he’s tangled up in blue welcome to watchmojo.com and today we’re counting
watchmojo.com and today we’re counting
watchmojo.com and today we’re counting down our picks for the top 10 Bob Dylan
down our picks for the top 10 Bob Dylan
down our picks for the top 10 Bob Dylan songs for this list we’ve chosen our
songs for this list we’ve chosen our
songs for this list we’ve chosen our entries based on a combination of the
entries based on a combination of the
entries based on a combination of the artists fan favorites and their most
artists fan favorites and their most
artists fan favorites and their most commercially successful songs
part of the soundtrack for the Western
part of the soundtrack for the Western Pat Garrett and Billy the Kid which
Pat Garrett and Billy the Kid which
Pat Garrett and Billy the Kid which Dylan even had a bit acting pardon this
Dylan even had a bit acting pardon this
Dylan even had a bit acting pardon this folk rock and gospel tune tells the
folk rock and gospel tune tells the
folk rock and gospel tune tells the story of a dying sheriff
story of a dying sheriff
story of a dying sheriff [Music]
[Music]
[Music] let’s ask ABC do it peaking within the
let’s ask ABC do it peaking within the
let’s ask ABC do it peaking within the Billboard Hot 100 top 20 this simple but
Billboard Hot 100 top 20 this simple but
Billboard Hot 100 top 20 this simple but bitterly poetic melody has also inspired
bitterly poetic melody has also inspired
bitterly poetic melody has also inspired cover versions by Eric Clapton
cover versions by Eric Clapton
cover versions by Eric Clapton [Music]
[Music]
[Music] Guns’n’Roses
you too and countless others
you too and countless others [Music]
[Music]
[Music] number nine a hard rain’s are gonna fall
– fine
– fine one of his most episodic songs this 7
one of his most episodic songs this 7
one of his most episodic songs this 7 minute long entry from Dylan’s
minute long entry from Dylan’s
minute long entry from Dylan’s breakthrough album seems at first to
breakthrough album seems at first to
breakthrough album seems at first to consist of a series of tales from a
consist of a series of tales from a
consist of a series of tales from a distant past so how I saw a black branch
distant past so how I saw a black branch
distant past so how I saw a black branch with blood that kept dripping but as the
with blood that kept dripping but as the
with blood that kept dripping but as the verses unfold the imagery becomes
verses unfold the imagery becomes
verses unfold the imagery becomes increasingly apocalyptic and begins to
increasingly apocalyptic and begins to
increasingly apocalyptic and begins to read more as a warning from the future
indeed a month after the song’s debut
indeed a month after the song’s debut the u.s. became engulfed in the Cuban
the u.s. became engulfed in the Cuban
the u.s. became engulfed in the Cuban Missile Crisis making it perhaps a bit
Missile Crisis making it perhaps a bit
Missile Crisis making it perhaps a bit too on the mark
too on the mark
too on the mark [Music]
number eight all along the watchtower
number eight all along the watchtower there must be some way out of here did
there must be some way out of here did
there must be some way out of here did joe gergiolla see perhaps the most
joe gergiolla see perhaps the most
joe gergiolla see perhaps the most famous of his songs to become
famous of his songs to become
famous of his songs to become popularized by other artists kangin oh
popularized by other artists kangin oh
popularized by other artists kangin oh really
really
really Dylan’s original version of all along
Dylan’s original version of all along
Dylan’s original version of all along the watchtower appeared on the John
the watchtower appeared on the John
the watchtower appeared on the John Wesley Harding album several months
Wesley Harding album several months
Wesley Harding album several months before Jimi Hendrix’s electric cover
before Jimi Hendrix’s electric cover
before Jimi Hendrix’s electric cover [Applause]
[Applause]
[Applause] [Music]
[Music]
[Music] [Applause]
[Applause]
[Applause] [Music]
[Music]
[Music] however Dylan’s version is still a
however Dylan’s version is still a
however Dylan’s version is still a classic
classic
classic there are many among us who feel alive
there are many among us who feel alive
there are many among us who feel alive is brother Joe with his shrieking
is brother Joe with his shrieking
is brother Joe with his shrieking harmonica and some of the most impactful
harmonica and some of the most impactful
harmonica and some of the most impactful imagery of any of his songs so does not
imagery of any of his songs so does not
imagery of any of his songs so does not talk falsely now is getting laid
talk falsely now is getting laid
talk falsely now is getting laid [Music]
[Music]
[Music] like many Dylan tracks it has been
like many Dylan tracks it has been
like many Dylan tracks it has been called an anti-war statement but also
called an anti-war statement but also
called an anti-war statement but also like many of his songs you could never
like many of his songs you could never
like many of his songs you could never really prove you number seven mr.
