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Museums should activate multiple senses, not just the eyeball | Ellen Lupton | TEDxMidAtlantic


so I’m a curator at cooper-hewitt

so I’m a curator at cooper-hewitt Smithsonian design Museum in New York

Smithsonian design Museum in New York

Smithsonian design Museum in New York City come visit a museum curator do you

City come visit a museum curator do you

City come visit a museum curator do you know any museum curators do you hang out

know any museum curators do you hang out

know any museum curators do you hang out with museum I didn’t think so and you

with museum I didn’t think so and you

with museum I didn’t think so and you know why we are very single-minded and

know why we are very single-minded and

know why we are very single-minded and we are obsessed with one thing

eyeballs museum curators love eyeballs

eyeballs museum curators love eyeballs and our favorite slogan as you probably

and our favorite slogan as you probably

and our favorite slogan as you probably know is do not touch so you go to a

know is do not touch so you go to a

know is do not touch so you go to a museum and you look and you look and you

museum and you look and you look and you

museum and you look and you look and you look until you’re so tired you want to

look until you’re so tired you want to

look until you’re so tired you want to shut your eyeballs and go to sleep don’t

shut your eyeballs and go to sleep don’t

shut your eyeballs and go to sleep don’t you get exhausted at museums you just

you get exhausted at museums you just

you get exhausted at museums you just can’t wait to get to the gift shop and

can’t wait to get to the gift shop and

can’t wait to get to the gift shop and the cafe I get tired at museums and so

the cafe I get tired at museums and so

the cafe I get tired at museums and so recently I started to think what if we

recently I started to think what if we

recently I started to think what if we made an exhibition that wasn’t just

made an exhibition that wasn’t just

made an exhibition that wasn’t just about eyeballs what if we had an

about eyeballs what if we had an

about eyeballs what if we had an exhibition where you could touch and

exhibition where you could touch and

exhibition where you could touch and taste and smell and listen to the stuff

taste and smell and listen to the stuff

taste and smell and listen to the stuff in the galleries right now you’re

in the galleries right now you’re

in the galleries right now you’re sitting in a chair you hardly know this

sitting in a chair you hardly know this

sitting in a chair you hardly know this chair but this chair is touching you in

chair but this chair is touching you in

chair but this chair is touching you in a very intimate way it’s not even

a very intimate way it’s not even

a very intimate way it’s not even running for president it’s just a chair

so I’m working on a new exhibition is

so I’m working on a new exhibition is called design for the senses send me

called design for the senses send me

called design for the senses send me ideas I’m on a listening tour in a

ideas I’m on a listening tour in a

ideas I’m on a listening tour in a scratching tour and a touching tour to

scratching tour and a touching tour to

scratching tour and a touching tour to find out what designers are doing to go

find out what designers are doing to go

find out what designers are doing to go beyond the eyeball things that we use

beyond the eyeball things that we use

beyond the eyeball things that we use the places that we inhabit embrace our

the places that we inhabit embrace our

the places that we inhabit embrace our whole body they show us where to go they

whole body they show us where to go they

whole body they show us where to go they give us information not just through the

give us information not just through the

give us information not just through the eyeballs why does that matter

eyeballs why does that matter

eyeballs why does that matter when designers start to activate

when designers start to activate

when designers start to activate multiple senses we create a world that’s

multiple senses we create a world that’s

multiple senses we create a world that’s more interesting for everyone and more

more interesting for everyone and more

more interesting for everyone and more accessible to everyone so I want to show

accessible to everyone so I want to show

accessible to everyone so I want to show you some projects tactile city is a

you some projects tactile city is a

you some projects tactile city is a project created by faculty and students

project created by faculty and students

project created by faculty and students at the Cooper Union in New York and the

at the Cooper Union in New York and the

at the Cooper Union in New York and the idea is to create sidewalks that are

idea is to create sidewalks that are

idea is to create sidewalks that are accessible to people with blindness and

accessible to people with blindness and

accessible to people with blindness and low vision so there’s a tactile stripe

low vision so there’s a tactile stripe

low vision so there’s a tactile stripe that runs down the middle of the

that runs down the middle of the

that runs down the middle of the sidewalk and as someone is communicating

sidewalk and as someone is communicating

sidewalk and as someone is communicating with that stripe with their walking

with that stripe with their walking

with that stripe with their walking stick pattern tiles indicate trash cans

stick pattern tiles indicate trash cans

stick pattern tiles indicate trash cans street signs bus stops entrances to

street signs bus stops entrances to

street signs bus stops entrances to buildings and when a construction

buildings and when a construction

buildings and when a construction barrier appears there’s a textured mat

barrier appears there’s a textured mat

barrier appears there’s a textured mat that alerts you before you get to the

that alerts you before you get to the

that alerts you before you get to the barrier that there’s a barrier and a

barrier that there’s a barrier and a

barrier that there’s a barrier and a sound emitting beacon that tells you to

sound emitting beacon that tells you to

sound emitting beacon that tells you to move to turn and then if necessary a

move to turn and then if necessary a

move to turn and then if necessary a ramp that brings a pedestrian down to

ramp that brings a pedestrian down to

ramp that brings a pedestrian down to the street level and tactile barrier is

the street level and tactile barrier is

the street level and tactile barrier is a tactile Bannister with information in

a tactile Bannister with information in

a tactile Bannister with information in Braille to give more information about

Braille to give more information about

Braille to give more information about this obstruction and what to expect from

this obstruction and what to expect from

this obstruction and what to expect from it sometimes I have trouble crossing the

