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Özgün Olmak Neden Önemli? | Why Authenticity Matters? | 2017 | Charles Hazlewood | TEDxReset


oh I’ve come back I’m so sorry there we

oh I’ve come back I’m so sorry there we are

are

are what do you make of this image it’s a

what do you make of this image it’s a

what do you make of this image it’s a famous model called kendall Jenner she’s

famous model called kendall Jenner she’s

famous model called kendall Jenner she’s offering a Pepsi to a nice-looking

offering a Pepsi to a nice-looking

offering a Pepsi to a nice-looking policeman an act of kindness friendship

policeman an act of kindness friendship

policeman an act of kindness friendship or perhaps something deeper

or perhaps something deeper

or perhaps something deeper you probably recognize it from a very

you probably recognize it from a very

you probably recognize it from a very very famous very recent rather

very famous very recent rather

very famous very recent rather ill-advised commercial campaign by Pepsi

ill-advised commercial campaign by Pepsi

ill-advised commercial campaign by Pepsi which caused a worldwide protest great

which caused a worldwide protest great

which caused a worldwide protest great cries that here was a sugary drink

cries that here was a sugary drink

cries that here was a sugary drink company piggybacking on the back of of

company piggybacking on the back of of

company piggybacking on the back of of social activism of using protests in a

social activism of using protests in a

social activism of using protests in a kind of Disney fide fashion making a

kind of Disney fide fashion making a

kind of Disney fide fashion making a mockery of protests and of course there

mockery of protests and of course there

mockery of protests and of course there is a great deal of protest going on in

is a great deal of protest going on in

is a great deal of protest going on in our world today online and on the

our world today online and on the

our world today online and on the streets and what with a general climate

streets and what with a general climate

streets and what with a general climate of fake news and politicians who

of fake news and politicians who

of fake news and politicians who constantly seem to change their minds on

constantly seem to change their minds on

constantly seem to change their minds on the basis of which way the wind is

the basis of which way the wind is

the basis of which way the wind is blowing I found myself thinking more and

blowing I found myself thinking more and

blowing I found myself thinking more and more about authenticity why it’s

more about authenticity why it’s

more about authenticity why it’s important we each and one of us in this

important we each and one of us in this

important we each and one of us in this room know that innate authenticity is

room know that innate authenticity is

room know that innate authenticity is what makes the world go round each and

what makes the world go round each and

what makes the world go round each and every one of us has to struggle and mine

every one of us has to struggle and mine

every one of us has to struggle and mine down very deep within ourselves to find

down very deep within ourselves to find

down very deep within ourselves to find our core authenticity in order to really

our core authenticity in order to really

our core authenticity in order to really make waves in the world or in our

make waves in the world or in our

make waves in the world or in our personal life or in whatever situation

personal life or in whatever situation

personal life or in whatever situation to be truly authentic to be truly

to be truly authentic to be truly

to be truly authentic to be truly yourself to recognize what it is that

yourself to recognize what it is that

yourself to recognize what it is that you believe in and you stand for now the

you believe in and you stand for now the

you believe in and you stand for now the funny thing is that all human beings are

