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Enough With The Billboards: Reclaiming Public Spaces with Street Art | Éva Boros | TEDxNashville


yeah but I have to talk about art

yeah but I have to talk about art because it’s what I do

because it’s what I do

because it’s what I do as an art director and consultant I work

as an art director and consultant I work

as an art director and consultant I work with galleries dealers private

with galleries dealers private

with galleries dealers private collectors and I work with artists I’ve

collectors and I work with artists I’ve

collectors and I work with artists I’ve curated I’ve written articles about art

curated I’ve written articles about art

curated I’ve written articles about art for art magazines and I’ve even produced

for art magazines and I’ve even produced

for art magazines and I’ve even produced a documentary film about art so I spend

a documentary film about art so I spend

a documentary film about art so I spend a lot of time navigating the art world

a lot of time navigating the art world

a lot of time navigating the art world and to be completely honest with you at

and to be completely honest with you at

and to be completely honest with you at times I feel incredibly terrified and

times I feel incredibly terrified and

times I feel incredibly terrified and frustrated as hell because it’s an

frustrated as hell because it’s an

frustrated as hell because it’s an industry that is built on exclusivity

industry that is built on exclusivity

industry that is built on exclusivity and it caters primarily to those with

and it caters primarily to those with

and it caters primarily to those with vested interests and so I I understand

vested interests and so I I understand

vested interests and so I I understand the hesitancy around discussing art

the hesitancy around discussing art

the hesitancy around discussing art especially for those who aren’t

especially for those who aren’t

especially for those who aren’t affiliated with the art world

affiliated with the art world

affiliated with the art world I know experiencing museums and

I know experiencing museums and

I know experiencing museums and galleries can be intimidating combined

galleries can be intimidating combined

galleries can be intimidating combined with the fact that what dictates good

with the fact that what dictates good

with the fact that what dictates good and bad art can sometimes just feel

and bad art can sometimes just feel

and bad art can sometimes just feel arbitrary but art shouldn’t be this

arbitrary but art shouldn’t be this

arbitrary but art shouldn’t be this exclusive experience because art can be

exclusive experience because art can be

exclusive experience because art can be incredibly powerful and it can inspire

incredibly powerful and it can inspire

incredibly powerful and it can inspire and it can even save lives and I know

and it can even save lives and I know

and it can even save lives and I know this because it saved my life when I was

this because it saved my life when I was

this because it saved my life when I was an 11 year old kid and I had just

an 11 year old kid and I had just

an 11 year old kid and I had just emigrated to the United States you see I

emigrated to the United States you see I

emigrated to the United States you see I was I grew up in a very very small town

was I grew up in a very very small town

was I grew up in a very very small town to our south of Budapest and back then

to our south of Budapest and back then

to our south of Budapest and back then Hungary was going through a breakup with

Hungary was going through a breakup with

Hungary was going through a breakup with communism so I grew up in a communist

communism so I grew up in a communist

communism so I grew up in a communist culture and I didn’t experience

culture and I didn’t experience

culture and I didn’t experience commercialization or a capitalist

commercialization or a capitalist

commercialization or a capitalist consumers culture until I had come to

consumers culture until I had come to

consumers culture until I had come to the States and I was 11 years old and

the States and I was 11 years old and

the States and I was 11 years old and you know the two cultures are so

you know the two cultures are so

you know the two cultures are so completely opposite of one another I

completely opposite of one another I

completely opposite of one another I began to disassociate and what saved me

began to disassociate and what saved me

began to disassociate and what saved me was seeing graffiti graffiti was the

was seeing graffiti graffiti was the

was seeing graffiti graffiti was the only similarity I saw between Eastern

only similarity I saw between Eastern

only similarity I saw between Eastern Europe

Europe

Europe the United States so it became the glue

the United States so it became the glue

the United States so it became the glue of visual familiarity and it’s how I

of visual familiarity and it’s how I

of visual familiarity and it’s how I came to assimilate and it’s how I

came to assimilate and it’s how I

came to assimilate and it’s how I eventually fell in love with the United

eventually fell in love with the United

eventually fell in love with the United States which by the way is the greatest

States which by the way is the greatest

States which by the way is the greatest country in the world so yeah yeah and so

country in the world so yeah yeah and so

country in the world so yeah yeah and so you know aside from graffiti and street

you know aside from graffiti and street

you know aside from graffiti and street art helping me get through culture shock

art helping me get through culture shock

art helping me get through culture shock it plays a much larger role graffiti

it plays a much larger role graffiti

