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Filmmaking’s obsession with Superheroes | Alex Dunnett | TEDxGhent


[Music]

[Music] hi so I would like to talk to you a

hi so I would like to talk to you a

hi so I would like to talk to you a little bit today about hero’s and I’m

little bit today about hero’s and I’m

little bit today about hero’s and I’m sorry if I’m disappointing anybody

sorry if I’m disappointing anybody

sorry if I’m disappointing anybody before we even start I’m not going to be

before we even start I’m not going to be

before we even start I’m not going to be going into too much detail about the

going into too much detail about the

going into too much detail about the heroes that fly around that mutant kind

heroes that fly around that mutant kind

heroes that fly around that mutant kind I want to talk about the much more

I want to talk about the much more

I want to talk about the much more exciting type of hero now these can be

exciting type of hero now these can be

exciting type of hero now these can be fictional heroes they can be real-life

fictional heroes they can be real-life

fictional heroes they can be real-life heroes some of them we love and others

heroes some of them we love and others

heroes some of them we love and others we love to hate I’m talking about the

we love to hate I’m talking about the

we love to hate I’m talking about the type that exists in documentaries and

type that exists in documentaries and

type that exists in documentaries and feature films so eight years ago I got

feature films so eight years ago I got

feature films so eight years ago I got my big break I had spent years working

my big break I had spent years working

my big break I had spent years working hard dreaming big and I finally got my

hard dreaming big and I finally got my

hard dreaming big and I finally got my foot in the door by getting a job making

foot in the door by getting a job making

foot in the door by getting a job making tea and coffee for a film production

tea and coffee for a film production

tea and coffee for a film production company it was pretty big now when I was

company it was pretty big now when I was

company it was pretty big now when I was there you know I wanted to learn as much

