sometimes less can mean so much more Lily Lily please call the cops send them
Lily Lily please call the cops send them
Lily Lily please call the cops send them to the Dolphin Hotel welcome to
to the Dolphin Hotel welcome to
to the Dolphin Hotel welcome to watchmojo.com and today we’re counting
watchmojo.com and today we’re counting
watchmojo.com and today we’re counting down our picks for the top 10 movies
down our picks for the top 10 movies
down our picks for the top 10 movies that take place in one room but I’ve got
that take place in one room but I’ve got
that take place in one room but I’ve got nothing to offer them in return no I
nothing to offer them in return no I
nothing to offer them in return no I think you have plenty to offer Dom for
think you have plenty to offer Dom for
think you have plenty to offer Dom for this list we’ve chosen movies that use a
this list we’ve chosen movies that use a
this list we’ve chosen movies that use a single room setting for most of their
single room setting for most of their
single room setting for most of their duration movies where a room is the
duration movies where a room is the
duration movies where a room is the setting for half the duration or less
setting for half the duration or less
setting for half the duration or less like the aptly named room are
like the aptly named room are
like the aptly named room are unfortunately not included there’s room
unfortunately not included there’s room
unfortunately not included there’s room in our space with all the TV planets
in our space with all the TV planets
in our space with all the TV planets then heaven also the settings must be
then heaven also the settings must be
then heaven also the settings must be literal rooms so if you want to see Ryan
literal rooms so if you want to see Ryan
literal rooms so if you want to see Ryan Reynolds trapped in a coffin
Reynolds trapped in a coffin
Reynolds trapped in a coffin check out our list of the top 10
check out our list of the top 10
check out our list of the top 10 claustrophobic movies American
claustrophobic movies American
claustrophobic movies American convertible no I can’t breathe please
convertible no I can’t breathe please
convertible no I can’t breathe please get me out of here
get me out of here
get me out of here good oh yeah yeah get me out hear me out
good oh yeah yeah get me out hear me out
good oh yeah yeah get me out hear me out please help number 10 saw most people
please help number 10 saw most people
please help number 10 saw most people are so ungrateful to be alive but not
are so ungrateful to be alive but not
are so ungrateful to be alive but not you not anymore
you not anymore
you not anymore the highly saturated saw franchise had a
the highly saturated saw franchise had a
the highly saturated saw franchise had a very humble beginning made on a
very humble beginning made on a
very humble beginning made on a shoestring budget and primarily set in a
shoestring budget and primarily set in a
shoestring budget and primarily set in a single bathroom the original film gave
single bathroom the original film gave
single bathroom the original film gave horror a new identity yeah doesn’t want
horror a new identity yeah doesn’t want
horror a new identity yeah doesn’t want us to cut through a change he wants us
us to cut through a change he wants us
us to cut through a change he wants us to cut through saw features two men Cary
to cut through saw features two men Cary
to cut through saw features two men Cary Elwes and Leigh Whannell who find
Elwes and Leigh Whannell who find
Elwes and Leigh Whannell who find themselves chained between a corpse in
themselves chained between a corpse in
themselves chained between a corpse in an unknown location neither knows how or
an unknown location neither knows how or
an unknown location neither knows how or why they’re there and only once jigsaw
why they’re there and only once jigsaw
why they’re there and only once jigsaw voices heard do they know they’re being
voices heard do they know they’re being
voices heard do they know they’re being played and the game is not fun hello
played and the game is not fun hello
played and the game is not fun hello mark
I want to play a game the plot takes
I want to play a game the plot takes several unbelievable turns as the men
several unbelievable turns as the men
several unbelievable turns as the men are pitted against death and each other
are pitted against death and each other
are pitted against death and each other in jigsaws deranged social experiment
in jigsaws deranged social experiment
in jigsaws deranged social experiment but the action remains relatively
but the action remains relatively
but the action remains relatively confined to a single spot number 9 the
confined to a single spot number 9 the
confined to a single spot number 9 the man from earth is everywhere we just
man from earth is everywhere we just
man from earth is everywhere we just can’t see him
can’t see him
can’t see him the man from Earth is a low-budget
the man from Earth is a low-budget
the man from Earth is a low-budget direct-to-video movie and for all
direct-to-video movie and for all
