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Todo lo que mi padre me enseño sobre diseño | Pablo Rodrigo | TEDxDurazno


for usa

we live surrounded by design the

products that we buy the screens

anyone with whom we interact clothes

that we put everything that is

Around us

is influenced in some way by

design decisions that someone took

but more importantly we

we make design decisions all

days without realizing the letter that

we use in an email or in a presentation

of powerpoint or in the case of crime

that we put on the door of the office or

at the door of the building asking that

please open the door to those who

come out all those are decisions of

design that affects our life and that of

those around us

but this was not always the case, that’s my

father my father was born in 1929 in the

pedroches a small town in the center of

madrid from madrid downtown break

Spain to the pedroches had only twelve

houses and is here in the photo is not the

my father did the photographer studio

where they get a photo some time

they went to madrid

It is probably the first photo of his

life is in my father’s house in that

my son probably saw me

he would have lived all his life in that house

just like his father and his grandfather and

solángel leftovers from being shepherds

of sheep

however when he was only 10

year-old is a little closer

he was only 10 years old in 1939 something happened

that transforms him from that future pastor

of sheep

the boy that we see in the photo that

year the Spanish civil war was

coming to an end

my father and a group of friends had

left to play and found in the field

one hand Granada near pedroche not

there had been fighting there was nothing

to fight

another step to another when they had passed

over there like it can only happen to

a group of 10-year-olds does not

they had a better idea than to try

disarm the grenade exploded

some died instantly others

they were seriously injured

my father that same night totally the

vision long after day already

I had finished my career

I had been working in an agency for a long time

my father asks me hear you what you

you dedicate as if it were the most

fool of the world

for the designer

yes yes I already know that but in what

consists

I did not realize my father

had been blind at 10 years old in

a small town in rural Spain that

relationship with the design we will have each

one of us if they were not staying

blind in 1939 in a totally

away from the world

my father probably saw

Daily paper sheets printed letters

yellowish with brown tape

He stained his hands but there was no

magazines there were no road signs

public

the cinema was a spectacle of the great

city ​​the television had not been

invented told me mommy am i designed

to apply I designed the notices

which is in newspapers and magazines

tells him to write the texts not in

I’m not a designer

titles write the editors that

work in the agency next to us

God writes the texts and we with

those texts do the ads says

then they draw the letters

able that my father has seen in a village

a little bigger than pedroches some

painter of letters decorate the facade of

a trade

not really the well- drawn letters

are the files that were

typographies

10,000 on the computer but not them

drew I took pictures of the

illustrations actually when we do

a photo and the traction tonys

we call a photographer and illustrator

we explain that what we want is not what

they do not surround us and we use it

but then what the fuck are you doing

then trying to explain the charro

I put all of that on a sheet and I try to

be the structure and shape

I put a headline up a text below

with a logo many times an image

in the middle father I know what you do

stages books

if dad do book covers

formally the covers of the books do not

they are so different from advertising it

They seem pretty if it was a good

logic was a good anchor so that my

father understood what I was doing and

I could have a reference of his life

from his childhood the way and these books

when I was little but it left me thinking

because the goal of the book cover

is to inform the potential reader that

will come out of the seduction text so that

I bought it and that’s what the

advertising

my father to forgive and even more so the

advertising the ones designed for

make them more difficult because

names of the stage of the books not

they are always clear

thanks to the design of that stage the

potential reader can be given when I go

to realize that the first edition of

the lord of the rings were treated

of jewelry or that the grapes of anger of

steinbeck was a novel that was

develops in the great depression

American had nothing to do with the

viticulture

my father had taught me

that if the headlines of the notices are

the text

the design is the context that surrounds it and

in what is the context of the of the

announcements

the design is not then capricious not

it’s random they have why it’s not limited

simply to the shape and decoration

but before I continue talking I want to

tell them about the power of context

has to change the meaning of the

things can be a son of a bitch before eta

because they are signing the capacity of

context of changing the meaning of

text is awesome

If I do while you tell me heal

Carlitos reach 50

no son of a bitch they do not mean the same

that what I thought inside deeper

when a truck driver came across me in the

route when I was driving here

I tell you that this is a great

son of a bitch is not the son of a bitch anymore

great that they have seen their lives

it’s not the same as what I refer to the judge

football weekend game

past is so strong the power of

context of altering the things that

we can create and put expressions

impossible

even the context has not meant them

until you understand or say that someone is a

son of re against thousand whores is impossible

mother there is only one

literally though the expression

it is understood and at the same time the

context does not help us change all

this way of understanding reality

facebook changed the relationship between

people

facebook like the whole spectrum of

human relations across the spectrum

human meanings and summed it up in

one in the minimum information unit

he likes me I like it is zero the 1 is

a binary code is a key of light

that turns on and off

there is no I do not like that would be

part of the state are two I like or nothing

however he likes me means

many things if for example a boy

she likes me all her bikini photos

last summer he’s wanting

lift i like friends are a photo

with his family the woman the children the

dog and a long long time ago

that I do not see a like it means look

the truth that it has been so long since

I see you would not know where to start

to write you but good I put you

I would like this and I wish you the best

I like it when an article was made and

right away the height that someone puts on me

like what you are saying is that I

recontra embol alerted that you climbed but

if it was voice assured that it is

well I like it when your teenage daughter

upload photos doing trampita a like

It means a girl who is watching you

if you go to live out the cell phone

pain with 18 years I like

all these communications are so

complex and as varied and based on

a fact as minimal as I like are

possible because there is a context

common among people who

dimensions means how the

People know and understand that

it means I like what can

decode though

an unknown person likes me all

your bikini photos from last year

the thing gets complicated is in the absence of

context of absence of relationship and the

communication generates rejection

my father taught me that the goal the

design is to create a context that allows

communication a context that helps

that the message has been transmitted from the

correct form

just like what happens when you put me

like the photo of your friend who has long

that is not in advertising the design is

think the interlocutor is to think about the

viewer and understand what it is that

we need to transmit to that person

therefore the design is not arbitrary

neither is embracing nor capricious

design part of a clear objective and by

Therefore aimless aimless

Of course there can not be a design but

the design the art of design too

is done thinking about the future because the

moment that we are designing not

we know the person who is going to

to receive

we do not know how you do not know

like or we can intuit what we know

personally the designer has to

have the sensitivity to create a

context that allows you to understand the message

clearly in a consistent way

more so when the power of context

is such that it can ruin all the

communication design reaction

of design is an action that implies

a lot of responsibility

the last lesson that I was taught about

design that my father taught me is the

next in 2002 my daughter jimena was born

higher

I wanted my dad and my father the

Montevideo knew it reaches my

father

but the salary of my wife and mine

my wife’s designers themselves do not

allowed to travel to Madrid to take

the baby

my father was seventy years old

and I did not feel or strongly as

to travel soon my brother

old for work to madrid and he brought

success with it was a gift that

did my father gimeno

but the success did not come only kilos and

had with this photo

my father had found the way to

being personal means significant a

gift that would otherwise have been

anonymous and far

this deposit and this photo that still

is in the room of jimena are the

choice of the last election of

design my father that anyone can

design that it does not matter not to know

very important tools for not knowing

draw does not matter if you do not have the attribute

most basic to the design that is the

seen what is needed is to think about the

another and plan and anticipate how

we want him to feel and that is the basis

of all good design

thank you very much

[Applause]

[Music]

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