there you know I wanted to learn as much

there you know I wanted to learn as much as I could from my boss and the other

as I could from my boss and the other

as I could from my boss and the other people working there and I kept hearing

people working there and I kept hearing

people working there and I kept hearing this phrase used over and over again

this phrase used over and over again

this phrase used over and over again that one great film can change the world

that one great film can change the world

that one great film can change the world so I was learning listening trying to

so I was learning listening trying to

so I was learning listening trying to take as much in as I could and I found

take as much in as I could and I found

take as much in as I could and I found myself watching and re watching certain

myself watching and re watching certain

myself watching and re watching certain films that had connected and that he

films that had connected and that he

films that had connected and that he created a tangible impact on the world

created a tangible impact on the world

created a tangible impact on the world so as I was piecing together how these

so as I was piecing together how these

so as I was piecing together how these films worked how they what methods they

films worked how they what methods they

films worked how they what methods they used to connect to an audience I was

used to connect to an audience I was

used to connect to an audience I was looking at ways in which we could

looking at ways in which we could

looking at ways in which we could potentially involve ourselves in

potentially involve ourselves in

potentially involve ourselves in projects with a similar kind of an

projects with a similar kind of an

projects with a similar kind of an impact so anyway one morning I ended up

impact so anyway one morning I ended up

impact so anyway one morning I ended up being asked to attend a meeting with a

being asked to attend a meeting with a

being asked to attend a meeting with a guy called John batt SEC and I was

guy called John batt SEC and I was

guy called John batt SEC and I was really nervous it was very early early

really nervous it was very early early

really nervous it was very early early on in my career so I went along to this

on in my career so I went along to this

on in my career so I went along to this meeting knowing full well that John has

meeting knowing full well that John has

meeting knowing full well that John has an accomplished producer he had

an accomplished producer he had

an accomplished producer he had forgotten more than I knew so I went in

forgotten more than I knew so I went in

forgotten more than I knew so I went in and he sat me down he said look I just

and he sat me down he said look I just

and he sat me down he said look I just want to show you something I want to get

want to show you something I want to get

want to show you something I want to get your feedback we’re looking for support

your feedback we’re looking for support

your feedback we’re looking for support for this on the production distribution

for this on the production distribution

for this on the production distribution side

side

side tell me what you think and he showed me

tell me what you think and he showed me

tell me what you think and he showed me five minutes of some footage that

five minutes of some footage that

five minutes of some footage that eventually ends up as this film the

eventually ends up as this film the

eventually ends up as this film the people are like a giant and the

people are like a giant and the

people are like a giant and the government’s they’re like this little

government’s they’re like this little

government’s they’re like this little man why is it that this little small man

man why is it that this little small man

man why is it that this little small man can control this giant come back and

can control this giant come back and

can control this giant come back and that was the first time me and my

that was the first time me and my

that was the first time me and my sisters so in that morning when I saw

sisters so in that morning when I saw

sisters so in that morning when I saw that film for the first time everything

that film for the first time everything

that film for the first time everything changed for me the activists that were

changed for me the activists that were

changed for me the activists that were the real-life heroes in this film the

the real-life heroes in this film the

the real-life heroes in this film the strength their courageousness the fact

strength their courageousness the fact

strength their courageousness the fact that they were fighting oppression and

that they were fighting oppression and

that they were fighting oppression and trying to champion basic human rights

trying to champion basic human rights

trying to champion basic human rights not just for them but for everyone in

not just for them but for everyone in

not just for them but for everyone in their countries it forged this

their countries it forged this

their countries it forged this incredibly emotional response in me not

incredibly emotional response in me not

incredibly emotional response in me not only did it change the sort of course of

only did it change the sort of course of

only did it change the sort of course of my career and the type of films I wanted

my career and the type of films I wanted

my career and the type of films I wanted to be a part of but it had me consider

to be a part of but it had me consider

to be a part of but it had me consider more and more about the methods and why

more and more about the methods and why

more and more about the methods and why was that film so impactful on me so when

was that film so impactful on me so when

was that film so impactful on me so when it comes to a subject matter an activist

it comes to a subject matter an activist

it comes to a subject matter an activist filmmaker already has a very very tight

filmmaker already has a very very tight

filmmaker already has a very very tight relationship with that subject or that

relationship with that subject or that

relationship with that subject or that cause and the thing that I find the most

cause and the thing that I find the most

cause and the thing that I find the most problematic for a lot of these activist

problematic for a lot of these activist

problematic for a lot of these activist filmmakers when I meet with them is the

filmmakers when I meet with them is the

filmmakers when I meet with them is the fact that they are they struggle with

fact that they are they struggle with

fact that they are they struggle with being too close to their subjects now

being too close to their subjects now

being too close to their subjects now what I mean by that is they already have

what I mean by that is they already have

what I mean by that is they already have this connection with the subject they

this connection with the subject they

this connection with the subject they understand the reasons why they’re

understand the reasons why they’re

understand the reasons why they’re wanting to make

wanting to make

wanting to make film but what I have to say to them and

film but what I have to say to them and

film but what I have to say to them and what we discuss in in-depth is how do

what we discuss in in-depth is how do

what we discuss in in-depth is how do you create that response in an audience

you create that response in an audience

you create that response in an audience who’s perhaps never had any kind of

who’s perhaps never had any kind of

who’s perhaps never had any kind of relationship with that subject or cause

relationship with that subject or cause

relationship with that subject or cause all that time and so this is when I

all that time and so this is when I

all that time and so this is when I start looking towards these guys so I

start looking towards these guys so I

start looking towards these guys so I point them into the direction of how

point them into the direction of how

point them into the direction of how superhero movies are made and what is it

superhero movies are made and what is it

superhero movies are made and what is it about them that means they’re so popular