direct-to-video movie and for all intents and purposes it should not have
intents and purposes it should not have
intents and purposes it should not have been good obviously you have something
been good obviously you have something
been good obviously you have something would like to say say it instead the
would like to say say it instead the
would like to say say it instead the film was pulled from obscurity and
film was pulled from obscurity and
film was pulled from obscurity and passed around becoming a cult classic
passed around becoming a cult classic
passed around becoming a cult classic that’s revered for its original plot and
that’s revered for its original plot and
that’s revered for its original plot and mesmerizing dialogue I don’t have eyes
mesmerizing dialogue I don’t have eyes
mesmerizing dialogue I don’t have eyes in the back of my head I can’t hear flea
in the back of my head I can’t hear flea
in the back of my head I can’t hear flea walking I am not in any way Superman the
walking I am not in any way Superman the
walking I am not in any way Superman the movie concerns a group of professors who
movie concerns a group of professors who
movie concerns a group of professors who throw a goodbye party for their
throw a goodbye party for their
throw a goodbye party for their colleague at his cabin unaware that the
colleague at his cabin unaware that the
colleague at his cabin unaware that the colleague harbors an incredible secret
colleague harbors an incredible secret
colleague harbors an incredible secret is that what they’re after eat it
is that what they’re after eat it
is that what they’re after eat it oh stop Harry it shot entirely in the
oh stop Harry it shot entirely in the
oh stop Harry it shot entirely in the living room of the cabin and the
living room of the cabin and the
living room of the cabin and the suspense resides solely in the
suspense resides solely in the
suspense resides solely in the unraveling of the revelation the Hobie C
unraveling of the revelation the Hobie C
unraveling of the revelation the Hobie C times landscape existing before behind
times landscape existing before behind
times landscape existing before behind us and we move we move through it slice
us and we move we move through it slice
us and we move we move through it slice by slice based on Jerome Bixby
by slice based on Jerome Bixby
by slice based on Jerome Bixby screenplay
screenplay
screenplay it is a masterpiece on the importance of
it is a masterpiece on the importance of
it is a masterpiece on the importance of writing that’s a secret we’d all love
writing that’s a secret we’d all love
writing that’s a secret we’d all love dev number 8 The Breakfast Club it what
dev number 8 The Breakfast Club it what
dev number 8 The Breakfast Club it what was that
eat my shorts you movies captured the
eat my shorts you movies captured the troubles of teenage life better than The
troubles of teenage life better than The
troubles of teenage life better than The Breakfast Club and how could it not
Breakfast Club and how could it not
Breakfast Club and how could it not every high school clique is represented
every high school clique is represented
every high school clique is represented in this John Hughes classic as five
in this John Hughes classic as five
in this John Hughes classic as five vastly different students served the
vastly different students served the
vastly different students served the same detention period it is now seven oh
same detention period it is now seven oh
same detention period it is now seven oh six you have exactly eight hours and 54
six you have exactly eight hours and 54
six you have exactly eight hours and 54 minutes to think about why to ponder the
minutes to think about why to ponder the
minutes to think about why to ponder the error of your ways most of the film
error of your ways most of the film
error of your ways most of the film takes place in the school library where
takes place in the school library where
takes place in the school library where the reticent kids start warming up to
the reticent kids start warming up to
the reticent kids start warming up to each other and slowly divulge the
each other and slowly divulge the
each other and slowly divulge the intricacies of their lives what would
intricacies of their lives what would
intricacies of their lives what would your friends say if we were walking down
your friends say if we were walking down
your friends say if we were walking down the hall together they’d laugh their
the hall together they’d laugh their
the hall together they’d laugh their asses off and you probably tell them
asses off and you probably tell them
asses off and you probably tell them that you’re doing it with me so they’d
that you’re doing it with me so they’d
that you’re doing it with me so they’d forgive you for being seamless don’t you
forgive you for being seamless don’t you
forgive you for being seamless don’t you ever talk about my friend through this
ever talk about my friend through this
ever talk about my friend through this development they realize they’re all
development they realize they’re all