really prove you number seven mr.
really prove you number seven mr. Tambourine Man
with allusions to being numb and put
with allusions to being numb and put under a spell
under a spell
under a spell this song is often considered a metaphor
this song is often considered a metaphor
this song is often considered a metaphor if a poetic one for a drug deal forest
if a poetic one for a drug deal forest
if a poetic one for a drug deal forest parts Dylan has gone on record saying
parts Dylan has gone on record saying
parts Dylan has gone on record saying that the folk number is actually about
that the folk number is actually about
that the folk number is actually about well a man who plays a tambourine take
well a man who plays a tambourine take
well a man who plays a tambourine take me disappearing it’s abstract imagery
me disappearing it’s abstract imagery
me disappearing it’s abstract imagery allows for multiple and individual
allows for multiple and individual
allows for multiple and individual interpretations frozen leaves Hobbit
interpretations frozen leaves Hobbit
interpretations frozen leaves Hobbit fried food trees which is what makes it
fried food trees which is what makes it
fried food trees which is what makes it just as interesting nearly fifty years
just as interesting nearly fifty years
just as interesting nearly fifty years after its release
after its release
after its release Rita praises sorrow
Rita praises sorrow
Rita praises sorrow [Music]
[Music]
[Music] number six positively 4th Street
number six positively 4th Street
number six positively 4th Street [Music]
[Music]
[Music] released as a single the same year as
released as a single the same year as
released as a single the same year as landmark albums highway 61 revisited and
landmark albums highway 61 revisited and
landmark albums highway 61 revisited and bringing it all back home this is one
bringing it all back home this is one
bringing it all back home this is one everyone can relate to
everyone can relate to
everyone can relate to [Applause]
[Applause]
[Applause] [Music]
[Music]
[Music] at his best and bitterest Dylan laces
at his best and bitterest Dylan laces
at his best and bitterest Dylan laces into a superficial friend you know the
into a superficial friend you know the
into a superficial friend you know the kind that loves you when you’re on top
kind that loves you when you’re on top
kind that loves you when you’re on top but is the first to disappear when
but is the first to disappear when
but is the first to disappear when things go south
things go south
things go south [Music]
rather
rather [Music]
[Music]
[Music] that’s pretty cold Bob
[Music]
[Music] number five subterranean homesick blues
[Music]
[Music] equally famous for its experimental
equally famous for its experimental
equally famous for its experimental music video which first appeared in da
music video which first appeared in da
music video which first appeared in da Pennebaker documentary don’t look back
his tracks he’s Dylan cutting between
his tracks he’s Dylan cutting between issues of the times in his fevered
issues of the times in his fevered
issues of the times in his fevered savant-like style
savant-like style
savant-like style [Music]
often but never easily imitated the song
often but never easily imitated the song draws on scat and R&B influences to
draws on scat and R&B influences to
draws on scat and R&B influences to create something truly
create something truly
create something truly iconoclastic
and has taught young people for
and has taught young people for generations just exactly what and whom
generations just exactly what and whom
generations just exactly what and whom to look out for
number four tangled up in blue the 70s
number four tangled up in blue the 70s marked a departure from earlier protest
marked a departure from earlier protest
marked a departure from earlier protest hymns to a focus on the personal lives
hymns to a focus on the personal lives
hymns to a focus on the personal lives of his subjects he had a job in Santa Fe
of his subjects he had a job in Santa Fe
of his subjects he had a job in Santa Fe in an old hotel but he never did like it
in an old hotel but he never did like it
in an old hotel but he never did like it but you want to it just went to hell
but you want to it just went to hell
but you want to it just went to hell this blood on the track single captured
this blood on the track single captured
this blood on the track single captured the many twists and turns of two lives
the many twists and turns of two lives
the many twists and turns of two lives which become repeatedly entwine but all
which become repeatedly entwine but all
which become repeatedly entwine but all the way he was alone the past was close
the way he was alone the past was close
the way he was alone the past was close behind he see the lot of women but you
behind he see the lot of women but you
behind he see the lot of women but you know the stapler and were reticent to be
know the stapler and were reticent to be
know the stapler and were reticent to be labeled the voice of a generation
labeled the voice of a generation
labeled the voice of a generation tangled up in blue still hits on
tangled up in blue still hits on
tangled up in blue still hits on something undeniably universal we only
something undeniably universal we only
something undeniably universal we only think I knew how to do keep on keeping
