See music, hear dance | Agata Sieradzka | TEDxMickiewiczHighSchool

you

you [Music]

[Music]

[Music] [Laughter]

[Laughter]

[Laughter] [Music]

but you have all just seen was a piece

but you have all just seen was a piece called Kennedy performed by ensemble and

called Kennedy performed by ensemble and

called Kennedy performed by ensemble and Barbra – you could hear music but you’re

Barbra – you could hear music but you’re

Barbra – you could hear music but you’re going no instruments also the people

going no instruments also the people

going no instruments also the people were moving in a particular way but it

were moving in a particular way but it

were moving in a particular way but it wasn’t really dancing so what was that

wasn’t really dancing so what was that

wasn’t really dancing so what was that actually mmm

actually mmm

actually mmm body music is a way of extracting

body music is a way of extracting

body music is a way of extracting various musical sounds for one’s body

various musical sounds for one’s body

various musical sounds for one’s body and now I’d like to tell you about four

and now I’d like to tell you about four

and now I’d like to tell you about four more specific ways of sound creating

more specific ways of sound creating

more specific ways of sound creating which body music consists of its body

which body music consists of its body

which body music consists of its body percussion vocal percussion vocal music

percussion vocal percussion vocal music

percussion vocal percussion vocal music and last but not least tap-dancing body

and last but not least tap-dancing body

and last but not least tap-dancing body rotation is a way of using one’s body

rotation is a way of using one’s body

rotation is a way of using one’s body parts as percussion instruments which

parts as percussion instruments which

parts as percussion instruments which basically means creating sounds and

basically means creating sounds and

basically means creating sounds and vibrations with something your seat

vibrations with something your seat

vibrations with something your seat bedding your thighs clapping or snapping

bedding your thighs clapping or snapping

bedding your thighs clapping or snapping and in just a few ways of doing so vocal

and in just a few ways of doing so vocal

and in just a few ways of doing so vocal percussion is some crating based on

percussion is some crating based on

percussion is some crating based on usage of one’s mouth also to imitate

usage of one’s mouth also to imitate

usage of one’s mouth also to imitate percussion sounds are just a safety same

percussion sounds are just a safety same

percussion sounds are just a safety same purpose as percussion instruments it can

purpose as percussion instruments it can

purpose as percussion instruments it can be done in many ways for example

be done in many ways for example

be done in many ways for example clicking clicking your tongue or

clicking clicking your tongue or

clicking clicking your tongue or slapping your open mouth or at one is

slapping your open mouth or at one is

slapping your open mouth or at one is probably the best note which is B boxing

probably the best note which is B boxing

probably the best note which is B boxing and then we have vocal music it’s a

and then we have vocal music it’s a

and then we have vocal music it’s a piece whose main focus is singing but we

piece whose main focus is singing but we

piece whose main focus is singing but we all have to redefine a review of both

all have to redefine a review of both

all have to redefine a review of both singing actually is because it is much

singing actually is because it is much

singing actually is because it is much more than just musically vocalizing

more than just musically vocalizing

more than just musically vocalizing words it can be anything any sign that

words it can be anything any sign that

words it can be anything any sign that you pronounce with your voice so it can

you pronounce with your voice so it can

you pronounce with your voice so it can also be blowing air or just breathing

also be blowing air or just breathing

also be blowing air or just breathing deeply and last part is tap dancing it

deeply and last part is tap dancing it

deeply and last part is tap dancing it is a form of dance which is a special

is a form of dance which is a special

is a form of dance which is a special shoes with metal taps on the toe and the

shoes with metal taps on the toe and the

shoes with metal taps on the toe and the heel part of it and it is a way of

heel part of it and it is a way of

heel part of it and it is a way of striking the floor as a form of

striking the floor as a form of

striking the floor as a form of percussion oil dancing now that we all

percussion oil dancing now that we all

percussion oil dancing now that we all know what body music is I’d like to sing

know what body music is I’d like to sing

know what body music is I’d like to sing some something about his origins

some something about his origins

some something about his origins first let’s think about African tribes

first let’s think about African tribes

first let’s think about African tribes and their energetic dances for

and their energetic dances for

and their energetic dances for some making like shouting clapping were

some making like shouting clapping were

some making like shouting clapping were stomping it is where you can find first

stomping it is where you can find first

stomping it is where you can find first traces of body music also it can be

traces of body music also it can be

traces of body music also it can be found in 16th to 19th century

found in 16th to 19th century

found in 16th to 19th century african-american slaves dances they were

african-american slaves dances they were

african-american slaves dances they were not allowed to any drums in order not to