it sometimes I have trouble crossing the

it sometimes I have trouble crossing the street because I’m always looking at my

street because I’m always looking at my

street because I’m always looking at my phone

phone

phone and if you think about crosswalks

and if you think about crosswalks

and if you think about crosswalks they’re designed for people that are

they’re designed for people that are

they’re designed for people that are looking straight ahead but lots of

looking straight ahead but lots of

looking straight ahead but lots of people aren’t so a design company in

people aren’t so a design company in

people aren’t so a design company in Melbourne Australia created this amazing

Melbourne Australia created this amazing

Melbourne Australia created this amazing proposal that adds lights to the tactile

proposal that adds lights to the tactile

proposal that adds lights to the tactile paving at the crosswalk and that leads

paving at the crosswalk and that leads

paving at the crosswalk and that leads people safely across the street even if

people safely across the street even if

people safely across the street even if they’re not looking where they’re going

this is the Bradley II one time piece

this is the Bradley II one time piece it’s called the timepiece not a watch

it’s called the timepiece not a watch

it’s called the timepiece not a watch because it’s entirely tactile so you can

because it’s entirely tactile so you can

because it’s entirely tactile so you can tell the time without looking at your

tell the time without looking at your

tell the time without looking at your watch it’s an amazing piece of

watch it’s an amazing piece of

watch it’s an amazing piece of engineering and design it uses two ball

engineering and design it uses two ball

engineering and design it uses two ball bearings that travel around the watch

bearings that travel around the watch

bearings that travel around the watch and give you the hour and the minute

and give you the hour and the minute

and give you the hour and the minute hand and it’s named for Bradley Snyder

hand and it’s named for Bradley Snyder

hand and it’s named for Bradley Snyder who’s a Paralympic athlete and war

who’s a Paralympic athlete and war

who’s a Paralympic athlete and war veteran who lives in Baltimore a great

veteran who lives in Baltimore a great

veteran who lives in Baltimore a great hero

hero

hero this is tactile kitchenware designed to

this is tactile kitchenware designed to

this is tactile kitchenware designed to make kitchen activities safer and more

make kitchen activities safer and more

make kitchen activities safer and more pleasurable for people with low vision

pleasurable for people with low vision

pleasurable for people with low vision so the cup has an indent which gives you

so the cup has an indent which gives you

so the cup has an indent which gives you a place a signal to where to hold the

a place a signal to where to hold the

a place a signal to where to hold the cup and when you pour liquid into the

cup and when you pour liquid into the

cup and when you pour liquid into the cup you can feel the temperature of the

cup you can feel the temperature of the

cup you can feel the temperature of the material change and then you’re less

material change and then you’re less

material change and then you’re less likely to pour too much beautiful

likely to pour too much beautiful

likely to pour too much beautiful tactile feedback this is a cutting board

tactile feedback this is a cutting board

tactile feedback this is a cutting board with grooves that guides the hand while

with grooves that guides the hand while

with grooves that guides the hand while you’re cutting and the high contrast

you’re cutting and the high contrast

you’re cutting and the high contrast black and white graphics are accessible

black and white graphics are accessible

black and white graphics are accessible to people with low vision and they look

to people with low vision and they look

to people with low vision and they look great black and white always looks great

great black and white always looks great

great black and white always looks great everything we eat has texture what if

everything we eat has texture what if

everything we eat has texture what if your spoon had its own texture these

your spoon had its own texture these

your spoon had its own texture these amazing experimental pieces stimulate

amazing experimental pieces stimulate

amazing experimental pieces stimulate your tongue and your palate with

your tongue and your palate with

your tongue and your palate with textures that are smooth or bumpy or

textures that are smooth or bumpy or

textures that are smooth or bumpy or rough to amplify the feeling and taste

rough to amplify the feeling and taste

rough to amplify the feeling and taste of what’s in your mouth texture affects

of what’s in your mouth texture affects

of what’s in your mouth texture affects taste

taste

taste also effect sound this is a desktop

also effect sound this is a desktop

also effect sound this is a desktop speaker that has removable inserts each

speaker that has removable inserts each

speaker that has removable inserts each insert has a different texture and

insert has a different texture and

insert has a different texture and material that actually changes the sound

material that actually changes the sound

material that actually changes the sound that comes out of the speaker making it

that comes out of the speaker making it

that comes out of the speaker making it warmer or wider or crisper or softer

musicians talk about color as the unique

musicians talk about color as the unique tone or texture of music I’m going to

tone or texture of music I’m going to

tone or texture of music I’m going to play you a short piece by the composer

play you a short piece by the composer

play you a short piece by the composer Michelle Qureshi where she’s applied a

Michelle Qureshi where she’s applied a

Michelle Qureshi where she’s applied a filter to a short phrase of music to

filter to a short phrase of music to

