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Top 10 Basslines


it’s time to rev up that low-end and

it’s time to rev up that low-end and give the bass players a little love

give the bass players a little love

give the bass players a little love welcome to watchmojo.com and today we’re

welcome to watchmojo.com and today we’re

welcome to watchmojo.com and today we’re counting down our picks for the top 10

counting down our picks for the top 10

counting down our picks for the top 10 bass lines

for this list we’re ranking the best and

for this list we’re ranking the best and most memorable bass lines from the

most memorable bass lines from the

most memorable bass lines from the worlds of rock music including but not

worlds of rock music including but not

worlds of rock music including but not limited to its subgenres of heavy metal

limited to its subgenres of heavy metal

limited to its subgenres of heavy metal progressive rock and funk

we’ll be paying close attention to rock

we’ll be paying close attention to rock songs in which the bass line plays a

songs in which the bass line plays a

songs in which the bass line plays a particularly integral and lead role

particularly integral and lead role

particularly integral and lead role although we’ll be saving famous pop bass

although we’ll be saving famous pop bass

although we’ll be saving famous pop bass lines such as the one found in Michael

lines such as the one found in Michael

lines such as the one found in Michael Jackson’s Billie Jean for another list

the galloping baseline which uh sure is

the galloping baseline which uh sure is in this Iron Maiden classic is by far

in this Iron Maiden classic is by far

in this Iron Maiden classic is by far one of the most iconic from the band’s

one of the most iconic from the band’s

one of the most iconic from the band’s leader songwriter and bassist Steve

leader songwriter and bassist Steve

leader songwriter and bassist Steve Harris with wrath child still bowling

Harris with wrath child still bowling

Harris with wrath child still bowling over fans since it’s 1981 debut on made

over fans since it’s 1981 debut on made

over fans since it’s 1981 debut on made and sophomore effort killers

song remains a linchpin within the band

song remains a linchpin within the band set for many years and is still pulled

set for many years and is still pulled

set for many years and is still pulled out by Harrison Company whenever they

out by Harrison Company whenever they

out by Harrison Company whenever they feel like rocking out and reliving the

feel like rocking out and reliving the

feel like rocking out and reliving the old days with former frontman Paul

old days with former frontman Paul

old days with former frontman Paul Di’Anno

Rothschild remains a stone-cold killer

Rothschild remains a stone-cold killer no matter who sings it however thanks in

no matter who sings it however thanks in

no matter who sings it however thanks in part to Harris’s bad ass bassline

number nine American life Primus Les

number nine American life Primus Les Claypool of Primus just maybe the

Claypool of Primus just maybe the

Claypool of Primus just maybe the bassist bassist a virtuoso of the fad

bassist bassist a virtuoso of the fad

bassist bassist a virtuoso of the fad string whose jaw-dropping dexterity with

string whose jaw-dropping dexterity with

string whose jaw-dropping dexterity with his chosen instrument has caused many an

