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The Hollywood Guide to the Future-Past | John Hunter | TEDxBucknellUniversity


thank you all very much good afternoon I

thank you all very much good afternoon I want us to think about really popular

want us to think about really popular

want us to think about really popular movies and TV shows of the last couple

movies and TV shows of the last couple

movies and TV shows of the last couple of years if you think about them the

of years if you think about them the

of years if you think about them the Avengers Star Wars Game of Thrones

Avengers Star Wars Game of Thrones

Avengers Star Wars Game of Thrones these are all very fantastical stories

these are all very fantastical stories

these are all very fantastical stories with amazing magical characters yeah

with amazing magical characters yeah

with amazing magical characters yeah you’re right sir yeah and if we wondered

you’re right sir yeah and if we wondered

you’re right sir yeah and if we wondered why that is why are we so drawn to

why that is why are we so drawn to

why that is why are we so drawn to stories like this and when I asked this

stories like this and when I asked this

stories like this and when I asked this question to my students they say we’ll

question to my students they say we’ll

question to my students they say we’ll look professor hunter the Avengers it’s

look professor hunter the Avengers it’s

look professor hunter the Avengers it’s just beautiful actors and actresses and

just beautiful actors and actresses and

just beautiful actors and actresses and explosions it’s just meant to be

explosions it’s just meant to be

explosions it’s just meant to be entertaining it doesn’t mean anything

entertaining it doesn’t mean anything

entertaining it doesn’t mean anything and in this my beloved students are as

and in this my beloved students are as

and in this my beloved students are as so often is the case half right they are

so often is the case half right they are

so often is the case half right they are correct in that these films are designed