funny thing is that all human beings are

funny thing is that all human beings are born authentic aren’t they if you look

born authentic aren’t they if you look

born authentic aren’t they if you look at a very small child and you play a

at a very small child and you play a

at a very small child and you play a piece of music to them and you see how

piece of music to them and you see how

piece of music to them and you see how they react

they react

they react they’re probably moving they might well

they’re probably moving they might well

they’re probably moving they might well be singing along and yet certainly in

be singing along and yet certainly in

be singing along and yet certainly in the rather dried up culture from which I

the rather dried up culture from which I

the rather dried up culture from which I come by the time they’re 10 or 11

come by the time they’re 10 or 11

come by the time they’re 10 or 11 they’ve

they’ve

they’ve completely lost the ability to move and

completely lost the ability to move and

completely lost the ability to move and respond freely to music in that way

respond freely to music in that way

respond freely to music in that way because somehow they’ve learnt that we

because somehow they’ve learnt that we

because somehow they’ve learnt that we have to conform with others we have to

have to conform with others we have to

have to conform with others we have to find appropriate ways of behaving which

find appropriate ways of behaving which

find appropriate ways of behaving which I like all the other people that we

I like all the other people that we

I like all the other people that we observe and of course we obsess

observe and of course we obsess

observe and of course we obsess ourselves with footballers or pop stars

ourselves with footballers or pop stars

ourselves with footballers or pop stars or fashion models or great musicians of

or fashion models or great musicians of

or fashion models or great musicians of whatever sort we want to be like them

whatever sort we want to be like them

whatever sort we want to be like them and in wanting to be like them we lose

and in wanting to be like them we lose

and in wanting to be like them we lose touch where the fundamental part of who

touch where the fundamental part of who

touch where the fundamental part of who we actually are now I’m a conductor my

we actually are now I’m a conductor my

we actually are now I’m a conductor my day job is conducting orchestras around

day job is conducting orchestras around

day job is conducting orchestras around the world it’s an amazing way to make a

the world it’s an amazing way to make a

the world it’s an amazing way to make a living but let me tell you in the early

living but let me tell you in the early

living but let me tell you in the early years of my career as a conductor I

years of my career as a conductor I

years of my career as a conductor I really couldn’t find my authenticity

really couldn’t find my authenticity

really couldn’t find my authenticity because I was trying so hard to be like

because I was trying so hard to be like

because I was trying so hard to be like all the great conductors I was watching

all the great conductors I was watching

all the great conductors I was watching them at work and trying to imitate their

them at work and trying to imitate their

them at work and trying to imitate their movements I was listening to their

movements I was listening to their

movements I was listening to their performances and trying to imitate those

performances and trying to imitate those

performances and trying to imitate those as well and of course in so doing I was

as well and of course in so doing I was

as well and of course in so doing I was an empty vessel I was kind of hollow my

an empty vessel I was kind of hollow my

an empty vessel I was kind of hollow my gestures had no real implicit value they

gestures had no real implicit value they

gestures had no real implicit value they were pretty to look at but meaningless

were pretty to look at but meaningless

were pretty to look at but meaningless an orchestra spend a lot of time making

an orchestra spend a lot of time making

an orchestra spend a lot of time making fun of me there was a joke that one

fun of me there was a joke that one

fun of me there was a joke that one member of an orchestra told me when I

member of an orchestra told me when I

member of an orchestra told me when I was about 20 during a rehearsal break he

was about 20 during a rehearsal break he

was about 20 during a rehearsal break he said Charles what do you think the

said Charles what do you think the

said Charles what do you think the difference is between a bull and an

difference is between a bull and an

difference is between a bull and an orchestra and I said ah I don’t know

orchestra and I said ah I don’t know

orchestra and I said ah I don’t know what is the difference between a bull in

what is the difference between a bull in

what is the difference between a bull in an orchestra said well with a bull the

an orchestra said well with a bull the

an orchestra said well with a bull the horns are at the front and the assholes

horns are at the front and the assholes

horns are at the front and the assholes at the back yeah it took a long time for

at the back yeah it took a long time for

at the back yeah it took a long time for me to find that authenticity now of

me to find that authenticity now of

me to find that authenticity now of course authenticity in a conducting

course authenticity in a conducting

course authenticity in a conducting sense is simply about recognizing that

sense is simply about recognizing that

sense is simply about recognizing that you are unique we are all unique every

you are unique we are all unique every

you are unique we are all unique every person on the planet is different from

person on the planet is different from

person on the planet is different from every other person on the planet and

every other person on the planet and

every other person on the planet and therefore has something you need to say

therefore has something you need to say

therefore has something you need to say it’s not like my performance of a

it’s not like my performance of a

it’s not like my performance of a Beethoven symphony will be better than

Beethoven symphony will be better than

Beethoven symphony will be better than anybody else’s but of course it will be

anybody else’s but of course it will be

anybody else’s but of course it will be different and therefore it has value now

different and therefore it has value now

different and therefore it has value now an amazing experience during my life has