it plays a much larger role graffiti came onto the scene in the 60s and like

came onto the scene in the 60s and like

came onto the scene in the 60s and like true art it pushed the establishment it

true art it pushed the establishment it

true art it pushed the establishment it criticized and it was an articulation of

criticized and it was an articulation of

criticized and it was an articulation of cultural presence and today we now have

cultural presence and today we now have

cultural presence and today we now have this great generation of artists still

this great generation of artists still

this great generation of artists still carrying the movement and it’s the

carrying the movement and it’s the

carrying the movement and it’s the graffiti and street art generation and

graffiti and street art generation and

graffiti and street art generation and these are incredibly talented artists

these are incredibly talented artists

these are incredibly talented artists who have cultivated themselves

who have cultivated themselves

who have cultivated themselves stylistically from the streets and taken

stylistically from the streets and taken

stylistically from the streets and taken their art into the studio but even

their art into the studio but even

their art into the studio but even though that even though they have they

though that even though they have they

though that even though they have they are internationally recognized with

are internationally recognized with

are internationally recognized with Museum and gallery exhibits they still

Museum and gallery exhibits they still

Museum and gallery exhibits they still paint in the streets among and for the

paint in the streets among and for the

paint in the streets among and for the public and they understand the value of

public and they understand the value of

public and they understand the value of public art and the power it presents and

public art and the power it presents and

public art and the power it presents and how it can inspire and this is why my

how it can inspire and this is why my

how it can inspire and this is why my colleague Brian greif and I co-found

colleague Brian greif and I co-found

colleague Brian greif and I co-found were founded the Nashville Arts Project

were founded the Nashville Arts Project

were founded the Nashville Arts Project Nashville walls project I’m sorry

Nashville walls project I’m sorry

Nashville walls project I’m sorry and over the past year I have had the

and over the past year I have had the

and over the past year I have had the honour of coordinating ten public murals

honour of coordinating ten public murals

honour of coordinating ten public murals in Nashville and these artists are you

in Nashville and these artists are you

in Nashville and these artists are you know they traveled the world and they

know they traveled the world and they

know they traveled the world and they immerse themselves in the culture like

immerse themselves in the culture like

immerse themselves in the culture like above from Berlin who paints you know

above from Berlin who paints you know

above from Berlin who paints you know with his moniker and mind

with his moniker and mind

with his moniker and mind and you know these artists paint murals

and you know these artists paint murals

and you know these artists paint murals for the pure aesthetic beauty and

for the pure aesthetic beauty and

for the pure aesthetic beauty and because they love to travel and immerse

because they love to travel and immerse

because they love to travel and immerse themselves into the local culture they

themselves into the local culture they

themselves into the local culture they will paint murals that pay tribute to

will paint murals that pay tribute to

will paint murals that pay tribute to the city for example Mike shine who

the city for example Mike shine who

the city for example Mike shine who painted Hank Williams and Chuck Berry on

painted Hank Williams and Chuck Berry on

painted Hank Williams and Chuck Berry on the side of a recording studio on music

the side of a recording studio on music

the side of a recording studio on music row and Rowan from Australia who paints

row and Rowan from Australia who paints

row and Rowan from Australia who paints these incredible portraits and curia

these incredible portraits and curia

these incredible portraits and curia from Mexico who’s an abstract painter an

from Mexico who’s an abstract painter an

from Mexico who’s an abstract painter an Adele Renault from Amsterdam and Neil

Adele Renault from Amsterdam and Neil

Adele Renault from Amsterdam and Neil Shuman who is the inceptive force behind

Shuman who is the inceptive force behind

Shuman who is the inceptive force behind calligraffiti painted Johnny Cash lyrics

calligraffiti painted Johnny Cash lyrics

calligraffiti painted Johnny Cash lyrics on the corner of this parking garage and

on the corner of this parking garage and

on the corner of this parking garage and this wonderful collaboration between

this wonderful collaboration between

this wonderful collaboration between Mars one and Curia who by the way were

Mars one and Curia who by the way were

Mars one and Curia who by the way were huge fans of each other’s works and they

huge fans of each other’s works and they

huge fans of each other’s works and they just happened to be in Nashville at the

just happened to be in Nashville at the

just happened to be in Nashville at the same time and they got to collaborate on

same time and they got to collaborate on

same time and they got to collaborate on this wall together and the great thing

this wall together and the great thing

this wall together and the great thing about these artists is that they set out

about these artists is that they set out

about these artists is that they set out to paint murals that raise awareness for