correct in that these films are designed

correct in that these films are designed to be entertaining but what I want them

to be entertaining but what I want them

to be entertaining but what I want them and you to think about is what it means

and you to think about is what it means

and you to think about is what it means to be entertaining on a mass scale these

to be entertaining on a mass scale these

to be entertaining on a mass scale these films cost 150 sometimes 200 million

films cost 150 sometimes 200 million

films cost 150 sometimes 200 million dollars to make if you’re investing 200

dollars to make if you’re investing 200

dollars to make if you’re investing 200 million dollars you’re not just throwing

million dollars you’re not just throwing

million dollars you’re not just throwing any old stuff up there on screen and

any old stuff up there on screen and

any old stuff up there on screen and saying gee just make it a little bit

saying gee just make it a little bit

saying gee just make it a little bit entertaining every second of these films

entertaining every second of these films

entertaining every second of these films and TV shows is scrutinized by editors

and TV shows is scrutinized by editors

and TV shows is scrutinized by editors and photographers and directors and

and photographers and directors and

and photographers and directors and producers and marketing people and

producers and marketing people and

producers and marketing people and studio executives and it is designed to

studio executives and it is designed to

studio executives and it is designed to cater to our desires to your desires to

cater to our desires to your desires to

cater to our desires to your desires to be as popular as possible to as many

be as popular as possible to as many

be as popular as possible to as many people as possible and what that means

people as possible and what that means

people as possible and what that means is we can learn something about

is we can learn something about

is we can learn something about ourselves from these films we can learn

ourselves from these films we can learn

ourselves from these films we can learn not just what entertains us but what

not just what entertains us but what

not just what entertains us but what we’re afraid of

we’re afraid of

we’re afraid of and what we want because precisely

and what we want because precisely

and what we want because precisely they’re made to cater to our desires and

they’re made to cater to our desires and

they’re made to cater to our desires and so I want us to think about two things

so I want us to think about two things

so I want us to think about two things that I think popular culture tells us

that I think popular culture tells us

that I think popular culture tells us the first is we really resent

the first is we really resent

the first is we really resent technologies that run our lives we’re

technologies that run our lives we’re

technologies that run our lives we’re going to see a lot of popular films in

going to see a lot of popular films in

going to see a lot of popular films in TV you know we’re not going to see we’re

TV you know we’re not going to see we’re

TV you know we’re not going to see we’re not going to see any cell phones and

not going to see any cell phones and

not going to see any cell phones and we’re not going to see any network

we’re not going to see any network

we’re not going to see any network computers and I’m going to argue that

computers and I’m going to argue that

computers and I’m going to argue that that’s because we resent what these

that’s because we resent what these

that’s because we resent what these things are doing and the control that

things are doing and the control that

things are doing and the control that they have over our lives the second

they have over our lives the second

they have over our lives the second thing we’re not going to see is 2017 we

thing we’re not going to see is 2017 we

thing we’re not going to see is 2017 we don’t make popular entertainments about

don’t make popular entertainments about

don’t make popular entertainments about right here right now we make them about

right here right now we make them about

right here right now we make them about a past that is cut off from the present

a past that is cut off from the present

a past that is cut off from the present and about a future that is depressingly

and about a future that is depressingly

and about a future that is depressingly well connected to our present moment so

well connected to our present moment so

well connected to our present moment so let’s start our exploration let’s think

let’s start our exploration let’s think

let’s start our exploration let’s think about what the top grossing movies of

about what the top grossing movies of

about what the top grossing movies of 2016 were well if we look at this list

2016 were well if we look at this list

2016 were well if we look at this list we have five superhero movies three

we have five superhero movies three

we have five superhero movies three animated features one CGI remake of an

animated features one CGI remake of an

animated features one CGI remake of an animated feature on a Star Wars film

animated feature on a Star Wars film

animated feature on a Star Wars film okay what about 2015 well here’s 2015

okay what about 2015 well here’s 2015

okay what about 2015 well here’s 2015 two animated features one CGI remake of

two animated features one CGI remake of

two animated features one CGI remake of an animated feature you’re getting to

an animated feature you’re getting to

an animated feature you’re getting to spot the trends for action movies from

spot the trends for action movies from

spot the trends for action movies from established franchises the Martian

established franchises the Martian

established franchises the Martian American sniper and a Star Wars movie

American sniper and a Star Wars movie