an amazing experience during my life has

an amazing experience during my life has been the opportunity 12 years ago to

been the opportunity 12 years ago to

been the opportunity 12 years ago to form a new opera company out of the

form a new opera company out of the

form a new opera company out of the rural townships of South Africa

rural townships of South Africa

rural townships of South Africa these are some of the most ridiculously

these are some of the most ridiculously

these are some of the most ridiculously talented musically talented communities

talented musically talented communities

talented musically talented communities it’s possible to imagine and very

it’s possible to imagine and very

it’s possible to imagine and very quickly having auditioned around about

quickly having auditioned around about

quickly having auditioned around about 2,000 people we assembled a company of

2,000 people we assembled a company of

2,000 people we assembled a company of 40 amazingly talented young singer

40 amazingly talented young singer

40 amazingly talented young singer performers one of the first shows we did

performers one of the first shows we did

performers one of the first shows we did was Carmen a great grand slam opera by

was Carmen a great grand slam opera by

was Carmen a great grand slam opera by George BZ and very quickly we had a bit

George BZ and very quickly we had a bit

George BZ and very quickly we had a bit of a backlash from the rather

of a backlash from the rather

of a backlash from the rather conservative old opera going opera

conservative old opera going opera

conservative old opera going opera supporting audience of Cape Town where

supporting audience of Cape Town where

supporting audience of Cape Town where the company was based these people were

the company was based these people were

the company was based these people were saying this is or inauthentic for black

saying this is or inauthentic for black

saying this is or inauthentic for black singers from a township to be performing

singers from a township to be performing

singers from a township to be performing this Eurocentric forum opera this is

this Eurocentric forum opera this is

this Eurocentric forum opera this is inauthentic inappropriate more to the

inauthentic inappropriate more to the

inauthentic inappropriate more to the point that Carmen is an opera about

point that Carmen is an opera about

point that Carmen is an opera about bullfighting now black people in a

bullfighting now black people in a

bullfighting now black people in a Township in South Africa they know

Township in South Africa they know

Township in South Africa they know nothing of bullfighting again this is

nothing of bullfighting again this is

nothing of bullfighting again this is inauthentic they cried how often is it

inauthentic they cried how often is it

inauthentic they cried how often is it that one group of people will try and

that one group of people will try and

that one group of people will try and diss another group of people by trying

diss another group of people by trying

diss another group of people by trying to shout it their inauthenticity well

to shout it their inauthenticity well

to shout it their inauthenticity well here’s a fact George Bea’s a French

here’s a fact George Bea’s a French

here’s a fact George Bea’s a French composer wrote Carmen which is an opera

composer wrote Carmen which is an opera

composer wrote Carmen which is an opera about Seville a city in Spain a country

about Seville a city in Spain a country

about Seville a city in Spain a country he never even visited so already we have

he never even visited so already we have

he never even visited so already we have a deeply flawed or inauthentic premise

a deeply flawed or inauthentic premise

a deeply flawed or inauthentic premise don’t we Carmen a Spanish story written

don’t we Carmen a Spanish story written

don’t we Carmen a Spanish story written by a Frenchman so we put this to the

by a Frenchman so we put this to the

by a Frenchman so we put this to the Opera going fraternity of Capetown they

Opera going fraternity of Capetown they

Opera going fraternity of Capetown they weren’t particularly impressed but you

weren’t particularly impressed but you

weren’t particularly impressed but you know there’s a much more fundamental

know there’s a much more fundamental

know there’s a much more fundamental aspect of the authenticity that I

aspect of the authenticity that I

aspect of the authenticity that I discovered amongst these black South

discovered amongst these black South

discovered amongst these black South African singers which is in the way that

African singers which is in the way that

African singers which is in the way that they emote the way that they sing the

they emote the way that they sing the

they emote the way that they sing the way that they carry line the way that

way that they carry line the way that

way that they carry line the way that they characterize the parts in a story

they characterize the parts in a story

they characterize the parts in a story like Carmen you see if you’re me and

like Carmen you see if you’re me and

like Carmen you see if you’re me and you’re a conductor and you’re preparing

you’re a conductor and you’re preparing

you’re a conductor and you’re preparing an opera say in London or in New York

an opera say in London or in New York

an opera say in London or in New York you will spend a portion of time early

you will spend a portion of time early

you will spend a portion of time early on in the rehearsal period coaching the

on in the rehearsal period coaching the

on in the rehearsal period coaching the singers you know working through their

singers you know working through their

singers you know working through their our ears with them working through their

our ears with them working through their

our ears with them working through their big

big

big set-pieces finding the best possible way

set-pieces finding the best possible way

set-pieces finding the best possible way forward for them and how they might

forward for them and how they might

forward for them and how they might serve the show the particular production

serve the show the particular production

serve the show the particular production now 10:00 to 1:00 if you’re working with

now 10:00 to 1:00 if you’re working with

now 10:00 to 1:00 if you’re working with a singer in London or a singer in New

a singer in London or a singer in New

a singer in London or a singer in New York or any number of other places what

York or any number of other places what

York or any number of other places what you’re dealing with is very very dry

you’re dealing with is very very dry

you’re dealing with is very very dry technique you’re talking about shall i

technique you’re talking about shall i

technique you’re talking about shall i vibrate a little on that note maybe I

vibrate a little on that note maybe I

vibrate a little on that note maybe I could pitch Bend there what color a

could pitch Bend there what color a

could pitch Bend there what color a vowel shall I use for that particular

vowel shall I use for that particular

vowel shall I use for that particular word all well and good technical stuff

word all well and good technical stuff

word all well and good technical stuff but what it’s not about is the emotional

but what it’s not about is the emotional

but what it’s not about is the emotional core the emotional truth of a particular