his chosen instrument has caused many an

his chosen instrument has caused many an aspiring player to shake their heads in

aspiring player to shake their heads in

aspiring player to shake their heads in disbelief indeed Claypool’s ability to

disbelief indeed Claypool’s ability to

disbelief indeed Claypool’s ability to coax amazing and unique sounds from his

coax amazing and unique sounds from his

coax amazing and unique sounds from his bass guitar has led the progressive

bass guitar has led the progressive

bass guitar has led the progressive experimental funk trio of Primus since

experimental funk trio of Primus since

experimental funk trio of Primus since their debut in 1984 with American life

their debut in 1984 with American life

their debut in 1984 with American life serving as an early highlight from the

serving as an early highlight from the

serving as an early highlight from the band’s second studio album sailing the

band’s second studio album sailing the

band’s second studio album sailing the seas of cheese

the bubbling avant-garde baseline here

the bubbling avant-garde baseline here is indicative of Prime mrs. early

is indicative of Prime mrs. early

is indicative of Prime mrs. early direction which was itself an extension

direction which was itself an extension

direction which was itself an extension of Claypool and guitarist Larry low

of Claypool and guitarist Larry low

of Claypool and guitarist Larry low loans roots in the thrash metal scene a

loans roots in the thrash metal scene a

loans roots in the thrash metal scene a riff which captures prog funk craziness

riff which captures prog funk craziness

riff which captures prog funk craziness with a head bobbing groove

with a head bobbing groove

with a head bobbing groove it’s classic Primus

there will never be another basis quite

there will never be another basis quite like Metallica’s cliff burton

like Metallica’s cliff burton

like Metallica’s cliff burton the late bass man created many magical

the late bass man created many magical

the late bass man created many magical moments within his all-too-brief tenure

moments within his all-too-brief tenure

moments within his all-too-brief tenure with the band such as For Whom the Bell

with the band such as For Whom the Bell

with the band such as For Whom the Bell Tolls

there’s also this iconic instrumental

there’s also this iconic instrumental from his final studio appearance Master

from his final studio appearance Master

from his final studio appearance Master of Puppets however as orion opens up

of Puppets however as orion opens up

of Puppets however as orion opens up strong with Burton’s intent skip melodic

strong with Burton’s intent skip melodic

strong with Burton’s intent skip melodic style displaying some driving drum and

style displaying some driving drum and

style displaying some driving drum and bass into play before Burton calms it

bass into play before Burton calms it

bass into play before Burton calms it down with a rather tranquil solo

it’s a classic Metallica moment and one

it’s a classic Metallica moment and one which the band continues to sombrely

which the band continues to sombrely

which the band continues to sombrely remember to this day

there are a few iconic names when it

there are a few iconic names when it comes to classic rock faces and the

comes to classic rock faces and the

comes to classic rock faces and the who’s John Entwistle is certainly one of

who’s John Entwistle is certainly one of

who’s John Entwistle is certainly one of them my generation was one of the first

them my generation was one of the first

them my generation was one of the first examples of Entwistle’s immense talent

examples of Entwistle’s immense talent

examples of Entwistle’s immense talent on his instrument as this classic who

on his instrument as this classic who

on his instrument as this classic who Jam displays the basis fast fleet and

Jam displays the basis fast fleet and

Jam displays the basis fast fleet and nimble playing style far more tribal

nimble playing style far more tribal

nimble playing style far more tribal base than most for stringers

the ox cuts right over Pete Townsend’s

the ox cuts right over Pete Townsend’s massive guitar riffs with the greatest

massive guitar riffs with the greatest

massive guitar riffs with the greatest of ease Morlocks in tight with Keith

of ease Morlocks in tight with Keith

of ease Morlocks in tight with Keith moons frantic drumming when the song

moons frantic drumming when the song

moons frantic drumming when the song calls for it

number six give it away the Red Hot

number six give it away the Red Hot Chili Peppers the world of bass players

Chili Peppers the world of bass players

Chili Peppers the world of bass players sadly doesn’t have the same amount of

sadly doesn’t have the same amount of