American sniper and a Star Wars movie you’ll notice that something very

you’ll notice that something very

you’ll notice that something very important is missing from 19 of the 20

important is missing from 19 of the 20

important is missing from 19 of the 20 most popular films of the last two years

most popular films of the last two years

most popular films of the last two years and that’s something is reality none of

and that’s something is reality none of

and that’s something is reality none of them are about the way we live in 2017

them are about the way we live in 2017

them are about the way we live in 2017 and even the American sniper which is

and even the American sniper which is

and even the American sniper which is the exception is arguably a pretty

the exception is arguably a pretty

the exception is arguably a pretty extreme version of the way we live now

extreme version of the way we live now

extreme version of the way we live now we don’t want to see ordinary life as we

we don’t want to see ordinary life as we

we don’t want to see ordinary life as we experience it what about TV TV is a

experience it what about TV TV is a

experience it what about TV TV is a little more realistic

little more realistic

little more realistic these are the top rated TV series of the

these are the top rated TV series of the

these are the top rated TV series of the 2016-17 season three of them are NFL

2016-17 season three of them are NFL

2016-17 season three of them are NFL football games the farthest thing from

football games the farthest thing from

football games the farthest thing from reality known to human kind

reality known to human kind

reality known to human kind okay top rated show The Walking Dead a

okay top rated show The Walking Dead a

okay top rated show The Walking Dead a fantastical

fantastical

fantastical version of the future populated by

version of the future populated by

version of the future populated by zombies and this is backed up by Game of

zombies and this is backed up by Game of

zombies and this is backed up by Game of Thrones a fantastical version of the

Thrones a fantastical version of the

Thrones a fantastical version of the past populated by dragons and the

past populated by dragons and the

past populated by dragons and the x-files a fantastical version of the

x-files a fantastical version of the

x-files a fantastical version of the present which tells us that what we

present which tells us that what we

present which tells us that what we think of as normal is a thin layer on

think of as normal is a thin layer on

think of as normal is a thin layer on top of unbelievably weird forces that

top of unbelievably weird forces that

top of unbelievably weird forces that are actually ruling our lives all right

are actually ruling our lives all right

are actually ruling our lives all right then there’s Empire and then we think

then there’s Empire and then we think

then there’s Empire and then we think low-cal right all right here’s the real

low-cal right all right here’s the real

low-cal right all right here’s the real I mean here it is right in here right

I mean here it is right in here right

I mean here it is right in here right now the music industry but if you think

now the music industry but if you think

now the music industry but if you think about it Empire is actually a really

about it Empire is actually a really

about it Empire is actually a really really clever Game of Thrones remake

really clever Game of Thrones remake

really clever Game of Thrones remake there’s a king and three sketchy heirs

there’s a king and three sketchy heirs

there’s a king and three sketchy heirs and a queen you really don’t want to

and a queen you really don’t want to

and a queen you really don’t want to cross or you end up dead so it’s for all

cross or you end up dead so it’s for all

cross or you end up dead so it’s for all that it’s said in the here and now it’s

that it’s said in the here and now it’s

that it’s said in the here and now it’s actually a dynastic power play very much

actually a dynastic power play very much

actually a dynastic power play very much drawn from the game of thrones playbook

drawn from the game of thrones playbook

drawn from the game of thrones playbook where is reality

where is reality

where is reality I’ll tell you where reality is reality

I’ll tell you where reality is reality

I’ll tell you where reality is reality is the Big Bang Theory which represents

is the Big Bang Theory which represents

is the Big Bang Theory which represents women with a lot of common sense and

women with a lot of common sense and

women with a lot of common sense and very highly educated socially awkward

very highly educated socially awkward

very highly educated socially awkward white guys who earn much much more money

white guys who earn much much more money

white guys who earn much much more money than they do that my friends is reality

than they do that my friends is reality

than they do that my friends is reality in 2017 yeah so the question is why why

in 2017 yeah so the question is why why

in 2017 yeah so the question is why why why when we imagine the present and the

why when we imagine the present and the

why when we imagine the present and the Avengers is very much set in the present

Avengers is very much set in the present

Avengers is very much set in the present do we imagine a world in which only a

do we imagine a world in which only a

do we imagine a world in which only a thought-out genetically modified World

thought-out genetically modified World

thought-out genetically modified World War two veteran on Norse God and a

War two veteran on Norse God and a

War two veteran on Norse God and a green-skinned a giant with

green-skinned a giant with

green-skinned a giant with anger-management issues are the only

anger-management issues are the only