think I knew how to do keep on keeping
think I knew how to do keep on keeping on as the baby boomers struggled to get
on as the baby boomers struggled to get
on as the baby boomers struggled to get a foothold in a new decade
a foothold in a new decade
a foothold in a new decade [Music]
one of Dylan’s most earnest and
one of Dylan’s most earnest and straightforward songs this one was
straightforward songs this one was
straightforward songs this one was released during the build-up to the
released during the build-up to the
released during the build-up to the Vietnam War and became a rallying cry of
Vietnam War and became a rallying cry of
Vietnam War and became a rallying cry of the anti-war movement throughout
[Music]
[Music] boy
boy
always the contrarian Dylan insisted it
always the contrarian Dylan insisted it was not a protest song
was not a protest song
was not a protest song [Music]
[Music]
[Music] [Applause]
[Applause]
[Applause] which was not a little ironic
which was not a little ironic
which was not a little ironic considering it’s widely recognized as
considering it’s widely recognized as
considering it’s widely recognized as the most important protest song of all
the most important protest song of all
the most important protest song of all time
time
time [Music]
[Music]
[Music] as well as a valuable civil rights
as well as a valuable civil rights
as well as a valuable civil rights anthem
Oh
Oh [Applause]
number two the times they are a-changin
number two the times they are a-changin gather round people
gather round people
gather round people Oh
Oh
Oh [Music]
[Music]
[Music] with escalation in Vietnam seemingly
with escalation in Vietnam seemingly
with escalation in Vietnam seemingly inevitable
inevitable
inevitable and the assassination of President
and the assassination of President
and the assassination of President Kennedy just months earlier
Kennedy just months earlier
Kennedy just months earlier Dylan’s folk masterpiece is both a
Dylan’s folk masterpiece is both a
Dylan’s folk masterpiece is both a message of hope and a warning while
message of hope and a warning while
message of hope and a warning while imagery like wheels in motion indicate
imagery like wheels in motion indicate
imagery like wheels in motion indicate the change is indeed inevitable
the change is indeed inevitable
the change is indeed inevitable Dylan cautions that there will be
Dylan cautions that there will be
Dylan cautions that there will be consequences for those who stand in the
consequences for those who stand in the
consequences for those who stand in the way and dogs despair
way and dogs despair
way and dogs despair there’s no 10
there’s no 10
there’s no 10 [Music]
[Music]
[Music] for the time T
for the time T
for the time T the struggle between old and new ways
the struggle between old and new ways
the struggle between old and new ways that defined so much of the decade was
that defined so much of the decade was
that defined so much of the decade was never more perfectly described the first
never more perfectly described the first
never more perfectly described the first one now will later be last
one now will later be last
one now will later be last [Applause]
[Applause]
[Applause] [Music]
[Music]
[Music] before we reveal our top pick here are a
before we reveal our top pick here are a
before we reveal our top pick here are a few honorable mentions
here comes a story of the hurricane the
here comes a story of the hurricane the many authorities changes playing
she walked up to me so gracefully and
she walked up to me so gracefully and took my crown of thorns come in she said
took my crown of thorns come in she said
took my crown of thorns come in she said I’ll give you shelter from the storm my
I’ll give you shelter from the storm my
I’ll give you shelter from the storm my name it ain’t nothing I eat you means
name it ain’t nothing I eat you means
name it ain’t nothing I eat you means this big country I come from is called
this big country I come from is called
this big country I come from is called the Midwest
the Midwest
the Midwest [Music]
from the moment the first organ riff
from the moment the first organ riff sounded everything changed
lyrically derisive and as his early fans
lyrically derisive and as his early fans would claim an outright betrayal
this song bridged the gap between folk
this song bridged the gap between folk and electric between idol and villain
and electric between idol and villain
and electric between idol and villain and between idealism and cynicism
I think it was booed upon its first live
I think it was booed upon its first live performance seems like pure insanity now
but the song represented Dylan’s desire
but the song represented Dylan’s desire to keep growing as an artist even if it
to keep growing as an artist even if it
to keep growing as an artist even if it meant leaving behind those who held him
meant leaving behind those who held him
meant leaving behind those who held him dearest
dearest
dearest [Music]
[Music]
[Music] do you agree with our list which Dylan
do you agree with our list which Dylan
do you agree with our list which Dylan songs are closest to your heart
[Music]
[Music] for more iconic top 10s published every
for more iconic top 10s published every
for more iconic top 10s published every day be sure to subscribe to
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[Applause]
[Applause] [Music]
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