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Top 10 Bob Marley Songs


if our souls could speak they’d ask for

if our souls could speak they’d ask for one of his tunes welcome to

one of his tunes welcome to

one of his tunes welcome to watchmojo.com and today we’re counting

watchmojo.com and today we’re counting

watchmojo.com and today we’re counting down our picks for the top ten Bob

down our picks for the top ten Bob

down our picks for the top ten Bob Marley songs for this list we’ve chosen

Marley songs for this list we’ve chosen

Marley songs for this list we’ve chosen our entries based on a combination of

our entries based on a combination of

our entries based on a combination of the artists fan favorites and their most

the artists fan favorites and their most

the artists fan favorites and their most commercially successful songs and we’re

commercially successful songs and we’re

commercially successful songs and we’re including tunes from a solo career as

including tunes from a solo career as

including tunes from a solo career as well as his time with bands like The

well as his time with bands like The

well as his time with bands like The Wailers

number ten get up stand up top Marley

number ten get up stand up top Marley had strong political views and he made

had strong political views and he made

had strong political views and he made sure we knew about them through his

sure we knew about them through his

sure we knew about them through his music this reggae track off burnin is no

music this reggae track off burnin is no

music this reggae track off burnin is no exception it’s been said get up stand up

exception it’s been said get up stand up

exception it’s been said get up stand up was written after he saw Haiti’s poverty

was written after he saw Haiti’s poverty

was written after he saw Haiti’s poverty with his own eyes and is meant to

with his own eyes and is meant to

with his own eyes and is meant to describe how they live as opposed to how

describe how they live as opposed to how

describe how they live as opposed to how they could live you can do what you came

they could live you can do what you came

they could live you can do what you came for all the people both the depth of the