anger-management issues are the only people who can get anything done that’s

people who can get anything done that’s

people who can get anything done that’s our present when we imagine the past we

our present when we imagine the past we

our present when we imagine the past we imagine this costume parade like Mad Men

imagine this costume parade like Mad Men

imagine this costume parade like Mad Men or Game of Thrones when we imagine the

or Game of Thrones when we imagine the

or Game of Thrones when we imagine the future we imagine the Walking Dead or

future we imagine the Walking Dead or

future we imagine the Walking Dead or threatened by zombies or Mad Max fury

threatened by zombies or Mad Max fury

threatened by zombies or Mad Max fury road complete environmental degradation

road complete environmental degradation

road complete environmental degradation these are they these are the films that

these are they these are the films that

these are they these are the films that we go to see all the millions and

we go to see all the millions and

we go to see all the millions and millions and millions of us so again

millions and millions of us so again

millions and millions of us so again what I’d like to talked about is why

what I’d like to talked about is why

what I’d like to talked about is why there’s this aversion to technology why

there’s this aversion to technology why

there’s this aversion to technology why don’t we see any cell phones or

don’t we see any cell phones or

don’t we see any cell phones or networked computers and what does it

networked computers and what does it

networked computers and what does it mean that they’re located in the past

mean that they’re located in the past

mean that they’re located in the past that’s cut off from us the future that

that’s cut off from us the future that

that’s cut off from us the future that is all too well connected to us but

is all too well connected to us but

is all too well connected to us but never the here and now so let’s start

never the here and now so let’s start

never the here and now so let’s start with the past I want to talk about three

with the past I want to talk about three

with the past I want to talk about three TV shows

TV shows

TV shows there’s the man in the high castle which

there’s the man in the high castle which

there’s the man in the high castle which is set in 1962 stranger things which is

is set in 1962 stranger things which is

is set in 1962 stranger things which is set in 1983 and maybe one of the best

set in 1983 and maybe one of the best

set in 1983 and maybe one of the best things that’s come on television in the

things that’s come on television in the

things that’s come on television in the last 10 years or so Mad Men which is set

last 10 years or so Mad Men which is set

last 10 years or so Mad Men which is set in the decade between 1960 and 1970 now

in the decade between 1960 and 1970 now

in the decade between 1960 and 1970 now some of you may know the man in the high

some of you may know the man in the high

some of you may know the man in the high castle is set in a imagine version of

castle is set in a imagine version of

castle is set in a imagine version of 1962 in a world where Germany in Japan

1962 in a world where Germany in Japan

1962 in a world where Germany in Japan won world war two and occupied America

won world war two and occupied America

won world war two and occupied America you can see the West occupied Japan by

you can see the West occupied Japan by

you can see the West occupied Japan by Japan in the east by the United States

Japan in the east by the United States

Japan in the east by the United States but in the the TV show there are these

but in the the TV show there are these

but in the the TV show there are these movies that depict a world where Germany

movies that depict a world where Germany

movies that depict a world where Germany and Japan lost World War two and two

and Japan lost World War two and two

and Japan lost World War two and two atomic bombs were dropped on Japan what

atomic bombs were dropped on Japan what

atomic bombs were dropped on Japan what we know are history

we know are history

we know are history so here you’ve got this show that is

so here you’ve got this show that is

so here you’ve got this show that is perfectly set in 1962 and if you’ve seen

perfectly set in 1962 and if you’ve seen

perfectly set in 1962 and if you’ve seen the show you know what I mean the

the show you know what I mean the

the show you know what I mean the clothes are right all the men are

clothes are right all the men are

clothes are right all the men are smoking the women are all at home it’s

smoking the women are all at home it’s

smoking the women are all at home it’s perfect it’s just that the Nazis are in

perfect it’s just that the Nazis are in

perfect it’s just that the Nazis are in charge so it’s a fantasy version of the

charge so it’s a fantasy version of the

charge so it’s a fantasy version of the past that at once gives us her past and

past that at once gives us her past and

past that at once gives us her past and changes it makes it untrustworthy

changes it makes it untrustworthy

changes it makes it untrustworthy strange of things is set in 1983 with a

strange of things is set in 1983 with a

strange of things is set in 1983 with a bunch of kids playing Dungeons and

bunch of kids playing Dungeons and

bunch of kids playing Dungeons and Dragons and that was me that was me that

Dragons and that was me that was me that

Dragons and that was me that was me that haircut in the middle that is a 1983

haircut in the middle that is a 1983

haircut in the middle that is a 1983 haircut and that was me so I’m here to

haircut and that was me so I’m here to

haircut and that was me so I’m here to tell you very very historically accurate

tell you very very historically accurate

tell you very very historically accurate alas so a bunch of kids playing dungeons