core the emotional truth of a particular

core the emotional truth of a particular line of a sentiment of a musical phrase

line of a sentiment of a musical phrase

line of a sentiment of a musical phrase that in a way if one talks in such kind

that in a way if one talks in such kind

that in a way if one talks in such kind of highfalutin terms the singer might

of highfalutin terms the singer might

of highfalutin terms the singer might get left behind now with a South African

get left behind now with a South African

get left behind now with a South African singer you never talk about vibrato

singer you never talk about vibrato

singer you never talk about vibrato pitch Bend vowel color you talk only

pitch Bend vowel color you talk only

pitch Bend vowel color you talk only about the truth of the line about the

about the truth of the line about the

about the truth of the line about the characterization so of course already

characterization so of course already

characterization so of course already before having even started there is an

before having even started there is an

before having even started there is an authenticity there because you’re not

authenticity there because you’re not

authenticity there because you’re not asking the person who is singing common

asking the person who is singing common

asking the person who is singing common to be like all the other carbons or to

to be like all the other carbons or to

to be like all the other carbons or to be like an appropriate Carmen you’re

be like an appropriate Carmen you’re

be like an appropriate Carmen you’re simply inviting that common to be

simply inviting that common to be

simply inviting that common to be authentically herself now I want to play

authentically herself now I want to play

authentically herself now I want to play you a little clip of one of the most

you a little clip of one of the most

you a little clip of one of the most famous are is from Carmen the habanero

famous are is from Carmen the habanero

famous are is from Carmen the habanero and I’m going to first of all play it to

and I’m going to first of all play it to

and I’m going to first of all play it to you as sung by not a South African have

you as sung by not a South African have

you as sung by not a South African have a look at this

a look at this

a look at this [Music]

[Music]

[Music] like she saying I’m very sexy I’m very

like she saying I’m very sexy I’m very

like she saying I’m very sexy I’m very very sexy they afraid women because I am

very sexy they afraid women because I am

very sexy they afraid women because I am very sexy yes you see I should kill

very sexy yes you see I should kill

very sexy yes you see I should kill little jerks all well and good ladies

little jerks all well and good ladies

little jerks all well and good ladies and gentlemen very artful isn’t it great

and gentlemen very artful isn’t it great

and gentlemen very artful isn’t it great technique on display and as consummate

technique on display and as consummate

technique on display and as consummate sense that she is playing a vixen she’s

sense that she is playing a vixen she’s

sense that she is playing a vixen she’s playing someone who knows that everyone

playing someone who knows that everyone

playing someone who knows that everyone in the room fancies her okay let me play

in the room fancies her okay let me play

in the room fancies her okay let me play by contrast Pauline mallow fauna from

by contrast Pauline mallow fauna from

by contrast Pauline mallow fauna from the South African company that we

the South African company that we

the South African company that we started singing the same role and see if

started singing the same role and see if

started singing the same role and see if you can sense the difference here I

you can sense the difference here I

you can sense the difference here I would argue is true authenticity

[Music]

[Music] you see what I’m saying it’s a

you see what I’m saying it’s a

you see what I’m saying it’s a completely different order of connection

completely different order of connection

completely different order of connection you know that is Pauline Maloof on a

you know that is Pauline Maloof on a

you know that is Pauline Maloof on a Carmen it’s not putting on a suit of

Carmen it’s not putting on a suit of

Carmen it’s not putting on a suit of clothes marked Carmen interestingly

clothes marked Carmen interestingly

clothes marked Carmen interestingly prosper mérimée who wrote the novella

prosper mérimée who wrote the novella

prosper mérimée who wrote the novella Carmen upon which Bea’s a based the

Carmen upon which Bea’s a based the

Carmen upon which Bea’s a based the Opera he said if you want to understand

Opera he said if you want to understand

Opera he said if you want to understand the nature of Carmen’s eyes look at your

the nature of Carmen’s eyes look at your

the nature of Carmen’s eyes look at your cat the cat’s eyes while it is stalking

cat the cat’s eyes while it is stalking

cat the cat’s eyes while it is stalking a sparrow I think we’ve got a lot of

a sparrow I think we’ve got a lot of

a sparrow I think we’ve got a lot of that from from Pauline in that clip

that from from Pauline in that clip

that from from Pauline in that clip going to show you another little moment

going to show you another little moment

going to show you another little moment from later on in the same show here’s

from later on in the same show here’s

from later on in the same show here’s another European performance

another European performance

another European performance [Music]