development they realize they’re all quite similar and it’s merely the social
quite similar and it’s merely the social
quite similar and it’s merely the social hierarchy that keeps them from being
hierarchy that keeps them from being
hierarchy that keeps them from being friends if you’re letting me there’s
friends if you’re letting me there’s
friends if you’re letting me there’s someone for every person to relate to
someone for every person to relate to
someone for every person to relate to which is why The Breakfast Club is so
which is why The Breakfast Club is so
which is why The Breakfast Club is so beloved then we’re all pretty bizarre
beloved then we’re all pretty bizarre
beloved then we’re all pretty bizarre some of us are just better at hiding it
some of us are just better at hiding it
some of us are just better at hiding it that’s all number seven 14:08 my only
that’s all number seven 14:08 my only
that’s all number seven 14:08 my only condition is that you do not stay in
condition is that you do not stay in
condition is that you do not stay in that name based on a Stephen King story
that name based on a Stephen King story
that name based on a Stephen King story this film about a haunted hotel room was
this film about a haunted hotel room was
this film about a haunted hotel room was a critical and financial success how
a critical and financial success how
a critical and financial success how many people slept in that bed before you
many people slept in that bed before you
many people slept in that bed before you how many of them were sick how many of
how many of them were sick how many of
how many of them were sick how many of them lost our minds
many of them died number 1408 of the
many of them died number 1408 of the Dolphin Hotel caused the mysterious
Dolphin Hotel caused the mysterious
Dolphin Hotel caused the mysterious deaths of many occupants which leads a
deaths of many occupants which leads a
deaths of many occupants which leads a horror writer named Mike Enslin played
horror writer named Mike Enslin played
horror writer named Mike Enslin played by John Cusack to investigate it from
by John Cusack to investigate it from
by John Cusack to investigate it from all I heard was six scranton five I
all I heard was six scranton five I
all I heard was six scranton five I think I see the pattern he decides to
think I see the pattern he decides to
think I see the pattern he decides to spend the night in the room
spend the night in the room
spend the night in the room ignoring the pleas and warnings from the
ignoring the pleas and warnings from the
ignoring the pleas and warnings from the hotel’s manager what follows is a
hotel’s manager what follows is a
hotel’s manager what follows is a disturbing journey through Mike’s own
disturbing journey through Mike’s own
disturbing journey through Mike’s own personal hell as the room warps his
personal hell as the room warps his
personal hell as the room warps his sense of reality something should happen
sense of reality something should happen
sense of reality something should happen – I wanted to be known that it was an
– I wanted to be known that it was an
– I wanted to be known that it was an accident
accident
accident Rome
Rome
Rome did not win almost the entire movie
did not win almost the entire movie
did not win almost the entire movie takes place in room 1408 even the scenes
takes place in room 1408 even the scenes
takes place in room 1408 even the scenes that don’t if you’ve seen the movie you
that don’t if you’ve seen the movie you
that don’t if you’ve seen the movie you know what we’re talking about this room
know what we’re talking about this room
know what we’re talking about this room is number 6 tape o argued stranger every
is number 6 tape o argued stranger every
is number 6 tape o argued stranger every year set in a motel room in real time
year set in a motel room in real time
year set in a motel room in real time tape stars ethan hawke Robert Sean
tape stars ethan hawke Robert Sean
tape stars ethan hawke Robert Sean Leonard and uma Thurman and is directed
Leonard and uma Thurman and is directed
Leonard and uma Thurman and is directed by the always trippy Richard Linklater
by the always trippy Richard Linklater
by the always trippy Richard Linklater people change and of having nothing to
people change and of having nothing to
people change and of having nothing to say to each other even if they were best
say to each other even if they were best
say to each other even if they were best friends a year before the film was shot
friends a year before the film was shot
friends a year before the film was shot on camcorder and revolves around three
on camcorder and revolves around three
on camcorder and revolves around three former friends who talk in detail about
former friends who talk in detail about
former friends who talk in detail about their high school years we’ve come a
their high school years we’ve come a
their high school years we’ve come a long way since I don’t know high school
long way since I don’t know high school
long way since I don’t know high school you know the Michigan motel room makes
you know the Michigan motel room makes