filter to a short phrase of music to suggest different architectural settings

suggest different architectural settings

suggest different architectural settings for that music this room has a unique

for that music this room has a unique

for that music this room has a unique sound the cafe next door has a different

sound the cafe next door has a different

sound the cafe next door has a different sound so I want you to experience this

sound so I want you to experience this

sound so I want you to experience this mute this music and imagine the spaces

mute this music and imagine the spaces

mute this music and imagine the spaces that this phrase is playing in

[Music]

[Music] you

you

you [Music]

different architectures of sound this is

different architectures of sound this is a project by one of my graduate students

a project by one of my graduate students

a project by one of my graduate students at mica Ron Jiang she created a system

at mica Ron Jiang she created a system

at mica Ron Jiang she created a system for visualizing sound

for visualizing sound

for visualizing sound she took the loudness and the frequency

she took the loudness and the frequency

she took the loudness and the frequency of sound and cued that to size and

of sound and cued that to size and

of sound and cued that to size and sharpness of the shape so the sharper

sharpness of the shape so the sharper

sharpness of the shape so the sharper the sound the point here the shape and

the sound the point here the shape and

the sound the point here the shape and it results in these beautiful pictorial

it results in these beautiful pictorial

it results in these beautiful pictorial abstract portraits of a place

all sound is vibration the vibrations at

all sound is vibration the vibrations at the lower level or the base notes and

the lower level or the base notes and

the lower level or the base notes and sound or music you can actually feel as

sound or music you can actually feel as

sound or music you can actually feel as vibration against your skin at a concert

vibration against your skin at a concert

vibration against your skin at a concert a subwoofer amplifies that effect and

a subwoofer amplifies that effect and

a subwoofer amplifies that effect and that’s why that loud music you actually

that’s why that loud music you actually

that’s why that loud music you actually feel it against your heart against your

feel it against your heart against your

feel it against your heart against your chest it isn’t just our ears it’s our

chest it isn’t just our ears it’s our

chest it isn’t just our ears it’s our whole body experiencing that music this

whole body experiencing that music this

whole body experiencing that music this is a beautiful simple speaker that the

is a beautiful simple speaker that the

is a beautiful simple speaker that the artist created to translate the sound of

artist created to translate the sound of

artist created to translate the sound of music into vibrations felt against the

music into vibrations felt against the

music into vibrations felt against the skin and the last piece I want to show

skin and the last piece I want to show

skin and the last piece I want to show you is an amazing working prototype

you is an amazing working prototype

you is an amazing working prototype created by a young designer in Israel

created by a young designer in Israel

created by a young designer in Israel and it’s a piece of jewelry like

and it’s a piece of jewelry like

and it’s a piece of jewelry like equipment that translates a much wider

equipment that translates a much wider

equipment that translates a much wider frequency of sound into vibrations that

frequency of sound into vibrations that

frequency of sound into vibrations that can be felt against the skin so it’s a

can be felt against the skin so it’s a

can be felt against the skin so it’s a way for people who are deaf or have

way for people who are deaf or have

way for people who are deaf or have hearing impairments to experience music

hearing impairments to experience music

hearing impairments to experience music in a really unique way as a tactile

in a really unique way as a tactile

in a really unique way as a tactile engagement with the skin

engagement with the skin

engagement with the skin [Music]

and what she’s created here is a

and what she’s created here is a wonderful social experience where these

wonderful social experience where these

wonderful social experience where these two people are sharing the music

two people are sharing the music

two people are sharing the music together listening to the music together

together listening to the music together

together listening to the music together but not with their ears their bodies so

but not with their ears their bodies so

but not with their ears their bodies so designers are doing so much to activate

designers are doing so much to activate

designers are doing so much to activate our senses to go beyond the Empire of

our senses to go beyond the Empire of

our senses to go beyond the Empire of the eyeball and communicate to people on

the eyeball and communicate to people on

the eyeball and communicate to people on multiple levels making the world more

multiple levels making the world more

multiple levels making the world more interesting and more inclusive and I

interesting and more inclusive and I

interesting and more inclusive and I think museums should be that way too I

think museums should be that way too I

think museums should be that way too I think they should be noisier and scratch

think they should be noisier and scratch

think they should be noisier and scratch here and stinkier and just more engaging

here and stinkier and just more engaging

here and stinkier and just more engaging of our whole self so I’m going to end

of our whole self so I’m going to end

of our whole self so I’m going to end with this very short piece by Michele

with this very short piece by Michele

with this very short piece by Michele Qureshi called Museum in the dark

thank you very much thank you

thank you very much thank you [Music]

”

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