sadly doesn’t have the same amount of rock stars when compared to that of

rock stars when compared to that of

rock stars when compared to that of guitarist or lead singers although this

guitarist or lead singers although this

guitarist or lead singers although this diminutive bass playing powerhouse has

diminutive bass playing powerhouse has

diminutive bass playing powerhouse has always served as the counterpoint of

always served as the counterpoint of

always served as the counterpoint of cool to that notion

indeed flea is a textbook definition of

indeed flea is a textbook definition of Rockstar basis and this frantic chili

Rockstar basis and this frantic chili

Rockstar basis and this frantic chili pepper has lived up to a time and time

pepper has lived up to a time and time

pepper has lived up to a time and time again with his innovative slapping

again with his innovative slapping

again with his innovative slapping technique and hyper aggressive attack

give it away showcases a groovy or more

give it away showcases a groovy or more laid-back version of flee however an in

laid-back version of flee however an in

laid-back version of flee however an in the pocket bassline which anchors this

the pocket bassline which anchors this

the pocket bassline which anchors this slice of slinky and sexy funk

number five dazed and confused Led

number five dazed and confused Led Zeppelin sometimes it isn’t about how

Zeppelin sometimes it isn’t about how

Zeppelin sometimes it isn’t about how flashy one can play but how much groove

flashy one can play but how much groove

flashy one can play but how much groove one can lay down with the simplest of

one can lay down with the simplest of

one can lay down with the simplest of riffs Led Zeppelin clearly knew this

riffs Led Zeppelin clearly knew this

riffs Led Zeppelin clearly knew this rule as evidence from this

rule as evidence from this

rule as evidence from this straightforward yet immense classic

straightforward yet immense classic

straightforward yet immense classic Dazed and Confused treasures along with

Dazed and Confused treasures along with

Dazed and Confused treasures along with a heavy chromatic riff anchored by the

a heavy chromatic riff anchored by the

a heavy chromatic riff anchored by the booming bass of John Paul Jones an

booming bass of John Paul Jones an

booming bass of John Paul Jones an immensely talented songwriter arranger

immensely talented songwriter arranger

immensely talented songwriter arranger and multi-instrumentalist who just might

and multi-instrumentalist who just might

and multi-instrumentalist who just might have served as Zeppelin’s secret weapon

when the song really kicks into gear

when the song really kicks into gear around the three and a half minute mark

around the three and a half minute mark

around the three and a half minute mark Jones really gets to let loose on the

Jones really gets to let loose on the

Jones really gets to let loose on the fat strings burning those bass licks for

fat strings burning those bass licks for

fat strings burning those bass licks for all he’s worth

Canada’s most beloved progressive rock

Canada’s most beloved progressive rock bands have crafted countless memorable

bands have crafted countless memorable

bands have crafted countless memorable musical moments over the course of their

musical moments over the course of their

musical moments over the course of their 40 plus year career but this intricate

40 plus year career but this intricate

40 plus year career but this intricate instrumental arrives that oh so delicate

instrumental arrives that oh so delicate

instrumental arrives that oh so delicate line between fan favorite and commercial

line between fan favorite and commercial

line between fan favorite and commercial success

YYZ is notable for a number of reasons

YYZ is notable for a number of reasons from the always interesting melodic

from the always interesting melodic

from the always interesting melodic movements from guitars Alex Lifeson to

movements from guitars Alex Lifeson to

movements from guitars Alex Lifeson to the dizzy and drumming of Neil Peart but

the dizzy and drumming of Neil Peart but

the dizzy and drumming of Neil Peart but it’s the way both musicians lock in with

it’s the way both musicians lock in with

it’s the way both musicians lock in with the restrained yet explosive performance

the restrained yet explosive performance

the restrained yet explosive performance of bassist keyboardist and lead singer

of bassist keyboardist and lead singer

of bassist keyboardist and lead singer Geddy Lee which makes this one a rush

Geddy Lee which makes this one a rush

Geddy Lee which makes this one a rush song for the ages

Paul McCartney is a rock and roll legend

Paul McCartney is a rock and roll legend for a number of reasons and Beatle mania