you know the Michigan motel room makes for an intimate setting and the dialogue
for an intimate setting and the dialogue
for an intimate setting and the dialogue is just as intimate as the 20-somethings
is just as intimate as the 20-somethings
is just as intimate as the 20-somethings reminisce about their interconnected
reminisce about their interconnected
reminisce about their interconnected lives so Vincent what do you want to me
lives so Vincent what do you want to me
lives so Vincent what do you want to me yeah much I completely just call me like
yeah much I completely just call me like
yeah much I completely just call me like that out of blue this morning then a
that out of blue this morning then a
that out of blue this morning then a bomb drops and things get dark very
bomb drops and things get dark very
bomb drops and things get dark very quickly I was totally in love with you
quickly I was totally in love with you
quickly I was totally in love with you that night did you love me Linklater a
that night did you love me Linklater a
that night did you love me Linklater a dialogue wizard creates such a natural
dialogue wizard creates such a natural
dialogue wizard creates such a natural exchange that it’s hard to believe we’re
exchange that it’s hard to believe we’re
exchange that it’s hard to believe we’re watching a movie and the brilliant
watching a movie and the brilliant
watching a movie and the brilliant acting and tight setting are equally
acting and tight setting are equally
acting and tight setting are equally responsible so I thought you would
responsible so I thought you would
responsible so I thought you would appreciate well I don’t well why not
appreciate well I don’t well why not
appreciate well I don’t well why not number five my dinner with Andre we
number five my dinner with Andre we
number five my dinner with Andre we can’t be direct so we end up saying the
can’t be direct so we end up saying the
can’t be direct so we end up saying the weirdest things my dinner with Andre is
weirdest things my dinner with Andre is
weirdest things my dinner with Andre is a conversation between two people at a
a conversation between two people at a
a conversation between two people at a restaurant that’s it you know as Bose
restaurant that’s it you know as Bose
restaurant that’s it you know as Bose you’re going through some kind of Hell
you’re going through some kind of Hell
you’re going through some kind of Hell in your own life well you would love to
in your own life well you would love to
in your own life well you would love to know if your friends have experienced
know if your friends have experienced
know if your friends have experienced similar things we just don’t dare to ask
similar things we just don’t dare to ask
similar things we just don’t dare to ask each other no it’d be like asking your
each other no it’d be like asking your
each other no it’d be like asking your friend to drop his roll the film stars
friend to drop his roll the film stars
friend to drop his roll the film stars wallace shawn and andre gregory who also
wallace shawn and andre gregory who also
wallace shawn and andre gregory who also wrote the screenplay in a performance
wrote the screenplay in a performance
wrote the screenplay in a performance that walks the line between acting and
that walks the line between acting and
that walks the line between acting and reality the exchange is scripted however
reality the exchange is scripted however
reality the exchange is scripted however and the scenes are properly directed our
and the scenes are properly directed our
and the scenes are properly directed our minds are just focused on these goals
minds are just focused on these goals
minds are just focused on these goals and
and
and which in themselves not reality no goals
which in themselves not reality no goals
which in themselves not reality no goals and plans are not I mean they’re their
and plans are not I mean they’re their
and plans are not I mean they’re their fantasy they’re part of a dream life
fantasy they’re part of a dream life
fantasy they’re part of a dream life while the subject of performance art is
while the subject of performance art is
while the subject of performance art is one that is broached in the nearly
one that is broached in the nearly
one that is broached in the nearly two-hour conversation many others are
two-hour conversation many others are
two-hour conversation many others are discussed ranging from electric blankets
discussed ranging from electric blankets
discussed ranging from electric blankets to the meaning of life life becomes
to the meaning of life life becomes
to the meaning of life life becomes habitual and it is today the dining
habitual and it is today the dining
habitual and it is today the dining table is the only true setting which
table is the only true setting which
table is the only true setting which allows the dialogue primary focus the
allows the dialogue primary focus the
allows the dialogue primary focus the stripping of films habitual conventions
stripping of films habitual conventions
stripping of films habitual conventions makes this one room film one of the most