for all the people both the depth of the

for all the people both the depth of the lyrics and it’s catchy rhythm make this

lyrics and it’s catchy rhythm make this

lyrics and it’s catchy rhythm make this song an absolute classic and a message

song an absolute classic and a message

song an absolute classic and a message to mankind

one of Marley’s biggest concerns was

one of Marley’s biggest concerns was that many people lived in a system that

that many people lived in a system that

that many people lived in a system that oppressed them and he was particularly

oppressed them and he was particularly

oppressed them and he was particularly moved by the Jamaican elections of the

moved by the Jamaican elections of the

moved by the Jamaican elections of the mid 70s

in the title track to exodus the

in the title track to exodus the singer-songwriter speaks of how they can

singer-songwriter speaks of how they can

singer-songwriter speaks of how they can do something about their situation by

do something about their situation by

do something about their situation by ceasing to live unconsciously and by

ceasing to live unconsciously and by

ceasing to live unconsciously and by enjoying decisions of their own

his words were clearly acknowledged as

his words were clearly acknowledged as demonstrated by the fact that the

demonstrated by the fact that the

demonstrated by the fact that the intense number became a chart topper in

intense number became a chart topper in

intense number became a chart topper in his native land as well as in England

his native land as well as in England

his native land as well as in England and Germany number eight I shot the

and Germany number eight I shot the

and Germany number eight I shot the sheriff this is an ode to justice both

sheriff this is an ode to justice both

sheriff this is an ode to justice both literally and symbolically my hometown

literally and symbolically my hometown

literally and symbolically my hometown in this reggae track the narrator is

in this reggae track the narrator is

in this reggae track the narrator is accused of murdering the deputy even

accused of murdering the deputy even

accused of murdering the deputy even though he is openly admitted to having

though he is openly admitted to having

though he is openly admitted to having killed the sheriff this want to break my

killed the sheriff this want to break my

killed the sheriff this want to break my unity for the life

by talking about trying to silence those

by talking about trying to silence those who fight for everybody’s rights and

who fight for everybody’s rights and

who fight for everybody’s rights and ideas Marley is giving the voiceless a

ideas Marley is giving the voiceless a

ideas Marley is giving the voiceless a voice

and that’s a big part of why this songs

and that’s a big part of why this songs so special freedom my way one day

so special freedom my way one day

so special freedom my way one day meanwhile Eric Clapton’s successful

meanwhile Eric Clapton’s successful

meanwhile Eric Clapton’s successful cover the next year solidified its

cover the next year solidified its

cover the next year solidified its status as an enduring classic so I have

status as an enduring classic so I have

status as an enduring classic so I have to shoot

number seven buffalo soldier this song

number seven buffalo soldier this song is based on the real-life

is based on the real-life

is based on the real-life african-american cavalry regiments that

african-american cavalry regiments that

african-american cavalry regiments that fought during the Indian Wars post 1866

reported during Marley’s last ever

reported during Marley’s last ever studio session in 1980 Buffalo Soldier

studio session in 1980 Buffalo Soldier

studio session in 1980 Buffalo Soldier imagines the army members as men

imagines the army members as men

imagines the army members as men battling for their lives thanks to a

battling for their lives thanks to a

battling for their lives thanks to a mighty message it’s been covered

mighty message it’s been covered

mighty message it’s been covered multiple times

then there are lyrics like now that’s a

then there are lyrics like now that’s a lesson to learn number six

lesson to learn number six

lesson to learn number six redemption song this is one of the most

redemption song this is one of the most

redemption song this is one of the most powerful and popular songs Marley ever

powerful and popular songs Marley ever

powerful and popular songs Marley ever came up with

came up with

came up with won’t you help to sing another song of

won’t you help to sing another song of

won’t you help to sing another song of freedom by inviting us to think about

freedom by inviting us to think about

freedom by inviting us to think about our life through deep ponderings he

our life through deep ponderings he

our life through deep ponderings he makes us wonder why we sometimes take

makes us wonder why we sometimes take

makes us wonder why we sometimes take our environment as something

our environment as something

our environment as something prefabricated and inevitable uprisings

prefabricated and inevitable uprisings

prefabricated and inevitable uprisings album closer is even more poignant

album closer is even more poignant

album closer is even more poignant considering it was written shortly

considering it was written shortly

considering it was written shortly following the musicians cancer diagnosis

following the musicians cancer diagnosis

following the musicians cancer diagnosis Oh problems

some say it’s just a part of it we’ve

some say it’s just a part of it we’ve got to

got to

got to don’t boo there’s the fact that

don’t boo there’s the fact that

don’t boo there’s the fact that Redemption Song is just basically Marley

Redemption Song is just basically Marley

Redemption Song is just basically Marley and an acoustic guitar not a song Rayna

and an acoustic guitar not a song Rayna

and an acoustic guitar not a song Rayna it’s effective influential and unique

predation song number five could you be

predation song number five could you be loved

marlee wrote about many different topics

marlee wrote about many different topics throughout his lifetime including love

throughout his lifetime including love

throughout his lifetime including love civil rights justice and freedom on

civil rights justice and freedom on

civil rights justice and freedom on could you be loved he tackles morality

could you be loved he tackles morality

could you be loved he tackles morality and judgment while incorporating some

and judgment while incorporating some

and judgment while incorporating some disco elements into his reggae style a

top 20 track in many European countries

top 20 track in many European countries the uprising tune has also found a home

