharrell Williams touch on universal themes but it’s the repetitive chorus
themes but it’s the repetitive chorus
themes but it’s the repetitive chorus that reinforces the central idea she’s
that reinforces the central idea she’s
that reinforces the central idea she’s up all night to the Sun I’m up all night
up all night to the Sun I’m up all night
up all night to the Sun I’m up all night to get some she’s up all night for good
to get some she’s up all night for good
to get some she’s up all night for good fun I’m up all night to get by staying
fun I’m up all night to get by staying
fun I’m up all night to get by staying away from explicitly detailing a
away from explicitly detailing a
away from explicitly detailing a one-night stand and conveying more of a
one-night stand and conveying more of a
one-night stand and conveying more of a playful vibe get lucky is one of those
playful vibe get lucky is one of those
playful vibe get lucky is one of those timeless productions that transcends the
timeless productions that transcends the
timeless productions that transcends the lyrical message what is just some
lyrical message what is just some
lyrical message what is just some feeling you won’t leave I’m with it but
feeling you won’t leave I’m with it but
feeling you won’t leave I’m with it but when you get right down to it the song
when you get right down to it the song
when you get right down to it the song is about the act of hooking up making no
is about the act of hooking up making no
is about the act of hooking up making no complaints about those who stay up late
complaints about those who stay up late
complaints about those who stay up late to have a little fun we’re up all night
to have a little fun we’re up all night
to have a little fun we’re up all night to get lucky we’re up all night to get
to get lucky we’re up all night to get
to get lucky we’re up all night to get lucky we’re up all night to get lucky
lucky we’re up all night to get lucky
lucky we’re up all night to get lucky Mexican lucky number two angel of the
Mexican lucky number two angel of the
Mexican lucky number two angel of the morning juice Newton Street to find your
morning juice Newton Street to find your
morning juice Newton Street to find your hand but if my love can’t find your
hand but if my love can’t find your
hand but if my love can’t find your although one-night stands are typically
although one-night stands are typically
although one-night stands are typically associated with immaturity or loneliness
associated with immaturity or loneliness
associated with immaturity or loneliness this enduring cover of IDI sans 1968
this enduring cover of IDI sans 1968
this enduring cover of IDI sans 1968 original beholds a certain sense of
original beholds a certain sense of
original beholds a certain sense of individuality and self-awareness
individuality and self-awareness
individuality and self-awareness [Music]
connecting the sacred and the profane
connecting the sacred and the profane the subject of angel in the morning
the subject of angel in the morning
the subject of angel in the morning refuses to get caught up in mind games
refuses to get caught up in mind games
refuses to get caught up in mind games even if the heartbreaking chorus
even if the heartbreaking chorus
even if the heartbreaking chorus reflects a major emotional boy
reflects a major emotional boy
reflects a major emotional boy [Music]
[Music]
[Music] as a poignant example of brilliant
as a poignant example of brilliant
as a poignant example of brilliant songwriting the song beautifully covers
songwriting the song beautifully covers
songwriting the song beautifully covers the essentials of a one-night stand and
the essentials of a one-night stand and
the essentials of a one-night stand and the inevitable feelings of having
the inevitable feelings of having
the inevitable feelings of having unanswered questions in theory one may
unanswered questions in theory one may
unanswered questions in theory one may understand why the hook-up transpired
understand why the hook-up transpired
understand why the hook-up transpired but no one can predict the mindset of
but no one can predict the mindset of
but no one can predict the mindset of the other in that regard angel of the
the other in that regard angel of the
the other in that regard angel of the morning highlights a selfish but
morning highlights a selfish but
morning highlights a selfish but understandable point of view
understandable point of view
understandable point of view [Music]
before we unveil our number one pick
before we unveil our number one pick here are a few honorable mentions
here are a few honorable mentions
here are a few honorable mentions [Music]
[Music]
[Music] Oh
number one you shook me all night long
number one you shook me all night long ac/dc despite the repeated references to
ac/dc despite the repeated references to
ac/dc despite the repeated references to gender in the opening lyrics this song
gender in the opening lyrics this song
gender in the opening lyrics this song has long inspired both men and women to
has long inspired both men and women to
has long inspired both men and women to shout out the iconic course
fueled by metaphor after metaphor and
fueled by metaphor after metaphor and Bryan Johnson’s unmistakable voice you
Bryan Johnson’s unmistakable voice you
Bryan Johnson’s unmistakable voice you shook me all night long is so devilish
shook me all night long is so devilish
shook me all night long is so devilish and fun that one can easily lose sight
and fun that one can easily lose sight
and fun that one can easily lose sight of the narrator’s sexual exploits it’s a
of the narrator’s sexual exploits it’s a
of the narrator’s sexual exploits it’s a one night stand song that connects with
one night stand song that connects with
one night stand song that connects with the average listener through energy
the average listener through energy
the average listener through energy alone and just like a modern hit such as
alone and just like a modern hit such as
alone and just like a modern hit such as get lucky the ac/dc classic exudes
get lucky the ac/dc classic exudes
get lucky the ac/dc classic exudes positive vibes and a most polarizing
positive vibes and a most polarizing
positive vibes and a most polarizing topic of discussion
topic of discussion
topic of discussion [Music]
so do you agree with our list what is
so do you agree with our list what is your favorite one-night stand song you
your favorite one-night stand song you
your favorite one-night stand song you can be my black cake mom tonight play
can be my black cake mom tonight play
can be my black cake mom tonight play secretary on the ball tonight for more
secretary on the ball tonight for more
secretary on the ball tonight for more musical top 10s published every day be
musical top 10s published every day be
musical top 10s published every day be sure to subscribe to watchmojo.com
[Music]
[Music] a
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