about them that means they’re so popular

about them that means they’re so popular well essentially and by the way this is

well essentially and by the way this is

well essentially and by the way this is not an exact science so I’m not saying

not an exact science so I’m not saying

not an exact science so I’m not saying that everyone should go away and tell

that everyone should go away and tell

that everyone should go away and tell their activist filmmaker friends that

their activist filmmaker friends that

their activist filmmaker friends that they need to be making superior

they need to be making superior

they need to be making superior franchises no it’s looking at the ways

franchises no it’s looking at the ways

franchises no it’s looking at the ways in which these films are put together

in which these films are put together

in which these films are put together okay so to be honest each and every one

okay so to be honest each and every one

okay so to be honest each and every one of these superhero movies are very

of these superhero movies are very

of these superhero movies are very similar in part to how an activist would

similar in part to how an activist would

similar in part to how an activist would put together their film their origin

put together their film their origin

put together their film their origin stories these are characters who are

stories these are characters who are

stories these are characters who are choosing altruism over the pursuit of

choosing altruism over the pursuit of

choosing altruism over the pursuit of power and wealth these are people that

power and wealth these are people that

power and wealth these are people that are usually getting superpowers at the

are usually getting superpowers at the

are usually getting superpowers at the time when at the time of trauma or drama

time when at the time of trauma or drama

time when at the time of trauma or drama they may be getting those through times

they may be getting those through times

they may be getting those through times of Destiny or charts much in the same

of Destiny or charts much in the same

of Destiny or charts much in the same way as you will find activists when

way as you will find activists when

way as you will find activists when they’re putting together their project

they’re putting together their project

they’re putting together their project will consider their projects to be so I

will consider their projects to be so I

will consider their projects to be so I point them towards the way in which

point them towards the way in which

point them towards the way in which these superheroes narrative structure

these superheroes narrative structure

these superheroes narrative structure afraind so in terms of in terms of how

afraind so in terms of in terms of how

afraind so in terms of in terms of how you can approach your story you can look

you can approach your story you can look

you can approach your story you can look towards these films and you can present

towards these films and you can present

towards these films and you can present them in a way to help audiences engage

them in a way to help audiences engage

them in a way to help audiences engage and that’s the critical thing now a

and that’s the critical thing now a

and that’s the critical thing now a friend of mine said to me a couple of

friend of mine said to me a couple of

friend of mine said to me a couple of days ago that making a documentary is

days ago that making a documentary is

days ago that making a documentary is like trying to capture lightning in a

like trying to capture lightning in a

like trying to capture lightning in a jar but when you’re but making a feature

jar but when you’re but making a feature

jar but when you’re but making a feature film is like creating lightning and

film is like creating lightning and

film is like creating lightning and there’s going to be certain times where

there’s going to be certain times where

there’s going to be certain times where your activist filmmaker may find a

your activist filmmaker may find a

your activist filmmaker may find a subject doesn’t lend itself perfectly to

subject doesn’t lend itself perfectly to

subject doesn’t lend itself perfectly to a documentary format so in that instance

a documentary format so in that instance

a documentary format so in that instance one of the things that you were able to

one of the things that you were able to

one of the things that you were able to do is to create fictional heroes heroes

do is to create fictional heroes heroes

do is to create fictional heroes heroes that are perhaps bringing together

that are perhaps bringing together

that are perhaps bringing together hundreds of different stories that are

hundreds of different stories that are

hundreds of different stories that are influenced by real

you picked aside after 9/11 I didn’t

you picked aside after 9/11 I didn’t have to it was picked for step over here

have to it was picked for step over here

have to it was picked for step over here sir

sir

sir so he’s that problem he’s an employee

so he’s that problem he’s an employee

so he’s that problem he’s an employee follow me please

follow me please

follow me please have you ever been a member of a

have you ever been a member of a

have you ever been a member of a terrorist organization how do you feel

terrorist organization how do you feel

terrorist organization how do you feel about the United States of America

about the United States of America

about the United States of America agent Ford I love the United States of

agent Ford I love the United States of

agent Ford I love the United States of America

[Music]