for a number of reasons and Beatle mania

for a number of reasons and Beatle mania aside chiefly among them is that he is

aside chiefly among them is that he is

aside chiefly among them is that he is an incredibly forward-thinking bass

an incredibly forward-thinking bass

an incredibly forward-thinking bass player McCartney’s unwillingness to

player McCartney’s unwillingness to

player McCartney’s unwillingness to remain a shadowed figure back at the

remain a shadowed figure back at the

remain a shadowed figure back at the drum riser gave more prominence to the

drum riser gave more prominence to the

drum riser gave more prominence to the notion of a bassist as a melodic and

notion of a bassist as a melodic and

notion of a bassist as a melodic and upfront performer right alongside a

upfront performer right alongside a

upfront performer right alongside a guitarist or singer this idea was put

guitarist or singer this idea was put

guitarist or singer this idea was put into motion to great success with the

into motion to great success with the

into motion to great success with the Beatles come together a song which is

Beatles come together a song which is

Beatles come together a song which is not only anchored by its hummable poppy

not only anchored by its hummable poppy

not only anchored by its hummable poppy bassline but indeed defined by it

bassline but indeed defined by it

bassline but indeed defined by it proving that the bass players time to

proving that the bass players time to

proving that the bass players time to shine was indeed upon us

number two money Pink Floyd if any band

number two money Pink Floyd if any band can make something catchy out of an

can make something catchy out of an

can make something catchy out of an incredibly complex time signature its

incredibly complex time signature its

incredibly complex time signature its Pink Floyd money is one of the most

Pink Floyd money is one of the most

Pink Floyd money is one of the most enduring hits from this group

enduring hits from this group

enduring hits from this group despite its foregoing notions like a

despite its foregoing notions like a

despite its foregoing notions like a chorus in favor of a bass driven hook in

chorus in favor of a bass driven hook in

chorus in favor of a bass driven hook in 7/4 time

what makes money even more successful

what makes money even more successful however is the fact that bassist and

however is the fact that bassist and

however is the fact that bassist and songwriter Roger Waters goes for a

songwriter Roger Waters goes for a

songwriter Roger Waters goes for a devilishly simple 4/4 rock beat behind

devilishly simple 4/4 rock beat behind

devilishly simple 4/4 rock beat behind guitarist David Gilmour’s three

guitarist David Gilmour’s three

guitarist David Gilmour’s three consecutive guitar solos before driving

consecutive guitar solos before driving

consecutive guitar solos before driving it back home to the 74 for the finale

even if you have no idea what any of

even if you have no idea what any of that means you can’t help but rock along

that means you can’t help but rock along

that means you can’t help but rock along to it

before we announce our number one

before we announce our number one baseline here are a few honorable

baseline here are a few honorable

baseline here are a few honorable mentions

number one another one bites the dust

number one another one bites the dust Queen funky beyond the shadow of a doubt

Queen funky beyond the shadow of a doubt

Queen funky beyond the shadow of a doubt this queen classic showed that even

this queen classic showed that even

this queen classic showed that even British rock royalty weren’t immune to

British rock royalty weren’t immune to

British rock royalty weren’t immune to getting down with a bit of disco the

getting down with a bit of disco the

getting down with a bit of disco the success of another one bites the dust

success of another one bites the dust

success of another one bites the dust hinges on that supremely catchy bassline

hinges on that supremely catchy bassline

hinges on that supremely catchy bassline from John Deacon a bouncy riff which

from John Deacon a bouncy riff which

from John Deacon a bouncy riff which gets the booty movin and the feature

gets the booty movin and the feature

gets the booty movin and the feature acing towards the dance floor similar to

acing towards the dance floor similar to

acing towards the dance floor similar to what Deacon would achieve a year later

what Deacon would achieve a year later

what Deacon would achieve a year later on under pressure

on under pressure

on under pressure the band’s successful musical

the band’s successful musical

the band’s successful musical collaboration with David Bowie

another one bites the dust prove that

another one bites the dust prove that Queen was just as comfortable riding

Queen was just as comfortable riding

Queen was just as comfortable riding groovy jams as they were heavy rock

groovy jams as they were heavy rock

groovy jams as they were heavy rock riffs and they were damn good at both so

riffs and they were damn good at both so

riffs and they were damn good at both so do you agree with our list

do you agree with our list

do you agree with our list what’s bass lines do you feel should

what’s bass lines do you feel should

what’s bass lines do you feel should have made the cut

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