alas so a bunch of kids playing dungeons

alas so a bunch of kids playing dungeons of dragons but at the same time there’s

of dragons but at the same time there’s

of dragons but at the same time there’s this other world that in the show is

this other world that in the show is

this other world that in the show is called the upside down we’re very very

called the upside down we’re very very

called the upside down we’re very very real monsters that belong in dungeons

real monsters that belong in dungeons

real monsters that belong in dungeons and dragons actually break into reality

and dragons actually break into reality

and dragons actually break into reality with very very traumatic effects and

with very very traumatic effects and

with very very traumatic effects and then there’s Mad Men Don Draper the

then there’s Mad Men Don Draper the

then there’s Mad Men Don Draper the perfect alpha male always well-dressed

perfect alpha male always well-dressed

perfect alpha male always well-dressed the per

the per

the per husband the perfect father the type a

husband the perfect father the type a

husband the perfect father the type a successful advertising executive but

successful advertising executive but

successful advertising executive but he’s living a lie early in season one we

he’s living a lie early in season one we

he’s living a lie early in season one we learned that he stole the identity Don

learned that he stole the identity Don

learned that he stole the identity Don Draper from a dead soldier in the Korean

Draper from a dead soldier in the Korean

Draper from a dead soldier in the Korean War to escape his traumatic upbringing

War to escape his traumatic upbringing

War to escape his traumatic upbringing so again we’ve got to place a show where

so again we’ve got to place a show where

so again we’ve got to place a show where there’s this vision of history and this

there’s this vision of history and this

there’s this vision of history and this it’s fundamentally untrustworthy the

it’s fundamentally untrustworthy the

it’s fundamentally untrustworthy the main character isn’t always truthful

main character isn’t always truthful

main character isn’t always truthful about anything and in a way he’s a bit

about anything and in a way he’s a bit

about anything and in a way he’s a bit like John Smith who if you watch the man

like John Smith who if you watch the man

like John Smith who if you watch the man in the high castle you know is one of

in the high castle you know is one of

in the high castle you know is one of the main protagonists there now just

the main protagonists there now just

the main protagonists there now just look at that that’s the Leave It to

look at that that’s the Leave It to

look at that that’s the Leave It to Beaver dad isn’t it he’s a US Army

Beaver dad isn’t it he’s a US Army

Beaver dad isn’t it he’s a US Army veteran he’s a devoted husband he’s a

veteran he’s a devoted husband he’s a

veteran he’s a devoted husband he’s a wonderful father and he’s a brutal Nazi

wonderful father and he’s a brutal Nazi

wonderful father and he’s a brutal Nazi SS officer so we get a past that we

SS officer so we get a past that we

SS officer so we get a past that we can’t trust things that we recognize but

can’t trust things that we recognize but

can’t trust things that we recognize but we can’t connect to ourselves what about

we can’t connect to ourselves what about

we can’t connect to ourselves what about the future well how many of you hands up

the future well how many of you hands up

the future well how many of you hands up if you were made to read 1984 in high

if you were made to read 1984 in high

if you were made to read 1984 in high school yeah most of you it’s very few

school yeah most of you it’s very few

school yeah most of you it’s very few people escape 1984 will you remember in

people escape 1984 will you remember in

people escape 1984 will you remember in 1984 one of the scary things about the

1984 one of the scary things about the

1984 one of the scary things about the world that George Orwell record

world that George Orwell record

world that George Orwell record represents is the technology

represents is the technology

represents is the technology particularly what you can see behind me

particularly what you can see behind me

particularly what you can see behind me the telescreen which allows the

the telescreen which allows the

the telescreen which allows the government to spy on you and you to get

government to spy on you and you to get

government to spy on you and you to get a 24/7 diet of government propaganda now

a 24/7 diet of government propaganda now

a 24/7 diet of government propaganda now when Orwell wrote that book in 1948 that