not allowed to any drums in order not to

not allowed to any drums in order not to send one another secret messages that’s

send one another secret messages that’s

send one another secret messages that’s why they use their own bodies to create

why they use their own bodies to create

why they use their own bodies to create with in their music I’d also like to

with in their music I’d also like to

with in their music I’d also like to mention the role of body music and one’s

mention the role of body music and one’s

mention the role of body music and one’s development

development

development it helps musicians and dancers to

it helps musicians and dancers to

it helps musicians and dancers to practice their rhythm tempo and music

practice their rhythm tempo and music

practice their rhythm tempo and music accenting but anyone can benefit from

accenting but anyone can benefit from

accenting but anyone can benefit from trying it out it helps to create to

trying it out it helps to create to

trying it out it helps to create to develop creativity

develop creativity

develop creativity coordination and psychomotor conception

coordination and psychomotor conception

coordination and psychomotor conception of oneself and others also it realized

of oneself and others also it realized

of oneself and others also it realized is only when we started practicing body

is only when we started practicing body

is only when we started practicing body music but it really helps you to gain

music but it really helps you to gain

music but it really helps you to gain confidence it takes a lot of bravery to

confidence it takes a lot of bravery to

confidence it takes a lot of bravery to overcome the awkwardness in situation

overcome the awkwardness in situation

overcome the awkwardness in situation when you have to make monkey life sounds

when you have to make monkey life sounds

when you have to make monkey life sounds in front of a group of people and

in front of a group of people and

in front of a group of people and another practical aspect of body music

another practical aspect of body music

another practical aspect of body music is that everyone possesses a body

is that everyone possesses a body

is that everyone possesses a body everyone can try it because it’s very

everyone can try it because it’s very

everyone can try it because it’s very accessible and free the only thing you

accessible and free the only thing you

accessible and free the only thing you need in order to start is a little bit

need in order to start is a little bit

need in order to start is a little bit of goodwill and to end my talk I’d like

of goodwill and to end my talk I’d like

of goodwill and to end my talk I’d like to put emphasis on something I already

to put emphasis on something I already

to put emphasis on something I already mention in this presentation which is

mention in this presentation which is

mention in this presentation which is rhythm we all know what rhythm is when

rhythm we all know what rhythm is when

rhythm we all know what rhythm is when we hear it but what if we have to define

we hear it but what if we have to define

we hear it but what if we have to define it actually it rhythm is sound and

it actually it rhythm is sound and

it actually it rhythm is sound and silence combine to create repetitive

silence combine to create repetitive

silence combine to create repetitive patterns the master body music you

patterns the master body music you

patterns the master body music you really have to be able to feel the

really have to be able to feel the

really have to be able to feel the result with your whole body

result with your whole body

result with your whole body also you have to be able to become a

also you have to be able to become a

also you have to be able to become a part of the rhythm and to think about

part of the rhythm and to think about

part of the rhythm and to think about rhythm we never actually realize is the

rhythm we never actually realize is the

rhythm we never actually realize is the role of silence and everything we’re

role of silence and everything we’re

role of silence and everything we’re here without silence through it with no

here without silence through it with no

here without silence through it with no rhythm and without rhythm there won’t be

rhythm and without rhythm there won’t be

rhythm and without rhythm there won’t be no music this isn’t something I’d like

no music this isn’t something I’d like

no music this isn’t something I’d like to wish us all be confident if you do it

to wish us all be confident if you do it

to wish us all be confident if you do it in your body and

in your body and

in your body and your years with the beauty of silence

your years with the beauty of silence

your years with the beauty of silence thank you

[Applause]

[Applause] [Music]