[Music] so in Meera’s film the approach was to

so in Meera’s film the approach was to

so in Meera’s film the approach was to create characters that audiences around

create characters that audiences around

create characters that audiences around the world would be able to connect with

the world would be able to connect with

the world would be able to connect with catch casting your net wider if you will

catch casting your net wider if you will

catch casting your net wider if you will creating characters that are influenced

creating characters that are influenced

creating characters that are influenced by true stories from you know all the

by true stories from you know all the

by true stories from you know all the hundreds of different accounts from

hundreds of different accounts from

hundreds of different accounts from around pre and post 9/11 the reason for

around pre and post 9/11 the reason for

around pre and post 9/11 the reason for doing that and one of the ways in which

doing that and one of the ways in which

doing that and one of the ways in which you can create bigger impact by doing a

you can create bigger impact by doing a

you can create bigger impact by doing a film with fictional heroes is you’re

film with fictional heroes is you’re

film with fictional heroes is you’re able to create familiarity for the

able to create familiarity for the

able to create familiarity for the audience now I’m not just talking about

audience now I’m not just talking about

audience now I’m not just talking about the fact that you can cast this with

the fact that you can cast this with

the fact that you can cast this with big-name stars I’m talking about how the

big-name stars I’m talking about how the

big-name stars I’m talking about how the approach of the characters towards a

approach of the characters towards a

approach of the characters towards a subject and how that can be reflected

subject and how that can be reflected

subject and how that can be reflected upon their lives day to day now if you

upon their lives day to day now if you

upon their lives day to day now if you can create that if you can create that

can create that if you can create that

can create that if you can create that connection for an audience it’s that

connection for an audience it’s that

connection for an audience it’s that that helps them feel comfortable to

that helps them feel comfortable to

that helps them feel comfortable to discuss these very complex and sensitive

discuss these very complex and sensitive

discuss these very complex and sensitive topics with their family with other with

topics with their family with other with

topics with their family with other with their friends and that is actually the

their friends and that is actually the

their friends and that is actually the where real change gets made the film is

where real change gets made the film is

where real change gets made the film is just the spark and that’s why focusing

just the spark and that’s why focusing

just the spark and that’s why focusing on narrative structure is so important

now while also talking about fictional

now while also talking about fictional heroes there might be a topic that is

heroes there might be a topic that is

heroes there might be a topic that is even more range you’re sensitive that

even more range you’re sensitive that

even more range you’re sensitive that you require another method and this is a

you require another method and this is a

you require another method and this is a method that I call the the Trojan horse

method that I call the the Trojan horse

method that I call the the Trojan horse method or the antihero

back to Latian in fact okay I’m gonna

back to Latian in fact okay I’m gonna say this now this is a bit of a unique

say this now this is a bit of a unique

say this now this is a bit of a unique example okay

example okay

example okay this is not your typical subject matter

this is not your typical subject matter

this is not your typical subject matter for an activist film this Brahman our

for an activist film this Brahman our

for an activist film this Brahman our main project was brought to us presented

main project was brought to us presented

main project was brought to us presented by the Indian new wave director q and

by the Indian new wave director q and

by the Indian new wave director q and one of the things that he wanted to do

one of the things that he wanted to do

one of the things that he wanted to do was use comedy and farce to highlight

was use comedy and farce to highlight

was use comedy and farce to highlight the issues surrounding sexism and the

the issues surrounding sexism and the

the issues surrounding sexism and the caste system very antiquated caste

caste system very antiquated caste

caste system very antiquated caste system in in India so by creating these

system in in India so by creating these

system in in India so by creating these characters that you can laugh at you’re

characters that you can laugh at you’re

characters that you can laugh at you’re essentially able to hold a mirror up to

essentially able to hold a mirror up to

essentially able to hold a mirror up to society and give them a way show them

society and give them a way show them

society and give them a way show them how not to be essentially so this is the

how not to be essentially so this is the

how not to be essentially so this is the thing about heroes they look after us

thing about heroes they look after us

thing about heroes they look after us they provide us with hope they validate

they provide us with hope they validate

they provide us with hope they validate morals solve problems and they provide

morals solve problems and they provide

morals solve problems and they provide us with entertaining stories of which we

us with entertaining stories of which we

us with entertaining stories of which we can learn from and the fact that we are

can learn from and the fact that we are

can learn from and the fact that we are all now living online in these self-made

all now living online in these self-made

all now living online in these self-made echo chambers the fact that these heroes

echo chambers the fact that these heroes

echo chambers the fact that these heroes that we watch in cinemas on films and

that we watch in cinemas on films and

that we watch in cinemas on films and documentaries at home they have the

documentaries at home they have the

documentaries at home they have the ability to reach across borders across

ability to reach across borders across

ability to reach across borders across political party lines and they can

political party lines and they can

political party lines and they can connect with an audience on a very basic

connect with an audience on a very basic

connect with an audience on a very basic human level and that’s something very

human level and that’s something very

human level and that’s something very very powerful indeed thank you

very powerful indeed thank you

very powerful indeed thank you [Applause]

[Applause]

[Applause] [Music]

”

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