[Music]

[Music] these are gypsies by the way

Oh gypsy optic

Oh gypsy optic [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] [Applause]

it’s a bit of lag alright and here’s the

it’s a bit of lag alright and here’s the South African version again I think I’ve

South African version again I think I’ve

South African version again I think I’ve also DISA tee of a completely different

also DISA tee of a completely different

also DISA tee of a completely different level from what I’ve been saying to you

level from what I’ve been saying to you

level from what I’ve been saying to you can probably appreciate that this

can probably appreciate that this

can probably appreciate that this company was very difficult to get

company was very difficult to get

company was very difficult to get airborne because there was such a

airborne because there was such a

airborne because there was such a negative drag factor all around it in

negative drag factor all around it in

negative drag factor all around it in its home country and it took for the

its home country and it took for the

its home country and it took for the company to go and play in the West End

company to go and play in the West End

company to go and play in the West End of London and to play on Broadway and to

of London and to play on Broadway and to

of London and to play on Broadway and to tour many other parts of the world and

tour many other parts of the world and

tour many other parts of the world and to make that award-winning movie before

to make that award-winning movie before

to make that award-winning movie before the old opera going fraternity of South

the old opera going fraternity of South

the old opera going fraternity of South Africa were prepared to admit its

Africa were prepared to admit its

Africa were prepared to admit its authenticity and here’s the thing if you

authenticity and here’s the thing if you

authenticity and here’s the thing if you want a lead change you have to believe

want a lead change you have to believe

want a lead change you have to believe in your NA authenticity and trust it

in your NA authenticity and trust it

in your NA authenticity and trust it despite the flack and there were really

despite the flack and there were really

despite the flack and there were really times when I don’t know I almost feared

times when I don’t know I almost feared

times when I don’t know I almost feared for my life there was such vitriol

for my life there was such vitriol

for my life there was such vitriol around what it was that we were trying

around what it was that we were trying

around what it was that we were trying to do now another thing that I

to do now another thing that I

to do now another thing that I discovered and was delighted by in the

discovered and was delighted by in the

discovered and was delighted by in the context of my South African adventure

context of my South African adventure

context of my South African adventure within these same townships I’ve just

within these same townships I’ve just

within these same townships I’ve just been talking about which are so in 8ly

been talking about which are so in 8ly

been talking about which are so in 8ly musical again and again I would come

musical again and again I would come

musical again and again I would come across people playing musical

across people playing musical

across people playing musical instruments playing them brilliantly

instruments playing them brilliantly

instruments playing them brilliantly with utmost virtuosity but the

with utmost virtuosity but the

with utmost virtuosity but the instruments themselves were not

instruments themselves were not

instruments themselves were not conventional you know guy playing a

conventional you know guy playing a

conventional you know guy playing a violin it wasn’t a violin like you and I

violin it wasn’t a violin like you and I

violin it wasn’t a violin like you and I know a violin

know a violin

know a violin it was actually something he or she had

it was actually something he or she had

it was actually something he or she had made themselves out of an oil can and a

made themselves out of an oil can and a

made themselves out of an oil can and a bit of wood and some strings strung

bit of wood and some strings strung

bit of wood and some strings strung across and a bow made out of a bit of

across and a bow made out of a bit of

across and a bow made out of a bit of bamboo stick or a drum the same or a

bamboo stick or a drum the same or a

bamboo stick or a drum the same or a trumpet or a guitar all home made you

trumpet or a guitar all home made you

trumpet or a guitar all home made you know that amazing phrase in Nelson

know that amazing phrase in Nelson

know that amazing phrase in Nelson Mandela’s necessity is the mother of

Mandela’s necessity is the mother of

Mandela’s necessity is the mother of invention if you’re innately musical you

invention if you’re innately musical you

invention if you’re innately musical you have a story to tell you want to tell it