when Orwell wrote that book in 1948 that

when Orwell wrote that book in 1948 that was a crazy idea that was the dystopic

was a crazy idea that was the dystopic

was a crazy idea that was the dystopic technological future we know it is

technological future we know it is

technological future we know it is reality don’t we doesn’t matter what

reality don’t we doesn’t matter what

reality don’t we doesn’t matter what country you live in Russia China the

country you live in Russia China the

country you live in Russia China the United States the UK every security

United States the UK every security

United States the UK every security service of every country on Earth is

service of every country on Earth is

service of every country on Earth is checking up on our emails and our online

checking up on our emails and our online

checking up on our emails and our online activity we know this this is from

activity we know this this is from

activity we know this this is from October of last year

October of last year

October of last year what Orwell dreaded is 24/7 reality for

what Orwell dreaded is 24/7 reality for

what Orwell dreaded is 24/7 reality for us and that is why we don’t want to see

us and that is why we don’t want to see

us and that is why we don’t want to see our own present-day

our own present-day

our own present-day on screen and the visions of the future

on screen and the visions of the future

on screen and the visions of the future we do make to come back to the Walking

we do make to come back to the Walking

we do make to come back to the Walking Dead and Mad Max fury road show to

Dead and Mad Max fury road show to

Dead and Mad Max fury road show to specific divergent paths The Walking

specific divergent paths The Walking

specific divergent paths The Walking Dead is about the degradation of the

Dead is about the degradation of the

Dead is about the degradation of the human species we’re the problem it’s us

human species we’re the problem it’s us

human species we’re the problem it’s us gone wrong Mad Max fury road is what

gone wrong Mad Max fury road is what

gone wrong Mad Max fury road is what happens if we keep doing what we’re

happens if we keep doing what we’re

happens if we keep doing what we’re doing to the planet on and on and on is

doing to the planet on and on and on is

doing to the planet on and on and on is the total degradation of the environment

the total degradation of the environment

the total degradation of the environment now why zombies zombies in the Walking

now why zombies zombies in the Walking

now why zombies zombies in the Walking Dead are the same as and interestingly

Dead are the same as and interestingly

Dead are the same as and interestingly different from the other monsters we’ve

different from the other monsters we’ve

different from the other monsters we’ve seen you remember these guys but ten

seen you remember these guys but ten

seen you remember these guys but ten years ago so every Hollywood action

years ago so every Hollywood action

years ago so every Hollywood action movie needs something you can kill

movie needs something you can kill

movie needs something you can kill without remorse something that you can

without remorse something that you can

without remorse something that you can just slaughter in hundreds of thousands

just slaughter in hundreds of thousands

just slaughter in hundreds of thousands with no moral qualms for the characters

with no moral qualms for the characters

with no moral qualms for the characters or the audience and in The Walking Dead

or the audience and in The Walking Dead

or the audience and in The Walking Dead zombies used to be these guys or these

zombies used to be these guys or these

zombies used to be these guys or these guys or these guys but it’s not so very

guys or these guys but it’s not so very

guys or these guys but it’s not so very long since it was these guys or these

long since it was these guys or these

long since it was these guys or these guys Holli was actually changed a lot in

guys Holli was actually changed a lot in

guys Holli was actually changed a lot in the 1930s we represented Native

the 1930s we represented Native

the 1930s we represented Native Americans and African tribesmen as the

Americans and African tribesmen as the

Americans and African tribesmen as the this other this force that had to be

this other this force that had to be

this other this force that had to be disciplined contained or if necessary

disciplined contained or if necessary

disciplined contained or if necessary eradicated for civilization to triumph

eradicated for civilization to triumph

eradicated for civilization to triumph in the 60s and 70s we figured it out a

in the 60s and 70s we figured it out a

in the 60s and 70s we figured it out a bit and we projected all this onto

bit and we projected all this onto

bit and we projected all this onto aliens it’s okay you don’t have to care

aliens it’s okay you don’t have to care

aliens it’s okay you don’t have to care about the aliens you can slaughter them

about the aliens you can slaughter them

about the aliens you can slaughter them and you don’t have to feel bad well

and you don’t have to feel bad well

and you don’t have to feel bad well welcome to the 21st century and now the

welcome to the 21st century and now the

welcome to the 21st century and now the monster is us we’re the monster it’s a

monster is us we’re the monster it’s a

monster is us we’re the monster it’s a degraded version of us it’s the zombie

degraded version of us it’s the zombie

degraded version of us it’s the zombie version of our friend and our cousin

version of our friend and our cousin

version of our friend and our cousin that’s trying to kill us and eat us it’s

that’s trying to kill us and eat us it’s

that’s trying to kill us and eat us it’s a representation in other words of human

