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La passion du geste | Jeremy Maxwell Wintrebert | TEDxMinesNancy


hello I do not hide you I’m a

little nervous

if as if like me you have watched

early heads before before you understand

why is that

as you know I am a blower of

glass speak especially in this

circumstance I’m not very comfortable

so I asked you from me

before I tell my story

if you want to blow once

thank you

if you do not mind I ‘ll start at

beginning

at that age I am at Gabon in

Africa

the light is here waiting for what she

vibrates the colors and nourishes the

plants like nowhere else

I am a fascinated child in this

middle there are no shops or internet

neither TV have played it’s a

slingshot I made

like the kids of villages I go to

hunting everything fascinates me the clouds the

colors the tastes

in 1985 my parents decide to

separate if one of the most beautiful years

of my life

I find myself in a suburb in new

york at my grandma’s with my dad

is my with my mother and my brother

and there I discover the snow the cold

my mother enroll me in a school

montessori which is like a school of

hippies where the child is king

I spend my days there doing

naps and disguise myself

I fall in love with my teacher at the end of

my mistress the universe that I just

to leave is this one

at that age I’m at the peak

sensory of my life

my mother one day in the cabin of the

garden facing a big window sort

a paper and paintings and there I

discover something even more

amazing I remember it as if

it was yesterday

the smell of paint the texture in

the fingers my mother who was smiling sunshine

who was shining outside and the traces of my

fingers on this paper on this paper I

do not hide that I am inhabited

this year was this year a

been great but go it’s over because

that my parents decided to

rejoin

so i went back to africa little

time after i arrived in africa a

day in the kitchen running after my

brother I fall into a glass pile

and I tear my arm

if the beginning of what I call

darkness for years for

the years that follow

I discovered things that I did not have

not discovered before I feel

things that disturbs me

the injustice of poverty the leprosy

malnutrition this same environment

which I lived that fascinated me

suddenly scares me times of time

in time with my mother we cry it’s

too much for us at the same time

besides my mother she is taken from a

depression that will last for years

my dad is less and less there in

1993 my mother decides to leave us

she will not come back a year after that is

my dad he’s undergoing an aneurysm will only be

never the same there is to die at seven

years later and overnight I am

found pi from the repatriated nation in

France and I am lost

I am angry I am lost

I am white I am black I am feet

naked I have to put shoes I

do not know at 18 years old I’m escaping

united states where I had been

so happy and I discover a

day at the end of a cane the light

this light that I lost during

so many years

at that moment I did not know I know

I’m going to be a glassblower

all my life now that I have

found this light I do not want anymore

lose it then workshop in workshop I

travel and I learn how to do

is a language a language between my

hands and the material since for

sublimate this light to go to

end of my questioning and my

dialogue with this thing that me

passionate and who makes us live and who

makes me vibrate I must learn to

talk to him then I become a craftsman

but the problems do not stop

there in 2001 I go through the windshield

from a car from the inside to

outdoors

the window of the car tore my

paul gibert almost all my senses i ‘m

breaks the hips and ribs

in 2003 I lost my aunt who took me

adopted for years after that

I fight against a toxi manic and toc

Simani Drug Addiction Severe Addiction

at the age of 31 I am visited by

cancer a cancer metastasized a

skin cancer I have surgery

twice but you see during everything

that time I have the light I have this

incredible material mesh between

hands who lives by fire who lives on energy

and who has very particular rules

and if I want to express myself with must

that I learn his language and thanks to

this language

I want to survive I live

this matter she fascinates me

which is complicated at that moment

is that I live it of a craftsman is

not as simple as we imagine especially

glass-blower

I do not know if you know

a lot of glassblower but there

has less and less and I realize

besides during this trip that there is

fewer and fewer artisans of many

of know-how that they

disappear everywhere that’s a

problem the society in which

I live is taking away my

light through crafts

I discover a lot of things

because in the face of this problem actually

I’m looking at the question of

craftsmanship is what does it mean to

craft and why we are here

today

so I’m doing some research in a

richard sennett’s book called

the craftsman I discover that the craftsman

a very long time ago was the mainstay of

his community

under the same roof

manage his workshop the creation and of

the other side his family I think he

did not manage his family but you see

what I mean are wise men

in Greek antiquity

artisans are the middle class

high

they have a huge power finally for a

great affluence from elsewhere

today you can see you well

than when their creations so no

no price

during this antiquity an idea is

by someone we all know

what is called aristotle he says that

because we think he’s frustrated

done with the craftsman who considers a

little like a nag that works with

his hands and who has a little too much

power in the society in which

he lives he says that to push the

creation one must separate the hand and the

head that the craftsman is the designer

have to be different people

I can imagine that someone for

someone like me is complicated

luckily I have an ally it’s called

platoon that not long after

will defend the concept finally the idea that

precisely to push the creation to

his further must be that the hand and the

head be attached to me that’s what I

defend

see it’s not an easy job between

hands I have a thousand more than 1000

degrees a matter that burns me me

claw brings me back every day to the

reality that things are finished that

everything has a beginning to an end

this matter this know-how allows me

to reconnect with the people with whom

I work who I show how

learn the language of craftsmanship and

so I share a know-how

to this trip to the world of the craftsman

of crafts I rediscover with this

dialogue that gets better and better

finally named more and more fluid seen

we talk about glass I rediscover the

sun i’m rediscovering africa in

which I grew up with colors

vibrating on the black skins the

fog the clouds

those big clouds I was talking about

I was little the fruit the

vegetation

I just put this picture for you

understand that I work in big

even the snow the winter that I have

discovered when I was 5 years old see

thanks to this language which is my knowledge

do in this world of artisans I

recognize that you have my head and my hand

know that my head my hand to

the universe around me and all that

makes sense and allows me every day

to live my dream for two years

have fun

another thing that fascinates me is

the universe that’s my version the universe

the planets that revolve around the

black if a table not very practical

she’s pretty cool two years ago

I had the chance to open my first

Workshop in Paris which is a workshop

showcase I have a glass of 6 m in

which one works and every day I

can share my passion and my knowledge

do with people in my neighborhood the

Wednesday afternoon at the exit

of school all the little ones pass by

this colts to the window and look with

big eyes and when I see it’s

small it reminds me of me and I say

always in ten years the twelfth will be

filled with glassblower

you will see the good news

is that these trades this way of

work and express themselves are in

disappear, but also in

renewing itself

we renew many associations

happily contribute to society

the collective consciousness starts a little

to wake up

I think people are tired of

spend two hours at ica and from

come out without having a trace of mans

I think people all need

to reconnect with objects that

surround us and we all need that

the objects around us and from

the mind

somewhere is the job of

the craftsman is to give back spirit

to objects

thanks to this workshop I can

parallel to work in the world

of luxury made pieces that even

I can not buy myself I can

blow a little drink for the people of the

district

I can share my passion with

neighborhood kids have know-how

show them that it’s possible to

work with thin man in this

workshop I can I can make live

other people who turn to glass

and our know-how can be

discover

even the little dog and he takes advantage of it

so that’s actually my message it’s

quite simple in a world that follows

virtualizes more and more in a world

which follows virtualizes more and more I

proposes that we leave more room

to this idea of ​​craft

the whole craft or the hand and the

head are linked so that humanity

may have a little more light

in a world where this light is

threatened thank you

[Applause]

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