have a story to tell you want to tell it

have a story to tell you want to tell it through a certain instrument you can’t

through a certain instrument you can’t

through a certain instrument you can’t possibly afford to buy the instrument so

possibly afford to buy the instrument so

possibly afford to buy the instrument so you make your own and the authenticity

you make your own and the authenticity

you make your own and the authenticity is about your determination to make that

is about your determination to make that

is about your determination to make that shitty old instrument sound awesome

shitty old instrument sound awesome

shitty old instrument sound awesome right this violin I’m talking about that

right this violin I’m talking about that

right this violin I’m talking about that I heard made out of an oil can in a bit

I heard made out of an oil can in a bit

I heard made out of an oil can in a bit of wood sounded as good as a

of wood sounded as good as a

of wood sounded as good as a Stradivarius because of the sheer

Stradivarius because of the sheer

Stradivarius because of the sheer authentic will of the person behind it

authentic will of the person behind it

authentic will of the person behind it you know a great instrument is all well

you know a great instrument is all well

you know a great instrument is all well and good they’re quite attractive to

and good they’re quite attractive to

and good they’re quite attractive to look at but actually any great

look at but actually any great

look at but actually any great instrument will only really lift off and

instrument will only really lift off and

instrument will only really lift off and become a vessel of soul if the person

become a vessel of soul if the person

become a vessel of soul if the person behind it wills it so so I thought

behind it wills it so so I thought

behind it wills it so so I thought wouldn’t it be interesting to take that

wouldn’t it be interesting to take that

wouldn’t it be interesting to take that idea back to the first world I say the

idea back to the first world I say the

idea back to the first world I say the first world the UK is hardly the first

first world the UK is hardly the first

first world the UK is hardly the first world anymore is it it’s more like the

world anymore is it it’s more like the

world anymore is it it’s more like the fifth or sixth but anyway let that rest

fifth or sixth but anyway let that rest

fifth or sixth but anyway let that rest I thought would it be interesting to see

I thought would it be interesting to see

I thought would it be interesting to see if we could create a whole Orchestra of

if we could create a whole Orchestra of

if we could create a whole Orchestra of instruments to be played by orchestral

instruments to be played by orchestral

instruments to be played by orchestral musicians in London but where all the

musicians in London but where all the

musicians in London but where all the instruments were made from rubbish would

instruments were made from rubbish would

instruments were made from rubbish would it be possible

it be possible

it be possible so I set up an 11-week challenge some of

so I set up an 11-week challenge some of

so I set up an 11-week challenge some of the leading instrument makers throughout

the leading instrument makers throughout

the leading instrument makers throughout the UK and I said I want a complete

the UK and I said I want a complete

the UK and I said I want a complete Symphony Orchestra of instruments from

Symphony Orchestra of instruments from

Symphony Orchestra of instruments from you please but you can only use

you please but you can only use

you please but you can only use materials that you find on scrap heaps

materials that you find on scrap heaps

materials that you find on scrap heaps and in recycling centers now the project

and in recycling centers now the project

and in recycling centers now the project was interesting because of course it was

was interesting because of course it was

was interesting because of course it was very difficult

very difficult

very difficult there were many tries fail try fail you

there were many tries fail try fail you

there were many tries fail try fail you know instruments falling apart in from

know instruments falling apart in from

know instruments falling apart in from instruments just sounding rubbish

instruments just sounding rubbish

instruments just sounding rubbish instruments that actually injured

instruments that actually injured

instruments that actually injured musicians while they were trying to play

musicians while they were trying to play

musicians while they were trying to play them it went forward and back it was

them it went forward and back it was

them it went forward and back it was very stressful particularly because at

very stressful particularly because at

very stressful particularly because at the end of this 11 week period I decided

the end of this 11 week period I decided

the end of this 11 week period I decided that we would play at the BBC Proms

that we would play at the BBC Proms

that we would play at the BBC Proms which is the world’s largest and most

which is the world’s largest and most

which is the world’s largest and most prestigious or kes

prestigious or kes

prestigious or kes music festival that we would play this

music festival that we would play this

music festival that we would play this scrapheap orchestra would perform live

scrapheap orchestra would perform live

scrapheap orchestra would perform live on TV etc etc but the big thing was once

on TV etc etc but the big thing was once

on TV etc etc but the big thing was once we’d more or less got the instruments as

we’d more or less got the instruments as

we’d more or less got the instruments as good as we could was was finding a way

good as we could was was finding a way

good as we could was was finding a way of willing those British orchestral

of willing those British orchestral

of willing those British orchestral musicians to will the instruments to

musicians to will the instruments to

musicians to will the instruments to sing and to sound amazing again to find

sing and to sound amazing again to find

sing and to sound amazing again to find that authenticity within them and at the

that authenticity within them and at the

that authenticity within them and at the end of the day it fell to me because of

end of the day it fell to me because of

end of the day it fell to me because of my innate authenticity and belief in

my innate authenticity and belief in

my innate authenticity and belief in this project that that was what spread

this project that that was what spread

this project that that was what spread like wildfire and in the end the

like wildfire and in the end the

like wildfire and in the end the musicians were able to take it on and

musicians were able to take it on and

musicians were able to take it on and look at this what an amazing finale to

look at this what an amazing finale to

look at this what an amazing finale to the project

the project

the project [Music]

