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Tejidos que narran historias | Tida Coly | TEDxBosqueLaHerrería


[Music]

after

[Music]

maine new york times and called crazy and the

gala me I’ve taken nothing you see that

you have not understood lage and you would like

know what I’m saying then what

I just said is what we all do

the days

translate translate our culture

Senegalese African Spanish culture

and Western European would be easier

for me to speak in one of my and I more

family but today I will talk to you in

Spanish because for me it is one of the

adoption languages

next to French thierry in English what

that I said earlier in Wolof that my

presentation

hello my name is chila coli I come from

senegal and I feel a citizen of the world

I want to share with us because

I’m here and a little bit of my culture

always when they ask me how much

you have been here for 16 years

I’m living in Spain

the first thing they tell me without giving it time

to answer because I’m here because what

that you ask me is not directly says

lucky you have to be here what bad

happens is in africa

I usually get me a little thoughtful is

say but that Africa tell me of

that Africa speaks to me Chavez but never

I ‘m left without giving an answer to Africa

is a country is a continent with more than

50 countries and a Senegalese where I come from

is one of those countries with its

wonders

yes it is true there is a part like saying

negative but it is not what defines the

continent

hence my work is because I am here

it shows that he is very bad despite

be the oldest of ten brothers not with what

It involved in culture and it legalizes

decision making to be an example of your

brothers

sometimes a nightmare but good what

took o’connor what he was going

I noticed with these repeated questions

Sometimes I realized that we had to do

something had to be presented from another

shape and I and what was needed

it was necessary that people their piece

I knew where I came from and he did not look at me

do with pity because it hurts not

I wanted to give and decided to organize a

event and this started an afternoon in the

office where he worked because before

I worked in a French bank in Madrid

I decided to send an event or say a

detailed project to the town hall of the

Escorial Town Hall from here to see

if you authorize me dinner use the square

public and organize that event and I had

an answer a nice surprise already

who agreed and gave me the

authorization and they also put my

disposition asking me everything that

I needed for those to do

reality and so organize first event

for me it had a connotation ao

a burden of interculturality

important and I could gather in that act

musical african music live

Storyteller with a man from Cameroon

that came and literary chat with

different poets from different countries

an exhibition of photos

I was doing with a Spanish photographer but

the photos were taken in africa and a

fashion show that part I liked

very much because we could introduce uu

as you decide from there even if they were

on a small scale they are given there but

with a design or cut from here

so that people would realize that

African fabrics is not only for

pierre negra thing that I usually go to

I used to because today is changing

also today these fabrics are going to

you black skin we do not

thank goodness that is changing and it was a

success but I’ll finish I’m exhausted

that day because I was running to go

I realized that I needed more training

and then I signed up for a course of

organization direction of events that

phenomenal wine for the next

editions of this event the truth come out

from there and I realized that something has

changed as a result of what I wanted

the people already started began to tell

with me with us that it was not

the typical questions were not going and

We started to organize events so that

to have a follow-up with the

project created a blog related to

what we do has gone my husband and of

there we also continue with the networks

socially so far not but all

changed in 2015 one afternoon when

I went to the office suddenly I found

realize that since the time has come

but it is not because there is as to say

caused are not circumstances of the

life or destiny itself as my

mother but I went to the bank after

eight years

and I decided that it was time to open a

store not a store any like

we know I do not want a store or a

space because I liked to call it

space where I could continue

transmitting what I like most

is the sculpture and where also can

collaborate and change the idea that people

has the continent to the ground

say that african rimac or disasters

as those who usually sell for me rhyme

with good joy does not rhyme with the law

but they should or not but I am now

we are achieving it little by little with the

help from many collaborators who

now count on us to such as

foundations associations or companies

private and there in Africa also not

that we have more people to our

around

not only the family but also

friends and people among economies that

they are related to the sector from which

we are moving that is the culture and

the artisan does not always relate to

the continent

now I’m left blank low

for me this project goes beyond

what is it that one goes ahead at a level

economic has to do with my delta and

affirm what I am and what I can

bring my people who are to me

around not if it is possible to go beyond

if it allows me to walk when one

enter the space colors the world is

realize that the textile is very has a

privileged site for me is very

important what we are doing and why

that traveled from time to time to senegal

for this topic not and on my last traveled

two months ago

I saw something that caught my

attention and I became reinforced that is the

situation of the change that is hitting

to

the life of Senegalese African women

he is his in his in this case I did not see that

women say no longer is waiting

tell him where he can go or what

what can be done to the contrary is

making important decisions elbow to

with him the man and he has

accepted why be working

together for me this is very important

because it was not like that very recently 12

I returned the truth and they include that

can do very well we can already

negotiate face to face not me I liked

the textile issue that is important

as I said in my work because

I want to transmit through the fabrics

African as industrial or

craft the cultural connotation

important that it carries because through

the fabrics can be known a whole one

culture if one pays much attention

then when talking about fabrics

African often tend to draw

directly think of the stool or

copies and because there are some prints

awesome to think about the fabrics

typically fax that are dinners

known with its most used prints

In the continent

Wherever you go, you’ll find them in the

markets in the houses and they have the truth

an identity

today culturally rooted not but the

names can also change by

here bats sometimes call it charge or the

capul ana in Mozambique then but it is

the same goes and the glass

we also have the yago serum according to

yago is a fabric for me today that I

I say because I like it at my wedding

they put is also a fabric that has

a very traditional representation and

symbolic in our society is a

fabric originally from guinea bissau

although nowadays it can be found in

senegal on burkina ivory coast but

it is a visa fabric

naval line and it’s called blue and yago and

the ethnicity that weaves are the spot

– What I invite you to look for is a

little internet to know about this

very interesting people and now we jump

towards Mali with the flyers

the bold and the holy the photo does not make you

justice but it is an impressive weave

wonderful balls means weave

mud because the dyeing process is

made with mud leaves and roots the

Mali bambara call it as if it were

his second skin so I ‘m not going to

intervene the cyclops days so that

so you have to know what petit told us

committee

but it is a person is a fabric that

It connotes one

representation of a whole culture all

the epia will send them that is steering wheel

also the one that he is not very

known because it ‘s from ghana and it’s used

rather for royalty to win jensen

is not well known but in those of the

events is typically from this country

from southern Ghana you see now but it’s

related to royalty wins and in it

It’s worth because all this I talk to you about the

tissues to tell you that we in

our day-to-day work

we use these fabrics and more also that

he has not given me time to teach us that

we use in our our creations

of decoration garments but without

take away the cultural importance that

they have behind no but trying to do

a kind of cultural miscegenation bringing

the culture there and put it or

incorporating into the culture here

doing a miscegenation so that people

know the story behind

each garment or item that they touch or that

let’s teach, not that, it’s stuck with me again

[Applause]

and already in senegal in senegal we have a

I said we have a saying in all

centers in all ethnic groups

that we have five ethnic groups

but in all ethnic groups

we have the same translation of this

said that it would seem like step by step

one can and achieve what is proposed or

what you are looking for and giving tradition

and gives you that day with stealthily

can hunting a monkey in the jungle came down on

a value would be dan they walk very slowly

you had it and I’m applying it in

my job

little by little I’m trying to reach what

I want this idea to be

interculturality

this presentation that I want the

people know about me that I do not look at how

here is recorded saved not serious

Thank you

[Applause]

[Music]

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