makes this one room film one of the most
makes this one room film one of the most unique viewing experiences and there
unique viewing experiences and there
unique viewing experiences and there were enzyme adequate to do any sort of a
were enzyme adequate to do any sort of a
were enzyme adequate to do any sort of a task um but I’m not adequate just to to
task um but I’m not adequate just to to
task um but I’m not adequate just to to to be a human being
to be a human being
to be a human being number four rear-window intelligence
number four rear-window intelligence
number four rear-window intelligence nothing has caused the human race so
nothing has caused the human race so
nothing has caused the human race so much trouble as intelligence Alfred
much trouble as intelligence Alfred
much trouble as intelligence Alfred Hitchcock was known for making a lot out
Hitchcock was known for making a lot out
Hitchcock was known for making a lot out of a little using high concept ideas and
of a little using high concept ideas and
of a little using high concept ideas and low concept settings and rear window is
low concept settings and rear window is
low concept settings and rear window is the very definition of that wish I could
the very definition of that wish I could
the very definition of that wish I could be creative well sweetie you are you
be creative well sweetie you are you
be creative well sweetie you are you have a great talent for creating
have a great talent for creating
have a great talent for creating difficult situation often considered the
difficult situation often considered the
difficult situation often considered the peak of Hitchcock’s filmmaking career
peak of Hitchcock’s filmmaking career
peak of Hitchcock’s filmmaking career rear window tells the story of a peeping
rear window tells the story of a peeping
rear window tells the story of a peeping tom an immobile man played by James
tom an immobile man played by James
tom an immobile man played by James Stewart who spends considerable time
Stewart who spends considerable time
Stewart who spends considerable time watching people from his apartment but
watching people from his apartment but
watching people from his apartment but it’s not perversion that motivates the
it’s not perversion that motivates the
it’s not perversion that motivates the man it’s murder
man it’s murder
man it’s murder why why would a man leave his apartment
why why would a man leave his apartment
why why would a man leave his apartment three times on a rainy night with a
three times on a rainy night with a
three times on a rainy night with a suitcase and come back three times he
suitcase and come back three times he
suitcase and come back three times he speculates that his neighbor committed a
speculates that his neighbor committed a
speculates that his neighbor committed a crime and the rabbit hole gets deeper as
crime and the rabbit hole gets deeper as
crime and the rabbit hole gets deeper as he continues to watch and unfold the
he continues to watch and unfold the
he continues to watch and unfold the narrative from his wheelchair
the rear window room is the film’s
the rear window room is the film’s primary setting and the peeping-tom
primary setting and the peeping-tom
primary setting and the peeping-tom concept has inspired countless
concept has inspired countless
concept has inspired countless adaptations including 2007’s disturbia
adaptations including 2007’s disturbia
adaptations including 2007’s disturbia that wasn’t me
that wasn’t me
that wasn’t me wrong guy wrong house wrong wrong just
wrong guy wrong house wrong wrong just
wrong guy wrong house wrong wrong just wrong number three Reservoir Dogs I got
wrong number three Reservoir Dogs I got
wrong number three Reservoir Dogs I got the diamonds
said to be The Godfather of independent
said to be The Godfather of independent cinema 1992’s Reservoir Dogs displayed
cinema 1992’s Reservoir Dogs displayed
cinema 1992’s Reservoir Dogs displayed the talent of a new filmmaker named
the talent of a new filmmaker named
the talent of a new filmmaker named Quentin Tarantino with the possible
Quentin Tarantino with the possible
Quentin Tarantino with the possible exception of Pulp Fiction Reservoir Dogs
exception of Pulp Fiction Reservoir Dogs
exception of Pulp Fiction Reservoir Dogs is considered Tarantino’s best work due
is considered Tarantino’s best work due
is considered Tarantino’s best work due to its intricate plot that blends comedy
to its intricate plot that blends comedy
to its intricate plot that blends comedy drama and/or seamlessly
what poor Yusei
what poor Yusei well considering that torture scene yes
well considering that torture scene yes
well considering that torture scene yes hey what’s going on centered on a heist
hey what’s going on centered on a heist
hey what’s going on centered on a heist Reservoir Dogs is also notable for not
Reservoir Dogs is also notable for not
Reservoir Dogs is also notable for not showing the heist itself it only deals
showing the heist itself it only deals
showing the heist itself it only deals with the fallout of the botched
with the fallout of the botched