I’m guessing you thought that sounded

I’m guessing you thought that sounded fairly authentic I think it did too

fairly authentic I think it did too

fairly authentic I think it did too authentic in a very earthy kind of where

authentic in a very earthy kind of where

authentic in a very earthy kind of where I think Tchaikovsky would have been

I think Tchaikovsky would have been

I think Tchaikovsky would have been would have been quite pleased and in in

would have been quite pleased and in in

would have been quite pleased and in in honesty you know where there is a will

honesty you know where there is a will

honesty you know where there is a will there’s a way and there’s one very final

there’s a way and there’s one very final

there’s a way and there’s one very final project I want to just quickly share

project I want to just quickly share

project I want to just quickly share with you which is in a way taught me

with you which is in a way taught me

with you which is in a way taught me more about authenticity than anything

more about authenticity than anything

more about authenticity than anything else I’ve ever been involved with my

else I’ve ever been involved with my

else I’ve ever been involved with my youngest child was born ten years ago

youngest child was born ten years ago

youngest child was born ten years ago with cerebral palsy and a few years into

with cerebral palsy and a few years into

with cerebral palsy and a few years into her life I started to wonder why it was

her life I started to wonder why it was

her life I started to wonder why it was that I don’t meet musicians with

that I don’t meet musicians with

that I don’t meet musicians with disability in any of the orchestras with

disability in any of the orchestras with

disability in any of the orchestras with which I work anywhere in the world and

which I work anywhere in the world and

which I work anywhere in the world and with London 2012 fast approaching as it

with London 2012 fast approaching as it

with London 2012 fast approaching as it was and the Paralympic Games and so on I

was and the Paralympic Games and so on I

was and the Paralympic Games and so on I thought it was time to form a new

thought it was time to form a new

thought it was time to form a new Orchestra a virtuoso Orchestra but with

Orchestra a virtuoso Orchestra but with

Orchestra a virtuoso Orchestra but with the one core difference that every

the one core difference that every

the one core difference that every musician in it has a disability now the

musician in it has a disability now the

musician in it has a disability now the thing that has been so interesting about

thing that has been so interesting about

thing that has been so interesting about working with these musicians from the

working with these musicians from the

working with these musicians from the British paraorchestra is the degree to

British paraorchestra is the degree to

British paraorchestra is the degree to which they are truly authentic in

which they are truly authentic in

which they are truly authentic in everything that they do musically to

everything that they do musically to

everything that they do musically to give you an example

give you an example

give you an example normally when musicians decide to

normally when musicians decide to

normally when musicians decide to improvise together there will be a

improvise together there will be a

improvise together there will be a terrible long pause before anyone does

terrible long pause before anyone does

terrible long pause before anyone does anything because everyone is fearful of

anything because everyone is fearful of

anything because everyone is fearful of looking like an idiot and making the

looking like an idiot and making the

looking like an idiot and making the wrong call and doing the inappropriate

wrong call and doing the inappropriate

wrong call and doing the inappropriate thing so everyone sort of sits on their

thing so everyone sort of sits on their

thing so everyone sort of sits on their hands waiting for someone else to start

hands waiting for someone else to start

hands waiting for someone else to start first and that pause can go on for an

first and that pause can go on for an

first and that pause can go on for an awfully long time it’s very embarrassing

awfully long time it’s very embarrassing

awfully long time it’s very embarrassing now with the first four musicians of the