to paint murals that raise awareness for

to paint murals that raise awareness for example Louie Messiah from Britain he

example Louie Messiah from Britain he

example Louie Messiah from Britain he painted the North American flying

painted the North American flying

painted the North American flying squirrel that is native to Nashville or

squirrel that is native to Nashville or

squirrel that is native to Nashville or Tennessee and unfortunately they’re

Tennessee and unfortunately they’re

Tennessee and unfortunately they’re going extinct and the haricot mural

going extinct and the haricot mural

going extinct and the haricot mural which has become an incredible platform

which has become an incredible platform

which has become an incredible platform for animal rights the local animal

for animal rights the local animal

for animal rights the local animal shelter now takes these pups to the

shelter now takes these pups to the

shelter now takes these pups to the murals and takes their portraits and

murals and takes their portraits and

murals and takes their portraits and Kosh Elliott

Kosh Elliott

Kosh Elliott yeah these these pups were all long-term

yeah these these pups were all long-term

yeah these these pups were all long-term residents and they have since found

residents and they have since found

residents and they have since found their forever homes that’s my personal

their forever homes that’s my personal

their forever homes that’s my personal favorite in working with these

favorite in working with these

favorite in working with these international artists we’ve also been

international artists we’ve also been

international artists we’ve also been able to highlight the local talent in

able to highlight the local talent in

able to highlight the local talent in Nashville Nashville has some incredibly

Nashville Nashville has some incredibly

Nashville Nashville has some incredibly talented street artists like herb

talented street artists like herb

talented street artists like herb Williams

Williams

Williams and Chris Dudek and Emily Miller and

and Chris Dudek and Emily Miller and

and Chris Dudek and Emily Miller and Brandon Donahue and Sam Johnson and they

Brandon Donahue and Sam Johnson and they

Brandon Donahue and Sam Johnson and they all collaborated with the international

all collaborated with the international

all collaborated with the international artists and then they were also able to

artists and then they were also able to

artists and then they were also able to paint a local mural so the completion of

paint a local mural so the completion of

paint a local mural so the completion of these murals is a success story on

these murals is a success story on

these murals is a success story on behalf of the Nashville community

behalf of the Nashville community

behalf of the Nashville community because it takes a community of people

because it takes a community of people

because it takes a community of people to bring these murals to life you know

to bring these murals to life you know

to bring these murals to life you know people from all professional backgrounds

people from all professional backgrounds

people from all professional backgrounds came by on their lunch breaks to see if

came by on their lunch breaks to see if

came by on their lunch breaks to see if they can volunteer and help some people

they can volunteer and help some people

they can volunteer and help some people brought lawn chairs other people just

brought lawn chairs other people just

brought lawn chairs other people just laid on the ground all day yeah but

laid on the ground all day yeah but

laid on the ground all day yeah but everyone was there and everyone was

everyone was there and everyone was

everyone was there and everyone was interacting with the artists you know

interacting with the artists you know

interacting with the artists you know they would take breaks from painting the

they would take breaks from painting the

they would take breaks from painting the murals and they would come and hang out

murals and they would come and hang out

murals and they would come and hang out with all the locals and every single day

with all the locals and every single day

with all the locals and every single day at these murals it felt like a block

at these murals it felt like a block

at these murals it felt like a block party

party

party you know everyone worked incredibly hard

you know everyone worked incredibly hard

you know everyone worked incredibly hard but at the end of the day everyone had a

but at the end of the day everyone had a

but at the end of the day everyone had a blast and that’s actually my dad yeah he

blast and that’s actually my dad yeah he

blast and that’s actually my dad yeah he came to Nashville and and I think it you

came to Nashville and and I think it you

came to Nashville and and I think it you know his reaction just summed up the way