with the fallout of the botched excursion as the criminals meet back at
excursion as the criminals meet back at
excursion as the criminals meet back at the warehouse why can’t we pick our own
the warehouse why can’t we pick our own
the warehouse why can’t we pick our own colors no way no way try to once it
colors no way no way try to once it
colors no way no way try to once it doesn’t work
doesn’t work
doesn’t work you get full guys well fighting over
you get full guys well fighting over
you get full guys well fighting over who’s gonna be mr. black this empty
who’s gonna be mr. black this empty
who’s gonna be mr. black this empty warehouse is the setting for most of the
warehouse is the setting for most of the
warehouse is the setting for most of the film and spurred Tarantino’s single
film and spurred Tarantino’s single
film and spurred Tarantino’s single setting fascination which was perfected
setting fascination which was perfected
setting fascination which was perfected in the hateful eight that Sun comes out
in the hateful eight that Sun comes out
in the hateful eight that Sun comes out I’m taking this woman into Red Rock to
I’m taking this woman into Red Rock to
I’m taking this woman into Red Rock to hang number two rope good and evil right
hang number two rope good and evil right
hang number two rope good and evil right and wrong were invented for the ordinary
and wrong were invented for the ordinary
and wrong were invented for the ordinary average man the inferior man because he
average man the inferior man because he
average man the inferior man because he needs them Hitchcock does it again in
needs them Hitchcock does it again in
needs them Hitchcock does it again in rope which is a more faithful adherence
rope which is a more faithful adherence
rope which is a more faithful adherence to the single-room concept you never
to the single-room concept you never
to the single-room concept you never nervous ago I used to be quite a bit we
nervous ago I used to be quite a bit we
nervous ago I used to be quite a bit we all do strange things in our childhood
all do strange things in our childhood
all do strange things in our childhood along with its minimalist setting the
along with its minimalist setting the
along with its minimalist setting the film was innovative for its real-time
film was innovative for its real-time
film was innovative for its real-time pacing and long take approach nearly 70
pacing and long take approach nearly 70
pacing and long take approach nearly 70 years before Birdman applied the same
years before Birdman applied the same
years before Birdman applied the same techniques you are not doing this for
techniques you are not doing this for
techniques you are not doing this for the sake of art you are doing this
the sake of art you are doing this
the sake of art you are doing this because you want to feel relevant again
because you want to feel relevant again
because you want to feel relevant again rope is about to university students who
rope is about to university students who
rope is about to university students who kill their classmate and host a dinner
kill their classmate and host a dinner
kill their classmate and host a dinner party to test the strength of the crime
party to test the strength of the crime
party to test the strength of the crime it’s like a pretty small farewell party
it’s like a pretty small farewell party
it’s like a pretty small farewell party oh well we’re really killing two birds
oh well we’re really killing two birds
oh well we’re really killing two birds with one stone
with one stone
with one stone the rise in suspense is masterful as
the rise in suspense is masterful as
the rise in suspense is masterful as Hitchcock unveils the perfect crime with
Hitchcock unveils the perfect crime with
Hitchcock unveils the perfect crime with the perfect narrative and cements rope
the perfect narrative and cements rope
the perfect narrative and cements rope as one of the genres best nobody commits
as one of the genres best nobody commits
as one of the genres best nobody commits a murder just for the experiment of
a murder just for the experiment of
a murder just for the experiment of committing it nobody except us before we
committing it nobody except us before we
committing it nobody except us before we unveil our number one pick here are some
unveil our number one pick here are some
unveil our number one pick here are some honorable mentions beautiful binoculars
honorable mentions beautiful binoculars
honorable mentions beautiful binoculars are something they stopped to study here
are something they stopped to study here
are something they stopped to study here solo indeed I will put this a factor I
solo indeed I will put this a factor I
solo indeed I will put this a factor I ain’t a doubter but I am questioner
ain’t a doubter but I am questioner
ain’t a doubter but I am questioner what’s the difference a questioner
what’s the difference a questioner
what’s the difference a questioner most the truth a doubter won’t be total
most the truth a doubter won’t be total
most the truth a doubter won’t be total ain’t no such thing let’s get out of
ain’t no such thing let’s get out of