now with the first four musicians of the

now with the first four musicians of the paraorchestra the whole process from

paraorchestra the whole process from

paraorchestra the whole process from sitting down to making glorious music

sitting down to making glorious music

sitting down to making glorious music took about five minutes because if

took about five minutes because if

took about five minutes because if you’re in a wheelchair or you are

you’re in a wheelchair or you are

you’re in a wheelchair or you are visually impaired or you don’t have

visually impaired or you don’t have

visually impaired or you don’t have hearing whatever your impairment might

hearing whatever your impairment might

hearing whatever your impairment might be you have in an eighth don’t give it

be you have in an eighth don’t give it

be you have in an eighth don’t give it don’t give a toss kind of attitude

don’t give a toss kind of attitude

don’t give a toss kind of attitude towards life you know you don’t really

towards life you know you don’t really

towards life you know you don’t really bother you don’t sweat the small stuff

bother you don’t sweat the small stuff

bother you don’t sweat the small stuff so it’s naturally there for an

so it’s naturally there for an

so it’s naturally there for an authenticity which shines through you’re

authenticity which shines through you’re

authenticity which shines through you’re not trying to conform or to be like

not trying to conform or to be like

not trying to conform or to be like anyone else you are truly and uniquely

anyone else you are truly and uniquely

anyone else you are truly and uniquely yourself the project’s gone from

yourself the project’s gone from

yourself the project’s gone from strength to strength it made its debut

strength to strength it made its debut

strength to strength it made its debut at the closing ceremony of the 2012

at the closing ceremony of the 2012

at the closing ceremony of the 2012 Paralympic Games it’s now touring abroad

Paralympic Games it’s now touring abroad

Paralympic Games it’s now touring abroad a great deal doing all sorts of amazing

a great deal doing all sorts of amazing

a great deal doing all sorts of amazing collaborative projects and again has

collaborative projects and again has

collaborative projects and again has been very hard to

been very hard to

been very hard to to life because so many people have a

to life because so many people have a

to life because so many people have a problem putting the words disability and

problem putting the words disability and

problem putting the words disability and excellence into the same sentence even

excellence into the same sentence even

excellence into the same sentence even though we’ve had the Paralympics now for

though we’ve had the Paralympics now for

though we’ve had the Paralympics now for over 50 years which is proved beyond

over 50 years which is proved beyond

over 50 years which is proved beyond reasonable doubt that people watch the

reasonable doubt that people watch the

reasonable doubt that people watch the Paralympics because it is world-class

Paralympics because it is world-class

Paralympics because it is world-class sport not really because it’s about

sport not really because it’s about

sport not really because it’s about disability the same should and must be

disability the same should and must be

disability the same should and must be true in music so I want to leave you now

true in music so I want to leave you now

true in music so I want to leave you now with a beautiful performance the British

with a beautiful performance the British

with a beautiful performance the British paraorchestra of a song which is

paraorchestra of a song which is

paraorchestra of a song which is entirely appropriate to my theme today

entirely appropriate to my theme today

entirely appropriate to my theme today true colours the idea of finding within

true colours the idea of finding within

true colours the idea of finding within yourself and within those around you a

yourself and within those around you a

yourself and within those around you a deep sense of possibility of potential

deep sense of possibility of potential

deep sense of possibility of potential of seeing beyond the external the

of seeing beyond the external the

of seeing beyond the external the distracting to the true pure unique

distracting to the true pure unique

distracting to the true pure unique authenticity within each and every

authenticity within each and every

authenticity within each and every individual and as you see this track

individual and as you see this track

individual and as you see this track start the first voice you hear is from

start the first voice you hear is from

start the first voice you hear is from Lynne in the paraorchestra who has

Lynne in the paraorchestra who has

Lynne in the paraorchestra who has cerebral palsy and cannot speak

cerebral palsy and cannot speak

cerebral palsy and cannot speak conventionally and just before this

conventionally and just before this

conventionally and just before this recording took place we found a new

recording took place we found a new

recording took place we found a new technology which means that she can sing

technology which means that she can sing

technology which means that she can sing through her computer so here she is

through her computer so here she is

through her computer so here she is singing for the very first time in her

singing for the very first time in her

singing for the very first time in her life the choir singing with the

life the choir singing with the

life the choir singing with the paraorchestra are from North London

paraorchestra are from North London

paraorchestra are from North London there are a hundred of them they’re all

there are a hundred of them they’re all

there are a hundred of them they’re all children twenty-five percent of them are

children twenty-five percent of them are

children twenty-five percent of them are profoundly deaf and they all sign as

profoundly deaf and they all sign as

profoundly deaf and they all sign as they sing it’s a really beautiful thing

they sing it’s a really beautiful thing

they sing it’s a really beautiful thing to watch this German thank you here is

to watch this German thank you here is

to watch this German thank you here is the British paraorchestra

the British paraorchestra

the British paraorchestra [Applause]

[Applause]

[Applause] [Music]

don’t be discouraged Oh

don’t be discouraged Oh [Music]

[Music]

[Music] it’s hard to take courage in a world

it’s hard to take courage in a world

it’s hard to take courage in a world full of people you tense

full of people you tense

full of people you tense and like darkness

and like darkness

and like darkness you feel so small

Oh

Oh [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] Oh

Oh

Oh [Music]

[Music]

[Music] [Applause]

Oh

Oh [Applause]

[Applause]

[Applause] [Music]

[Applause]

[Applause] [Music]

[Applause]

[Applause] [Music]

[Applause]

[Applause] [Music]

Charles is such an honor such an honor

Charles is such an honor such an honor thank you thank you you’re such

”

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