know his reaction just summed up the way

know his reaction just summed up the way it changes pedestrian life you know

it changes pedestrian life you know

it changes pedestrian life you know these murals are huge so they are

these murals are huge so they are

these murals are huge so they are peripherally dominant so they engage you

peripherally dominant so they engage you

peripherally dominant so they engage you know pedestrians you know they distract

know pedestrians you know they distract

know pedestrians you know they distract people from their phones it completely

people from their phones it completely

people from their phones it completely you know slows the pace down and you

you know slows the pace down and you

you know slows the pace down and you know there are these groups of strangers

know there are these groups of strangers

know there are these groups of strangers having a collective moment reacting to

having a collective moment reacting to

having a collective moment reacting to these murals and these murals are great

these murals and these murals are great

these murals and these murals are great or you know meeting up people can use

or you know meeting up people can use

or you know meeting up people can use them to you know specify locations they

them to you know specify locations they

them to you know specify locations they plan group activities like bike tours

plan group activities like bike tours

plan group activities like bike tours and school field trips around these

and school field trips around these

and school field trips around these murals and you know this brings me to my

murals and you know this brings me to my

murals and you know this brings me to my most important point these murals the

most important point these murals the

most important point these murals the this public art redefines public space

this public art redefines public space

this public art redefines public space you know it creates an environment for

you know it creates an environment for

you know it creates an environment for all ages to experience the real world

all ages to experience the real world

all ages to experience the real world that isn’t explicitly defined by

that isn’t explicitly defined by

that isn’t explicitly defined by subliminal app targeting and billboards

subliminal app targeting and billboards

subliminal app targeting and billboards and it engages the public you know when

and it engages the public you know when

and it engages the public you know when you go into a gallery and see art that

you go into a gallery and see art that

you go into a gallery and see art that art is entitled to be there so a lot of

art is entitled to be there so a lot of

art is entitled to be there so a lot of people feel like their opinion about the

people feel like their opinion about the

people feel like their opinion about the art is limited but in public where you

art is limited but in public where you

art is limited but in public where you walk your dog the square you walk to to

walk your dog the square you walk to to

walk your dog the square you walk to to take your lunch that’s fair game

take your lunch that’s fair game

take your lunch that’s fair game you can love it you can hate it the

you can love it you can hate it the

you can love it you can hate it the point is that you are engaged with the

point is that you are engaged with the

point is that you are engaged with the art and this is how I know I’ve done my

art and this is how I know I’ve done my

art and this is how I know I’ve done my job properly after the completion of the

job properly after the completion of the

job properly after the completion of the hair coop mural I went up to the 26th

hair coop mural I went up to the 26th

hair coop mural I went up to the 26th floor of the high-rise right across from

floor of the high-rise right across from

floor of the high-rise right across from it to take photos and it was after hours

it to take photos and it was after hours

it to take photos and it was after hours everyone had gone home except for one

everyone had gone home except for one

everyone had gone home except for one lady and she had this great view you

lady and she had this great view you

lady and she had this great view you know right next to the window and she

know right next to the window and she

know right next to the window and she saw the entire mural being painted so I

saw the entire mural being painted so I

saw the entire mural being painted so I asked her I asked her what she thought

asked her I asked her what she thought

asked her I asked her what she thought about the mural and she was a little bit

about the mural and she was a little bit

about the mural and she was a little bit hesitant about answering so I pushed

hesitant about answering so I pushed

hesitant about answering so I pushed because I wanted to hear her opinion I

because I wanted to hear her opinion I

because I wanted to hear her opinion I wanted to know what she felt about this

wanted to know what she felt about this

wanted to know what she felt about this specific mural and after you know a few

specific mural and after you know a few

specific mural and after you know a few moments she finally turned to me and

moments she finally turned to me and

moments she finally turned to me and said you know I love the dog the dog is

said you know I love the dog the dog is

said you know I love the dog the dog is great nothing wrong with the dog but the

great nothing wrong with the dog but the

great nothing wrong with the dog but the little girl she kind of creeps me out

little girl she kind of creeps me out

little girl she kind of creeps me out yeah now this moment was great for two

yeah now this moment was great for two

yeah now this moment was great for two reason the first one being that that

reason the first one being that that

reason the first one being that that little girl’s face was in fact modeled

little girl’s face was in fact modeled

little girl’s face was in fact modeled after mine yeah I’m not even joking this

after mine yeah I’m not even joking this

after mine yeah I’m not even joking this is great

is great

is great and the second reason was that she was

and the second reason was that she was

and the second reason was that she was engaging actively and confidently in art

engaging actively and confidently in art

engaging actively and confidently in art and that’s why I do what I do I want to

and that’s why I do what I do I want to

and that’s why I do what I do I want to make art accessible I want it to impact

make art accessible I want it to impact

make art accessible I want it to impact your day to day lives and I want

your day to day lives and I want

your day to day lives and I want everyone to have access to the

everyone to have access to the

everyone to have access to the inspiration that it can instill when you

inspiration that it can instill when you

inspiration that it can instill when you navigate in the city in the public space

navigate in the city in the public space

navigate in the city in the public space you can experience it with the beauty of

you can experience it with the beauty of

you can experience it with the beauty of street art and that is an idea where

street art and that is an idea where

street art and that is an idea where spray-painting

spray-painting

spray-painting [Music]

[Music]

[Music] [Applause]

[Applause]

[Applause] [Music]

[Music]

[Music] [Applause]

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