ain’t no such thing let’s get out of here Alan these people are monsters oh
here Alan these people are monsters oh
here Alan these people are monsters oh stop it Nancy no no no I I want to drink
stop it Nancy no no no I I want to drink
stop it Nancy no no no I I want to drink some more I want to get drunk off my ass
some more I want to get drunk off my ass
some more I want to get drunk off my ass what are you done why they said – yeah
what are you done why they said – yeah
what are you done why they said – yeah well that’s just it I don’t know in fact
well that’s just it I don’t know in fact
well that’s just it I don’t know in fact I’m wondering if there hasn’t been some
I’m wondering if there hasn’t been some
I’m wondering if there hasn’t been some terrible mistake number one 12 Angry Men
terrible mistake number one 12 Angry Men
terrible mistake number one 12 Angry Men you’re faced with a grave responsibility
you’re faced with a grave responsibility
you’re faced with a grave responsibility thank you gentlemen
thank you gentlemen
thank you gentlemen maybe the greatest dialogue-driven movie
maybe the greatest dialogue-driven movie
maybe the greatest dialogue-driven movie of all time 12 Angry Men is a masterful
of all time 12 Angry Men is a masterful
of all time 12 Angry Men is a masterful example of storytelling based on a
example of storytelling based on a
example of storytelling based on a teleplay by Reginald Rose it introduces
teleplay by Reginald Rose it introduces
teleplay by Reginald Rose it introduces 12 jurors who are tasked with
12 jurors who are tasked with
12 jurors who are tasked with determining the fate of a man on trial
determining the fate of a man on trial
determining the fate of a man on trial for murder I can’t see two slaps in the
for murder I can’t see two slaps in the
for murder I can’t see two slaps in the face provoking him into committing
face provoking him into committing
face provoking him into committing murder it may have been two too many
murder it may have been two too many
murder it may have been two too many everyone has a breaking point the jurors
everyone has a breaking point the jurors
everyone has a breaking point the jurors have to prove beyond reasonable doubt
have to prove beyond reasonable doubt
have to prove beyond reasonable doubt that the man is guilty or innocent based
that the man is guilty or innocent based
that the man is guilty or innocent based on the evidence presented in court what
on the evidence presented in court what
on the evidence presented in court what do you want I say is guilty you want to
do you want I say is guilty you want to
do you want I say is guilty you want to hear your arguments I gave you my
hear your arguments I gave you my
hear your arguments I gave you my argument set almost entirely in the
argument set almost entirely in the
argument set almost entirely in the deliberation room the movie rides with
deliberation room the movie rides with
deliberation room the movie rides with suspense intrigue and climax through
suspense intrigue and climax through
suspense intrigue and climax through nothing but conversation who’s got
nothing but conversation who’s got
nothing but conversation who’s got something constructive to say I like to
something constructive to say I like to
something constructive to say I like to go over something if you gentlemen don’t
go over something if you gentlemen don’t
go over something if you gentlemen don’t mind heralded for its accurate portrayal
mind heralded for its accurate portrayal
mind heralded for its accurate portrayal of deliberation and human nature 12
of deliberation and human nature 12
of deliberation and human nature 12 Angry Men is a Law School staple and is
Angry Men is a Law School staple and is
Angry Men is a Law School staple and is among the National Film registry
among the National Film registry
among the National Film registry selections for culturally historically
selections for culturally historically
selections for culturally historically or aesthetically significant films now
or aesthetically significant films now
or aesthetically significant films now listen guilty or not guilty
listen guilty or not guilty
listen guilty or not guilty I told you not guilty why do you agree
I told you not guilty why do you agree
I told you not guilty why do you agree with our list what’s your favorite
with our list what’s your favorite
with our list what’s your favorite single room movie those awful figuring
single room movie those awful figuring
single room movie those awful figuring you say more about the people in this
you say more about the people in this
you say more about the people in this town in many words this is the town
town in many words this is the town
town in many words this is the town then you really have a strange way of
then you really have a strange way of
then you really have a strange way of showing for more confined top 10s
showing for more confined top 10s
showing for more confined top 10s published every day be sure to subscribe
published every day be sure to subscribe
published every day be sure to subscribe to watchmojo.com bye it was good
”
Be First to Comment