a representation in other words of human

a representation in other words of human beings gone wrong we no longer project

beings gone wrong we no longer project

beings gone wrong we no longer project it out onto the other the problem the

it out onto the other the problem the

it out onto the other the problem the paraphrase the Sex Pistols is us

paraphrase the Sex Pistols is us

paraphrase the Sex Pistols is us and so we get these representations this

and so we get these representations this

and so we get these representations this could be from a 19th century pioneer

could be from a 19th century pioneer

could be from a 19th century pioneer movie isn’t it there’s Rick and Carl

movie isn’t it there’s Rick and Carl

movie isn’t it there’s Rick and Carl father and son and the son even has

father and son and the son even has

father and son and the son even has these kind of us cavalryman’s hat on and

these kind of us cavalryman’s hat on and

these kind of us cavalryman’s hat on and they’re growing their food and it’s

they’re growing their food and it’s

they’re growing their food and it’s awesome

awesome

awesome until you look in the background and

until you look in the background and

until you look in the background and there they are the return of the

there they are the return of the

there they are the return of the repressed waiting to eat them all right

repressed waiting to eat them all right

repressed waiting to eat them all right it’s all very well if you can keep the

it’s all very well if you can keep the

it’s all very well if you can keep the wall up but you can’t always keep the

wall up but you can’t always keep the

wall up but you can’t always keep the wall up can you in Mad Max fury road

wall up can you in Mad Max fury road

wall up can you in Mad Max fury road people don’t want a condo in Park Avenue

people don’t want a condo in Park Avenue

people don’t want a condo in Park Avenue they want clean water that’s as high as

they want clean water that’s as high as

they want clean water that’s as high as their desires go welcome to our future

their desires go welcome to our future

their desires go welcome to our future and it’s a perfectly believable future

and it’s a perfectly believable future

and it’s a perfectly believable future as you’ll hear from some of our other

as you’ll hear from some of our other

as you’ll hear from some of our other speakers but what about Star Wars surely

speakers but what about Star Wars surely

speakers but what about Star Wars surely Star Wars can save us from this the

Star Wars can save us from this the

Star Wars can save us from this the biggest the most popular pop cultural

biggest the most popular pop cultural

biggest the most popular pop cultural mythos of all but Star Wars their

mythos of all but Star Wars their

mythos of all but Star Wars their relations its relationship to technology

relations its relationship to technology

relations its relationship to technology is very very subtle so sure we want the

is very very subtle so sure we want the

is very very subtle so sure we want the Death Star because there has to be a big

Death Star because there has to be a big

Death Star because there has to be a big quest for the heroes to succeed act and

quest for the heroes to succeed act and

quest for the heroes to succeed act and we’re prepared to believe that there’s

we’re prepared to believe that there’s

we’re prepared to believe that there’s this magical shield that can cover a

this magical shield that can cover a

this magical shield that can cover a whole planet but nobody uses anything

whole planet but nobody uses anything

whole planet but nobody uses anything like a cell phone and nobody

like a cell phone and nobody

like a cell phone and nobody communicates on anything like a computer

communicates on anything like a computer

communicates on anything like a computer network in fact when you get to that

network in fact when you get to that

network in fact when you get to that it’s really charmingly old-school and

it’s really charmingly old-school and

it’s really charmingly old-school and that’s not the only old-school thing

that’s not the only old-school thing

that’s not the only old-school thing about Star Wars when we meet Han Solo

about Star Wars when we meet Han Solo

about Star Wars when we meet Han Solo there’s a strong sense that we’ve seen

there’s a strong sense that we’ve seen

there’s a strong sense that we’ve seen something like this before but we’re not