the uprising tune has also found a home

the uprising tune has also found a home in various movies number four three

in various movies number four three

in various movies number four three little birds

buona be alright even though it was

buona be alright even though it was written in the 70s its message applies

written in the 70s its message applies

written in the 70s its message applies to our modern world too despite our

to our modern world too despite our

to our modern world too despite our worries and tense fast-paced lives

worries and tense fast-paced lives

worries and tense fast-paced lives Marley tells us not to and though the

Marley tells us not to and though the

Marley tells us not to and though the three little birds of the title have

three little birds of the title have

three little birds of the title have never been fully confirmed this does

never been fully confirmed this does

never been fully confirmed this does nothing to take away from the roots

nothing to take away from the roots

nothing to take away from the roots reggae numbers sound and comforting

reggae numbers sound and comforting

reggae numbers sound and comforting words rise up this morning rise three

words rise up this morning rise three

words rise up this morning rise three little birds pitch by my doorstep

little birds pitch by my doorstep

little birds pitch by my doorstep the exodus track went on to chart within

the exodus track went on to chart within

the exodus track went on to chart within the UK top 20 and inspired many other

the UK top 20 and inspired many other

the UK top 20 and inspired many other artists to cover it

thanks to its central theme of love and

thanks to its central theme of love and its ability to bring people together

its ability to bring people together

its ability to bring people together despite our differences this Bob Marley

despite our differences this Bob Marley

despite our differences this Bob Marley and the Wailers number continues to

and the Wailers number continues to

and the Wailers number continues to stand the test of time with its roots

stand the test of time with its roots

stand the test of time with its roots reggae and R&B flavours one love was

reggae and R&B flavours one love was

reggae and R&B flavours one love was also credited to Curtis Mayfield after

also credited to Curtis Mayfield after

also credited to Curtis Mayfield after the band re-recorded the melody four

the band re-recorded the melody four

the band re-recorded the melody four people get ready which he wrote for the

people get ready which he wrote for the

people get ready which he wrote for the impressions it may be less than three

impressions it may be less than three

impressions it may be less than three minutes long but that’s all that’s

minutes long but that’s all that’s

minutes long but that’s all that’s needed to relay its message for future

needed to relay its message for future

needed to relay its message for future generations and to get across it’s

generations and to get across it’s

generations and to get across it’s unforgettable spiritual vibe

number two jamming

number two jamming Tommy

I’m on the job with two in this exodus

I’m on the job with two in this exodus number Mali speaks of the Rastafari

number Mali speaks of the Rastafari

number Mali speaks of the Rastafari concept of I and I which is oneness with

concept of I and I which is oneness with

concept of I and I which is oneness with others under the love of God or just

others under the love of God or just

others under the love of God or just does everyday we’ve made a price where

does everyday we’ve made a price where

does everyday we’ve made a price where the living sacrifice time until just

the living sacrifice time until just

the living sacrifice time until just jamming is the act of getting together

jamming is the act of getting together

jamming is the act of getting together having a good time and bonding with

having a good time and bonding with

having a good time and bonding with others

no wonder it was so popular adding

no wonder it was so popular adding further credence to this song strength

further credence to this song strength

further credence to this song strength is the fact that Marley’s performance of

is the fact that Marley’s performance of

is the fact that Marley’s performance of the track during the one love peace

the track during the one love peace

the track during the one love peace concert made history when he

concert made history when he

concert made history when he successfully invited to Jamaican

successfully invited to Jamaican

successfully invited to Jamaican political competitors to join hands and

political competitors to join hands and

political competitors to join hands and jam together with him on stage

before we unveil our top pick here are a

before we unveil our top pick here are a few honorable mentions

you know alone be like that Sam come

you know alone be like that Sam come dance with me rock reggae this reggae

dance with me rock reggae this reggae

dance with me rock reggae this reggae music

marlee believed very strongly in the

marlee believed very strongly in the importance of one’s roots and that we

importance of one’s roots and that we

importance of one’s roots and that we shouldn’t ever forget them

this could be seen and heard through the

this could be seen and heard through the lyrics of his songs though no woman no

lyrics of his songs though no woman no

lyrics of his songs though no woman no cry’ is credited to Vincent Ford it was

cry’ is credited to Vincent Ford it was

cry’ is credited to Vincent Ford it was still a song he felt deeply about

describing the ghetto life and trying to

describing the ghetto life and trying to convince a woman not to shed any tears

convince a woman not to shed any tears

convince a woman not to shed any tears this natty dread song is hopeful and

this natty dread song is hopeful and

this natty dread song is hopeful and inspirational in this bright future

inspirational in this bright future

inspirational in this bright future you can forget your past

it’s not only popular because of its

it’s not only popular because of its melody but also because of what it says

melody but also because of what it says

melody but also because of what it says and who says it

the version performed at London’s Lyceum

the version performed at London’s Lyceum Theatre in 1975 is especially well known

Theatre in 1975 is especially well known

Theatre in 1975 is especially well known appearing on both the live and legend

appearing on both the live and legend

appearing on both the live and legend albums

do you agree with our list what’s your

do you agree with our list what’s your favorite Bob Marley song

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