something like this before but we’re not

something like this before but we’re not really in the future you look at Han

really in the future you look at Han

really in the future you look at Han Solo’s blaster could that be any more

Solo’s blaster could that be any more

Solo’s blaster could that be any more like a peacemaker cult it could be John

like a peacemaker cult it could be John

like a peacemaker cult it could be John Wayne or if you’re old like me round-off

Wayne or if you’re old like me round-off

Wayne or if you’re old like me round-off Scott or for those of you who don’t

Scott or for those of you who don’t

Scott or for those of you who don’t remember those guys it could be Slade

remember those guys it could be Slade

remember those guys it could be Slade Eastwood so everything about the story

Eastwood so everything about the story

Eastwood so everything about the story is reassuringly old it’s not new so the

is reassuringly old it’s not new so the

is reassuringly old it’s not new so the climax of rogue one there’s gin and

climax of rogue one there’s gin and

climax of rogue one there’s gin and she’s got the super secret plans of the

she’s got the super secret plans of the

she’s got the super secret plans of the Death Star and look she’s got them on

Death Star and look she’s got them on

Death Star and look she’s got them on what is clearly a VHS videocassettes

what is clearly a VHS videocassettes

what is clearly a VHS videocassettes like what the heck is going on with that

like what the heck is going on with that

like what the heck is going on with that right they have faster than like travel

right they have faster than like travel

right they have faster than like travel they have a

they have a

they have a shield that can cover an entire planet

shield that can cover an entire planet

shield that can cover an entire planet but no no it’s analog media only when

but no no it’s analog media only when

but no no it’s analog media only when the story gets going and there’s poor ol

the story gets going and there’s poor ol

the story gets going and there’s poor ol bode rook getting shot at why is he

bode rook getting shot at why is he

bode rook getting shot at why is he getting shot at because they only have

getting shot at because they only have

getting shot at because they only have dial-up internet on this space station

dial-up internet on this space station

dial-up internet on this space station apparently he’s got to plug in the cable

apparently he’s got to plug in the cable

apparently he’s got to plug in the cable it’s like a fire hose we wouldn’t put up

it’s like a fire hose we wouldn’t put up

it’s like a fire hose we wouldn’t put up with that in 2017 and it’s funny when

with that in 2017 and it’s funny when

with that in 2017 and it’s funny when you think about it but it’s absolutely

you think about it but it’s absolutely

you think about it but it’s absolutely deliberate the makers of Star Wars are

deliberate the makers of Star Wars are

deliberate the makers of Star Wars are very very smart they know we don’t want

very very smart they know we don’t want

very very smart they know we don’t want to see network technology because that’s

to see network technology because that’s

to see network technology because that’s part of the world that we don’t like so

part of the world that we don’t like so

part of the world that we don’t like so to conclude these things show is the

to conclude these things show is the

to conclude these things show is the past that we can’t really feel connected

past that we can’t really feel connected

past that we can’t really feel connected to a future that we’re afraid we’re

to a future that we’re afraid we’re

to a future that we’re afraid we’re going to make and a present that has

going to make and a present that has

going to make and a present that has none of the technology that runs our

none of the technology that runs our

none of the technology that runs our lives in it we are the unknown and the

lives in it we are the unknown and the

lives in it we are the unknown and the future which may be unknowable is

future which may be unknowable is

future which may be unknowable is unfortunately for us unthinkable

unfortunately for us unthinkable

unfortunately for us unthinkable thank you very much

thank you very much

thank you very much [Applause]

”

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